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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 99 110 it is the complementary color RGB 185 156 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 99 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 99 110 shade: RGB 75 99 105, RGB 92 117 124, RGB 109 135 143, RGB 126 153 162 and RGB 143 171 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 99 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 99 110 shade: RGB 70 99 110, RGB 53 81 91, RGB 36 63 72, RGB 19 45 53 and RGB 2 27 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 99 110 shade: RGB 69 98 108, RGB 69 87 108, RGB 69 76 108, RGB 72 69 108 and RGB 83 69 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 99 110 shade: RGB 69 98 108, RGB 69 87 108, RGB 69 76 108 and RGB 69 69 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 99 110 shade matches the following richer shades: RGB 69 98 108, RGB 55 104 123, RGB 40 111 137, RGB 26 117 152 and RGB 11 124 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 99 110 shade: RGB 69 98 108, RGB 84 91 94, RGB 98 85 80, RGB 112 78 65 and RGB 127 72 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 99 110 shade: RGB 69 108 98, RGB 69 108 108, RGB 69 98 108, RGB 69 87 108 and RGB 69 77 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 99 110 shade: RGB 37 52 58, RGB 53 75 83, RGB 69 98 108, RGB 85 120 134 and RGB 103 142 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 99 110 shade: RGB 70 99 110, RGB 87 69 108 and RGB 108 103 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 99 110 shade: RGB 70 99 110, RGB 108 69 98 and RGB 98 108 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 99 110 shade: RGB 70 99 110, RGB 87 69 108, RGB 108 80 69 and RGB 90 108 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 99 110 shade: RGB 70 99 110, RGB 99 69 108, RGB 108 80 69 and RGB 78 108 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

Complementary color

CMYK 0 / 16 / 22 / 27

HEX #B99C91

RGB 185 156 145

HSL 16.5, 0.22%, 0.65%

LAB 66.62, 8.97, 9.74

 

CMYK 29 / 6 / 0 / 59

HEX #4B6369

RGB 75 99 105

HSL 192, 0.17%, 0.35%

LAB 40.31, -7.36, -6.32

 

CMYK 26 / 6 / 0 / 51

HEX #5C757C

RGB 92 117 124

HSL 193.13, 0.15%, 0.42%

LAB 47.56, -7.35, -6.84

 

CMYK 24 / 6 / 0 / 44

HEX #6D878F

RGB 109 135 143

HSL 194.12, 0.13%, 0.49%

LAB 54.62, -7.35, -7.35

 

CMYK 22 / 6 / 0 / 36

HEX #7E99A2

RGB 126 153 162

HSL 195, 0.16%, 0.56%

LAB 61.5, -7.36, -7.85

 

CMYK 21 / 6 / 0 / 29

HEX #8FABB5

RGB 143 171 181

HSL 195.79, 0.2%, 0.64%

LAB 68.24, -7.38, -8.34

 

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

CMYK 42 / 11 / 0 / 64

HEX #35515B

RGB 53 81 91

HSL 195.79, 0.26%, 0.28%

LAB 32.69, -7.55, -9.17

 

CMYK 50 / 13 / 0 / 72

HEX #243F48

RGB 36 63 72

HSL 195, 0.33%, 0.21%

LAB 24.95, -7.42, -8.7

 

CMYK 64 / 15 / 0 / 79

HEX #132D35

RGB 19 45 53

HSL 194.12, 0.47%, 0.14%

LAB 16.86, -7.13, -8.19

 

CMYK 94 / 21 / 0 / 87

HEX #021B22

RGB 2 27 34

HSL 193.13, 0.89%, 0.07%

LAB 8.24, -6.6, -7.73

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 36 / 19 / 0 / 58

HEX #45576C

RGB 69 87 108

HSL 212.31, 0.22%, 0.35%

LAB 36.3, -1.22, -14.27

 

CMYK 36 / 30 / 0 / 58

HEX #454C6C

RGB 69 76 108

HSL 229.23, 0.22%, 0.35%

LAB 32.96, 5.76, -19.41

 

CMYK 33 / 36 / 0 / 58

HEX #48456C

RGB 72 69 108

HSL 244.62, 0.22%, 0.35%

LAB 31.15, 11.28, -22.2

 

CMYK 23 / 36 / 0 / 58

HEX #53456C

RGB 83 69 108

HSL 261.54, 0.22%, 0.35%

LAB 32.21, 14.94, -20.47

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 36 / 19 / 0 / 58

HEX #45576C

RGB 69 87 108

HSL 212.31, 0.22%, 0.35%

LAB 36.3, -1.22, -14.27

 

CMYK 36 / 30 / 0 / 58

HEX #454C6C

RGB 69 76 108

HSL 229.23, 0.22%, 0.35%

LAB 32.96, 5.76, -19.41

 

CMYK 36 / 36 / 0 / 58

HEX #45456C

RGB 69 69 108

HSL 240, 0.22%, 0.35%

LAB 30.89, 10.33, -22.63

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 55 / 15 / 0 / 52

HEX #37687B

RGB 55 104 123

HSL 196.76, 0.38%, 0.35%

LAB 41.44, -10.76, -15.68

 

CMYK 71 / 19 / 0 / 46

HEX #286F89

RGB 40 111 137

HSL 196.08, 0.55%, 0.35%

LAB 43.69, -13.08, -20.7

 

CMYK 83 / 23 / 0 / 40

HEX #1A7598

RGB 26 117 152

HSL 196.67, 0.71%, 0.35%

LAB 45.92, -12.93, -26.19

 

CMYK 93 / 25 / 0 / 35

HEX #0B7CA6

RGB 11 124 166

HSL 196.26, 0.88%, 0.35%

LAB 48.56, -12.79, -30.3

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 11 / 3 / 0 / 63

HEX #545B5E

RGB 84 91 94

HSL 198, 0.06%, 0.35%

LAB 38.15, -2.06, -2.67

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 30 / 42 / 56

HEX #704E41

RGB 112 78 65

HSL 16.6, 0.27%, 0.35%

LAB 36.51, 12.52, 13.4

 

CMYK 0 / 43 / 60 / 50

HEX #7F4833

RGB 127 72 51

HSL 16.58, 0.43%, 0.35%

LAB 36.72, 21.27, 22.63

 

CMYK 36 / 0 / 9 / 58

HEX #456C62

RGB 69 108 98

HSL 164.62, 0.22%, 0.35%

LAB 42.57, -16.25, 1.23

 

CMYK 36 / 0 / 0 / 58

HEX #456C6C

RGB 69 108 108

HSL 180, 0.22%, 0.35%

LAB 42.87, -13.67, -4.38

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 36 / 19 / 0 / 58

HEX #45576C

RGB 69 87 108

HSL 212.31, 0.22%, 0.35%

LAB 36.3, -1.22, -14.27

 

CMYK 36 / 29 / 0 / 58

HEX #454D6C

RGB 69 77 108

HSL 227.69, 0.22%, 0.35%

LAB 33.26, 5.11, -18.95

 

CMYK 36 / 10 / 0 / 77

HEX #25343A

RGB 37 52 58

HSL 197.14, 0.22%, 0.19%

LAB 20.65, -4.4, -5.78

 

CMYK 36 / 10 / 0 / 67

HEX #354B53

RGB 53 75 83

HSL 196, 0.22%, 0.27%

LAB 30.43, -6.21, -7.48

 

CMYK 36 / 9 / 0 / 58

HEX #45626C

RGB 69 98 108

HSL 195.38, 0.22%, 0.35%

LAB 39.72, -7.9, -9.08

 

CMYK 37 / 10 / 0 / 47

HEX #557886

RGB 85 120 134

HSL 197.14, 0.22%, 0.43%

LAB 48.37, -8.66, -11.61

 

CMYK 34 / 10 / 0 / 38

HEX #678E9D

RGB 103 142 157

HSL 196.67, 0.22%, 0.51%

LAB 56.75, -9.61, -12.27

 

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

CMYK 19 / 36 / 0 / 58

HEX #57456C

RGB 87 69 108

HSL 267.69, 0.22%, 0.35%

LAB 32.62, 16.31, -19.8

 

CMYK 0 / 5 / 36 / 58

HEX #6C6745

RGB 108 103 69

HSL 52.31, 0.22%, 0.35%

LAB 43.24, -3.75, 19.92

 

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

CMYK 0 / 36 / 9 / 58

HEX #6C4562

RGB 108 69 98

HSL 315.38, 0.22%, 0.35%

LAB 34.65, 21.71, -10.15

 

CMYK 9 / 0 / 36 / 58

HEX #626C45

RGB 98 108 69

HSL 75.38, 0.22%, 0.35%

LAB 43.87, -10.97, 20.6

 

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

CMYK 19 / 36 / 0 / 58

HEX #57456C

RGB 87 69 108

HSL 267.69, 0.22%, 0.35%

LAB 32.62, 16.31, -19.8

 

CMYK 0 / 26 / 36 / 58

HEX #6C5045

RGB 108 80 69

HSL 16.92, 0.22%, 0.35%

LAB 36.66, 10.06, 11.05

 

CMYK 17 / 0 / 36 / 58

HEX #5A6C45

RGB 90 108 69

HSL 87.69, 0.22%, 0.35%

LAB 43.25, -14.33, 19.67

 

CMYK 36 / 10 / 0 / 57

HEX #46636E

RGB 70 99 110

HSL 196.5, 0.22%, 0.35%

LAB 40.17, -7.62, -9.63

 

CMYK 8 / 36 / 0 / 58

HEX #63456C

RGB 99 69 108

HSL 286.15, 0.22%, 0.35%

LAB 33.97, 20.52, -17.61

 

CMYK 0 / 26 / 36 / 58

HEX #6C5045

RGB 108 80 69

HSL 16.92, 0.22%, 0.35%

LAB 36.66, 10.06, 11.05

 

CMYK 28 / 0 / 36 / 58

HEX #4E6C45

RGB 78 108 69

HSL 106.15, 0.22%, 0.35%

LAB 42.42, -19.14, 18.41

 

Description

Color code: RGB 70 99 110 | qconv.com Color code: RGB 70 99 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 99 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 99 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 10 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 10% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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