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Color name
RGB 70 11 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 11 90 it is the complementary color RGB 185 244 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 11 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 11 90 shade: RGB 75 11 85, RGB 92 29 104, RGB 109 47 123, RGB 126 65 142 and RGB 143 83 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 11 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 53 0 71, RGB 36 0 52, RGB 19 0 33 and RGB 2 0 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 90 11 89, RGB 90 11 68, RGB 90 11 46 and RGB 90 11 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 49 11 90, RGB 27 11 90 and RGB 11 11 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 11 90 shade matches the following richer shades: RGB 70 11 90 and RGB 74 2 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 66 19 82, RGB 62 27 74, RGB 58 35 66 and RGB 54 44 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 11 90 shade: RGB 27 11 90, RGB 48 11 90, RGB 69 11 90, RGB 90 11 90 and RGB 90 11 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 11 90 shade: RGB 13 2 17, RGB 42 6 54, RGB 70 11 90, RGB 99 15 127 and RGB 127 20 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 90 11 16 and RGB 11 90 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 90 69 11 and RGB 11 90 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 90 11 16, RGB 32 90 11 and RGB 11 90 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 11 90 shade: RGB 70 11 90, RGB 90 29 11, RGB 32 90 11 and RGB 11 72 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

Complementary color

CMYK 24 / 0 / 32 / 4

HEX #B9F4A5

RGB 185 244 165

HSL 104.81, 0.78%, 0.8%

LAB 90.66, -32.85, 32.23

 

CMYK 12 / 87 / 0 / 67

HEX #4B0B55

RGB 75 11 85

HSL 291.89, 0.77%, 0.19%

LAB 17.42, 38.97, -28.89

 

CMYK 12 / 72 / 0 / 59

HEX #5C1D68

RGB 92 29 104

HSL 290.4, 0.56%, 0.26%

LAB 24.17, 39.88, -30.49

 

CMYK 11 / 62 / 0 / 52

HEX #6D2F7B

RGB 109 47 123

HSL 288.95, 0.45%, 0.33%

LAB 31.15, 39.69, -31.37

 

CMYK 11 / 54 / 0 / 44

HEX #7E418E

RGB 126 65 142

HSL 287.53, 0.37%, 0.41%

LAB 38.14, 39.07, -31.9

 

CMYK 11 / 48 / 0 / 37

HEX #8F53A1

RGB 143 83 161

HSL 286.15, 0.32%, 0.48%

LAB 45.08, 38.29, -32.26

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 25 / 100 / 0 / 72

HEX #350047

RGB 53 0 71

HSL 284.79, 1%, 0.14%

LAB 10.64, 35.92, -30.41

 

CMYK 31 / 100 / 0 / 80

HEX #240034

RGB 36 0 52

HSL 281.54, 1%, 0.1%

LAB 5.63, 27.79, -25.06

 

CMYK 42 / 100 / 0 / 87

HEX #130021

RGB 19 0 33

HSL 274.55, 1%, 0.06%

LAB 2.24, 12.58, -16.04

 

CMYK 86 / 100 / 0 / 95

HEX #02000E

RGB 2 0 14

HSL 248.57, 1%, 0.03%

LAB 0.4, 2.54, -5.29

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 0 / 88 / 1 / 65

HEX #5A0B59

RGB 90 11 89

HSL 300.76, 0.78%, 0.2%

LAB 20.57, 42.97, -26.37

 

CMYK 0 / 88 / 24 / 65

HEX #5A0B44

RGB 90 11 68

HSL 316.71, 0.78%, 0.2%

LAB 19.35, 39.6, -14

 

CMYK 0 / 88 / 49 / 65

HEX #5A0B2E

RGB 90 11 46

HSL 333.42, 0.78%, 0.2%

LAB 18.41, 36.87, 0.06

 

CMYK 0 / 88 / 72 / 65

HEX #5A0B19

RGB 90 11 25

HSL 349.37, 0.78%, 0.2%

LAB 17.84, 35.16, 14.33

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 46 / 88 / 0 / 65

HEX #310B5A

RGB 49 11 90

HSL 268.86, 0.78%, 0.2%

LAB 13.41, 35.2, -38.97

 

CMYK 70 / 88 / 0 / 65

HEX #1B0B5A

RGB 27 11 90

HSL 252.15, 0.78%, 0.2%

LAB 10.63, 32.23, -43.64

 

CMYK 88 / 88 / 0 / 65

HEX #0B0B5A

RGB 11 11 90

HSL 240, 0.78%, 0.2%

LAB 9.39, 30.93, -45.74

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 25 / 98 / 0 / 61

HEX #4A0263

RGB 74 2 99

HSL 284.54, 0.96%, 0.2%

LAB 17.46, 44.33, -38.2

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 20 / 77 / 0 / 68

HEX #421352

RGB 66 19 82

HSL 284.76, 0.62%, 0.2%

LAB 16.67, 33.15, -28.15

 

CMYK 16 / 64 / 0 / 71

HEX #3E1B4A

RGB 62 27 74

HSL 284.68, 0.47%, 0.2%

LAB 17, 25.9, -22.19

 

CMYK 12 / 47 / 0 / 74

HEX #3A2342

RGB 58 35 66

HSL 284.52, 0.31%, 0.2%

LAB 17.9, 17.49, -15.31

 

CMYK 5 / 23 / 0 / 78

HEX #362C39

RGB 54 44 57

HSL 286.15, 0.13%, 0.2%

LAB 19.56, 7.5, -6.59

 

CMYK 70 / 88 / 0 / 65

HEX #1B0B5A

RGB 27 11 90

HSL 252.15, 0.78%, 0.2%

LAB 10.63, 32.23, -43.64

 

CMYK 47 / 88 / 0 / 65

HEX #300B5A

RGB 48 11 90

HSL 268.1, 0.78%, 0.2%

LAB 13.27, 35.04, -39.22

 

CMYK 23 / 88 / 0 / 65

HEX #450B5A

RGB 69 11 90

HSL 284.05, 0.78%, 0.2%

LAB 16.71, 38.79, -33.45

 

CMYK 0 / 88 / 0 / 65

HEX #5A0B5A

RGB 90 11 90

HSL 300, 0.78%, 0.2%

LAB 20.64, 43.15, -26.93

 

CMYK 0 / 88 / 23 / 65

HEX #5A0B45

RGB 90 11 69

HSL 315.95, 0.78%, 0.2%

LAB 19.4, 39.74, -14.62

 

CMYK 24 / 88 / 0 / 93

HEX #0D0211

RGB 13 2 17

HSL 284, 0.79%, 0.04%

LAB 1.53, 5.24, -5.2

 

CMYK 22 / 89 / 0 / 79

HEX #2A0636

RGB 42 6 54

HSL 285, 0.8%, 0.12%

LAB 8.03, 26.82, -22.6

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 22 / 88 / 0 / 50

HEX #630F7F

RGB 99 15 127

HSL 285, 0.79%, 0.28%

LAB 25.34, 50.94, -43.3

 

CMYK 23 / 88 / 0 / 36

HEX #7F14A4

RGB 127 20 164

HSL 284.58, 0.78%, 0.36%

LAB 33.33, 61.71, -52.95

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 0 / 88 / 82 / 65

HEX #5A0B10

RGB 90 11 16

HSL 356.2, 0.78%, 0.2%

LAB 17.69, 34.71, 20.07

 

CMYK 88 / 0 / 59 / 65

HEX #0B5A25

RGB 11 90 37

HSL 139.75, 0.78%, 0.2%

LAB 32.96, -35.26, 24.11

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 0 / 23 / 88 / 65

HEX #5A450B

RGB 90 69 11

HSL 44.05, 0.78%, 0.2%

LAB 30.53, 2.91, 35.41

 

CMYK 88 / 0 / 23 / 65

HEX #0B5A45

RGB 11 90 69

HSL 164.05, 0.78%, 0.2%

LAB 33.59, -28.06, 5.83

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 0 / 88 / 82 / 65

HEX #5A0B10

RGB 90 11 16

HSL 356.2, 0.78%, 0.2%

LAB 17.69, 34.71, 20.07

 

CMYK 64 / 0 / 88 / 65

HEX #205A0B

RGB 32 90 11

HSL 104.05, 0.78%, 0.2%

LAB 33.23, -33.87, 36.25

 

CMYK 88 / 0 / 6 / 65

HEX #0B5A55

RGB 11 90 85

HSL 176.2, 0.78%, 0.2%

LAB 34.06, -23.18, -3.49

 

CMYK 22 / 88 / 0 / 65

HEX #460B5A

RGB 70 11 90

HSL 284.81, 0.78%, 0.2%

LAB 16.89, 38.99, -33.15

 

CMYK 0 / 68 / 88 / 65

HEX #5A1D0B

RGB 90 29 11

HSL 13.67, 0.78%, 0.2%

LAB 20.35, 27.06, 25.62

 

CMYK 64 / 0 / 88 / 65

HEX #205A0B

RGB 32 90 11

HSL 104.05, 0.78%, 0.2%

LAB 33.23, -33.87, 36.25

 

CMYK 88 / 20 / 0 / 65

HEX #0B485A

RGB 11 72 90

HSL 193.67, 0.78%, 0.2%

LAB 27.96, -11.33, -15.91

 

Description

Color code: RGB 70 11 90 | qconv.com Color code: RGB 70 11 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 11 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 11 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 88 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 88% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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