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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 164 93 it is the complementary color RGB 185 91 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 164 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 164 93 shade: RGB 75 164 88, RGB 92 182 107, RGB 109 200 126, RGB 126 218 145 and RGB 143 236 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 164 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 53 146 74, RGB 36 128 55, RGB 19 110 36 and RGB 2 92 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 72 164 70, RGB 98 164 70, RGB 123 164 70 and RGB 148 164 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 70 164 118, RGB 70 164 143, RGB 70 159 164 and RGB 70 133 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 164 93 shade matches the following richer shades: RGB 70 164 93, RGB 51 183 83, RGB 32 202 73 and RGB 13 221 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 89 145 103, RGB 108 126 112, RGB 127 107 122 and RGB 146 88 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 164 93 shade: RGB 98 164 70, RGB 73 164 70, RGB 70 164 92, RGB 70 164 117 and RGB 70 164 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 164 93 shade: RGB 45 106 60, RGB 58 135 76, RGB 70 164 93, RGB 91 184 114 and RGB 119 197 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 70 123 164 and RGB 164 70 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 92 70 164 and RGB 164 92 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 70 123 164, RGB 164 70 142 and RGB 164 111 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 164 93 shade: RGB 70 164 93, RGB 70 95 164, RGB 164 70 142 and RGB 164 139 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

Complementary color

CMYK 0 / 51 / 12 / 27

HEX #B95BA2

RGB 185 91 162

HSL 314.68, 0.4%, 0.54%

LAB 52.29, 47.09, -21.22

 

CMYK 54 / 0 / 46 / 36

HEX #4BA458

RGB 75 164 88

HSL 128.76, 0.37%, 0.47%

LAB 60.56, -43.2, 31.45

 

CMYK 49 / 0 / 41 / 29

HEX #5CB66B

RGB 92 182 107

HSL 130, 0.38%, 0.54%

LAB 67.12, -43.15, 30.08

 

CMYK 46 / 0 / 37 / 22

HEX #6DC87E

RGB 109 200 126

HSL 131.21, 0.45%, 0.61%

LAB 73.59, -43, 28.8

 

CMYK 42 / 0 / 33 / 15

HEX #7EDA91

RGB 126 218 145

HSL 132.39, 0.55%, 0.67%

LAB 79.97, -42.78, 27.58

 

CMYK 39 / 0 / 31 / 7

HEX #8FECA4

RGB 143 236 164

HSL 133.55, 0.71%, 0.74%

LAB 86.26, -42.54, 26.44

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 64 / 0 / 49 / 43

HEX #35924A

RGB 53 146 74

HSL 133.55, 0.47%, 0.39%

LAB 53.82, -43.46, 30.14

 

CMYK 72 / 0 / 57 / 50

HEX #248037

RGB 36 128 55

HSL 132.39, 0.56%, 0.32%

LAB 47.09, -42.9, 31.68

 

CMYK 83 / 0 / 67 / 57

HEX #136E24

RGB 19 110 36

HSL 131.21, 0.71%, 0.25%

LAB 40.28, -41.69, 33.14

 

CMYK 98 / 0 / 82 / 64

HEX #025C11

RGB 2 92 17

HSL 130, 0.96%, 0.18%

LAB 33.37, -39.55, 34.07

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 56 / 0 / 57 / 36

HEX #48A446

RGB 72 164 70

HSL 118.72, 0.4%, 0.46%

LAB 60.22, -46.54, 40.08

 

CMYK 40 / 0 / 57 / 36

HEX #62A446

RGB 98 164 70

HSL 102.13, 0.4%, 0.46%

LAB 61.3, -38.7, 41.61

 

CMYK 25 / 0 / 57 / 36

HEX #7BA446

RGB 123 164 70

HSL 86.17, 0.4%, 0.46%

LAB 62.68, -29.61, 43.57

 

CMYK 10 / 0 / 57 / 36

HEX #94A446

RGB 148 164 70

HSL 70.21, 0.4%, 0.46%

LAB 64.39, -19.5, 45.98

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 57 / 0 / 28 / 36

HEX #46A476

RGB 70 164 118

HSL 150.64, 0.4%, 0.46%

LAB 60.92, -38.85, 15.69

 

CMYK 57 / 0 / 13 / 36

HEX #46A48F

RGB 70 164 143

HSL 166.6, 0.4%, 0.46%

LAB 61.51, -32.99, 2.57

 

CMYK 57 / 3 / 0 / 36

HEX #469FA4

RGB 70 159 164

HSL 183.19, 0.4%, 0.46%

LAB 60.59, -24.87, -10.64

 

CMYK 57 / 19 / 0 / 36

HEX #4685A4

RGB 70 133 164

HSL 199.79, 0.4%, 0.46%

LAB 52.68, -10.98, -22.64

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 72 / 0 / 55 / 28

HEX #33B753

RGB 51 183 83

HSL 134.55, 0.56%, 0.46%

LAB 65.9, -56.32, 40.43

 

CMYK 84 / 0 / 64 / 21

HEX #20CA49

RGB 32 202 73

HSL 134.47, 0.73%, 0.46%

LAB 71.57, -66.27, 51.51

 

CMYK 94 / 0 / 71 / 13

HEX #0DDD40

RGB 13 221 64

HSL 134.71, 0.89%, 0.46%

LAB 77.38, -74.03, 61.27

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 39 / 0 / 29 / 43

HEX #599167

RGB 89 145 103

HSL 135, 0.24%, 0.46%

LAB 55.44, -27.9, 16.62

 

CMYK 14 / 0 / 11 / 51

HEX #6C7E70

RGB 108 126 112

HSL 133.33, 0.08%, 0.46%

LAB 51.01, -9.53, 5.41

 

CMYK 0 / 16 / 4 / 50

HEX #7F6B7A

RGB 127 107 122

HSL 315, 0.09%, 0.46%

LAB 47.54, 10.71, -5.38

 

CMYK 0 / 40 / 10 / 43

HEX #925884

RGB 146 88 132

HSL 314.48, 0.25%, 0.46%

LAB 45.3, 30.72, -14.54

 

CMYK 40 / 0 / 57 / 36

HEX #62A446

RGB 98 164 70

HSL 102.13, 0.4%, 0.46%

LAB 61.3, -38.7, 41.61

 

CMYK 55 / 0 / 57 / 36

HEX #49A446

RGB 73 164 70

HSL 118.09, 0.4%, 0.46%

LAB 60.26, -46.27, 40.13

 

CMYK 57 / 0 / 44 / 36

HEX #46A45C

RGB 70 164 92

HSL 134.04, 0.4%, 0.46%

LAB 60.45, -43.82, 29.17

 

CMYK 57 / 0 / 29 / 36

HEX #46A475

RGB 70 164 117

HSL 150, 0.4%, 0.46%

LAB 60.9, -39.06, 16.21

 

CMYK 57 / 0 / 13 / 36

HEX #46A48E

RGB 70 164 142

HSL 165.96, 0.4%, 0.46%

LAB 61.49, -33.25, 3.09

 

CMYK 58 / 0 / 43 / 58

HEX #2D6A3C

RGB 45 106 60

HSL 134.75, 0.4%, 0.3%

LAB 39.9, -30.86, 20.01

 

CMYK 57 / 0 / 44 / 47

HEX #3A874C

RGB 58 135 76

HSL 134.03, 0.4%, 0.38%

LAB 50.39, -37.36, 24.72

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 51 / 0 / 38 / 28

HEX #5BB872

RGB 91 184 114

HSL 134.84, 0.4%, 0.54%

LAB 67.81, -43.09, 27.31

 

CMYK 40 / 0 / 30 / 23

HEX #77C58A

RGB 119 197 138

HSL 134.62, 0.4%, 0.62%

LAB 73.34, -36.68, 22.23

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 57 / 25 / 0 / 36

HEX #467BA4

RGB 70 123 164

HSL 206.17, 0.4%, 0.46%

LAB 49.68, -5.24, -27.29

 

CMYK 0 / 57 / 48 / 36

HEX #A44656

RGB 164 70 86

HSL 349.79, 0.4%, 0.46%

LAB 42.68, 40.34, 10.07

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 44 / 57 / 0 / 36

HEX #5C46A4

RGB 92 70 164

HSL 254.04, 0.4%, 0.46%

LAB 36.62, 32.79, -47.85

 

CMYK 0 / 44 / 57 / 36

HEX #A45C46

RGB 164 92 70

HSL 14.04, 0.4%, 0.46%

LAB 46.96, 27.21, 25.44

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 57 / 25 / 0 / 36

HEX #467BA4

RGB 70 123 164

HSL 206.17, 0.4%, 0.46%

LAB 49.68, -5.24, -27.29

 

CMYK 0 / 57 / 13 / 36

HEX #A4468E

RGB 164 70 142

HSL 314.04, 0.4%, 0.46%

LAB 44.56, 47.75, -21.49

 

CMYK 0 / 32 / 57 / 36

HEX #A46F46

RGB 164 111 70

HSL 26.17, 0.4%, 0.46%

LAB 51.5, 16.51, 31.13

 

CMYK 57 / 0 / 43 / 36

HEX #46A45D

RGB 70 164 93

HSL 134.68, 0.4%, 0.46%

LAB 60.47, -43.65, 28.66

 

CMYK 57 / 42 / 0 / 36

HEX #465FA4

RGB 70 95 164

HSL 224.04, 0.4%, 0.46%

LAB 41.48, 11.95, -40.17

 

CMYK 0 / 57 / 13 / 36

HEX #A4468E

RGB 164 70 142

HSL 314.04, 0.4%, 0.46%

LAB 44.56, 47.75, -21.49

 

CMYK 0 / 15 / 57 / 36

HEX #A48B46

RGB 164 139 70

HSL 44.04, 0.4%, 0.46%

LAB 58.79, 0.74, 39.88

 

Description

Color code: RGB 70 164 93 | qconv.com Color code: RGB 70 164 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 164 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 164 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 43 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 43% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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