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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 195 122 it is the complementary color RGB 185 60 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 195 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 195 122 shade: RGB 75 195 117, RGB 92 213 136, RGB 109 231 155, RGB 126 249 174 and RGB 143 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 195 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 53 177 103, RGB 36 159 84, RGB 19 141 65 and RGB 2 123 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 70 195 88, RGB 85 195 70, RGB 119 195 70 and RGB 152 195 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 70 195 155, RGB 70 195 189, RGB 70 166 195 and RGB 70 133 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 195 122 shade matches the following richer shades: RGB 70 195 122, RGB 50 214 118, RGB 30 234 115 and RGB 10 254 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 89 175 125, RGB 109 155 128, RGB 129 135 132 and RGB 149 115 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 195 122 shade: RGB 86 195 70, RGB 70 195 86, RGB 70 195 120, RGB 70 195 153 and RGB 70 195 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 195 122 shade: RGB 44 137 83, RGB 54 169 102, RGB 70 195 122, RGB 101 205 144 and RGB 132 215 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 70 120 195 and RGB 195 70 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 120 70 195 and RGB 195 120 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 70 120 195, RGB 195 70 145 and RGB 195 145 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 195 122 shade: RGB 70 195 122, RGB 70 82 195, RGB 195 70 145 and RGB 195 182 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

Complementary color

CMYK 0 / 68 / 28 / 27

HEX #B93C85

RGB 185 60 133

HSL 324.96, 0.51%, 0.48%

LAB 45.96, 56.91, -13.6

 

CMYK 62 / 0 / 40 / 24

HEX #4BC375

RGB 75 195 117

HSL 141, 0.5%, 0.53%

LAB 70.74, -50.86, 29.5

 

CMYK 57 / 0 / 36 / 16

HEX #5CD588

RGB 92 213 136

HSL 141.82, 0.59%, 0.6%

LAB 77.07, -50.96, 28.13

 

CMYK 53 / 0 / 33 / 9

HEX #6DE79B

RGB 109 231 155

HSL 142.62, 0.72%, 0.67%

LAB 83.32, -50.94, 26.85

 

CMYK 49 / 0 / 30 / 2

HEX #7EF9AE

RGB 126 249 174

HSL 143.41, 0.91%, 0.74%

LAB 89.51, -50.82, 25.65

 

CMYK 44 / 0 / 24 / 0

HEX #8FFFC1

RGB 143 255 193

HSL 146.79, 1%, 0.78%

LAB 92.23, -45.55, 19.82

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 70 / 0 / 42 / 31

HEX #35B167

RGB 53 177 103

HSL 144.19, 0.54%, 0.45%

LAB 64.31, -50.56, 28.29

 

CMYK 77 / 0 / 47 / 38

HEX #249F54

RGB 36 159 84

HSL 143.41, 0.63%, 0.38%

LAB 57.86, -49.81, 29.9

 

CMYK 87 / 0 / 54 / 45

HEX #138D41

RGB 19 141 65

HSL 142.62, 0.76%, 0.31%

LAB 51.35, -48.51, 31.62

 

CMYK 98 / 0 / 63 / 52

HEX #027B2E

RGB 2 123 46

HSL 141.82, 0.97%, 0.25%

LAB 44.77, -46.51, 33.35

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 64 / 0 / 55 / 24

HEX #46C358

RGB 70 195 88

HSL 128.64, 0.51%, 0.52%

LAB 70.2, -56.4, 43.31

 

CMYK 56 / 0 / 64 / 24

HEX #55C346

RGB 85 195 70

HSL 112.8, 0.51%, 0.52%

LAB 70.46, -55.03, 51.86

 

CMYK 39 / 0 / 64 / 24

HEX #77C346

RGB 119 195 70

HSL 96.48, 0.51%, 0.52%

LAB 71.82, -44.95, 53.74

 

CMYK 22 / 0 / 64 / 24

HEX #98C346

RGB 152 195 70

HSL 80.64, 0.51%, 0.52%

LAB 73.64, -32.95, 56.24

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 64 / 0 / 21 / 24

HEX #46C39B

RGB 70 195 155

HSL 160.8, 0.51%, 0.52%

LAB 71.35, -43.99, 10.07

 

CMYK 64 / 0 / 3 / 24

HEX #46C3BD

RGB 70 195 189

HSL 177.12, 0.51%, 0.52%

LAB 72.23, -35.3, -7.15

 

CMYK 64 / 15 / 0 / 24

HEX #46A6C3

RGB 70 166 195

HSL 193.92, 0.51%, 0.52%

LAB 63.77, -19.19, -23.22

 

CMYK 64 / 32 / 0 / 24

HEX #4685C3

RGB 70 133 195

HSL 209.76, 0.51%, 0.52%

LAB 54.05, -0.79, -38.31

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 77 / 0 / 45 / 16

HEX #32D676

RGB 50 214 118

HSL 144.88, 0.67%, 0.52%

LAB 76.12, -61.88, 35.87

 

CMYK 87 / 0 / 51 / 8

HEX #1EEA73

RGB 30 234 115

HSL 145, 0.83%, 0.52%

LAB 82.03, -70.95, 44.74

 

CMYK 96 / 0 / 56 / 0

HEX #0AFE70

RGB 10 254 112

HSL 145.08, 0.99%, 0.52%

LAB 88.03, -78.46, 53.36

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 49 / 0 / 29 / 31

HEX #59AF7D

RGB 89 175 125

HSL 145.12, 0.35%, 0.52%

LAB 65.17, -37.62, 17.82

 

CMYK 30 / 0 / 17 / 39

HEX #6D9B80

RGB 109 155 128

HSL 144.78, 0.19%, 0.52%

LAB 60.12, -21.44, 9.23

 

CMYK 4 / 0 / 2 / 47

HEX #818784

RGB 129 135 132

HSL 150, 0.02%, 0.52%

LAB 55.75, -2.81, 0.84

 

CMYK 0 / 23 / 9 / 42

HEX #957387

RGB 149 115 135

HSL 324.71, 0.14%, 0.52%

LAB 52.29, 16.78, -5.79

 

CMYK 56 / 0 / 64 / 24

HEX #56C346

RGB 86 195 70

HSL 112.32, 0.51%, 0.52%

LAB 70.49, -54.78, 51.9

 

CMYK 64 / 0 / 56 / 24

HEX #46C356

RGB 70 195 86

HSL 127.68, 0.51%, 0.52%

LAB 70.18, -56.66, 44.23

 

CMYK 64 / 0 / 38 / 24

HEX #46C378

RGB 70 195 120

HSL 144, 0.51%, 0.52%

LAB 70.66, -51.33, 27.8

 

CMYK 64 / 0 / 22 / 24

HEX #46C399

RGB 70 195 153

HSL 159.84, 0.51%, 0.52%

LAB 71.3, -44.45, 11.08

 

CMYK 64 / 0 / 5 / 24

HEX #46C3BA

RGB 70 195 186

HSL 175.68, 0.51%, 0.52%

LAB 72.15, -36.12, -5.64

 

CMYK 68 / 0 / 39 / 46

HEX #2C8953

RGB 44 137 83

HSL 145.16, 0.51%, 0.35%

LAB 50.75, -40.08, 21.23

 

CMYK 68 / 0 / 40 / 34

HEX #36A966

RGB 54 169 102

HSL 145.04, 0.52%, 0.44%

LAB 61.76, -47.46, 25.47

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 51 / 0 / 30 / 20

HEX #65CD90

RGB 101 205 144

HSL 144.81, 0.51%, 0.6%

LAB 75.1, -44.01, 21.34

 

CMYK 39 / 0 / 23 / 16

HEX #84D7A6

RGB 132 215 166

HSL 144.58, 0.51%, 0.68%

LAB 79.76, -35.9, 16.36

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 64 / 38 / 0 / 24

HEX #4678C3

RGB 70 120 195

HSL 216, 0.51%, 0.52%

LAB 50.3, 7.03, -44.21

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 38 / 64 / 0 / 24

HEX #7846C3

RGB 120 70 195

HSL 264, 0.51%, 0.52%

LAB 41.71, 47.58, -57.79

 

CMYK 0 / 38 / 64 / 24

HEX #C37846

RGB 195 120 70

HSL 24, 0.51%, 0.52%

LAB 57.54, 24.7, 39.3

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 64 / 38 / 0 / 24

HEX #4678C3

RGB 70 120 195

HSL 216, 0.51%, 0.52%

LAB 50.3, 7.03, -44.21

 

CMYK 0 / 64 / 26 / 24

HEX #C34691

RGB 195 70 145

HSL 324, 0.51%, 0.52%

LAB 49.53, 57.25, -15.25

 

CMYK 0 / 26 / 64 / 24

HEX #C39146

RGB 195 145 70

HSL 36, 0.51%, 0.52%

LAB 63.59, 10.97, 46.24

 

CMYK 64 / 0 / 37 / 24

HEX #46C37A

RGB 70 195 122

HSL 144.96, 0.51%, 0.52%

LAB 70.69, -50.95, 26.8

 

CMYK 64 / 58 / 0 / 24

HEX #4652C3

RGB 70 82 195

HSL 234.24, 0.51%, 0.52%

LAB 40.04, 30.98, -60.7

 

CMYK 0 / 64 / 26 / 24

HEX #C34691

RGB 195 70 145

HSL 324, 0.51%, 0.52%

LAB 49.53, 57.25, -15.25

 

CMYK 0 / 7 / 64 / 24

HEX #C3B646

RGB 195 182 70

HSL 53.76, 0.51%, 0.52%

LAB 73.22, -8.82, 56.75

 

Description

Color code: RGB 70 195 122 | qconv.com Color code: RGB 70 195 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 195 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 195 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 37 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 37% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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