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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 21 32 it is the complementary color RGB 185 234 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 21 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 21 32 shade: RGB 75 21 27, RGB 92 39 46, RGB 109 57 65, RGB 126 75 84 and RGB 143 93 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 21 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 53 3 13, RGB 36 0 0, RGB 19 0 0 and RGB 2 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 21 32 shade: RGB 70 21 32 and RGB 70 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 70 21 45, RGB 70 21 58, RGB 69 21 70 and RGB 55 21 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 21 32 shade matches the following richer shades: RGB 70 21 32, RGB 78 13 28 and RGB 85 6 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 63 28 36, RGB 55 35 40, RGB 48 43 44 and RGB 40 50 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 21 32 shade: RGB 70 21 59, RGB 70 21 45, RGB 70 21 32, RGB 70 22 21 and RGB 70 35 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 21 32 shade: RGB 7 2 3, RGB 38 11 17, RGB 70 21 32, RGB 102 30 46 and RGB 134 40 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 70 69 21 and RGB 21 52 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 32 70 21 and RGB 21 32 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 70 69 21, RGB 21 70 59 and RGB 21 22 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 21 32 shade: RGB 70 21 32, RGB 57 70 21, RGB 21 70 59 and RGB 34 21 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

Complementary color

CMYK 21 / 0 / 5 / 8

HEX #B9EADF

RGB 185 234 223

HSL 166.53, 0.54%, 0.82%

LAB 89.15, -17.87, 0.17

 

CMYK 0 / 72 / 64 / 71

HEX #4B151B

RGB 75 21 27

HSL 353.33, 0.56%, 0.19%

LAB 16.06, 26.03, 9.96

 

CMYK 0 / 58 / 50 / 64

HEX #5C272E

RGB 92 39 46

HSL 352.08, 0.4%, 0.26%

LAB 23.42, 25.03, 7.25

 

CMYK 0 / 48 / 40 / 57

HEX #6D3941

RGB 109 57 65

HSL 350.77, 0.31%, 0.33%

LAB 30.78, 23.9, 5.37

 

CMYK 0 / 40 / 33 / 51

HEX #7E4B54

RGB 126 75 84

HSL 349.41, 0.25%, 0.39%

LAB 38.04, 22.84, 3.94

 

CMYK 0 / 35 / 28 / 44

HEX #8F5D67

RGB 143 93 103

HSL 348, 0.21%, 0.46%

LAB 45.15, 21.91, 2.76

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 94 / 75 / 79

HEX #35030D

RGB 53 3 13

HSL 348, 0.89%, 0.11%

LAB 7.69, 25.33, 6.64

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 70 / 70 / 73

HEX #461515

RGB 70 21 21

HSL 0, 0.54%, 0.18%

LAB 14.91, 23.52, 12.55

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 70 / 36 / 73

HEX #46152D

RGB 70 21 45

HSL 330.61, 0.54%, 0.18%

LAB 15.63, 26.23, -3.8

 

CMYK 0 / 70 / 17 / 73

HEX #46153A

RGB 70 21 58

HSL 314.69, 0.54%, 0.18%

LAB 16.23, 28.35, -12.17

 

CMYK 1 / 70 / 0 / 73

HEX #451546

RGB 69 21 70

HSL 298.78, 0.54%, 0.18%

LAB 16.72, 30.36, -19.81

 

CMYK 21 / 70 / 0 / 73

HEX #371546

RGB 55 21 70

HSL 281.63, 0.54%, 0.18%

LAB 14.35, 26.31, -23.72

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 83 / 64 / 69

HEX #4E0D1C

RGB 78 13 28

HSL 346.15, 0.71%, 0.18%

LAB 15.44, 30.75, 8.51

 

CMYK 0 / 93 / 72 / 67

HEX #550618

RGB 85 6 24

HSL 346.33, 0.87%, 0.18%

LAB 16.14, 35.03, 12.64

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 56 / 43 / 75

HEX #3F1C24

RGB 63 28 36

HSL 346.29, 0.38%, 0.18%

LAB 15.56, 18.07, 2.44

 

CMYK 0 / 36 / 27 / 78

HEX #372328

RGB 55 35 40

HSL 345, 0.22%, 0.18%

LAB 16.34, 10.46, 0.55

 

CMYK 0 / 10 / 8 / 81

HEX #302B2C

RGB 48 43 44

HSL 348, 0.05%, 0.18%

LAB 18.09, 2.5, 0.17

 

CMYK 20 / 0 / 4 / 80

HEX #283230

RGB 40 50 48

HSL 168, 0.11%, 0.18%

LAB 19.83, -4.75, -0.15

 

CMYK 0 / 70 / 16 / 73

HEX #46153B

RGB 70 21 59

HSL 313.47, 0.54%, 0.18%

LAB 16.28, 28.53, -12.8

 

CMYK 0 / 70 / 36 / 73

HEX #46152D

RGB 70 21 45

HSL 330.61, 0.54%, 0.18%

LAB 15.63, 26.23, -3.8

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 69 / 70 / 73

HEX #461615

RGB 70 22 21

HSL 1.22, 0.54%, 0.18%

LAB 15.12, 22.98, 12.81

 

CMYK 0 / 50 / 70 / 73

HEX #462315

RGB 70 35 21

HSL 17.14, 0.54%, 0.18%

LAB 18.18, 15.16, 16.61

 

CMYK 0 / 71 / 57 / 97

HEX #070203

RGB 7 2 3

HSL 348, 0.56%, 0.02%

LAB 0.86, 1.45, 0.08

 

CMYK 0 / 71 / 55 / 85

HEX #260B11

RGB 38 11 17

HSL 346.67, 0.55%, 0.1%

LAB 6.25, 14.39, 2.05

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 71 / 55 / 60

HEX #661E2E

RGB 102 30 46

HSL 346.67, 0.55%, 0.26%

LAB 23.51, 33.52, 7.66

 

CMYK 0 / 70 / 54 / 47

HEX #86283D

RGB 134 40 61

HSL 346.6, 0.54%, 0.34%

LAB 31.63, 41.51, 9.8

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 70 / 26 / 0 / 73

HEX #153446

RGB 21 52 70

HSL 202.04, 0.54%, 0.18%

LAB 20.27, -4.87, -14.59

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 54 / 0 / 70 / 73

HEX #204615

RGB 32 70 21

HSL 106.53, 0.54%, 0.18%

LAB 25.99, -24.35, 24.76

 

CMYK 70 / 54 / 0 / 73

HEX #152046

RGB 21 32 70

HSL 226.53, 0.54%, 0.18%

LAB 13.44, 9.54, -25.38

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 0 / 1 / 70 / 73

HEX #464515

RGB 70 69 21

HSL 58.78, 0.54%, 0.18%

LAB 28.41, -6.76, 28.2

 

CMYK 70 / 0 / 16 / 73

HEX #15463B

RGB 21 70 59

HSL 166.53, 0.54%, 0.18%

LAB 26.32, -19.48, 1.82

 

CMYK 70 / 69 / 0 / 73

HEX #151646

RGB 21 22 70

HSL 238.78, 0.54%, 0.18%

LAB 10.37, 17.12, -30.34

 

CMYK 0 / 70 / 54 / 73

HEX #461520

RGB 70 21 32

HSL 346.53, 0.54%, 0.18%

LAB 15.18, 24.56, 4.98

 

CMYK 19 / 0 / 70 / 73

HEX #394615

RGB 57 70 21

HSL 75.92, 0.54%, 0.18%

LAB 27.58, -13.76, 26.97

 

CMYK 70 / 0 / 16 / 73

HEX #15463B

RGB 21 70 59

HSL 166.53, 0.54%, 0.18%

LAB 26.32, -19.48, 1.82

 

CMYK 51 / 70 / 0 / 73

HEX #221546

RGB 34 21 70

HSL 255.92, 0.54%, 0.18%

LAB 11.41, 20.68, -28.61

 

Description

Color code: RGB 70 21 32 | qconv.com Color code: RGB 70 21 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 21 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 21 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 54 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 54% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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