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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 220 184 it is the complementary color RGB 185 35 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 220 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 220 184 shade: RGB 75 220 179, RGB 92 238 198, RGB 109 255 217, RGB 126 255 236 and RGB 143 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 220 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 220 184 shade: RGB 70 220 184, RGB 53 202 165, RGB 36 184 146, RGB 19 166 127 and RGB 2 148 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 220 184 shade: RGB 70 219 184, RGB 70 219 143, RGB 70 219 103, RGB 78 219 70 and RGB 118 219 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 220 184 shade: RGB 70 219 184, RGB 70 215 219, RGB 70 175 219, RGB 70 135 219 and RGB 70 94 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 220 184 shade matches the following richer shades: RGB 70 219 184 and RGB 53 237 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 220 184 shade: RGB 70 219 184, RGB 88 202 174, RGB 106 184 165, RGB 124 166 156 and RGB 141 148 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 220 184 shade: RGB 70 219 103, RGB 70 219 142, RGB 70 219 182, RGB 70 217 219 and RGB 70 177 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 220 184 shade: RGB 33 174 140, RGB 39 209 168, RGB 70 219 184, RGB 105 226 197 and RGB 140 233 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 220 184 shade: RGB 70 220 184, RGB 70 78 219 and RGB 219 122 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 220 184 shade: RGB 70 220 184, RGB 182 70 219 and RGB 219 182 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 220 184 shade: RGB 70 220 184, RGB 70 78 219, RGB 219 70 108 and RGB 219 212 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 220 184 shade: RGB 70 220 184, RGB 108 70 219, RGB 219 70 108 and RGB 182 219 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

Complementary color

CMYK 0 / 81 / 62 / 27

HEX #B92347

RGB 185 35 71

HSL 345.6, 0.68%, 0.43%

LAB 41.17, 59.38, 17.97

 

CMYK 66 / 0 / 19 / 14

HEX #4BDCB3

RGB 75 220 179

HSL 163.03, 0.67%, 0.58%

LAB 79.58, -48.11, 8.95

 

CMYK 61 / 0 / 17 / 7

HEX #5CEEC6

RGB 92 238 198

HSL 163.56, 0.81%, 0.65%

LAB 85.76, -48.39, 7.84

 

CMYK 57 / 0 / 15 / 0

HEX #6DFFD9

RGB 109 255 217

HSL 164.38, 1%, 0.71%

LAB 91.59, -48.11, 6.41

 

CMYK 51 / 0 / 7 / 0

HEX #7EFFEC

RGB 126 255 236

HSL 171.16, 1%, 0.75%

LAB 92.58, -40.28, -1.9

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

CMYK 74 / 0 / 18 / 21

HEX #35CAA5

RGB 53 202 165

HSL 165.1, 0.58%, 0.5%

LAB 73.36, -47.1, 7.48

 

CMYK 80 / 0 / 21 / 28

HEX #24B892

RGB 36 184 146

HSL 164.59, 0.67%, 0.43%

LAB 67.08, -46.25, 8.8

 

CMYK 89 / 0 / 23 / 35

HEX #13A67F

RGB 19 166 127

HSL 164.08, 0.79%, 0.36%

LAB 60.73, -45.02, 10.27

 

CMYK 99 / 0 / 27 / 42

HEX #02946C

RGB 2 148 108

HSL 163.56, 0.97%, 0.29%

LAB 54.32, -43.37, 11.91

 

CMYK 68 / 0 / 16 / 14

HEX #46DBB8

RGB 70 219 184

HSL 165.91, 0.67%, 0.57%

LAB 79.29, -47.25, 5.86

 

CMYK 68 / 0 / 35 / 14

HEX #46DB8F

RGB 70 219 143

HSL 149.4, 0.67%, 0.57%

LAB 78.43, -56.27, 26.24

 

CMYK 68 / 0 / 53 / 14

HEX #46DB67

RGB 70 219 103

HSL 133.29, 0.67%, 0.57%

LAB 77.84, -62.91, 45.42

 

CMYK 64 / 0 / 68 / 14

HEX #4EDB46

RGB 78 219 70

HSL 116.78, 0.67%, 0.57%

LAB 77.71, -65.1, 59.65

 

CMYK 46 / 0 / 68 / 14

HEX #76DB46

RGB 118 219 70

HSL 100.67, 0.67%, 0.57%

LAB 79.02, -54.94, 61.42

 

CMYK 68 / 0 / 16 / 14

HEX #46DBB8

RGB 70 219 184

HSL 165.91, 0.67%, 0.57%

LAB 79.29, -47.25, 5.86

 

CMYK 68 / 2 / 0 / 14

HEX #46D7DB

RGB 70 215 219

HSL 181.61, 0.67%, 0.57%

LAB 79.05, -36.22, -13.18

 

CMYK 68 / 20 / 0 / 14

HEX #46AFDB

RGB 70 175 219

HSL 197.72, 0.67%, 0.57%

LAB 67.33, -16.36, -31.01

 

CMYK 68 / 38 / 0 / 14

HEX #4687DB

RGB 70 135 219

HSL 213.83, 0.67%, 0.57%

LAB 55.83, 6.31, -49.04

 

CMYK 68 / 57 / 0 / 14

HEX #465EDB

RGB 70 94 219

HSL 230.34, 0.67%, 0.57%

LAB 44.83, 31.75, -66.73

 

CMYK 68 / 0 / 16 / 14

HEX #46DBB8

RGB 70 219 184

HSL 165.91, 0.67%, 0.57%

LAB 79.29, -47.25, 5.86

 

CMYK 78 / 0 / 19 / 7

HEX #35EDC1

RGB 53 237 193

HSL 165.65, 0.84%, 0.57%

LAB 84.57, -54.56, 8.66

 

CMYK 68 / 0 / 16 / 14

HEX #46DBB8

RGB 70 219 184

HSL 165.91, 0.67%, 0.57%

LAB 79.29, -47.25, 5.86

 

CMYK 56 / 0 / 14 / 21

HEX #58CAAE

RGB 88 202 174

HSL 165.26, 0.52%, 0.57%

LAB 74.43, -39.11, 4.27

 

CMYK 42 / 0 / 10 / 28

HEX #6AB8A5

RGB 106 184 165

HSL 165.38, 0.35%, 0.57%

LAB 69.51, -28.63, 2.13

 

CMYK 25 / 0 / 6 / 35

HEX #7CA69C

RGB 124 166 156

HSL 165.71, 0.19%, 0.57%

LAB 64.93, -16.34, 0.56

 

CMYK 5 / 0 / 1 / 42

HEX #8D9493

RGB 141 148 147

HSL 171.43, 0.03%, 0.57%

LAB 60.74, -2.72, -0.36

 

CMYK 68 / 0 / 53 / 14

HEX #46DB67

RGB 70 219 103

HSL 133.29, 0.67%, 0.57%

LAB 77.84, -62.91, 45.42

 

CMYK 68 / 0 / 35 / 14

HEX #46DB8E

RGB 70 219 142

HSL 148.99, 0.67%, 0.57%

LAB 78.41, -56.46, 26.73

 

CMYK 68 / 0 / 17 / 14

HEX #46DBB6

RGB 70 219 182

HSL 165.1, 0.67%, 0.57%

LAB 79.24, -47.74, 6.85

 

CMYK 68 / 1 / 0 / 14

HEX #46D9DB

RGB 70 217 219

HSL 180.81, 0.67%, 0.57%

LAB 79.64, -37.15, -12.3

 

CMYK 68 / 19 / 0 / 14

HEX #46B1DB

RGB 70 177 219

HSL 196.91, 0.67%, 0.57%

LAB 67.92, -17.42, -30.11

 

CMYK 81 / 0 / 20 / 32

HEX #21AE8C

RGB 33 174 140

HSL 165.53, 0.68%, 0.41%

LAB 63.74, -43.89, 7.35

 

CMYK 81 / 0 / 20 / 18

HEX #27D1A8

RGB 39 209 168

HSL 165.53, 0.69%, 0.49%

LAB 75.36, -50.73, 8.71

 

CMYK 68 / 0 / 16 / 14

HEX #46DBB8

RGB 70 219 184

HSL 165.91, 0.67%, 0.57%

LAB 79.29, -47.25, 5.86

 

CMYK 54 / 0 / 13 / 11

HEX #69E2C5

RGB 105 226 197

HSL 165.62, 0.68%, 0.65%

LAB 82.61, -40.9, 3.88

 

CMYK 40 / 0 / 10 / 9

HEX #8CE9D2

RGB 140 233 210

HSL 165.16, 0.68%, 0.73%

LAB 86.26, -32.92, 2.49

 

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

CMYK 68 / 64 / 0 / 14

HEX #464EDB

RGB 70 78 219

HSL 236.78, 0.67%, 0.57%

LAB 41, 41.63, -72.98

 

CMYK 0 / 44 / 68 / 14

HEX #DB7A46

RGB 219 122 70

HSL 20.94, 0.67%, 0.57%

LAB 61.15, 33.45, 44.29

 

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

CMYK 17 / 68 / 0 / 14

HEX #B646DB

RGB 182 70 219

HSL 285.1, 0.67%, 0.57%

LAB 51.2, 66.22, -55.9

 

CMYK 0 / 17 / 68 / 14

HEX #DBB646

RGB 219 182 70

HSL 45.1, 0.67%, 0.57%

LAB 75.43, 1.44, 59.75

 

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

CMYK 68 / 64 / 0 / 14

HEX #464EDB

RGB 70 78 219

HSL 236.78, 0.67%, 0.57%

LAB 41, 41.63, -72.98

 

CMYK 0 / 68 / 51 / 14

HEX #DB466C

RGB 219 70 108

HSL 344.7, 0.67%, 0.57%

LAB 52.42, 60.39, 11.67

 

CMYK 0 / 3 / 68 / 14

HEX #DBD446

RGB 219 212 70

HSL 57.18, 0.67%, 0.57%

LAB 83.23, -13.93, 67.7

 

CMYK 68 / 0 / 16 / 14

HEX #46DCB8

RGB 70 220 184

HSL 165.6, 0.68%, 0.57%

LAB 79.58, -47.68, 6.29

 

CMYK 51 / 68 / 0 / 14

HEX #6C46DB

RGB 108 70 219

HSL 255.3, 0.67%, 0.57%

LAB 42.28, 51.83, -70.76

 

CMYK 0 / 68 / 51 / 14

HEX #DB466C

RGB 219 70 108

HSL 344.7, 0.67%, 0.57%

LAB 52.42, 60.39, 11.67

 

CMYK 17 / 0 / 68 / 14

HEX #B6DB46

RGB 182 219 70

HSL 74.9, 0.67%, 0.57%

LAB 82.41, -32.37, 65.99

 

Description

Color code: RGB 70 220 184 | qconv.com Color code: RGB 70 220 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 220 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 220 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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