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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 107 129 it is the complementary color RGB 184 148 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 107 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 107 129 shade: RGB 76 107 124, RGB 93 125 143, RGB 110 143 162, RGB 127 161 181 and RGB 144 179 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 107 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 107 129 shade: RGB 71 107 129, RGB 54 89 110, RGB 37 71 91, RGB 20 53 72 and RGB 3 35 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 107 129 shade: RGB 70 106 128, RGB 70 90 128, RGB 70 75 128, RGB 81 70 128 and RGB 97 70 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 107 129 shade: RGB 70 106 128, RGB 70 90 128, RGB 70 75 128 and RGB 70 70 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 107 129 shade matches the following richer shades: RGB 70 106 128, RGB 54 110 144, RGB 38 114 160, RGB 22 118 176 and RGB 6 121 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 107 129 shade: RGB 70 106 128, RGB 86 102 112, RGB 102 98 96, RGB 118 94 80 and RGB 134 90 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 107 129 shade: RGB 70 128 118, RGB 70 122 128, RGB 70 107 128, RGB 70 91 128 and RGB 70 76 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 107 129 shade: RGB 41 62 75, RGB 55 84 101, RGB 70 106 128, RGB 85 128 154 and RGB 107 148 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 107 129 shade: RGB 71 107 129, RGB 103 70 128 and RGB 128 126 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 107 129 shade: RGB 71 107 129, RGB 128 70 107 and RGB 107 128 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 107 129 shade: RGB 71 107 129, RGB 103 70 128, RGB 128 91 70 and RGB 95 128 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 107 129 shade: RGB 71 107 129, RGB 120 70 128, RGB 128 91 70 and RGB 78 128 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

Complementary color

CMYK 0 / 20 / 32 / 28

HEX #B8947E

RGB 184 148 126

HSL 22.76, 0.29%, 0.61%

LAB 64.06, 10.27, 16.74

 

CMYK 39 / 14 / 0 / 51

HEX #4C6B7C

RGB 76 107 124

HSL 201.25, 0.24%, 0.39%

LAB 43.52, -6.57, -13.03

 

CMYK 35 / 13 / 0 / 44

HEX #5D7D8F

RGB 93 125 143

HSL 201.6, 0.21%, 0.46%

LAB 50.66, -6.7, -13.4

 

CMYK 32 / 12 / 0 / 36

HEX #6E8FA2

RGB 110 143 162

HSL 201.92, 0.22%, 0.53%

LAB 57.63, -6.79, -13.77

 

CMYK 30 / 11 / 0 / 29

HEX #7FA1B5

RGB 127 161 181

HSL 202.22, 0.27%, 0.6%

LAB 64.43, -6.88, -14.15

 

CMYK 28 / 11 / 0 / 22

HEX #90B3C8

RGB 144 179 200

HSL 202.5, 0.34%, 0.67%

LAB 71.1, -6.96, -14.52

 

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

CMYK 51 / 19 / 0 / 57

HEX #36596E

RGB 54 89 110

HSL 202.5, 0.34%, 0.32%

LAB 36.09, -6.24, -15.91

 

CMYK 59 / 22 / 0 / 64

HEX #25475B

RGB 37 71 91

HSL 202.22, 0.42%, 0.25%

LAB 28.53, -5.77, -15.61

 

CMYK 72 / 26 / 0 / 72

HEX #143548

RGB 20 53 72

HSL 201.92, 0.57%, 0.18%

LAB 20.68, -4.97, -15.3

 

CMYK 94 / 34 / 0 / 79

HEX #032335

RGB 3 35 53

HSL 201.6, 0.89%, 0.11%

LAB 12.47, -3.72, -15.02

 

CMYK 45 / 17 / 0 / 50

HEX #466A80

RGB 70 106 128

HSL 202.76, 0.29%, 0.39%

LAB 43.02, -6.54, -16.23

 

CMYK 45 / 30 / 0 / 50

HEX #465A80

RGB 70 90 128

HSL 219.31, 0.29%, 0.39%

LAB 38.15, 3.25, -23.74

 

CMYK 45 / 41 / 0 / 50

HEX #464B80

RGB 70 75 128

HSL 234.83, 0.29%, 0.39%

LAB 33.76, 12.9, -30.63

 

CMYK 37 / 45 / 0 / 50

HEX #514680

RGB 81 70 128

HSL 251.38, 0.29%, 0.39%

LAB 33.32, 19.27, -31.25

 

CMYK 24 / 45 / 0 / 50

HEX #614680

RGB 97 70 128

HSL 267.93, 0.29%, 0.39%

LAB 34.96, 24.11, -28.56

 

CMYK 45 / 17 / 0 / 50

HEX #466A80

RGB 70 106 128

HSL 202.76, 0.29%, 0.39%

LAB 43.02, -6.54, -16.23

 

CMYK 45 / 30 / 0 / 50

HEX #465A80

RGB 70 90 128

HSL 219.31, 0.29%, 0.39%

LAB 38.15, 3.25, -23.74

 

CMYK 45 / 41 / 0 / 50

HEX #464B80

RGB 70 75 128

HSL 234.83, 0.29%, 0.39%

LAB 33.76, 12.9, -30.63

 

CMYK 45 / 45 / 0 / 50

HEX #464680

RGB 70 70 128

HSL 240, 0.29%, 0.39%

LAB 32.35, 16.17, -32.86

 

CMYK 45 / 17 / 0 / 50

HEX #466A80

RGB 70 106 128

HSL 202.76, 0.29%, 0.39%

LAB 43.02, -6.54, -16.23

 

CMYK 63 / 24 / 0 / 44

HEX #366E90

RGB 54 110 144

HSL 202.67, 0.45%, 0.39%

LAB 44.16, -7.57, -24.12

 

CMYK 76 / 29 / 0 / 37

HEX #2672A0

RGB 38 114 160

HSL 202.62, 0.62%, 0.39%

LAB 45.61, -6.89, -31.37

 

CMYK 88 / 33 / 0 / 31

HEX #1676B0

RGB 22 118 176

HSL 202.6, 0.78%, 0.39%

LAB 47.32, -4.86, -38.07

 

CMYK 97 / 37 / 0 / 25

HEX #0679C0

RGB 6 121 192

HSL 202.9, 0.94%, 0.39%

LAB 48.91, -1.26, -44.81

 

CMYK 45 / 17 / 0 / 50

HEX #466A80

RGB 70 106 128

HSL 202.76, 0.29%, 0.39%

LAB 43.02, -6.54, -16.23

 

CMYK 23 / 9 / 0 / 56

HEX #566670

RGB 86 102 112

HSL 203.08, 0.13%, 0.39%

LAB 42.23, -3.6, -7.64

 

CMYK 0 / 4 / 6 / 60

HEX #666260

RGB 102 98 96

HSL 20, 0.03%, 0.39%

LAB 41.85, 1.18, 1.69

 

CMYK 0 / 20 / 32 / 54

HEX #765E50

RGB 118 94 80

HSL 22.11, 0.19%, 0.39%

LAB 41.9, 7.52, 11.72

 

CMYK 0 / 33 / 53 / 47

HEX #865A3F

RGB 134 90 63

HSL 22.82, 0.36%, 0.39%

LAB 42.37, 14.87, 22.86

 

CMYK 45 / 0 / 8 / 50

HEX #468076

RGB 70 128 118

HSL 169.66, 0.29%, 0.39%

LAB 49.55, -21.59, -0.49

 

CMYK 45 / 5 / 0 / 50

HEX #467A80

RGB 70 122 128

HSL 186.21, 0.29%, 0.39%

LAB 47.98, -15.67, -8.72

 

CMYK 45 / 16 / 0 / 50

HEX #466B80

RGB 70 107 128

HSL 201.72, 0.29%, 0.39%

LAB 43.32, -7.13, -15.76

 

CMYK 45 / 29 / 0 / 50

HEX #465B80

RGB 70 91 128

HSL 218.28, 0.29%, 0.39%

LAB 38.45, 2.62, -23.27

 

CMYK 45 / 41 / 0 / 50

HEX #464C80

RGB 70 76 128

HSL 233.79, 0.29%, 0.39%

LAB 34.04, 12.24, -30.18

 

CMYK 45 / 17 / 0 / 71

HEX #293E4B

RGB 41 62 75

HSL 202.94, 0.29%, 0.23%

LAB 25.03, -4.29, -10.53

 

CMYK 46 / 17 / 0 / 60

HEX #375465

RGB 55 84 101

HSL 202.17, 0.29%, 0.31%

LAB 34.17, -5.74, -13.22

 

CMYK 45 / 17 / 0 / 50

HEX #466A80

RGB 70 106 128

HSL 202.76, 0.29%, 0.39%

LAB 43.02, -6.54, -16.23

 

CMYK 45 / 17 / 0 / 40

HEX #55809A

RGB 85 128 154

HSL 202.61, 0.29%, 0.47%

LAB 51.5, -7.6, -18.59

 

CMYK 38 / 14 / 0 / 32

HEX #6B94AD

RGB 107 148 173

HSL 202.73, 0.29%, 0.55%

LAB 59.27, -7.56, -17.56

 

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

CMYK 20 / 45 / 0 / 50

HEX #674680

RGB 103 70 128

HSL 274.14, 0.29%, 0.39%

LAB 35.64, 26, -27.45

 

CMYK 0 / 2 / 45 / 50

HEX #807E46

RGB 128 126 70

HSL 57.93, 0.29%, 0.39%

LAB 51.78, -7.9, 30.64

 

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

CMYK 0 / 45 / 16 / 50

HEX #80466B

RGB 128 70 107

HSL 321.72, 0.29%, 0.39%

LAB 37.9, 30.13, -10.64

 

CMYK 16 / 0 / 45 / 50

HEX #6B8046

RGB 107 128 70

HSL 81.72, 0.29%, 0.39%

LAB 50.69, -17.95, 28.92

 

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

CMYK 20 / 45 / 0 / 50

HEX #674680

RGB 103 70 128

HSL 274.14, 0.29%, 0.39%

LAB 35.64, 26, -27.45

 

CMYK 0 / 29 / 45 / 50

HEX #805B46

RGB 128 91 70

HSL 21.72, 0.29%, 0.39%

LAB 42.02, 12.38, 18.11

 

CMYK 26 / 0 / 45 / 50

HEX #5F8046

RGB 95 128 70

HSL 94.14, 0.29%, 0.39%

LAB 49.87, -22.78, 27.71

 

CMYK 45 / 17 / 0 / 49

HEX #476B81

RGB 71 107 129

HSL 202.76, 0.29%, 0.39%

LAB 43.42, -6.55, -16.21

 

CMYK 6 / 45 / 0 / 50

HEX #784680

RGB 120 70 128

HSL 291.72, 0.29%, 0.39%

LAB 37.72, 31.45, -24.04

 

CMYK 0 / 29 / 45 / 50

HEX #805B46

RGB 128 91 70

HSL 21.72, 0.29%, 0.39%

LAB 42.02, 12.38, 18.11

 

CMYK 39 / 0 / 45 / 50

HEX #4E8046

RGB 78 128 70

HSL 111.72, 0.29%, 0.39%

LAB 48.88, -29.07, 26.25

 

Description

Color code: RGB 71 107 129 | qconv.com Color code: RGB 71 107 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 107 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 107 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 17 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 17% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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