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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 108 204 it is the complementary color RGB 184 147 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 108 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 108 204 shade: RGB 76 108 199, RGB 93 126 218, RGB 110 144 237, RGB 127 162 255 and RGB 144 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 108 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 108 204 shade: RGB 71 108 204, RGB 54 90 185, RGB 37 72 166, RGB 20 54 147 and RGB 3 36 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 108 204 shade: RGB 70 108 204, RGB 70 71 204, RGB 105 70 204, RGB 141 70 204 and RGB 177 70 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 108 204 shade: RGB 70 108 204, RGB 70 71 204 and RGB 70 70 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 108 204 shade matches the following richer shades: RGB 70 108 204, RGB 51 99 223 and RGB 32 91 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 108 204 shade: RGB 70 108 204, RGB 89 116 185, RGB 108 124 166, RGB 127 133 147 and RGB 146 141 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 108 204 shade: RGB 70 180 204, RGB 70 144 204, RGB 70 108 204, RGB 70 73 204 and RGB 104 70 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 108 204 shade: RGB 41 72 151, RGB 50 87 183, RGB 70 108 204, RGB 103 133 213 and RGB 135 159 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 108 204 shade: RGB 71 108 204, RGB 193 70 204 and RGB 162 204 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 108 204 shade: RGB 71 108 204, RGB 204 70 108 and RGB 108 204 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 108 204 shade: RGB 71 108 204, RGB 193 70 204, RGB 204 166 70 and RGB 81 204 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 108 204 shade: RGB 71 108 204, RGB 204 70 175, RGB 204 166 70 and RGB 70 204 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

Complementary color

CMYK 0 / 20 / 72 / 28

HEX #B89333

RGB 184 147 51

HSL 43.31, 0.57%, 0.46%

LAB 62.76, 3.95, 53.62

 

CMYK 62 / 46 / 0 / 22

HEX #4C6CC7

RGB 76 108 199

HSL 224.39, 0.52%, 0.54%

LAB 47.48, 16.95, -51

 

CMYK 57 / 42 / 0 / 15

HEX #5D7EDA

RGB 93 126 218

HSL 224.16, 0.63%, 0.61%

LAB 54.36, 15.52, -50.77

 

CMYK 54 / 39 / 0 / 7

HEX #6E90ED

RGB 110 144 237

HSL 223.94, 0.78%, 0.68%

LAB 61.11, 14.33, -50.57

 

CMYK 50 / 36 / 0 / 0

HEX #7FA2FF

RGB 127 162 255

HSL 223.59, 1%, 0.75%

LAB 67.7, 13.03, -49.94

 

CMYK 44 / 29 / 0 / 0

HEX #90B4FF

RGB 144 180 255

HSL 220.54, 1%, 0.78%

LAB 73.41, 6.81, -40.91

 

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

CMYK 71 / 51 / 0 / 27

HEX #365AB9

RGB 54 90 185

HSL 223.51, 0.55%, 0.47%

LAB 40.57, 19.8, -54.04

 

CMYK 78 / 57 / 0 / 35

HEX #2548A6

RGB 37 72 166

HSL 223.72, 0.64%, 0.4%

LAB 33.52, 22.29, -54.25

 

CMYK 86 / 63 / 0 / 42

HEX #143693

RGB 20 54 147

HSL 223.94, 0.76%, 0.33%

LAB 26.43, 25.43, -54.31

 

CMYK 98 / 72 / 0 / 50

HEX #032480

RGB 3 36 128

HSL 224.16, 0.95%, 0.26%

LAB 19.39, 29.2, -54.04

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 66 / 65 / 0 / 20

HEX #4647CC

RGB 70 71 204

HSL 239.55, 0.57%, 0.54%

LAB 38.14, 40.84, -69.02

 

CMYK 49 / 66 / 0 / 20

HEX #6946CC

RGB 105 70 204

HSL 255.67, 0.57%, 0.54%

LAB 40.81, 47.07, -64.55

 

CMYK 31 / 66 / 0 / 20

HEX #8D46CC

RGB 141 70 204

HSL 271.79, 0.57%, 0.54%

LAB 44.8, 54.26, -57.88

 

CMYK 13 / 66 / 0 / 20

HEX #B146CC

RGB 177 70 204

HSL 287.91, 0.57%, 0.54%

LAB 49.6, 62.22, -49.92

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 66 / 65 / 0 / 20

HEX #4647CC

RGB 70 71 204

HSL 239.55, 0.57%, 0.54%

LAB 38.14, 40.84, -69.02

 

CMYK 66 / 66 / 0 / 20

HEX #4646CC

RGB 70 70 204

HSL 240, 0.57%, 0.54%

LAB 37.92, 41.44, -69.39

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 77 / 56 / 0 / 13

HEX #3363DF

RGB 51 99 223

HSL 223.26, 0.73%, 0.54%

LAB 45.57, 27.7, -67.83

 

CMYK 87 / 62 / 0 / 5

HEX #205BF2

RGB 32 91 242

HSL 223.14, 0.89%, 0.54%

LAB 44.52, 38.33, -80.3

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 52 / 37 / 0 / 27

HEX #5974B9

RGB 89 116 185

HSL 223.13, 0.41%, 0.54%

LAB 49.64, 10.06, -39.45

 

CMYK 35 / 25 / 0 / 35

HEX #6C7CA6

RGB 108 124 166

HSL 223.45, 0.25%, 0.54%

LAB 52.24, 4.62, -24.31

 

CMYK 14 / 10 / 0 / 42

HEX #7F8593

RGB 127 133 147

HSL 222, 0.08%, 0.54%

LAB 55.48, 0.79, -8.25

 

CMYK 0 / 3 / 12 / 43

HEX #928D80

RGB 146 141 128

HSL 43.33, 0.08%, 0.54%

LAB 58.71, -0.51, 7.59

 

CMYK 66 / 12 / 0 / 20

HEX #46B4CC

RGB 70 180 204

HSL 190.75, 0.57%, 0.54%

LAB 68.24, -23.65, -21.37

 

CMYK 66 / 29 / 0 / 20

HEX #4690CC

RGB 70 144 204

HSL 206.87, 0.57%, 0.54%

LAB 57.66, -4.15, -37.72

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 66 / 64 / 0 / 20

HEX #4649CC

RGB 70 73 204

HSL 238.66, 0.57%, 0.54%

LAB 38.6, 39.63, -68.28

 

CMYK 49 / 66 / 0 / 20

HEX #6846CC

RGB 104 70 204

HSL 255.22, 0.57%, 0.54%

LAB 40.71, 46.88, -64.72

 

CMYK 73 / 52 / 0 / 41

HEX #294897

RGB 41 72 151

HSL 223.09, 0.57%, 0.38%

LAB 32.57, 16.99, -46.73

 

CMYK 73 / 52 / 0 / 28

HEX #3257B7

RGB 50 87 183

HSL 223.31, 0.57%, 0.46%

LAB 39.43, 20.45, -54.72

 

CMYK 66 / 47 / 0 / 20

HEX #466CCC

RGB 70 108 204

HSL 222.99, 0.57%, 0.54%

LAB 47.48, 17.65, -53.88

 

CMYK 52 / 38 / 0 / 16

HEX #6785D5

RGB 103 133 213

HSL 223.64, 0.57%, 0.62%

LAB 56.55, 11.83, -44.44

 

CMYK 39 / 28 / 0 / 13

HEX #879FDE

RGB 135 159 222

HSL 223.45, 0.57%, 0.7%

LAB 65.92, 7.23, -34.62

 

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

CMYK 5 / 66 / 0 / 20

HEX #C146CC

RGB 193 70 204

HSL 295.07, 0.57%, 0.54%

LAB 51.92, 65.88, -46.08

 

CMYK 21 / 0 / 66 / 20

HEX #A2CC46

RGB 162 204 70

HSL 78.81, 0.57%, 0.54%

LAB 76.87, -33.24, 59.85

 

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

CMYK 0 / 66 / 47 / 20

HEX #CC466C

RGB 204 70 108

HSL 342.99, 0.57%, 0.54%

LAB 49.86, 55.8, 7.68

 

CMYK 47 / 0 / 66 / 20

HEX #6CCC46

RGB 108 204 70

HSL 102.99, 0.57%, 0.54%

LAB 74.07, -52.09, 56.04

 

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

CMYK 5 / 66 / 0 / 20

HEX #C146CC

RGB 193 70 204

HSL 295.07, 0.57%, 0.54%

LAB 51.92, 65.88, -46.08

 

CMYK 0 / 19 / 66 / 20

HEX #CCA646

RGB 204 166 70

HSL 42.99, 0.57%, 0.54%

LAB 69.86, 3.49, 53.41

 

CMYK 60 / 0 / 66 / 20

HEX #51CC46

RGB 81 204 70

HSL 115.07, 0.57%, 0.54%

LAB 73.14, -59.27, 54.76

 

CMYK 65 / 47 / 0 / 20

HEX #476CCC

RGB 71 108 204

HSL 223.31, 0.57%, 0.54%

LAB 47.53, 17.81, -53.8

 

CMYK 0 / 66 / 14 / 20

HEX #CC46AF

RGB 204 70 175

HSL 312.99, 0.57%, 0.54%

LAB 52.19, 63.88, -28.76

 

CMYK 0 / 19 / 66 / 20

HEX #CCA646

RGB 204 166 70

HSL 42.99, 0.57%, 0.54%

LAB 69.86, 3.49, 53.41

 

CMYK 66 / 0 / 51 / 20

HEX #46CC63

RGB 70 204 99

HSL 132.99, 0.57%, 0.54%

LAB 73.15, -58.14, 41.6

 

Description

Color code: RGB 71 108 204 | qconv.com Color code: RGB 71 108 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 108 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 108 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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