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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 128 64 it is the complementary color RGB 184 127 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 128 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 128 64 shade: RGB 76 128 59, RGB 93 146 78, RGB 110 164 97, RGB 127 182 116 and RGB 144 200 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 128 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 54 110 45, RGB 37 92 26, RGB 20 74 7 and RGB 3 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 89 128 64, RGB 106 128 64, RGB 123 128 64 and RGB 128 116 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 64 128 75, RGB 64 128 92, RGB 64 128 109 and RGB 64 128 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 128 64 shade matches the following richer shades: RGB 71 128 64, RGB 59 144 49, RGB 47 160 33, RGB 35 175 17 and RGB 22 191 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 84 113 80, RGB 96 97 96, RGB 108 81 111 and RGB 120 66 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 128 64 shade: RGB 106 128 64, RGB 89 128 64, RGB 72 128 64, RGB 64 128 74 and RGB 64 128 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 128 64 shade: RGB 41 74 37, RGB 56 101 51, RGB 71 128 64, RGB 87 156 78 and RGB 108 176 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 64 123 128 and RGB 128 64 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 64 72 128 and RGB 128 64 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 64 123 128, RGB 121 64 128 and RGB 128 70 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 128 64 shade: RGB 71 128 64, RGB 64 104 128, RGB 121 64 128 and RGB 128 89 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

Complementary color

CMYK 4 / 34 / 0 / 25

HEX #B87FBF

RGB 184 127 191

HSL 293.44, 0.33%, 0.62%

LAB 60.9, 32.84, -24.72

 

CMYK 41 / 0 / 54 / 50

HEX #4C803B

RGB 76 128 59

HSL 105.22, 0.37%, 0.37%

LAB 48.62, -31.33, 31.8

 

CMYK 36 / 0 / 47 / 43

HEX #5D924E

RGB 93 146 78

HSL 106.76, 0.3%, 0.44%

LAB 55.52, -31.22, 30.5

 

CMYK 33 / 0 / 41 / 36

HEX #6EA461

RGB 110 164 97

HSL 108.36, 0.27%, 0.51%

LAB 62.28, -31.05, 29.23

 

CMYK 30 / 0 / 36 / 29

HEX #7FB674

RGB 127 182 116

HSL 110, 0.31%, 0.58%

LAB 68.92, -30.84, 28.02

 

CMYK 28 / 0 / 33 / 22

HEX #90C887

RGB 144 200 135

HSL 111.69, 0.37%, 0.66%

LAB 75.44, -30.63, 26.87

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 51 / 0 / 59 / 57

HEX #366E2D

RGB 54 110 45

HSL 111.69, 0.42%, 0.3%

LAB 41.42, -32.35, 30.23

 

CMYK 60 / 0 / 72 / 64

HEX #255C1A

RGB 37 92 26

HSL 110, 0.56%, 0.23%

LAB 34.24, -32.02, 31.38

 

CMYK 73 / 0 / 91 / 71

HEX #144A07

RGB 20 74 7

HSL 108.36, 0.83%, 0.16%

LAB 26.91, -30.98, 31.66

 

CMYK 95 / 0 / 100 / 78

HEX #033800

RGB 3 56 0

HSL 116.79, 1%, 0.11%

LAB 19.42, -28.63, 26.72

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 30 / 0 / 50 / 50

HEX #598040

RGB 89 128 64

HSL 96.56, 0.33%, 0.38%

LAB 49.41, -25.91, 30.29

 

CMYK 17 / 0 / 50 / 50

HEX #6A8040

RGB 106 128 64

HSL 80.63, 0.33%, 0.38%

LAB 50.54, -19.09, 31.93

 

CMYK 4 / 0 / 50 / 50

HEX #7B8040

RGB 123 128 64

HSL 64.69, 0.33%, 0.38%

LAB 51.86, -11.82, 33.83

 

CMYK 0 / 9 / 50 / 50

HEX #807440

RGB 128 116 64

HSL 48.75, 0.33%, 0.38%

LAB 48.82, -2.91, 30.25

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 50 / 0 / 41 / 50

HEX #40804B

RGB 64 128 75

HSL 130.31, 0.33%, 0.38%

LAB 48.31, -32.76, 22.61

 

CMYK 50 / 0 / 28 / 50

HEX #40805C

RGB 64 128 92

HSL 146.25, 0.33%, 0.38%

LAB 48.64, -29.42, 13.36

 

CMYK 50 / 0 / 15 / 50

HEX #40806D

RGB 64 128 109

HSL 162.19, 0.33%, 0.38%

LAB 49.05, -25.47, 4.02

 

CMYK 50 / 0 / 2 / 50

HEX #40807E

RGB 64 128 126

HSL 178.13, 0.33%, 0.38%

LAB 49.54, -20.98, -5.25

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 59 / 0 / 66 / 44

HEX #3B9031

RGB 59 144 49

HSL 113.68, 0.49%, 0.38%

LAB 53.06, -44.54, 41.59

 

CMYK 71 / 0 / 79 / 37

HEX #2FA021

RGB 47 160 33

HSL 113.39, 0.66%, 0.38%

LAB 57.9, -54.36, 52.64

 

CMYK 80 / 0 / 90 / 31

HEX #23AF11

RGB 35 175 17

HSL 113.16, 0.82%, 0.38%

LAB 62.56, -61.81, 60.73

 

CMYK 88 / 0 / 99 / 25

HEX #16BF02

RGB 22 191 2

HSL 113.65, 0.98%, 0.38%

LAB 67.6, -68.15, 66.86

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 26 / 0 / 29 / 56

HEX #547150

RGB 84 113 80

HSL 112.73, 0.17%, 0.38%

LAB 44.62, -17.58, 15

 

CMYK 1 / 0 / 1 / 62

HEX #606160

RGB 96 97 96

HSL 120, 0.01%, 0.38%

LAB 41.03, -0.6, 0.43

 

CMYK 3 / 27 / 0 / 56

HEX #6C516F

RGB 108 81 111

HSL 294, 0.16%, 0.38%

LAB 38.24, 17.03, -12.86

 

CMYK 6 / 48 / 0 / 50

HEX #78427F

RGB 120 66 127

HSL 293.11, 0.32%, 0.38%

LAB 36.78, 33.52, -24.88

 

CMYK 17 / 0 / 50 / 50

HEX #6A8040

RGB 106 128 64

HSL 80.63, 0.33%, 0.38%

LAB 50.54, -19.09, 31.93

 

CMYK 30 / 0 / 50 / 50

HEX #598040

RGB 89 128 64

HSL 96.56, 0.33%, 0.38%

LAB 49.41, -25.91, 30.29

 

CMYK 44 / 0 / 50 / 50

HEX #488040

RGB 72 128 64

HSL 112.5, 0.33%, 0.38%

LAB 48.49, -32.01, 28.95

 

CMYK 50 / 0 / 42 / 50

HEX #40804A

RGB 64 128 74

HSL 129.38, 0.33%, 0.38%

LAB 48.29, -32.93, 23.14

 

CMYK 50 / 0 / 29 / 50

HEX #40805B

RGB 64 128 91

HSL 145.31, 0.33%, 0.38%

LAB 48.62, -29.64, 13.9

 

CMYK 45 / 0 / 50 / 71

HEX #294A25

RGB 41 74 37

HSL 113.51, 0.33%, 0.22%

LAB 28.12, -20.76, 18.35

 

CMYK 45 / 0 / 50 / 60

HEX #386533

RGB 56 101 51

HSL 114, 0.33%, 0.3%

LAB 38.53, -26.64, 23.49

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 44 / 0 / 50 / 39

HEX #579C4E

RGB 87 156 78

HSL 113.08, 0.33%, 0.46%

LAB 58.37, -37.78, 33.99

 

CMYK 39 / 0 / 44 / 31

HEX #6CB063

RGB 108 176 99

HSL 112.99, 0.33%, 0.54%

LAB 65.86, -36.97, 32.76

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 50 / 4 / 0 / 50

HEX #407B80

RGB 64 123 128

HSL 184.69, 0.33%, 0.38%

LAB 48.03, -17.74, -8.68

 

CMYK 0 / 50 / 24 / 50

HEX #804061

RGB 128 64 97

HSL 329.06, 0.33%, 0.38%

LAB 36.21, 31.85, -6.9

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 50 / 44 / 0 / 50

HEX #404880

RGB 64 72 128

HSL 232.5, 0.33%, 0.38%

LAB 32.44, 13.27, -32.74

 

CMYK 0 / 50 / 44 / 50

HEX #804048

RGB 128 64 72

HSL 352.5, 0.33%, 0.38%

LAB 35.45, 28.42, 7.87

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 50 / 4 / 0 / 50

HEX #407B80

RGB 64 123 128

HSL 184.69, 0.33%, 0.38%

LAB 48.03, -17.74, -8.68

 

CMYK 5 / 50 / 0 / 50

HEX #794080

RGB 121 64 128

HSL 293.44, 0.33%, 0.38%

LAB 36.54, 35.16, -25.88

 

CMYK 0 / 45 / 50 / 50

HEX #804640

RGB 128 70 64

HSL 5.63, 0.33%, 0.38%

LAB 36.63, 24.1, 14.55

 

CMYK 45 / 0 / 50 / 50

HEX #478040

RGB 71 128 64

HSL 113.44, 0.33%, 0.38%

LAB 48.45, -32.34, 28.88

 

CMYK 50 / 19 / 0 / 50

HEX #406880

RGB 64 104 128

HSL 202.5, 0.33%, 0.38%

LAB 42.08, -6.95, -17.7

 

CMYK 5 / 50 / 0 / 50

HEX #794080

RGB 121 64 128

HSL 293.44, 0.33%, 0.38%

LAB 36.54, 35.16, -25.88

 

CMYK 0 / 30 / 50 / 50

HEX #805940

RGB 128 89 64

HSL 23.44, 0.33%, 0.38%

LAB 41.38, 12.9, 20.85

 

Description

Color code: RGB 71 128 64 | qconv.com Color code: RGB 71 128 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 128 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 128 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 50 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 50% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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