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Color name
RGB 71 164 213

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 164 213 it is the complementary color RGB 184 91 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 164 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 164 213 shade: RGB 76 164 208, RGB 93 182 227, RGB 110 200 246, RGB 127 218 255 and RGB 144 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 164 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 164 213 shade: RGB 71 164 213, RGB 54 146 194, RGB 37 128 175, RGB 20 110 156 and RGB 3 92 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 164 213 shade: RGB 72 164 213, RGB 72 126 213, RGB 72 88 213, RGB 93 72 213 and RGB 132 72 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 164 213 shade: RGB 72 164 213, RGB 72 126 213, RGB 72 88 213 and RGB 72 72 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 164 213 shade matches the following richer shades: RGB 72 164 213, RGB 53 170 231 and RGB 35 175 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 164 213 shade: RGB 72 164 213, RGB 90 159 195, RGB 108 153 177, RGB 126 147 159 and RGB 144 142 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 164 213 shade: RGB 72 213 185, RGB 72 204 213, RGB 72 166 213, RGB 72 128 213 and RGB 72 90 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 164 213 shade: RGB 37 121 165, RGB 45 146 199, RGB 72 164 213, RGB 105 181 221 and RGB 139 197 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 164 213 shade: RGB 71 164 213, RGB 147 72 213 and RGB 213 204 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 164 213 shade: RGB 71 164 213, RGB 213 72 166 and RGB 166 213 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 164 213 shade: RGB 71 164 213, RGB 147 72 213, RGB 213 119 72 and RGB 138 213 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 164 213 shade: RGB 71 164 213, RGB 189 72 213, RGB 213 119 72 and RGB 95 213 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

Complementary color

CMYK 0 / 51 / 77 / 28

HEX #B85B2A

RGB 184 91 42

HSL 20.7, 0.63%, 0.44%

LAB 49.3, 34.23, 44.1

 

CMYK 63 / 21 / 0 / 18

HEX #4CA4D0

RGB 76 164 208

HSL 200, 0.58%, 0.56%

LAB 63.87, -13, -30.28

 

CMYK 59 / 20 / 0 / 11

HEX #5DB6E3

RGB 93 182 227

HSL 200.15, 0.71%, 0.63%

LAB 70.41, -13.69, -30.59

 

CMYK 55 / 19 / 0 / 4

HEX #6EC8F6

RGB 110 200 246

HSL 200.29, 0.88%, 0.7%

LAB 76.85, -14.24, -30.88

 

CMYK 50 / 15 / 0 / 0

HEX #7FDAFF

RGB 127 218 255

HSL 197.34, 1%, 0.75%

LAB 82.85, -17.46, -26.42

 

CMYK 44 / 7 / 0 / 0

HEX #90ECFF

RGB 144 236 255

HSL 190.27, 1%, 0.78%

LAB 88.51, -22.66, -17.76

 

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

CMYK 72 / 25 / 0 / 24

HEX #3692C2

RGB 54 146 194

HSL 200.57, 0.56%, 0.49%

LAB 57.31, -11.14, -32.67

 

CMYK 79 / 27 / 0 / 31

HEX #2580AF

RGB 37 128 175

HSL 200.43, 0.65%, 0.42%

LAB 50.6, -9.74, -32.31

 

CMYK 87 / 29 / 0 / 39

HEX #146E9C

RGB 20 110 156

HSL 200.29, 0.77%, 0.35%

LAB 43.8, -7.87, -31.87

 

CMYK 98 / 33 / 0 / 46

HEX #035C89

RGB 3 92 137

HSL 200.15, 0.96%, 0.27%

LAB 36.89, -5.44, -31.36

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 66 / 41 / 0 / 16

HEX #487ED5

RGB 72 126 213

HSL 217.02, 0.63%, 0.56%

LAB 53.06, 9.98, -50.07

 

CMYK 66 / 59 / 0 / 16

HEX #4858D5

RGB 72 88 213

HSL 233.19, 0.63%, 0.56%

LAB 43.01, 33.71, -66.27

 

CMYK 56 / 66 / 0 / 16

HEX #5D48D5

RGB 93 72 213

HSL 248.94, 0.63%, 0.56%

LAB 40.84, 46.53, -69.73

 

CMYK 38 / 66 / 0 / 16

HEX #8448D5

RGB 132 72 213

HSL 265.53, 0.63%, 0.56%

LAB 44.72, 53.6, -63.24

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 66 / 41 / 0 / 16

HEX #487ED5

RGB 72 126 213

HSL 217.02, 0.63%, 0.56%

LAB 53.06, 9.98, -50.07

 

CMYK 66 / 59 / 0 / 16

HEX #4858D5

RGB 72 88 213

HSL 233.19, 0.63%, 0.56%

LAB 43.01, 33.71, -66.27

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 77 / 26 / 0 / 9

HEX #35AAE7

RGB 53 170 231

HSL 200.56, 0.79%, 0.56%

LAB 65.96, -11.85, -39.77

 

CMYK 86 / 30 / 0 / 2

HEX #23AFF9

RGB 35 175 249

HSL 200.75, 0.95%, 0.56%

LAB 67.91, -9.85, -46.55

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 54 / 18 / 0 / 24

HEX #5A9FC3

RGB 90 159 195

HSL 200.57, 0.47%, 0.56%

LAB 62.43, -11.57, -25.21

 

CMYK 39 / 14 / 0 / 31

HEX #6C99B1

RGB 108 153 177

HSL 200.87, 0.31%, 0.56%

LAB 60.91, -8.98, -17.33

 

CMYK 21 / 8 / 0 / 38

HEX #7E939F

RGB 126 147 159

HSL 201.82, 0.15%, 0.56%

LAB 59.71, -4.73, -8.82

 

CMYK 0 / 1 / 3 / 44

HEX #908E8C

RGB 144 142 140

HSL 30, 0.02%, 0.56%

LAB 59.13, 0.36, 1.32

 

CMYK 66 / 0 / 13 / 16

HEX #48D5B9

RGB 72 213 185

HSL 168.09, 0.63%, 0.56%

LAB 77.56, -44.13, 2.84

 

CMYK 66 / 4 / 0 / 16

HEX #48CCD5

RGB 72 204 213

HSL 183.83, 0.63%, 0.56%

LAB 75.68, -32.49, -15.01

 

CMYK 66 / 22 / 0 / 16

HEX #48A6D5

RGB 72 166 213

HSL 200, 0.63%, 0.56%

LAB 64.53, -13.15, -32.04

 

CMYK 66 / 40 / 0 / 16

HEX #4880D5

RGB 72 128 213

HSL 216.17, 0.63%, 0.56%

LAB 53.62, 8.76, -49.18

 

CMYK 66 / 58 / 0 / 16

HEX #485AD5

RGB 72 90 213

HSL 232.34, 0.63%, 0.56%

LAB 43.5, 32.46, -65.46

 

CMYK 78 / 27 / 0 / 35

HEX #2579A5

RGB 37 121 165

HSL 200.63, 0.63%, 0.4%

LAB 47.99, -9.31, -30.58

 

CMYK 77 / 27 / 0 / 22

HEX #2D92C7

RGB 45 146 199

HSL 200.65, 0.63%, 0.48%

LAB 57.31, -10.53, -35.51

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 52 / 18 / 0 / 13

HEX #69B5DD

RGB 105 181 221

HSL 200.69, 0.63%, 0.64%

LAB 70.37, -12.52, -27.34

 

CMYK 39 / 14 / 0 / 11

HEX #8BC5E4

RGB 139 197 228

HSL 200.9, 0.62%, 0.72%

LAB 76.69, -10.95, -21.33

 

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

CMYK 31 / 66 / 0 / 16

HEX #9348D5

RGB 147 72 213

HSL 271.91, 0.63%, 0.56%

LAB 46.5, 56.67, -60.28

 

CMYK 0 / 4 / 66 / 16

HEX #D5CC48

RGB 213 204 72

HSL 56.17, 0.63%, 0.56%

LAB 80.63, -12.32, 64.14

 

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

CMYK 0 / 66 / 22 / 16

HEX #D548A6

RGB 213 72 166

HSL 320, 0.63%, 0.56%

LAB 53.53, 64.2, -21.31

 

CMYK 22 / 0 / 66 / 16

HEX #A6D548

RGB 166 213 72

HSL 80, 0.63%, 0.56%

LAB 79.71, -35.69, 62.12

 

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

CMYK 31 / 66 / 0 / 16

HEX #9348D5

RGB 147 72 213

HSL 271.91, 0.63%, 0.56%

LAB 46.5, 56.67, -60.28

 

CMYK 0 / 44 / 66 / 16

HEX #D57748

RGB 213 119 72

HSL 20, 0.63%, 0.56%

LAB 59.71, 32.73, 41.39

 

CMYK 35 / 0 / 66 / 16

HEX #8AD548

RGB 138 213 72

HSL 91.91, 0.63%, 0.56%

LAB 78.15, -45.9, 60

 

CMYK 67 / 23 / 0 / 16

HEX #47A4D5

RGB 71 164 213

HSL 200.7, 0.63%, 0.56%

LAB 63.91, -12.22, -33

 

CMYK 11 / 66 / 0 / 16

HEX #BD48D5

RGB 189 72 213

HSL 289.79, 0.63%, 0.56%

LAB 52.13, 65.8, -50.94

 

CMYK 0 / 44 / 66 / 16

HEX #D57748

RGB 213 119 72

HSL 20, 0.63%, 0.56%

LAB 59.71, 32.73, 41.39

 

CMYK 55 / 0 / 66 / 16

HEX #5FD548

RGB 95 213 72

HSL 110.21, 0.63%, 0.56%

LAB 76.37, -58.91, 57.57

 

Description

Color code: RGB 71 164 213 | qconv.com Color code: RGB 71 164 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 164 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 164 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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