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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 165 138 it is the complementary color RGB 184 90 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 165 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 165 138 shade: RGB 76 165 133, RGB 93 183 152, RGB 110 201 171, RGB 127 219 190 and RGB 144 237 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 165 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 165 138 shade: RGB 71 165 138, RGB 54 147 119, RGB 37 129 100, RGB 20 111 81 and RGB 3 93 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 165 138 shade: RGB 70 164 137, RGB 70 164 111, RGB 70 164 86, RGB 79 164 70 and RGB 104 164 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 165 138 shade: RGB 70 164 137, RGB 70 164 162, RGB 70 140 164, RGB 70 115 164 and RGB 70 89 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 165 138 shade matches the following richer shades: RGB 70 164 137, RGB 51 183 145, RGB 32 202 153 and RGB 13 221 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 165 138 shade: RGB 70 164 137, RGB 89 145 129, RGB 108 126 121, RGB 127 107 113 and RGB 146 88 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 165 138 shade: RGB 70 164 86, RGB 70 164 111, RGB 70 164 136, RGB 70 164 161 and RGB 70 142 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 165 138 shade: RGB 45 106 88, RGB 58 135 113, RGB 70 164 137, RGB 91 184 157 and RGB 119 197 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 165 138 shade: RGB 71 165 138, RGB 70 79 164 and RGB 164 98 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 165 138 shade: RGB 71 165 138, RGB 136 70 164 and RGB 164 136 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 165 138 shade: RGB 71 165 138, RGB 70 79 164, RGB 164 70 98 and RGB 164 154 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 165 138 shade: RGB 71 165 138, RGB 89 70 164, RGB 164 70 98 and RGB 145 164 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

Complementary color

CMYK 0 / 51 / 36 / 28

HEX #B85A75

RGB 184 90 117

HSL 342.77, 0.4%, 0.54%

LAB 50.44, 40.83, 2.68

 

CMYK 54 / 0 / 19 / 35

HEX #4CA585

RGB 76 165 133

HSL 158.43, 0.37%, 0.47%

LAB 61.78, -34.56, 8.57

 

CMYK 49 / 0 / 17 / 28

HEX #5DB798

RGB 93 183 152

HSL 159.33, 0.38%, 0.54%

LAB 68.36, -34.47, 7.54

 

CMYK 45 / 0 / 15 / 21

HEX #6EC9AB

RGB 110 201 171

HSL 160.22, 0.46%, 0.61%

LAB 74.84, -34.32, 6.59

 

CMYK 42 / 0 / 13 / 14

HEX #7FDBBE

RGB 127 219 190

HSL 161.09, 0.56%, 0.68%

LAB 81.23, -34.15, 5.71

 

CMYK 39 / 0 / 12 / 7

HEX #90EDD1

RGB 144 237 209

HSL 161.94, 0.72%, 0.75%

LAB 87.53, -33.96, 4.88

 

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

CMYK 63 / 0 / 19 / 42

HEX #369377

RGB 54 147 119

HSL 161.94, 0.46%, 0.39%

LAB 55.06, -34.37, 6.8

 

CMYK 71 / 0 / 22 / 49

HEX #258164

RGB 37 129 100

HSL 161.09, 0.55%, 0.33%

LAB 48.28, -34.04, 8.07

 

CMYK 82 / 0 / 27 / 56

HEX #146F51

RGB 20 111 81

HSL 160.22, 0.69%, 0.26%

LAB 41.39, -33.32, 9.54

 

CMYK 97 / 0 / 33 / 64

HEX #035D3E

RGB 3 93 62

HSL 159.33, 0.94%, 0.19%

LAB 34.39, -32.1, 11.26

 

CMYK 57 / 0 / 16 / 36

HEX #46A489

RGB 70 164 137

HSL 162.77, 0.4%, 0.46%

LAB 61.36, -34.49, 5.71

 

CMYK 57 / 0 / 32 / 36

HEX #46A46F

RGB 70 164 111

HSL 146.17, 0.4%, 0.46%

LAB 60.78, -40.3, 19.36

 

CMYK 57 / 0 / 48 / 36

HEX #46A456

RGB 70 164 86

HSL 130.21, 0.4%, 0.46%

LAB 60.36, -44.79, 32.2

 

CMYK 52 / 0 / 57 / 36

HEX #4FA446

RGB 79 164 70

HSL 114.26, 0.4%, 0.46%

LAB 60.48, -44.62, 40.44

 

CMYK 37 / 0 / 57 / 36

HEX #68A446

RGB 104 164 70

HSL 98.3, 0.4%, 0.46%

LAB 61.6, -36.64, 42.04

 

CMYK 57 / 0 / 16 / 36

HEX #46A489

RGB 70 164 137

HSL 162.77, 0.4%, 0.46%

LAB 61.36, -34.49, 5.71

 

CMYK 57 / 0 / 1 / 36

HEX #46A4A2

RGB 70 164 162

HSL 178.72, 0.4%, 0.46%

LAB 62.05, -27.94, -7.33

 

CMYK 57 / 15 / 0 / 36

HEX #468CA4

RGB 70 140 164

HSL 195.32, 0.4%, 0.46%

LAB 54.8, -14.87, -19.39

 

CMYK 57 / 30 / 0 / 36

HEX #4673A4

RGB 70 115 164

HSL 211.28, 0.4%, 0.46%

LAB 47.29, -0.48, -31

 

CMYK 57 / 46 / 0 / 36

HEX #4659A4

RGB 70 89 164

HSL 227.87, 0.4%, 0.46%

LAB 39.79, 15.79, -42.86

 

CMYK 57 / 0 / 16 / 36

HEX #46A489

RGB 70 164 137

HSL 162.77, 0.4%, 0.46%

LAB 61.36, -34.49, 5.71

 

CMYK 72 / 0 / 21 / 28

HEX #33B791

RGB 51 183 145

HSL 162.73, 0.56%, 0.46%

LAB 66.99, -44.29, 9.25

 

CMYK 84 / 0 / 24 / 21

HEX #20CA99

RGB 32 202 153

HSL 162.71, 0.73%, 0.46%

LAB 72.79, -52.16, 13.09

 

CMYK 94 / 0 / 27 / 13

HEX #0DDDA1

RGB 13 221 161

HSL 162.69, 0.89%, 0.46%

LAB 78.68, -58.62, 17.07

 

CMYK 57 / 0 / 16 / 36

HEX #46A489

RGB 70 164 137

HSL 162.77, 0.4%, 0.46%

LAB 61.36, -34.49, 5.71

 

CMYK 39 / 0 / 11 / 43

HEX #599181

RGB 89 145 129

HSL 162.86, 0.24%, 0.46%

LAB 56.05, -22.32, 2.68

 

CMYK 14 / 0 / 4 / 51

HEX #6C7E79

RGB 108 126 121

HSL 163.33, 0.08%, 0.46%

LAB 51.26, -7.65, 0.5

 

CMYK 0 / 16 / 11 / 50

HEX #7F6B71

RGB 127 107 113

HSL 342, 0.09%, 0.46%

LAB 47.26, 8.98, -0.41

 

CMYK 0 / 40 / 29 / 43

HEX #925868

RGB 146 88 104

HSL 343.45, 0.25%, 0.46%

LAB 44.36, 26.11, 1.06

 

CMYK 57 / 0 / 48 / 36

HEX #46A456

RGB 70 164 86

HSL 130.21, 0.4%, 0.46%

LAB 60.36, -44.79, 32.2

 

CMYK 57 / 0 / 32 / 36

HEX #46A46F

RGB 70 164 111

HSL 146.17, 0.4%, 0.46%

LAB 60.78, -40.3, 19.36

 

CMYK 57 / 0 / 17 / 36

HEX #46A488

RGB 70 164 136

HSL 162.13, 0.4%, 0.46%

LAB 61.33, -34.73, 6.24

 

CMYK 57 / 0 / 2 / 36

HEX #46A4A1

RGB 70 164 161

HSL 178.09, 0.4%, 0.46%

LAB 62.02, -28.21, -6.81

 

CMYK 57 / 13 / 0 / 36

HEX #468EA4

RGB 70 142 164

HSL 194.04, 0.4%, 0.46%

LAB 55.41, -15.96, -18.46

 

CMYK 58 / 0 / 17 / 58

HEX #2D6A58

RGB 45 106 88

HSL 162.3, 0.4%, 0.3%

LAB 40.53, -24.54, 4.18

 

CMYK 57 / 0 / 16 / 47

HEX #3A8771

RGB 58 135 113

HSL 162.86, 0.4%, 0.38%

LAB 51.17, -29.38, 4.72

 

CMYK 57 / 0 / 16 / 36

HEX #46A489

RGB 70 164 137

HSL 162.77, 0.4%, 0.46%

LAB 61.36, -34.49, 5.71

 

CMYK 51 / 0 / 15 / 28

HEX #5BB89D

RGB 91 184 157

HSL 162.58, 0.4%, 0.54%

LAB 68.71, -34.25, 5.28

 

CMYK 40 / 0 / 12 / 23

HEX #77C5AE

RGB 119 197 174

HSL 162.31, 0.4%, 0.62%

LAB 74.13, -29.39, 3.99

 

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

CMYK 57 / 52 / 0 / 36

HEX #464FA4

RGB 70 79 164

HSL 234.26, 0.4%, 0.46%

LAB 37.07, 22.25, -47.23

 

CMYK 0 / 40 / 57 / 36

HEX #A46246

RGB 164 98 70

HSL 17.87, 0.4%, 0.46%

LAB 48.35, 23.86, 27.2

 

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

CMYK 17 / 57 / 0 / 36

HEX #8846A4

RGB 136 70 164

HSL 282.13, 0.4%, 0.46%

LAB 41.68, 43.96, -39.47

 

CMYK 0 / 17 / 57 / 36

HEX #A48846

RGB 164 136 70

HSL 42.13, 0.4%, 0.46%

LAB 57.98, 2.4, 38.94

 

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

CMYK 57 / 52 / 0 / 36

HEX #464FA4

RGB 70 79 164

HSL 234.26, 0.4%, 0.46%

LAB 37.07, 22.25, -47.23

 

CMYK 0 / 57 / 40 / 36

HEX #A44662

RGB 164 70 98

HSL 342.13, 0.4%, 0.46%

LAB 43, 41.63, 3.09

 

CMYK 0 / 6 / 57 / 36

HEX #A49A46

RGB 164 154 70

HSL 53.62, 0.4%, 0.46%

LAB 62.88, -7.43, 44.61

 

CMYK 57 / 0 / 16 / 35

HEX #47A58A

RGB 71 165 138

HSL 162.77, 0.4%, 0.46%

LAB 61.73, -34.49, 5.68

 

CMYK 46 / 57 / 0 / 36

HEX #5946A4

RGB 89 70 164

HSL 252.13, 0.4%, 0.46%

LAB 36.34, 32.1, -48.33

 

CMYK 0 / 57 / 40 / 36

HEX #A44662

RGB 164 70 98

HSL 342.13, 0.4%, 0.46%

LAB 43, 41.63, 3.09

 

CMYK 12 / 0 / 57 / 36

HEX #91A446

RGB 145 164 70

HSL 72.13, 0.4%, 0.46%

LAB 64.17, -20.75, 45.67

 

Description

Color code: RGB 71 165 138 | qconv.com Color code: RGB 71 165 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 165 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 165 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 16 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 16% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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