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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 196 137 it is the complementary color RGB 184 59 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 196 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 196 137 shade: RGB 76 196 132, RGB 93 214 151, RGB 110 232 170, RGB 127 250 189 and RGB 144 255 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 196 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 196 137 shade: RGB 71 196 137, RGB 54 178 118, RGB 37 160 99, RGB 20 142 80 and RGB 3 124 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 196 137 shade: RGB 70 195 136, RGB 70 195 102, RGB 71 195 70, RGB 105 195 70 and RGB 138 195 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 196 137 shade: RGB 70 195 136, RGB 70 195 169, RGB 70 186 195, RGB 70 152 195 and RGB 70 119 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 196 137 shade matches the following richer shades: RGB 70 195 136, RGB 50 214 137, RGB 30 234 138 and RGB 10 254 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 196 137 shade: RGB 70 195 136, RGB 89 175 134, RGB 109 155 133, RGB 129 135 132 and RGB 149 115 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 196 137 shade: RGB 72 195 70, RGB 70 195 101, RGB 70 195 134, RGB 70 195 167 and RGB 70 188 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 196 137 shade: RGB 44 137 93, RGB 54 169 115, RGB 70 195 136, RGB 101 205 156 and RGB 132 215 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 196 137 shade: RGB 71 196 137, RGB 70 105 195 and RGB 195 84 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 196 137 shade: RGB 71 196 137, RGB 134 70 195 and RGB 195 134 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 196 137 shade: RGB 71 196 137, RGB 70 105 195, RGB 195 70 130 and RGB 195 159 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 196 137 shade: RGB 71 196 137, RGB 72 70 195, RGB 195 70 130 and RGB 192 195 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

Complementary color

CMYK 0 / 68 / 36 / 28

HEX #B83B76

RGB 184 59 118

HSL 331.68, 0.51%, 0.48%

LAB 45.12, 55.21, -5.73

 

CMYK 61 / 0 / 33 / 23

HEX #4CC484

RGB 76 196 132

HSL 148, 0.5%, 0.53%

LAB 71.34, -48.24, 22.42

 

CMYK 57 / 0 / 29 / 16

HEX #5DD697

RGB 93 214 151

HSL 148.76, 0.6%, 0.6%

LAB 77.67, -48.31, 21.13

 

CMYK 53 / 0 / 27 / 9

HEX #6EE8AA

RGB 110 232 170

HSL 149.51, 0.73%, 0.67%

LAB 83.93, -48.26, 19.94

 

CMYK 49 / 0 / 24 / 2

HEX #7FFABD

RGB 127 250 189

HSL 150.24, 0.92%, 0.74%

LAB 90.12, -48.14, 18.83

 

CMYK 44 / 0 / 18 / 0

HEX #90FFD0

RGB 144 255 208

HSL 154.59, 1%, 0.78%

LAB 92.58, -42.33, 12.63

 

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

CMYK 70 / 0 / 34 / 30

HEX #36B276

RGB 54 178 118

HSL 150.97, 0.53%, 0.45%

LAB 64.91, -47.87, 21.09

 

CMYK 77 / 0 / 38 / 37

HEX #25A063

RGB 37 160 99

HSL 150.24, 0.62%, 0.39%

LAB 58.45, -47.22, 22.63

 

CMYK 86 / 0 / 44 / 44

HEX #148E50

RGB 20 142 80

HSL 149.51, 0.75%, 0.32%

LAB 51.92, -46.11, 24.35

 

CMYK 98 / 0 / 51 / 51

HEX #037C3D

RGB 3 124 61

HSL 148.76, 0.95%, 0.25%

LAB 45.32, -44.39, 26.22

 

CMYK 64 / 0 / 30 / 24

HEX #46C388

RGB 70 195 136

HSL 151.68, 0.51%, 0.52%

LAB 70.95, -48.19, 19.73

 

CMYK 64 / 0 / 48 / 24

HEX #46C366

RGB 70 195 102

HSL 135.36, 0.51%, 0.52%

LAB 70.38, -54.38, 36.68

 

CMYK 64 / 0 / 64 / 24

HEX #47C346

RGB 71 195 70

HSL 119.52, 0.51%, 0.52%

LAB 70.04, -58.32, 51.28

 

CMYK 46 / 0 / 64 / 24

HEX #69C346

RGB 105 195 70

HSL 103.2, 0.51%, 0.52%

LAB 71.2, -49.43, 52.88

 

CMYK 29 / 0 / 64 / 24

HEX #8AC346

RGB 138 195 70

HSL 87.36, 0.51%, 0.52%

LAB 72.81, -38.25, 55.1

 

CMYK 64 / 0 / 30 / 24

HEX #46C388

RGB 70 195 136

HSL 151.68, 0.51%, 0.52%

LAB 70.95, -48.19, 19.73

 

CMYK 64 / 0 / 13 / 24

HEX #46C3A9

RGB 70 195 169

HSL 167.52, 0.51%, 0.52%

LAB 71.69, -40.58, 2.95

 

CMYK 64 / 5 / 0 / 24

HEX #46BAC3

RGB 70 186 195

HSL 184.32, 0.51%, 0.52%

LAB 69.73, -29.32, -14.18

 

CMYK 64 / 22 / 0 / 24

HEX #4698C3

RGB 70 152 195

HSL 200.64, 0.51%, 0.52%

LAB 59.62, -11.65, -29.61

 

CMYK 64 / 39 / 0 / 24

HEX #4677C3

RGB 70 119 195

HSL 216.48, 0.51%, 0.52%

LAB 50.02, 7.64, -44.67

 

CMYK 64 / 0 / 30 / 24

HEX #46C388

RGB 70 195 136

HSL 151.68, 0.51%, 0.52%

LAB 70.95, -48.19, 19.73

 

CMYK 77 / 0 / 36 / 16

HEX #32D689

RGB 50 214 137

HSL 151.83, 0.67%, 0.52%

LAB 76.42, -58.4, 26.58

 

CMYK 87 / 0 / 41 / 8

HEX #1EEA8A

RGB 30 234 138

HSL 151.76, 0.83%, 0.52%

LAB 82.36, -67.12, 33.91

 

CMYK 96 / 0 / 45 / 0

HEX #0AFE8B

RGB 10 254 139

HSL 151.72, 0.99%, 0.52%

LAB 88.36, -74.42, 41.17

 

CMYK 64 / 0 / 30 / 24

HEX #46C388

RGB 70 195 136

HSL 151.68, 0.51%, 0.52%

LAB 70.95, -48.19, 19.73

 

CMYK 49 / 0 / 23 / 31

HEX #59AF86

RGB 89 175 134

HSL 151.4, 0.35%, 0.52%

LAB 65.36, -35.75, 13.15

 

CMYK 30 / 0 / 14 / 39

HEX #6D9B85

RGB 109 155 133

HSL 151.3, 0.19%, 0.52%

LAB 60.24, -20.4, 6.58

 

CMYK 4 / 0 / 2 / 47

HEX #818784

RGB 129 135 132

HSL 150, 0.02%, 0.52%

LAB 55.75, -2.81, 0.84

 

CMYK 0 / 23 / 12 / 42

HEX #957383

RGB 149 115 131

HSL 331.76, 0.14%, 0.52%

LAB 52.16, 16.05, -3.62

 

CMYK 63 / 0 / 64 / 24

HEX #48C346

RGB 72 195 70

HSL 119.04, 0.51%, 0.52%

LAB 70.07, -58.1, 51.32

 

CMYK 64 / 0 / 48 / 24

HEX #46C365

RGB 70 195 101

HSL 134.88, 0.51%, 0.52%

LAB 70.37, -54.54, 37.16

 

CMYK 64 / 0 / 31 / 24

HEX #46C386

RGB 70 195 134

HSL 150.72, 0.51%, 0.52%

LAB 70.91, -48.6, 20.74

 

CMYK 64 / 0 / 14 / 24

HEX #46C3A7

RGB 70 195 167

HSL 166.56, 0.51%, 0.52%

LAB 71.64, -41.08, 3.96

 

CMYK 64 / 4 / 0 / 24

HEX #46BCC3

RGB 70 188 195

HSL 183.36, 0.51%, 0.52%

LAB 70.32, -30.29, -13.28

 

CMYK 68 / 0 / 32 / 46

HEX #2C895D

RGB 44 137 93

HSL 151.61, 0.51%, 0.35%

LAB 50.94, -37.98, 15.85

 

CMYK 68 / 0 / 32 / 34

HEX #36A973

RGB 54 169 115

HSL 151.83, 0.52%, 0.44%

LAB 62, -44.85, 18.75

 

CMYK 64 / 0 / 30 / 24

HEX #46C388

RGB 70 195 136

HSL 151.68, 0.51%, 0.52%

LAB 70.95, -48.19, 19.73

 

CMYK 51 / 0 / 24 / 20

HEX #65CD9C

RGB 101 205 156

HSL 151.73, 0.51%, 0.6%

LAB 75.35, -41.6, 15.3

 

CMYK 39 / 0 / 18 / 16

HEX #84D7B0

RGB 132 215 176

HSL 151.81, 0.51%, 0.68%

LAB 79.98, -33.91, 11.37

 

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

CMYK 64 / 46 / 0 / 24

HEX #4669C3

RGB 70 105 195

HSL 223.2, 0.51%, 0.52%

LAB 46.1, 16.37, -50.91

 

CMYK 0 / 57 / 64 / 24

HEX #C35446

RGB 195 84 70

HSL 6.72, 0.51%, 0.52%

LAB 49.96, 43.49, 30.2

 

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

CMYK 31 / 64 / 0 / 24

HEX #8646C3

RGB 134 70 195

HSL 270.72, 0.51%, 0.52%

LAB 43.34, 50.61, -55.07

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

CMYK 64 / 46 / 0 / 24

HEX #4669C3

RGB 70 105 195

HSL 223.2, 0.51%, 0.52%

LAB 46.1, 16.37, -50.91

 

CMYK 0 / 64 / 33 / 24

HEX #C34682

RGB 195 70 130

HSL 331.2, 0.51%, 0.52%

LAB 49, 55.37, -7.04

 

CMYK 0 / 18 / 64 / 24

HEX #C39F46

RGB 195 159 70

HSL 42.72, 0.51%, 0.52%

LAB 67.16, 3.36, 50.21

 

CMYK 64 / 0 / 30 / 23

HEX #47C489

RGB 71 196 137

HSL 151.68, 0.51%, 0.52%

LAB 71.3, -48.2, 19.69

 

CMYK 63 / 64 / 0 / 24

HEX #4846C3

RGB 72 70 195

HSL 240.96, 0.51%, 0.52%

LAB 37.3, 38.75, -65.17

 

CMYK 0 / 64 / 33 / 24

HEX #C34682

RGB 195 70 130

HSL 331.2, 0.51%, 0.52%

LAB 49, 55.37, -7.04

 

CMYK 2 / 0 / 64 / 24

HEX #C0C346

RGB 192 195 70

HSL 61.44, 0.51%, 0.52%

LAB 76.48, -16.72, 60.11

 

Description

Color code: RGB 71 196 137 | qconv.com Color code: RGB 71 196 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 196 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 196 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 30 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 30% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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