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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 218 152 it is the complementary color RGB 184 37 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 218 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 71 218 152 shade: RGB 76 218 147, RGB 93 236 166, RGB 110 254 185, RGB 127 255 204 and RGB 144 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 218 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 54 200 133, RGB 37 182 114, RGB 20 164 95 and RGB 3 146 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 71 218 113, RGB 71 218 73, RGB 109 218 71 and RGB 149 218 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 71 218 192, RGB 71 205 218, RGB 71 165 218 and RGB 71 126 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 71 218 152 shade matches the following richer shades: RGB 71 218 152, RGB 54 236 154 and RGB 36 254 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 89 201 151, RGB 107 183 149, RGB 125 165 147 and RGB 142 147 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 71 218 152 shade: RGB 71 218 74, RGB 71 218 113, RGB 71 218 152, RGB 71 218 191 and RGB 71 206 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 71 218 152 shade: RGB 34 173 111, RGB 41 208 133, RGB 71 218 152, RGB 106 225 172 and RGB 140 232 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 71 108 218 and RGB 218 93 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 152 71 218 and RGB 218 152 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 71 108 218, RGB 218 71 138 and RGB 218 182 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 71 218 152 shade: RGB 71 218 152, RGB 79 71 218, RGB 218 71 138 and RGB 211 218 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

Complementary color

CMYK 0 / 80 / 44 / 28

HEX #B82567

RGB 184 37 103

HSL 333.06, 0.67%, 0.43%

LAB 41.99, 61.07, -1.05

 

CMYK 65 / 0 / 33 / 15

HEX #4CDA93

RGB 76 218 147

HSL 150, 0.66%, 0.58%

LAB 78.34, -54.08, 24.06

 

CMYK 61 / 0 / 30 / 7

HEX #5DECA6

RGB 93 236 166

HSL 150.63, 0.79%, 0.65%

LAB 84.52, -54.28, 22.75

 

CMYK 57 / 0 / 27 / 0

HEX #6EFEB9

RGB 110 254 185

HSL 151.25, 0.99%, 0.71%

LAB 90.64, -54.36, 21.53

 

CMYK 50 / 0 / 20 / 0

HEX #7FFFCC

RGB 127 255 204

HSL 156.09, 1%, 0.75%

LAB 91.86, -47.22, 13.58

 

CMYK 44 / 0 / 13 / 0

HEX #90FFDF

RGB 144 255 223

HSL 162.7, 1%, 0.78%

LAB 92.92, -39.17, 5.38

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 73 / 0 / 34 / 22

HEX #36C885

RGB 54 200 133

HSL 152.47, 0.57%, 0.5%

LAB 72.09, -53.41, 22.82

 

CMYK 80 / 0 / 37 / 29

HEX #25B672

RGB 37 182 114

HSL 151.86, 0.66%, 0.43%

LAB 65.8, -52.59, 24.38

 

CMYK 88 / 0 / 42 / 36

HEX #14A45F

RGB 20 164 95

HSL 151.25, 0.78%, 0.36%

LAB 59.46, -51.32, 26.09

 

CMYK 98 / 0 / 48 / 43

HEX #03924C

RGB 3 146 76

HSL 150.63, 0.96%, 0.29%

LAB 53.06, -49.5, 27.94

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 67 / 0 / 48 / 15

HEX #47DA71

RGB 71 218 113

HSL 137.14, 0.67%, 0.57%

LAB 77.68, -60.93, 40.42

 

CMYK 67 / 0 / 67 / 15

HEX #47DA49

RGB 71 218 73

HSL 120.82, 0.67%, 0.57%

LAB 77.26, -65.87, 57.93

 

CMYK 50 / 0 / 67 / 15

HEX #6DDA47

RGB 109 218 71

HSL 104.49, 0.67%, 0.57%

LAB 78.37, -57.09, 60.25

 

CMYK 32 / 0 / 67 / 15

HEX #95DA47

RGB 149 218 71

HSL 88.16, 0.67%, 0.57%

LAB 80.17, -44.26, 62.69

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 67 / 0 / 12 / 15

HEX #47DAC0

RGB 71 218 192

HSL 169.39, 0.67%, 0.57%

LAB 79.21, -44.69, 1.48

 

CMYK 67 / 6 / 0 / 15

HEX #47CDDA

RGB 71 205 218

HSL 185.31, 0.67%, 0.57%

LAB 76.11, -31.66, -17.06

 

CMYK 67 / 24 / 0 / 15

HEX #47A5DA

RGB 71 165 218

HSL 201.63, 0.67%, 0.57%

LAB 64.41, -11.13, -34.99

 

CMYK 67 / 42 / 0 / 15

HEX #477EDA

RGB 71 126 218

HSL 217.55, 0.67%, 0.57%

LAB 53.3, 11.57, -52.51

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 77 / 0 / 35 / 7

HEX #36EC9A

RGB 54 236 154

HSL 152.97, 0.83%, 0.57%

LAB 83.5, -62.65, 27.38

 

CMYK 86 / 0 / 39 / 0

HEX #24FE9C

RGB 36 254 156

HSL 153.03, 0.99%, 0.57%

LAB 88.76, -70.2, 33.38

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 56 / 0 / 25 / 21

HEX #59C997

RGB 89 201 151

HSL 153.21, 0.51%, 0.57%

LAB 73.63, -43.68, 15.51

 

CMYK 42 / 0 / 19 / 28

HEX #6BB795

RGB 107 183 149

HSL 153.16, 0.35%, 0.57%

LAB 68.87, -31.46, 9.98

 

CMYK 24 / 0 / 11 / 35

HEX #7DA593

RGB 125 165 147

HSL 153, 0.18%, 0.57%

LAB 64.46, -17.42, 4.92

 

CMYK 3 / 0 / 1 / 42

HEX #8E9391

RGB 142 147 145

HSL 156, 0.02%, 0.57%

LAB 60.48, -2.21, 0.42

 

CMYK 67 / 0 / 66 / 15

HEX #47DA4A

RGB 71 218 74

HSL 121.22, 0.67%, 0.57%

LAB 77.27, -65.77, 57.54

 

CMYK 67 / 0 / 48 / 15

HEX #47DA71

RGB 71 218 113

HSL 137.14, 0.67%, 0.57%

LAB 77.68, -60.93, 40.42

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 67 / 0 / 12 / 15

HEX #47DABF

RGB 71 218 191

HSL 168.98, 0.67%, 0.57%

LAB 79.18, -44.94, 1.98

 

CMYK 67 / 6 / 0 / 15

HEX #47CEDA

RGB 71 206 218

HSL 184.9, 0.67%, 0.57%

LAB 76.4, -32.14, -16.62

 

CMYK 80 / 0 / 36 / 32

HEX #22AD6F

RGB 34 173 111

HSL 153.24, 0.67%, 0.41%

LAB 62.82, -50.13, 21.98

 

CMYK 80 / 0 / 36 / 18

HEX #29D085

RGB 41 208 133

HSL 153.05, 0.67%, 0.49%

LAB 74.37, -57.99, 25.87

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 53 / 0 / 24 / 12

HEX #6AE1AC

RGB 106 225 172

HSL 153.28, 0.66%, 0.65%

LAB 81.78, -45.79, 15.88

 

CMYK 40 / 0 / 18 / 9

HEX #8CE8BF

RGB 140 232 191

HSL 153.26, 0.67%, 0.73%

LAB 85.53, -36.5, 11.41

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 67 / 50 / 0 / 15

HEX #476CDA

RGB 71 108 218

HSL 224.9, 0.67%, 0.57%

LAB 48.42, 22.75, -60.35

 

CMYK 0 / 57 / 67 / 15

HEX #DA5D47

RGB 218 93 71

HSL 8.98, 0.67%, 0.57%

LAB 55.27, 47.63, 36.91

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 30 / 67 / 0 / 15

HEX #9847DA

RGB 152 71 218

HSL 273.06, 0.67%, 0.57%

LAB 47.29, 59.31, -61.83

 

CMYK 0 / 30 / 67 / 15

HEX #DA9847

RGB 218 152 71

HSL 33.06, 0.67%, 0.57%

LAB 67.89, 17.07, 51.24

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 67 / 50 / 0 / 15

HEX #476CDA

RGB 71 108 218

HSL 224.9, 0.67%, 0.57%

LAB 48.42, 22.75, -60.35

 

CMYK 0 / 67 / 37 / 15

HEX #DA478A

RGB 218 71 138

HSL 332.65, 0.67%, 0.57%

LAB 53.22, 62.58, -5.15

 

CMYK 0 / 17 / 67 / 15

HEX #DAB647

RGB 218 182 71

HSL 45.31, 0.67%, 0.57%

LAB 75.34, 1.07, 59.2

 

CMYK 67 / 0 / 30 / 15

HEX #47DA98

RGB 71 218 152

HSL 153.06, 0.67%, 0.57%

LAB 78.32, -53.92, 21.4

 

CMYK 64 / 67 / 0 / 15

HEX #4F47DA

RGB 79 71 218

HSL 243.27, 0.67%, 0.57%

LAB 39.97, 46.6, -74.08

 

CMYK 0 / 67 / 37 / 15

HEX #DA478A

RGB 218 71 138

HSL 332.65, 0.67%, 0.57%

LAB 53.22, 62.58, -5.15

 

CMYK 3 / 0 / 67 / 15

HEX #D3DA47

RGB 211 218 71

HSL 62.86, 0.67%, 0.57%

LAB 84.2, -20.16, 68.09

 

Description

Color code: RGB 71 218 152 | qconv.com Color code: RGB 71 218 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 218 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 218 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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