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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 7 171 it is the complementary color RGB 183 248 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 7 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 7 171 shade: RGB 77 7 166, RGB 94 25 185, RGB 111 43 204, RGB 128 61 223 and RGB 145 79 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 7 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 55 0 152, RGB 38 0 133, RGB 21 0 114 and RGB 4 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 116 7 171, RGB 160 7 171, RGB 171 7 137 and RGB 171 7 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 27 7 171 and RGB 7 7 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 7 171 shade matches the following richer shades: RGB 72 7 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 75 21 156, RGB 78 36 142, RGB 81 50 128 and RGB 84 64 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 7 171 shade: RGB 7 31 171, RGB 26 7 171, RGB 70 7 171, RGB 113 7 171 and RGB 157 7 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 7 171 shade: RGB 38 3 92, RGB 55 5 131, RGB 72 7 171, RGB 88 8 210 and RGB 106 15 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 171 7 75 and RGB 9 171 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 171 70 7 and RGB 7 171 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 171 7 75, RGB 108 171 7 and RGB 7 171 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 7 171 shade: RGB 72 7 171, RGB 171 7 26, RGB 108 171 7 and RGB 7 171 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

Complementary color

CMYK 26 / 0 / 66 / 3

HEX #B7F854

RGB 183 248 84

HSL 83.78, 0.92%, 0.65%

LAB 90.71, -44.06, 69.29

 

CMYK 54 / 96 / 0 / 35

HEX #4D07A6

RGB 77 7 166

HSL 266.42, 0.92%, 0.34%

LAB 25.21, 58.58, -67.78

 

CMYK 49 / 86 / 0 / 27

HEX #5E19B9

RGB 94 25 185

HSL 265.88, 0.76%, 0.41%

LAB 30.83, 60.46, -69.82

 

CMYK 46 / 79 / 0 / 20

HEX #6F2BCC

RGB 111 43 204

HSL 265.34, 0.65%, 0.48%

LAB 36.87, 60.94, -70.96

 

CMYK 43 / 73 / 0 / 13

HEX #803DDF

RGB 128 61 223

HSL 264.81, 0.72%, 0.56%

LAB 43.14, 60.62, -71.55

 

CMYK 40 / 67 / 0 / 5

HEX #914FF2

RGB 145 79 242

HSL 264.29, 0.86%, 0.63%

LAB 49.52, 59.89, -71.81

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 64 / 100 / 0 / 40

HEX #370098

RGB 55 0 152

HSL 261.71, 1%, 0.3%

LAB 20.36, 55.26, -67.34

 

CMYK 71 / 100 / 0 / 48

HEX #260085

RGB 38 0 133

HSL 257.14, 1%, 0.26%

LAB 16.03, 49.69, -62.72

 

CMYK 82 / 100 / 0 / 55

HEX #150072

RGB 21 0 114

HSL 251.05, 1%, 0.22%

LAB 11.79, 44.11, -57.65

 

CMYK 96 / 100 / 0 / 63

HEX #04005F

RGB 4 0 95

HSL 242.53, 1%, 0.19%

LAB 7.7, 38.51, -51.95

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 32 / 96 / 0 / 33

HEX #7407AB

RGB 116 7 171

HSL 279.88, 0.92%, 0.35%

LAB 31.36, 63.82, -60.47

 

CMYK 6 / 96 / 0 / 33

HEX #A007AB

RGB 160 7 171

HSL 295.98, 0.92%, 0.35%

LAB 38.84, 70.26, -47.98

 

CMYK 0 / 96 / 20 / 33

HEX #AB0789

RGB 171 7 137

HSL 312.44, 0.92%, 0.35%

LAB 38.93, 67.36, -27.09

 

CMYK 0 / 96 / 46 / 33

HEX #AB075D

RGB 171 7 93

HSL 328.54, 0.92%, 0.35%

LAB 37.12, 62.62, -2.18

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 84 / 96 / 0 / 33

HEX #1B07AB

RGB 27 7 171

HSL 247.32, 0.92%, 0.35%

LAB 21.3, 57.22, -77.42

 

CMYK 96 / 96 / 0 / 33

HEX #0707AB

RGB 7 7 171

HSL 240, 0.92%, 0.35%

LAB 20.59, 56.9, -78.64

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 52 / 87 / 0 / 39

HEX #4B159C

RGB 75 21 156

HSL 264, 0.76%, 0.35%

LAB 25.05, 52.38, -61.95

 

CMYK 45 / 75 / 0 / 44

HEX #4E248E

RGB 78 36 142

HSL 263.77, 0.6%, 0.35%

LAB 26.26, 42.8, -51.33

 

CMYK 37 / 61 / 0 / 50

HEX #513280

RGB 81 50 128

HSL 263.85, 0.44%, 0.35%

LAB 28.35, 31.81, -39.19

 

CMYK 26 / 43 / 0 / 56

HEX #544071

RGB 84 64 113

HSL 264.49, 0.28%, 0.35%

LAB 31.22, 19.81, -25.17

 

CMYK 96 / 82 / 0 / 33

HEX #071FAB

RGB 7 31 171

HSL 231.22, 0.92%, 0.35%

LAB 23.56, 47.96, -73.68

 

CMYK 85 / 96 / 0 / 33

HEX #1A07AB

RGB 26 7 171

HSL 246.95, 0.92%, 0.35%

LAB 21.25, 57.2, -77.51

 

CMYK 59 / 96 / 0 / 33

HEX #4607AB

RGB 70 7 171

HSL 263.05, 0.92%, 0.35%

LAB 24.93, 59.23, -71.28

 

CMYK 34 / 96 / 0 / 33

HEX #7107AB

RGB 113 7 171

HSL 278.78, 0.92%, 0.35%

LAB 30.89, 63.45, -61.26

 

CMYK 8 / 96 / 0 / 33

HEX #9D07AB

RGB 157 7 171

HSL 294.88, 0.92%, 0.35%

LAB 38.31, 69.78, -48.87

 

CMYK 59 / 97 / 0 / 64

HEX #26035C

RGB 38 3 92

HSL 263.6, 0.94%, 0.19%

LAB 10.92, 37.71, -44.48

 

CMYK 58 / 96 / 0 / 49

HEX #370583

RGB 55 5 131

HSL 263.81, 0.93%, 0.27%

LAB 18.19, 48.66, -57.82

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 58 / 96 / 0 / 18

HEX #5808D2

RGB 88 8 210

HSL 263.76, 0.93%, 0.43%

LAB 31.58, 69.5, -83.26

 

CMYK 57 / 94 / 0 / 4

HEX #6A0FF5

RGB 106 15 245

HSL 263.74, 0.92%, 0.51%

LAB 37.84, 77.68, -92.85

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 0 / 96 / 56 / 33

HEX #AB074B

RGB 171 7 75

HSL 335.12, 0.92%, 0.35%

LAB 36.59, 61.2, 8.69

 

CMYK 95 / 0 / 96 / 33

HEX #09AB07

RGB 9 171 7

HSL 119.27, 0.92%, 0.35%

LAB 60.96, -63.24, 60.77

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 0 / 59 / 96 / 33

HEX #AB4607

RGB 171 70 7

HSL 23.05, 0.92%, 0.35%

LAB 42.84, 38.83, 51.29

 

CMYK 96 / 0 / 59 / 33

HEX #07AB46

RGB 7 171 70

HSL 143.05, 0.92%, 0.35%

LAB 61.32, -58.6, 41.07

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 0 / 96 / 56 / 33

HEX #AB074B

RGB 171 7 75

HSL 335.12, 0.92%, 0.35%

LAB 36.59, 61.2, 8.69

 

CMYK 37 / 0 / 96 / 33

HEX #6CAB07

RGB 108 171 7

HSL 83.05, 0.92%, 0.35%

LAB 63.61, -41.93, 64.03

 

CMYK 96 / 0 / 40 / 33

HEX #07AB66

RGB 7 171 102

HSL 154.76, 0.92%, 0.35%

LAB 61.77, -53.22, 25.37

 

CMYK 58 / 96 / 0 / 33

HEX #4807AB

RGB 72 7 171

HSL 263.78, 0.92%, 0.35%

LAB 25.17, 59.37, -70.88

 

CMYK 0 / 96 / 85 / 33

HEX #AB071A

RGB 171 7 26

HSL 353.05, 0.92%, 0.35%

LAB 35.76, 58.92, 38.36

 

CMYK 37 / 0 / 96 / 33

HEX #6CAB07

RGB 108 171 7

HSL 83.05, 0.92%, 0.35%

LAB 63.61, -41.93, 64.03

 

CMYK 96 / 0 / 11 / 33

HEX #07AB98

RGB 7 171 152

HSL 173.05, 0.92%, 0.35%

LAB 62.88, -41.02, -0.62

 

Description

Color code: RGB 72 7 171 | qconv.com Color code: RGB 72 7 171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 7 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 7 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 96 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 96% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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