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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 123 172 it is the complementary color RGB 183 132 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 123 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 123 172 shade: RGB 77 123 167, RGB 94 141 186, RGB 111 159 205, RGB 128 177 224 and RGB 145 195 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 123 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 55 105 153, RGB 38 87 134, RGB 21 69 115 and RGB 4 51 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 72 96 172, RGB 75 72 172, RGB 102 72 172 and RGB 129 72 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 72 96 172 and RGB 72 72 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 123 172 shade matches the following richer shades: RGB 72 123 172, RGB 52 123 192, RGB 32 124 212 and RGB 12 124 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 92 123 152, RGB 111 122 132, RGB 131 122 113 and RGB 151 121 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 123 172 shade: RGB 72 172 167, RGB 72 150 172, RGB 72 124 172, RGB 72 97 172 and RGB 73 72 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 123 172 shade: RGB 47 81 114, RGB 60 102 143, RGB 72 123 172, RGB 97 143 188 and RGB 126 164 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 140 72 172 and RGB 164 172 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 172 72 124 and RGB 124 172 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 140 72 172, RGB 172 120 72 and RGB 103 172 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 123 172 shade: RGB 72 123 172, RGB 170 72 172, RGB 172 120 72 and RGB 73 172 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

Complementary color

CMYK 0 / 28 / 55 / 28

HEX #B78453

RGB 183 132 83

HSL 29.4, 0.41%, 0.52%

LAB 59.15, 13.98, 33.99

 

CMYK 54 / 26 / 0 / 35

HEX #4D7BA7

RGB 77 123 167

HSL 209.33, 0.37%, 0.48%

LAB 50.14, -2.71, -28.29

 

CMYK 49 / 24 / 0 / 27

HEX #5E8DBA

RGB 94 141 186

HSL 209.35, 0.4%, 0.55%

LAB 57.05, -3.28, -28.42

 

CMYK 46 / 22 / 0 / 20

HEX #6F9FCD

RGB 111 159 205

HSL 209.36, 0.48%, 0.62%

LAB 63.82, -3.73, -28.56

 

CMYK 43 / 21 / 0 / 12

HEX #80B1E0

RGB 128 177 224

HSL 209.38, 0.61%, 0.69%

LAB 70.47, -4.1, -28.73

 

CMYK 40 / 20 / 0 / 5

HEX #91C3F3

RGB 145 195 243

HSL 209.39, 0.8%, 0.76%

LAB 76.99, -4.41, -28.91

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 64 / 31 / 0 / 40

HEX #376999

RGB 55 105 153

HSL 209.39, 0.47%, 0.41%

LAB 43.09, -1.25, -31.15

 

CMYK 72 / 35 / 0 / 47

HEX #265786

RGB 38 87 134

HSL 209.38, 0.56%, 0.34%

LAB 35.89, 0.04, -31.07

 

CMYK 82 / 40 / 0 / 55

HEX #154573

RGB 21 69 115

HSL 209.36, 0.69%, 0.27%

LAB 28.52, 1.87, -30.98

 

CMYK 96 / 47 / 0 / 62

HEX #043360

RGB 4 51 96

HSL 209.35, 0.92%, 0.2%

LAB 20.97, 4.49, -30.83

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 58 / 44 / 0 / 33

HEX #4860AC

RGB 72 96 172

HSL 225.6, 0.41%, 0.48%

LAB 42.34, 14.47, -43.52

 

CMYK 56 / 58 / 0 / 33

HEX #4B48AC

RGB 75 72 172

HSL 241.8, 0.41%, 0.48%

LAB 36.19, 30.41, -53.39

 

CMYK 41 / 58 / 0 / 33

HEX #6648AC

RGB 102 72 172

HSL 258, 0.41%, 0.48%

LAB 38.62, 36.23, -49.36

 

CMYK 25 / 58 / 0 / 33

HEX #8148AC

RGB 129 72 172

HSL 274.2, 0.41%, 0.48%

LAB 41.66, 42.88, -44.31

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 58 / 44 / 0 / 33

HEX #4860AC

RGB 72 96 172

HSL 225.6, 0.41%, 0.48%

LAB 42.34, 14.47, -43.52

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 73 / 36 / 0 / 25

HEX #347BC0

RGB 52 123 192

HSL 209.57, 0.57%, 0.48%

LAB 50.34, 1.27, -42.49

 

CMYK 85 / 42 / 0 / 17

HEX #207CD4

RGB 32 124 212

HSL 209.33, 0.74%, 0.48%

LAB 51.24, 6.01, -52.48

 

CMYK 95 / 46 / 0 / 9

HEX #0C7CE7

RGB 12 124 231

HSL 209.32, 0.9%, 0.48%

LAB 52.13, 12.3, -61.76

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 39 / 19 / 0 / 40

HEX #5C7B98

RGB 92 123 152

HSL 209, 0.25%, 0.48%

LAB 50.34, -3.35, -19.15

 

CMYK 16 / 8 / 0 / 48

HEX #6F7A84

RGB 111 122 132

HSL 208.57, 0.09%, 0.48%

LAB 50.65, -1.85, -6.84

 

CMYK 0 / 7 / 14 / 49

HEX #837A71

RGB 131 122 113

HSL 30, 0.07%, 0.48%

LAB 51.77, 1.79, 6.16

 

CMYK 0 / 20 / 38 / 41

HEX #97795D

RGB 151 121 93

HSL 28.97, 0.24%, 0.48%

LAB 53, 7.6, 19.78

 

CMYK 58 / 0 / 3 / 33

HEX #48ACA7

RGB 72 172 167

HSL 177, 0.41%, 0.48%

LAB 64.7, -30.08, -6.18

 

CMYK 58 / 13 / 0 / 33

HEX #4896AC

RGB 72 150 172

HSL 193.2, 0.41%, 0.48%

LAB 58.2, -17.42, -18.78

 

CMYK 58 / 28 / 0 / 33

HEX #487CAC

RGB 72 124 172

HSL 208.8, 0.41%, 0.48%

LAB 50.42, -2.78, -30.77

 

CMYK 58 / 44 / 0 / 33

HEX #4861AC

RGB 72 97 172

HSL 225, 0.41%, 0.48%

LAB 42.62, 13.83, -43.07

 

CMYK 58 / 58 / 0 / 33

HEX #4948AC

RGB 73 72 172

HSL 240.6, 0.41%, 0.48%

LAB 36.04, 30.03, -53.65

 

CMYK 59 / 29 / 0 / 55

HEX #2F5172

RGB 47 81 114

HSL 209.55, 0.42%, 0.32%

LAB 33.36, -1.66, -22.66

 

CMYK 58 / 29 / 0 / 44

HEX #3C668F

RGB 60 102 143

HSL 209.64, 0.41%, 0.4%

LAB 41.92, -1.82, -26.99

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 48 / 24 / 0 / 26

HEX #618FBC

RGB 97 143 188

HSL 209.67, 0.4%, 0.56%

LAB 57.86, -3.1, -28.28

 

CMYK 37 / 18 / 0 / 21

HEX #7EA4C9

RGB 126 164 201

HSL 209.6, 0.41%, 0.64%

LAB 65.91, -3.69, -23.06

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 19 / 58 / 0 / 33

HEX #8C48AC

RGB 140 72 172

HSL 280.8, 0.41%, 0.48%

LAB 43.05, 45.73, -42.02

 

CMYK 5 / 0 / 58 / 33

HEX #A4AC48

RGB 164 172 72

HSL 64.8, 0.41%, 0.48%

LAB 67.92, -16.7, 49.36

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 0 / 58 / 28 / 33

HEX #AC487C

RGB 172 72 124

HSL 328.8, 0.41%, 0.48%

LAB 45.44, 46.6, -9.11

 

CMYK 28 / 0 / 58 / 33

HEX #7CAC48

RGB 124 172 72

HSL 88.8, 0.41%, 0.48%

LAB 65.17, -32.8, 45.5

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 19 / 58 / 0 / 33

HEX #8C48AC

RGB 140 72 172

HSL 280.8, 0.41%, 0.48%

LAB 43.05, 45.73, -42.02

 

CMYK 0 / 30 / 58 / 33

HEX #AC7848

RGB 172 120 72

HSL 28.8, 0.41%, 0.48%

LAB 54.73, 15.05, 34.21

 

CMYK 40 / 0 / 58 / 33

HEX #67AC48

RGB 103 172 72

HSL 101.4, 0.41%, 0.48%

LAB 64.04, -40.29, 43.91

 

CMYK 58 / 28 / 0 / 33

HEX #487BAC

RGB 72 123 172

HSL 209.4, 0.41%, 0.48%

LAB 50.12, -2.19, -31.23

 

CMYK 1 / 58 / 0 / 33

HEX #AA48AC

RGB 170 72 172

HSL 298.8, 0.41%, 0.48%

LAB 47.18, 53.65, -35.21

 

CMYK 0 / 30 / 58 / 33

HEX #AC7848

RGB 172 120 72

HSL 28.8, 0.41%, 0.48%

LAB 54.73, 15.05, 34.21

 

CMYK 58 / 0 / 58 / 33

HEX #49AC48

RGB 73 172 72

HSL 119.4, 0.41%, 0.48%

LAB 62.83, -49.16, 42.2

 

Description

Color code: RGB 72 123 172 | qconv.com Color code: RGB 72 123 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 123 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 123 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 28 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 28% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Блог Олександра Кири...
Link: http://nowaday.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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