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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 207 120 it is the complementary color RGB 183 48 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 207 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 207 120 shade: RGB 77 207 115, RGB 94 225 134, RGB 111 243 153, RGB 128 255 172 and RGB 145 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 207 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 207 120 shade: RGB 72 207 120, RGB 55 189 101, RGB 38 171 82, RGB 21 153 63 and RGB 4 135 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 207 120 shade: RGB 73 206 121, RGB 73 206 85, RGB 98 206 73, RGB 134 206 73 and RGB 169 206 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 207 120 shade: RGB 73 206 121, RGB 73 206 156, RGB 73 206 192, RGB 73 184 206 and RGB 73 149 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 207 120 shade matches the following richer shades: RGB 73 206 121, RGB 55 225 115 and RGB 36 243 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 207 120 shade: RGB 73 206 121, RGB 92 188 126, RGB 110 169 131, RGB 129 151 137 and RGB 147 132 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 207 120 shade: RGB 98 206 73, RGB 73 206 84, RGB 73 206 120, RGB 73 206 155 and RGB 73 206 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 207 120 shade: RGB 41 156 82, RGB 50 189 99, RGB 73 206 121, RGB 106 215 145 and RGB 138 224 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 207 120 shade: RGB 72 207 120, RGB 73 133 206 and RGB 206 73 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 207 120 shade: RGB 72 207 120, RGB 120 73 206 and RGB 206 120 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 207 120 shade: RGB 72 207 120, RGB 73 133 206, RGB 206 73 160 and RGB 206 146 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 207 120 shade: RGB 72 207 120, RGB 73 93 206, RGB 206 73 160 and RGB 206 186 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

Complementary color

CMYK 0 / 74 / 26 / 28

HEX #B73087

RGB 183 48 135

HSL 321.33, 0.58%, 0.45%

LAB 44.13, 60.99, -17.63

 

CMYK 63 / 0 / 44 / 19

HEX #4DCF73

RGB 77 207 115

HSL 137.54, 0.58%, 0.56%

LAB 74.47, -55.43, 35.38

 

CMYK 58 / 0 / 40 / 12

HEX #5EE186

RGB 94 225 134

HSL 138.32, 0.69%, 0.63%

LAB 80.71, -55.62, 33.98

 

CMYK 54 / 0 / 37 / 5

HEX #6FF399

RGB 111 243 153

HSL 139.09, 0.85%, 0.69%

LAB 86.89, -55.66, 32.66

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAC

RGB 128 255 172

HSL 140.79, 1%, 0.75%

LAB 91.27, -53.16, 29.08

 

CMYK 43 / 0 / 25 / 0

HEX #91FFBF

RGB 145 255 191

HSL 145.09, 1%, 0.78%

LAB 92.27, -45.41, 20.91

 

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

CMYK 71 / 0 / 47 / 26

HEX #37BD65

RGB 55 189 101

HSL 140.6, 0.55%, 0.48%

LAB 68.13, -55.06, 34.26

 

CMYK 78 / 0 / 52 / 33

HEX #26AB52

RGB 38 171 82

HSL 139.85, 0.64%, 0.41%

LAB 61.78, -54.19, 35.85

 

CMYK 86 / 0 / 59 / 40

HEX #15993F

RGB 21 153 63

HSL 139.09, 0.76%, 0.34%

LAB 55.38, -52.75, 37.47

 

CMYK 97 / 0 / 67 / 47

HEX #04872C

RGB 4 135 44

HSL 138.32, 0.94%, 0.27%

LAB 48.93, -50.55, 38.99

 

CMYK 65 / 0 / 41 / 19

HEX #49CE79

RGB 73 206 121

HSL 141.65, 0.58%, 0.55%

LAB 74.15, -54.82, 31.9

 

CMYK 65 / 0 / 59 / 19

HEX #49CE55

RGB 73 206 85

HSL 125.41, 0.58%, 0.55%

LAB 73.68, -60.1, 48.83

 

CMYK 52 / 0 / 65 / 19

HEX #62CE49

RGB 98 206 73

HSL 108.72, 0.58%, 0.55%

LAB 74.33, -55.44, 54.98

 

CMYK 35 / 0 / 65 / 19

HEX #86CE49

RGB 134 206 73

HSL 92.48, 0.58%, 0.55%

LAB 75.88, -44.24, 57.11

 

CMYK 18 / 0 / 65 / 19

HEX #A9CE49

RGB 169 206 73

HSL 76.69, 0.58%, 0.55%

LAB 77.91, -31.23, 59.88

 

CMYK 65 / 0 / 41 / 19

HEX #49CE79

RGB 73 206 121

HSL 141.65, 0.58%, 0.55%

LAB 74.15, -54.82, 31.9

 

CMYK 65 / 0 / 24 / 19

HEX #49CE9C

RGB 73 206 156

HSL 157.44, 0.58%, 0.55%

LAB 74.8, -47.87, 14.41

 

CMYK 65 / 0 / 7 / 19

HEX #49CEC0

RGB 73 206 192

HSL 173.68, 0.58%, 0.55%

LAB 75.68, -39.07, -3.68

 

CMYK 65 / 11 / 0 / 19

HEX #49B8CE

RGB 73 184 206

HSL 189.92, 0.58%, 0.55%

LAB 69.58, -24.59, -20.43

 

CMYK 65 / 28 / 0 / 19

HEX #4995CE

RGB 73 149 206

HSL 205.71, 0.58%, 0.55%

LAB 59.31, -5.83, -36.26

 

CMYK 65 / 0 / 41 / 19

HEX #49CE79

RGB 73 206 121

HSL 141.65, 0.58%, 0.55%

LAB 74.15, -54.82, 31.9

 

CMYK 76 / 0 / 49 / 12

HEX #37E173

RGB 55 225 115

HSL 141.18, 0.74%, 0.55%

LAB 79.56, -65.52, 41.73

 

CMYK 85 / 0 / 55 / 5

HEX #24F36E

RGB 36 243 110

HSL 141.45, 0.9%, 0.55%

LAB 84.79, -74.06, 50.44

 

CMYK 65 / 0 / 41 / 19

HEX #49CE79

RGB 73 206 121

HSL 141.65, 0.58%, 0.55%

LAB 74.15, -54.82, 31.9

 

CMYK 51 / 0 / 33 / 26

HEX #5CBC7E

RGB 92 188 126

HSL 141.25, 0.42%, 0.55%

LAB 69.29, -42.38, 22.92

 

CMYK 35 / 0 / 22 / 34

HEX #6EA983

RGB 110 169 131

HSL 141.36, 0.26%, 0.55%

LAB 64.43, -27.53, 13.63

 

CMYK 15 / 0 / 9 / 41

HEX #819789

RGB 129 151 137

HSL 141.82, 0.1%, 0.55%

LAB 60.43, -10.66, 4.76

 

CMYK 0 / 10 / 3 / 42

HEX #93848E

RGB 147 132 142

HSL 320, 0.06%, 0.55%

LAB 56.74, 7.53, -3.3

 

CMYK 52 / 0 / 65 / 19

HEX #62CE49

RGB 98 206 73

HSL 108.72, 0.58%, 0.55%

LAB 74.33, -55.44, 54.98

 

CMYK 65 / 0 / 59 / 19

HEX #49CE54

RGB 73 206 84

HSL 124.96, 0.58%, 0.55%

LAB 73.67, -60.22, 49.26

 

CMYK 65 / 0 / 42 / 19

HEX #49CE78

RGB 73 206 120

HSL 141.2, 0.58%, 0.55%

LAB 74.14, -55, 32.39

 

CMYK 65 / 0 / 25 / 19

HEX #49CE9B

RGB 73 206 155

HSL 156.99, 0.58%, 0.55%

LAB 74.78, -48.09, 14.92

 

CMYK 65 / 0 / 7 / 19

HEX #49CEBF

RGB 73 206 191

HSL 173.23, 0.58%, 0.55%

LAB 75.65, -39.33, -3.18

 

CMYK 74 / 0 / 47 / 39

HEX #299C52

RGB 41 156 82

HSL 141.39, 0.58%, 0.39%

LAB 56.94, -48.29, 29.79

 

CMYK 74 / 0 / 48 / 26

HEX #32BD63

RGB 50 189 99

HSL 141.15, 0.58%, 0.47%

LAB 68, -56.18, 35.09

 

CMYK 65 / 0 / 41 / 19

HEX #49CE79

RGB 73 206 121

HSL 141.65, 0.58%, 0.55%

LAB 74.15, -54.82, 31.9

 

CMYK 51 / 0 / 33 / 16

HEX #6AD791

RGB 106 215 145

HSL 141.47, 0.58%, 0.63%

LAB 78.29, -46.84, 25.19

 

CMYK 38 / 0 / 25 / 12

HEX #8AE0A9

RGB 138 224 169

HSL 141.63, 0.58%, 0.71%

LAB 82.69, -37.72, 18.91

 

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

CMYK 65 / 35 / 0 / 19

HEX #4985CE

RGB 73 133 206

HSL 212.93, 0.58%, 0.55%

LAB 54.71, 3.5, -43.49

 

CMYK 0 / 65 / 61 / 19

HEX #CE4950

RGB 206 73 80

HSL 356.84, 0.58%, 0.55%

LAB 50.06, 52.98, 24.84

 

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

CMYK 42 / 65 / 0 / 19

HEX #7849CE

RGB 120 73 206

HSL 261.2, 0.58%, 0.55%

LAB 43.08, 48.88, -61.94

 

CMYK 0 / 42 / 65 / 19

HEX #CE7849

RGB 206 120 73

HSL 21.2, 0.58%, 0.55%

LAB 59.01, 29.43, 39.81

 

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

CMYK 65 / 35 / 0 / 19

HEX #4985CE

RGB 73 133 206

HSL 212.93, 0.58%, 0.55%

LAB 54.71, 3.5, -43.49

 

CMYK 0 / 65 / 22 / 19

HEX #CE49A0

RGB 206 73 160

HSL 320.75, 0.58%, 0.55%

LAB 52.31, 61.11, -19.74

 

CMYK 0 / 29 / 65 / 19

HEX #CE9249

RGB 206 146 73

HSL 32.93, 0.58%, 0.55%

LAB 65.09, 15.34, 46.8

 

CMYK 65 / 0 / 42 / 19

HEX #48CF78

RGB 72 207 120

HSL 141.33, 0.58%, 0.55%

LAB 74.42, -55.56, 32.75

 

CMYK 65 / 55 / 0 / 19

HEX #495DCE

RGB 73 93 206

HSL 230.98, 0.58%, 0.55%

LAB 43.8, 28.31, -60.95

 

CMYK 0 / 65 / 22 / 19

HEX #CE49A0

RGB 206 73 160

HSL 320.75, 0.58%, 0.55%

LAB 52.31, 61.11, -19.74

 

CMYK 0 / 10 / 65 / 19

HEX #CEBA49

RGB 206 186 73

HSL 50.98, 0.58%, 0.55%

LAB 75.28, -6.02, 57.95

 

Description

Color code: RGB 72 207 120 | qconv.com Color code: RGB 72 207 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 207 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 207 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 42 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 42% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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