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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 239 105 it is the complementary color RGB 183 16 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 239 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 239 105 shade: RGB 77 239 100, RGB 94 255 119, RGB 111 255 138, RGB 128 255 157 and RGB 145 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 239 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 55 221 86, RGB 38 203 67, RGB 21 185 48 and RGB 4 167 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 84 239 72, RGB 129 239 72, RGB 174 239 72 and RGB 219 239 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 72 239 150, RGB 72 239 195, RGB 72 237 239 and RGB 72 192 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 239 105 shade matches the following richer shades: RGB 72 239 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 88 222 114, RGB 104 206 124, RGB 120 190 134 and RGB 136 174 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 239 105 shade: RGB 130 239 72, RGB 85 239 72, RGB 72 239 102, RGB 72 239 147 and RGB 72 239 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 239 105 shade: RGB 18 210 56, RGB 34 235 73, RGB 72 239 105, RGB 109 242 136 and RGB 147 245 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 72 175 239 and RGB 239 72 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 102 72 239 and RGB 239 102 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 72 175 239, RGB 239 72 208 and RGB 239 136 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 239 105 shade: RGB 72 239 105, RGB 72 124 239, RGB 239 72 208 and RGB 239 186 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

Complementary color

CMYK 0 / 91 / 18 / 28

HEX #B71096

RGB 183 16 150

HSL 311.86, 0.84%, 0.39%

LAB 42.22, 70.36, -29.72

 

CMYK 68 / 0 / 58 / 6

HEX #4DEF64

RGB 77 239 100

HSL 128.52, 0.84%, 0.62%

LAB 84.09, -68.88, 54.24

 

CMYK 63 / 0 / 53 / 0

HEX #5EFF77

RGB 94 255 119

HSL 129.32, 1%, 0.68%

LAB 89.5, -68.82, 52.24

 

CMYK 56 / 0 / 46 / 0

HEX #6FFF8A

RGB 111 255 138

HSL 131.25, 1%, 0.72%

LAB 90.2, -62.64, 44.32

 

CMYK 50 / 0 / 38 / 0

HEX #80FF9D

RGB 128 255 157

HSL 133.7, 1%, 0.75%

LAB 91.03, -55.69, 36.24

 

CMYK 43 / 0 / 31 / 0

HEX #91FFB0

RGB 145 255 176

HSL 136.91, 1%, 0.78%

LAB 91.99, -48.11, 28.14

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 75 / 0 / 61 / 13

HEX #37DD56

RGB 55 221 86

HSL 131.2, 0.71%, 0.54%

LAB 77.99, -68.1, 53.24

 

CMYK 81 / 0 / 67 / 20

HEX #26CB43

RGB 38 203 67

HSL 130.55, 0.68%, 0.47%

LAB 71.91, -66.6, 54.39

 

CMYK 89 / 0 / 74 / 27

HEX #15B930

RGB 21 185 48

HSL 129.88, 0.8%, 0.4%

LAB 65.8, -64.45, 55.21

 

CMYK 98 / 0 / 83 / 35

HEX #04A71D

RGB 4 167 29

HSL 129.2, 0.95%, 0.34%

LAB 59.66, -61.51, 55.31

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 65 / 0 / 70 / 6

HEX #54EF48

RGB 84 239 72

HSL 115.69, 0.84%, 0.61%

LAB 84.01, -70.35, 65.55

 

CMYK 46 / 0 / 70 / 6

HEX #81EF48

RGB 129 239 72

HSL 99.52, 0.84%, 0.61%

LAB 85.44, -59.16, 67.47

 

CMYK 27 / 0 / 70 / 6

HEX #AEEF48

RGB 174 239 72

HSL 83.35, 0.84%, 0.61%

LAB 87.58, -44.22, 70.34

 

CMYK 8 / 0 / 70 / 6

HEX #DBEF48

RGB 219 239 72

HSL 67.19, 0.84%, 0.61%

LAB 90.44, -26.92, 74.13

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 70 / 0 / 37 / 6

HEX #48EF96

RGB 72 239 150

HSL 148.02, 0.84%, 0.61%

LAB 84.64, -62.13, 31

 

CMYK 70 / 0 / 18 / 6

HEX #48EFC3

RGB 72 239 195

HSL 164.19, 0.84%, 0.61%

LAB 85.53, -52.64, 9.03

 

CMYK 70 / 1 / 0 / 6

HEX #48EDEF

RGB 72 237 239

HSL 180.72, 0.84%, 0.61%

LAB 86.1, -40.42, -13.23

 

CMYK 70 / 20 / 0 / 6

HEX #48C0EF

RGB 72 192 239

HSL 196.89, 0.84%, 0.61%

LAB 73.09, -18.61, -33

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 60 / 0 / 49 / 13

HEX #58DE72

RGB 88 222 114

HSL 131.64, 0.67%, 0.61%

LAB 79.35, -58.91, 42.1

 

CMYK 50 / 0 / 40 / 19

HEX #68CE7C

RGB 104 206 124

HSL 131.76, 0.51%, 0.61%

LAB 75.16, -47.24, 31.87

 

CMYK 37 / 0 / 29 / 25

HEX #78BE86

RGB 120 190 134

HSL 132, 0.35%, 0.61%

LAB 71.24, -33.87, 21.5

 

CMYK 22 / 0 / 18 / 32

HEX #88AE8F

RGB 136 174 143

HSL 131.05, 0.19%, 0.61%

LAB 67.64, -19.16, 11.76

 

CMYK 46 / 0 / 70 / 6

HEX #82EF48

RGB 130 239 72

HSL 99.16, 0.84%, 0.61%

LAB 85.48, -58.87, 67.52

 

CMYK 64 / 0 / 70 / 6

HEX #55EF48

RGB 85 239 72

HSL 115.33, 0.84%, 0.61%

LAB 84.03, -70.15, 65.58

 

CMYK 70 / 0 / 57 / 6

HEX #48EF66

RGB 72 239 102

HSL 130.78, 0.84%, 0.61%

LAB 84, -69.49, 53.23

 

CMYK 70 / 0 / 38 / 6

HEX #48EF93

RGB 72 239 147

HSL 146.95, 0.84%, 0.61%

LAB 84.6, -62.67, 32.45

 

CMYK 70 / 0 / 20 / 6

HEX #48EFBF

RGB 72 239 191

HSL 162.75, 0.84%, 0.61%

LAB 85.44, -53.57, 10.99

 

CMYK 91 / 0 / 73 / 18

HEX #12D238

RGB 18 210 56

HSL 131.88, 0.84%, 0.45%

LAB 73.87, -71.31, 60.55

 

CMYK 86 / 0 / 69 / 8

HEX #22EB49

RGB 34 235 73

HSL 131.64, 0.83%, 0.53%

LAB 81.97, -76, 62.79

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 55 / 0 / 44 / 5

HEX #6DF288

RGB 109 242 136

HSL 132.18, 0.84%, 0.69%

LAB 86.27, -58.48, 40.27

 

CMYK 40 / 0 / 32 / 4

HEX #93F5A7

RGB 147 245 167

HSL 132.24, 0.83%, 0.77%

LAB 89.06, -44.81, 28.74

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 70 / 27 / 0 / 6

HEX #48AFEF

RGB 72 175 239

HSL 202.99, 0.84%, 0.61%

LAB 68.22, -9.54, -40.58

 

CMYK 0 / 70 / 55 / 6

HEX #EF486C

RGB 239 72 108

HSL 347.07, 0.84%, 0.61%

LAB 56.16, 65.61, 17.37

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 57 / 70 / 0 / 6

HEX #6648EF

RGB 102 72 239

HSL 250.78, 0.84%, 0.61%

LAB 43.79, 55.57, -79.67

 

CMYK 0 / 57 / 70 / 6

HEX #EF6648

RGB 239 102 72

HSL 10.78, 0.84%, 0.61%

LAB 60.18, 51.02, 42.92

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 70 / 27 / 0 / 6

HEX #48AFEF

RGB 72 175 239

HSL 202.99, 0.84%, 0.61%

LAB 68.22, -9.54, -40.58

 

CMYK 0 / 70 / 13 / 6

HEX #EF48D0

RGB 239 72 208

HSL 311.14, 0.84%, 0.61%

LAB 59.47, 76.43, -36

 

CMYK 0 / 43 / 70 / 6

HEX #EF8848

RGB 239 136 72

HSL 22.99, 0.84%, 0.61%

LAB 66.84, 34.25, 50.37

 

CMYK 70 / 0 / 56 / 6

HEX #48EF69

RGB 72 239 105

HSL 131.86, 0.84%, 0.61%

LAB 84.03, -69.12, 51.93

 

CMYK 70 / 48 / 0 / 6

HEX #487CEF

RGB 72 124 239

HSL 221.32, 0.84%, 0.61%

LAB 54.05, 20.36, -63.06

 

CMYK 0 / 70 / 13 / 6

HEX #EF48D0

RGB 239 72 208

HSL 311.14, 0.84%, 0.61%

LAB 59.47, 76.43, -36

 

CMYK 0 / 22 / 70 / 6

HEX #EFBA48

RGB 239 186 72

HSL 40.96, 0.84%, 0.61%

LAB 78.42, 7.94, 62.63

 

Description

Color code: RGB 72 239 105 | qconv.com Color code: RGB 72 239 105 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 239 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 239 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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