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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 95 65 it is the complementary color RGB 178 160 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 95 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 95 65 shade: RGB 82 95 60, RGB 99 113 79, RGB 116 131 98, RGB 133 149 117 and RGB 150 167 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 95 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 95 65 shade: RGB 77 95 65, RGB 60 77 46, RGB 43 59 27, RGB 26 41 8 and RGB 9 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 95 65 shade: RGB 76 94 64, RGB 84 94 64, RGB 92 94 64, RGB 94 87 64 and RGB 94 79 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 95 65 shade: RGB 76 94 64, RGB 67 94 64, RGB 64 94 68, RGB 64 94 76 and RGB 64 94 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 95 65 shade matches the following richer shades: RGB 76 94 64, RGB 73 106 51, RGB 70 119 38, RGB 68 132 25 and RGB 65 145 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 95 65 shade: RGB 76 94 64, RGB 78 81 76, RGB 81 68 89, RGB 83 55 102 and RGB 86 42 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 95 65 shade: RGB 92 94 64, RGB 84 94 64, RGB 76 94 64, RGB 68 94 64 and RGB 64 94 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 95 65 shade: RGB 36 44 30, RGB 56 69 47, RGB 76 94 64, RGB 95 118 80 and RGB 115 143 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 95 65 shade: RGB 77 95 65, RGB 64 94 88 and RGB 94 64 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 95 65 shade: RGB 77 95 65, RGB 64 76 94 and RGB 94 64 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 95 65 shade: RGB 77 95 65, RGB 64 94 88, RGB 82 64 94 and RGB 94 64 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 95 65 shade: RGB 77 95 65, RGB 64 91 94, RGB 82 64 94 and RGB 94 67 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

Complementary color

CMYK 6 / 16 / 0 / 25

HEX #B2A0BE

RGB 178 160 190

HSL 276, 0.19%, 0.69%

LAB 68.26, 12.21, -13.03

 

CMYK 14 / 0 / 37 / 63

HEX #525F3C

RGB 82 95 60

HSL 82.29, 0.23%, 0.3%

LAB 38.38, -11.81, 18.42

 

CMYK 12 / 0 / 30 / 56

HEX #63714F

RGB 99 113 79

HSL 84.71, 0.18%, 0.38%

LAB 45.67, -11.82, 17.19

 

CMYK 11 / 0 / 25 / 49

HEX #748362

RGB 116 131 98

HSL 87.27, 0.14%, 0.45%

LAB 52.76, -11.81, 16.06

 

CMYK 11 / 0 / 21 / 42

HEX #859575

RGB 133 149 117

HSL 90, 0.13%, 0.52%

LAB 59.68, -11.79, 15.03

 

CMYK 10 / 0 / 19 / 35

HEX #96A788

RGB 150 167 136

HSL 92.9, 0.15%, 0.59%

LAB 66.44, -11.77, 14.06

 

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

CMYK 22 / 0 / 40 / 70

HEX #3C4D2E

RGB 60 77 46

HSL 92.9, 0.25%, 0.24%

LAB 30.56, -13.2, 16.27

 

CMYK 27 / 0 / 54 / 77

HEX #2B3B1B

RGB 43 59 27

HSL 90, 0.37%, 0.17%

LAB 22.73, -13.27, 17.68

 

CMYK 37 / 0 / 80 / 84

HEX #1A2908

RGB 26 41 8

HSL 87.27, 0.67%, 0.1%

LAB 14.53, -13.17, 17.68

 

CMYK 61 / 0 / 100 / 91

HEX #091700

RGB 9 23 0

HSL 96.52, 1%, 0.05%

LAB 6.06, -8.95, 8.91

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 11 / 0 / 32 / 63

HEX #545E40

RGB 84 94 64

HSL 80, 0.19%, 0.31%

LAB 38.31, -9.74, 15.96

 

CMYK 2 / 0 / 32 / 63

HEX #5C5E40

RGB 92 94 64

HSL 64, 0.19%, 0.31%

LAB 38.99, -6.26, 16.98

 

CMYK 0 / 7 / 32 / 63

HEX #5E5740

RGB 94 87 64

HSL 46, 0.19%, 0.31%

LAB 37.05, -1.2, 14.42

 

CMYK 0 / 16 / 32 / 63

HEX #5E4F40

RGB 94 79 64

HSL 30, 0.19%, 0.31%

LAB 34.68, 3.69, 11.19

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 29 / 0 / 32 / 63

HEX #435E40

RGB 67 94 64

HSL 114, 0.19%, 0.31%

LAB 37.06, -16.72, 14.06

 

CMYK 32 / 0 / 28 / 63

HEX #405E44

RGB 64 94 68

HSL 128, 0.19%, 0.31%

LAB 36.95, -17.07, 11.46

 

CMYK 32 / 0 / 19 / 63

HEX #405E4C

RGB 64 94 76

HSL 144, 0.19%, 0.31%

LAB 37.15, -15.37, 6.82

 

CMYK 32 / 0 / 11 / 63

HEX #405E54

RGB 64 94 84

HSL 160, 0.19%, 0.31%

LAB 37.36, -13.5, 2.19

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 31 / 0 / 52 / 58

HEX #496A33

RGB 73 106 51

HSL 96, 0.35%, 0.31%

LAB 41.16, -22.78, 26.96

 

CMYK 41 / 0 / 68 / 53

HEX #467726

RGB 70 119 38

HSL 96.3, 0.52%, 0.31%

LAB 45.13, -31.68, 38.04

 

CMYK 48 / 0 / 81 / 48

HEX #448419

RGB 68 132 25

HSL 95.89, 0.68%, 0.31%

LAB 49.25, -39.01, 47.23

 

CMYK 55 / 0 / 92 / 43

HEX #41910C

RGB 65 145 12

HSL 96.09, 0.85%, 0.31%

LAB 53.39, -45.68, 54.12

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 4 / 0 / 6 / 68

HEX #4E514C

RGB 78 81 76

HSL 96, 0.03%, 0.31%

LAB 34.04, -2.29, 2.51

 

CMYK 9 / 24 / 0 / 65

HEX #514459

RGB 81 68 89

HSL 277.14, 0.13%, 0.31%

LAB 30.89, 10.07, -10.41

 

CMYK 19 / 46 / 0 / 60

HEX #533766

RGB 83 55 102

HSL 275.74, 0.3%, 0.31%

LAB 28.2, 22.34, -22.91

 

CMYK 25 / 63 / 0 / 55

HEX #562A73

RGB 86 42 115

HSL 276.16, 0.46%, 0.31%

LAB 26.37, 34.29, -34.12

 

CMYK 2 / 0 / 32 / 63

HEX #5C5E40

RGB 92 94 64

HSL 64, 0.19%, 0.31%

LAB 38.99, -6.26, 16.98

 

CMYK 11 / 0 / 32 / 63

HEX #545E40

RGB 84 94 64

HSL 80, 0.19%, 0.31%

LAB 38.31, -9.74, 15.96

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 28 / 0 / 32 / 63

HEX #445E40

RGB 68 94 64

HSL 112, 0.19%, 0.31%

LAB 37.12, -16.33, 14.16

 

CMYK 32 / 0 / 28 / 63

HEX #405E44

RGB 64 94 68

HSL 128, 0.19%, 0.31%

LAB 36.95, -17.07, 11.46

 

CMYK 18 / 0 / 32 / 83

HEX #242C1E

RGB 36 44 30

HSL 94.29, 0.19%, 0.15%

LAB 16.85, -6.77, 7.97

 

CMYK 19 / 0 / 32 / 73

HEX #38452F

RGB 56 69 47

HSL 95.45, 0.19%, 0.23%

LAB 27.58, -10.07, 11.62

 

CMYK 19 / 0 / 32 / 63

HEX #4C5E40

RGB 76 94 64

HSL 96, 0.19%, 0.31%

LAB 37.68, -13.11, 15.01

 

CMYK 19 / 0 / 32 / 54

HEX #5F7650

RGB 95 118 80

HSL 96.32, 0.19%, 0.39%

LAB 46.93, -16.01, 18.26

 

CMYK 20 / 0 / 32 / 44

HEX #738F61

RGB 115 143 97

HSL 96.52, 0.19%, 0.47%

LAB 56.24, -18.77, 21.33

 

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

CMYK 32 / 0 / 6 / 63

HEX #405E58

RGB 64 94 88

HSL 168, 0.19%, 0.31%

LAB 37.48, -12.51, -0.11

 

CMYK 0 / 32 / 6 / 63

HEX #5E4058

RGB 94 64 88

HSL 312, 0.19%, 0.31%

LAB 31.23, 17.44, -9.11

 

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

CMYK 32 / 19 / 0 / 63

HEX #404C5E

RGB 64 76 94

HSL 216, 0.19%, 0.31%

LAB 31.96, 0.02, -12.12

 

CMYK 0 / 32 / 19 / 63

HEX #5E404C

RGB 94 64 76

HSL 336, 0.19%, 0.31%

LAB 30.8, 15.12, -2

 

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

CMYK 32 / 0 / 6 / 63

HEX #405E58

RGB 64 94 88

HSL 168, 0.19%, 0.31%

LAB 37.48, -12.51, -0.11

 

CMYK 13 / 32 / 0 / 63

HEX #52405E

RGB 82 64 94

HSL 276, 0.19%, 0.31%

LAB 30.08, 14.24, -14.85

 

CMYK 0 / 32 / 26 / 63

HEX #5E4046

RGB 94 64 70

HSL 348, 0.19%, 0.31%

LAB 30.61, 14.06, 1.61

 

CMYK 19 / 0 / 32 / 63

HEX #4D5F41

RGB 77 95 65

HSL 96, 0.19%, 0.31%

LAB 38.1, -13.09, 14.98

 

CMYK 32 / 3 / 0 / 63

HEX #405B5E

RGB 64 91 94

HSL 186, 0.19%, 0.31%

LAB 36.71, -9.2, -4.98

 

CMYK 13 / 32 / 0 / 63

HEX #52405E

RGB 82 64 94

HSL 276, 0.19%, 0.31%

LAB 30.08, 14.24, -14.85

 

CMYK 0 / 29 / 32 / 63

HEX #5E4340

RGB 94 67 64

HSL 6, 0.19%, 0.31%

LAB 31.26, 11.2, 6.42

 

Description

Color code: RGB 77 95 65 | qconv.com Color code: RGB 77 95 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 95 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 95 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 32 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 32% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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