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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 146 97 it is the complementary color RGB 178 109 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 146 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 146 97 shade: RGB 82 146 92, RGB 99 164 111, RGB 116 182 130, RGB 133 200 149 and RGB 150 218 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 146 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 60 128 78, RGB 43 110 59, RGB 26 92 40 and RGB 9 74 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 77 146 78, RGB 94 146 77, RGB 113 146 77 and RGB 132 146 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 77 146 116, RGB 77 146 135, RGB 77 140 146 and RGB 77 121 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 146 97 shade matches the following richer shades: RGB 77 146 97, RGB 59 165 89, RGB 41 183 82, RGB 22 201 74 and RGB 4 219 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 95 128 105, RGB 113 110 112, RGB 131 92 120 and RGB 150 74 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 146 97 shade: RGB 94 146 77, RGB 77 146 78, RGB 77 146 97, RGB 77 146 115 and RGB 77 146 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 146 97 shade: RGB 48 92 61, RGB 63 119 79, RGB 77 146 97, RGB 94 170 116 and RGB 121 184 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 77 113 146 and RGB 146 77 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 97 77 146 and RGB 146 97 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 77 113 146, RGB 146 77 127 and RGB 146 111 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 146 97 shade: RGB 77 146 97, RGB 77 92 146, RGB 146 77 127 and RGB 146 131 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

Complementary color

CMYK 0 / 39 / 11 / 30

HEX #B26D9E

RGB 178 109 158

HSL 317.39, 0.31%, 0.56%

LAB 54.94, 34.66, -14.93

 

CMYK 44 / 0 / 37 / 43

HEX #52925C

RGB 82 146 92

HSL 129.38, 0.28%, 0.45%

LAB 55.2, -32.61, 22.39

 

CMYK 40 / 0 / 32 / 36

HEX #63A46F

RGB 99 164 111

HSL 131.08, 0.26%, 0.52%

LAB 61.96, -32.36, 21.15

 

CMYK 36 / 0 / 29 / 29

HEX #74B682

RGB 116 182 130

HSL 132.73, 0.31%, 0.58%

LAB 68.59, -32.09, 20

 

CMYK 34 / 0 / 26 / 22

HEX #85C895

RGB 133 200 149

HSL 134.33, 0.38%, 0.65%

LAB 75.12, -31.82, 18.93

 

CMYK 31 / 0 / 23 / 15

HEX #96DAA8

RGB 150 218 168

HSL 135.88, 0.48%, 0.72%

LAB 81.54, -31.55, 17.92

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 53 / 0 / 39 / 50

HEX #3C804E

RGB 60 128 78

HSL 135.88, 0.36%, 0.37%

LAB 48.2, -33.36, 20.74

 

CMYK 61 / 0 / 46 / 57

HEX #2B6E3B

RGB 43 110 59

HSL 134.33, 0.44%, 0.3%

LAB 41.19, -33.36, 22.23

 

CMYK 72 / 0 / 57 / 64

HEX #1A5C28

RGB 26 92 40

HSL 132.73, 0.56%, 0.23%

LAB 34.04, -33, 23.84

 

CMYK 88 / 0 / 72 / 71

HEX #094A15

RGB 9 74 21

HSL 131.08, 0.78%, 0.16%

LAB 26.76, -31.82, 25.42

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 0 / 47 / 43

HEX #4D924E

RGB 77 146 78

HSL 120.87, 0.31%, 0.44%

LAB 54.75, -36.47, 29.37

 

CMYK 36 / 0 / 47 / 43

HEX #5E924D

RGB 94 146 77

HSL 105.22, 0.31%, 0.44%

LAB 55.56, -31.01, 31.09

 

CMYK 23 / 0 / 47 / 43

HEX #71924D

RGB 113 146 77

HSL 88.7, 0.31%, 0.44%

LAB 56.69, -23.92, 32.75

 

CMYK 10 / 0 / 47 / 43

HEX #84924D

RGB 132 146 77

HSL 72.17, 0.31%, 0.44%

LAB 58.04, -16.21, 34.71

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 0 / 21 / 43

HEX #4D9274

RGB 77 146 116

HSL 153.91, 0.31%, 0.44%

LAB 55.48, -29.22, 9.23

 

CMYK 47 / 0 / 8 / 43

HEX #4D9287

RGB 77 146 135

HSL 170.43, 0.31%, 0.44%

LAB 55.97, -24.63, -0.93

 

CMYK 47 / 4 / 0 / 43

HEX #4D8C92

RGB 77 140 146

HSL 185.22, 0.31%, 0.44%

LAB 54.46, -18.57, -9.51

 

CMYK 47 / 17 / 0 / 43

HEX #4D7992

RGB 77 121 146

HSL 201.74, 0.31%, 0.44%

LAB 48.67, -8.03, -18.27

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 64 / 0 / 46 / 35

HEX #3BA559

RGB 59 165 89

HSL 136.98, 0.47%, 0.44%

LAB 60.39, -47.22, 30.61

 

CMYK 78 / 0 / 55 / 28

HEX #29B752

RGB 41 183 82

HSL 137.32, 0.63%, 0.44%

LAB 65.71, -57.95, 40.64

 

CMYK 89 / 0 / 63 / 21

HEX #16C94A

RGB 22 201 74

HSL 137.43, 0.8%, 0.44%

LAB 71.17, -66.65, 50.6

 

CMYK 98 / 0 / 69 / 14

HEX #04DB43

RGB 4 219 67

HSL 137.58, 0.96%, 0.44%

LAB 76.74, -73.51, 59.47

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 26 / 0 / 18 / 50

HEX #5F8069

RGB 95 128 105

HSL 138.18, 0.15%, 0.44%

LAB 50.56, -16.76, 8.73

 

CMYK 0 / 3 / 1 / 56

HEX #716E70

RGB 113 110 112

HSL 320, 0.01%, 0.44%

LAB 46.75, 1.56, -0.71

 

CMYK 0 / 30 / 8 / 49

HEX #835C78

RGB 131 92 120

HSL 316.92, 0.17%, 0.44%

LAB 44, 20.75, -9.42

 

CMYK 0 / 51 / 15 / 41

HEX #964A80

RGB 150 74 128

HSL 317.37, 0.34%, 0.44%

LAB 42.67, 39.06, -16.06

 

CMYK 36 / 0 / 47 / 43

HEX #5E924D

RGB 94 146 77

HSL 105.22, 0.31%, 0.44%

LAB 55.56, -31.01, 31.09

 

CMYK 47 / 0 / 47 / 43

HEX #4D924E

RGB 77 146 78

HSL 120.87, 0.31%, 0.44%

LAB 54.75, -36.47, 29.37

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 0 / 21 / 43

HEX #4D9273

RGB 77 146 115

HSL 153.04, 0.31%, 0.44%

LAB 55.45, -29.44, 9.76

 

CMYK 47 / 0 / 8 / 43

HEX #4D9286

RGB 77 146 134

HSL 169.57, 0.31%, 0.44%

LAB 55.94, -24.89, -0.4

 

CMYK 48 / 0 / 34 / 64

HEX #305C3D

RGB 48 92 61

HSL 137.73, 0.31%, 0.27%

LAB 35.24, -23.02, 13.23

 

CMYK 47 / 0 / 34 / 53

HEX #3F774F

RGB 63 119 79

HSL 137.14, 0.31%, 0.36%

LAB 45.38, -28.07, 16.42

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 45 / 0 / 32 / 33

HEX #5EAA74

RGB 94 170 116

HSL 137.37, 0.31%, 0.52%

LAB 63.66, -35.72, 20.69

 

CMYK 34 / 0 / 24 / 28

HEX #79B88C

RGB 121 184 140

HSL 138.1, 0.31%, 0.6%

LAB 69.64, -29.62, 16.07

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 23 / 0 / 43

HEX #4D7192

RGB 77 113 146

HSL 208.7, 0.31%, 0.44%

LAB 46.26, -3.35, -21.97

 

CMYK 0 / 47 / 42 / 43

HEX #924D55

RGB 146 77 85

HSL 353.04, 0.31%, 0.44%

LAB 41.33, 29.79, 8.4

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 34 / 47 / 0 / 43

HEX #614D92

RGB 97 77 146

HSL 257.39, 0.31%, 0.44%

LAB 37.71, 24.61, -35.24

 

CMYK 0 / 34 / 47 / 43

HEX #92614D

RGB 146 97 77

HSL 17.39, 0.31%, 0.44%

LAB 45.9, 17.46, 19.5

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 23 / 0 / 43

HEX #4D7192

RGB 77 113 146

HSL 208.7, 0.31%, 0.44%

LAB 46.26, -3.35, -21.97

 

CMYK 0 / 47 / 13 / 43

HEX #924D7F

RGB 146 77 127

HSL 316.52, 0.31%, 0.44%

LAB 42.69, 35.95, -15.48

 

CMYK 0 / 24 / 47 / 43

HEX #926F4D

RGB 146 111 77

HSL 29.57, 0.31%, 0.44%

LAB 49.52, 9.33, 24.24

 

CMYK 47 / 0 / 34 / 43

HEX #4D9261

RGB 77 146 97

HSL 137.39, 0.31%, 0.44%

LAB 55.07, -33.19, 19.4

 

CMYK 47 / 37 / 0 / 43

HEX #4D5C92

RGB 77 92 146

HSL 226.96, 0.31%, 0.44%

LAB 40.09, 9.58, -31.58

 

CMYK 0 / 47 / 13 / 43

HEX #924D7F

RGB 146 77 127

HSL 316.52, 0.31%, 0.44%

LAB 42.69, 35.95, -15.48

 

CMYK 0 / 10 / 47 / 43

HEX #92834D

RGB 146 131 77

HSL 46.96, 0.31%, 0.44%

LAB 54.95, -2.06, 31.15

 

Description

Color code: RGB 77 146 97 | qconv.com Color code: RGB 77 146 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 146 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 146 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 34 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 34% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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