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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 160 73 it is the complementary color RGB 178 95 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 160 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 160 73 shade: RGB 82 160 68, RGB 99 178 87, RGB 116 196 106, RGB 133 214 125 and RGB 150 232 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 160 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 60 142 54, RGB 43 124 35, RGB 26 106 16 and RGB 9 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 101 160 73, RGB 124 160 73, RGB 148 160 73 and RGB 160 149 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 73 160 93, RGB 73 160 116, RGB 73 160 140 and RGB 73 157 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 160 73 shade matches the following richer shades: RGB 77 160 73, RGB 60 179 54, RGB 43 198 35 and RGB 26 217 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 95 141 92, RGB 112 122 111, RGB 129 103 130 and RGB 146 84 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 160 73 shade: RGB 124 160 73, RGB 101 160 73, RGB 78 160 73, RGB 73 160 92 and RGB 73 160 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 160 73 shade: RGB 50 104 47, RGB 64 132 60, RGB 77 160 73, RGB 98 181 94 and RGB 126 194 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 73 147 160 and RGB 160 73 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 73 78 160 and RGB 160 73 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 73 147 160, RGB 156 73 160 and RGB 160 86 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 160 73 shade: RGB 77 160 73, RGB 73 121 160, RGB 156 73 160 and RGB 160 112 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

Complementary color

CMYK 2 / 48 / 0 / 29

HEX #B25FB6

RGB 178 95 182

HSL 297.24, 0.37%, 0.54%

LAB 52.98, 46.47, -31.88

 

CMYK 49 / 0 / 58 / 37

HEX #52A044

RGB 82 160 68

HSL 110.87, 0.4%, 0.45%

LAB 59.3, -42.34, 40.05

 

CMYK 44 / 0 / 51 / 30

HEX #63B257

RGB 99 178 87

HSL 112.09, 0.37%, 0.52%

LAB 65.89, -42.36, 38.81

 

CMYK 41 / 0 / 46 / 23

HEX #74C46A

RGB 116 196 106

HSL 113.33, 0.43%, 0.59%

LAB 72.38, -42.27, 37.54

 

CMYK 38 / 0 / 42 / 16

HEX #85D67D

RGB 133 214 125

HSL 114.61, 0.52%, 0.66%

LAB 78.79, -42.1, 36.3

 

CMYK 35 / 0 / 38 / 9

HEX #96E890

RGB 150 232 144

HSL 115.91, 0.66%, 0.74%

LAB 85.1, -41.9, 35.11

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 58 / 0 / 62 / 44

HEX #3C8E36

RGB 60 142 54

HSL 115.91, 0.45%, 0.38%

LAB 52.48, -42.93, 38.65

 

CMYK 65 / 0 / 72 / 51

HEX #2B7C23

RGB 43 124 35

HSL 114.61, 0.56%, 0.31%

LAB 45.7, -42.3, 39.64

 

CMYK 75 / 0 / 85 / 58

HEX #1A6A10

RGB 26 106 16

HSL 113.33, 0.74%, 0.24%

LAB 38.84, -40.96, 39.82

 

CMYK 90 / 0 / 100 / 65

HEX #095800

RGB 9 88 0

HSL 113.86, 1%, 0.17%

LAB 31.89, -38.48, 38.46

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 37 / 0 / 54 / 37

HEX #65A049

RGB 101 160 73

HSL 100.69, 0.37%, 0.46%

LAB 60.24, -35.54, 38.94

 

CMYK 23 / 0 / 54 / 37

HEX #7CA049

RGB 124 160 73

HSL 84.83, 0.37%, 0.46%

LAB 61.57, -26.98, 40.85

 

CMYK 7 / 0 / 54 / 37

HEX #94A049

RGB 148 160 73

HSL 68.28, 0.37%, 0.46%

LAB 63.28, -17.19, 43.27

 

CMYK 0 / 7 / 54 / 37

HEX #A09549

RGB 160 149 73

HSL 52.41, 0.37%, 0.46%

LAB 61.18, -6.23, 41.08

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 54 / 0 / 42 / 37

HEX #49A05D

RGB 73 160 93

HSL 133.79, 0.37%, 0.46%

LAB 59.3, -41.22, 27.17

 

CMYK 54 / 0 / 28 / 37

HEX #49A074

RGB 73 160 116

HSL 149.66, 0.37%, 0.46%

LAB 59.72, -36.79, 15.16

 

CMYK 54 / 0 / 13 / 37

HEX #49A08C

RGB 73 160 140

HSL 166.21, 0.37%, 0.46%

LAB 60.29, -31.2, 2.5

 

CMYK 54 / 2 / 0 / 37

HEX #499DA0

RGB 73 157 160

HSL 182.07, 0.37%, 0.46%

LAB 59.95, -24.38, -9.32

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 66 / 0 / 70 / 30

HEX #3CB336

RGB 60 179 54

HSL 117.12, 0.54%, 0.46%

LAB 64.54, -56.6, 51.84

 

CMYK 78 / 0 / 82 / 22

HEX #2BC623

RGB 43 198 35

HSL 117.06, 0.7%, 0.46%

LAB 70.19, -66.9, 63.55

 

CMYK 88 / 0 / 93 / 15

HEX #1AD910

RGB 26 217 16

HSL 117.01, 0.86%, 0.46%

LAB 76, -74.77, 72.2

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 33 / 0 / 35 / 45

HEX #5F8D5C

RGB 95 141 92

HSL 116.33, 0.21%, 0.46%

LAB 54.3, -25.92, 21.3

 

CMYK 8 / 0 / 9 / 52

HEX #707A6F

RGB 112 122 111

HSL 114.55, 0.05%, 0.46%

LAB 50.11, -5.98, 4.75

 

CMYK 1 / 21 / 0 / 49

HEX #816782

RGB 129 103 130

HSL 297.78, 0.12%, 0.46%

LAB 46.95, 15.45, -11.03

 

CMYK 2 / 44 / 0 / 42

HEX #925495

RGB 146 84 149

HSL 297.23, 0.28%, 0.46%

LAB 45.11, 36.19, -25.03

 

CMYK 23 / 0 / 54 / 37

HEX #7CA049

RGB 124 160 73

HSL 84.83, 0.37%, 0.46%

LAB 61.57, -26.98, 40.85

 

CMYK 37 / 0 / 54 / 37

HEX #65A049

RGB 101 160 73

HSL 100.69, 0.37%, 0.46%

LAB 60.24, -35.54, 38.94

 

CMYK 51 / 0 / 54 / 37

HEX #4EA049

RGB 78 160 73

HSL 116.55, 0.37%, 0.46%

LAB 59.2, -42.88, 37.44

 

CMYK 54 / 0 / 43 / 37

HEX #49A05C

RGB 73 160 92

HSL 133.1, 0.37%, 0.46%

LAB 59.28, -41.39, 27.68

 

CMYK 54 / 0 / 28 / 37

HEX #49A073

RGB 73 160 115

HSL 148.97, 0.37%, 0.46%

LAB 59.7, -37, 15.68

 

CMYK 52 / 0 / 55 / 59

HEX #32682F

RGB 50 104 47

HSL 116.84, 0.38%, 0.3%

LAB 39.21, -30.64, 26.49

 

CMYK 52 / 0 / 55 / 48

HEX #40843C

RGB 64 132 60

HSL 116.67, 0.38%, 0.38%

LAB 49.4, -36.89, 32.09

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 46 / 0 / 48 / 29

HEX #62B55E

RGB 98 181 94

HSL 117.24, 0.37%, 0.54%

LAB 66.86, -42.99, 36.49

 

CMYK 35 / 0 / 37 / 24

HEX #7EC27A

RGB 126 194 122

HSL 116.67, 0.37%, 0.62%

LAB 72.51, -35.83, 29.6

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 54 / 8 / 0 / 37

HEX #4993A0

RGB 73 147 160

HSL 188.97, 0.37%, 0.46%

LAB 56.9, -19.2, -13.9

 

CMYK 0 / 54 / 30 / 37

HEX #A04970

RGB 160 73 112

HSL 333.1, 0.37%, 0.46%

LAB 43.37, 40.51, -5.06

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 54 / 51 / 0 / 37

HEX #494EA0

RGB 73 78 160

HSL 236.55, 0.37%, 0.46%

LAB 36.75, 22.18, -45.33

 

CMYK 0 / 54 / 51 / 37

HEX #A0494E

RGB 160 73 78

HSL 356.55, 0.37%, 0.46%

LAB 42.44, 36.57, 14.58

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 54 / 8 / 0 / 37

HEX #4993A0

RGB 73 147 160

HSL 188.97, 0.37%, 0.46%

LAB 56.9, -19.2, -13.9

 

CMYK 2 / 54 / 0 / 37

HEX #9C49A0

RGB 156 73 160

HSL 297.24, 0.37%, 0.46%

LAB 44.76, 47.12, -32.05

 

CMYK 0 / 46 / 54 / 37

HEX #A05649

RGB 160 86 73

HSL 8.97, 0.37%, 0.46%

LAB 45.1, 29.15, 21.15

 

CMYK 52 / 0 / 54 / 37

HEX #4DA049

RGB 77 160 73

HSL 117.24, 0.37%, 0.46%

LAB 59.16, -43.17, 37.39

 

CMYK 54 / 24 / 0 / 37

HEX #4979A0

RGB 73 121 160

HSL 206.9, 0.37%, 0.46%

LAB 49.04, -4.68, -25.92

 

CMYK 2 / 54 / 0 / 37

HEX #9C49A0

RGB 156 73 160

HSL 297.24, 0.37%, 0.46%

LAB 44.76, 47.12, -32.05

 

CMYK 0 / 30 / 54 / 37

HEX #A07049

RGB 160 112 73

HSL 26.9, 0.37%, 0.46%

LAB 51.32, 14.47, 29.13

 

Description

Color code: RGB 77 160 73 | qconv.com Color code: RGB 77 160 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 160 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 160 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 54 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 54% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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