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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 165 228 it is the complementary color RGB 178 90 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 165 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 165 228 shade: RGB 82 165 223, RGB 99 183 242, RGB 116 201 255, RGB 133 219 255 and RGB 150 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 165 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 60 147 209, RGB 43 129 190, RGB 26 111 171 and RGB 9 93 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 77 124 228, RGB 77 84 228, RGB 111 77 228 and RGB 152 77 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 77 124 228, RGB 77 84 228 and RGB 77 77 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 165 228 shade matches the following richer shades: RGB 77 165 228 and RGB 61 168 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 94 162 211, RGB 110 160 195, RGB 127 157 178 and RGB 143 154 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 165 228 shade: RGB 77 228 210, RGB 77 205 228, RGB 77 165 228, RGB 77 125 228 and RGB 77 85 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 165 228 shade: RGB 29 125 194, RGB 41 147 223, RGB 77 165 228, RGB 113 183 233 and RGB 149 201 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 170 77 228 and RGB 225 228 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 228 77 165 and RGB 165 228 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 170 77 228, RGB 228 140 77 and RGB 135 228 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 165 228 shade: RGB 77 165 228, RGB 215 77 228, RGB 228 140 77 and RGB 90 228 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

Complementary color

CMYK 0 / 49 / 85 / 30

HEX #B25A1B

RGB 178 90 27

HSL 25.03, 0.74%, 0.4%

LAB 48.08, 31.79, 49.28

 

CMYK 63 / 26 / 0 / 13

HEX #52A5DF

RGB 82 165 223

HSL 204.68, 0.69%, 0.6%

LAB 64.99, -7.69, -36.83

 

CMYK 59 / 24 / 0 / 5

HEX #63B7F2

RGB 99 183 242

HSL 204.76, 0.85%, 0.67%

LAB 71.51, -8.5, -37.02

 

CMYK 55 / 21 / 0 / 0

HEX #74C9FF

RGB 116 201 255

HSL 203.31, 1%, 0.73%

LAB 77.7, -10.93, -34.36

 

CMYK 48 / 14 / 0 / 0

HEX #85DBFF

RGB 133 219 255

HSL 197.7, 1%, 0.76%

LAB 83.37, -16.65, -25.6

 

CMYK 41 / 7 / 0 / 0

HEX #96EDFF

RGB 150 237 255

HSL 190.29, 1%, 0.79%

LAB 89.05, -21.73, -16.93

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 71 / 30 / 0 / 18

HEX #3C93D1

RGB 60 147 209

HSL 204.97, 0.62%, 0.53%

LAB 58.44, -5.71, -39.33

 

CMYK 77 / 32 / 0 / 25

HEX #2B81BE

RGB 43 129 190

HSL 204.9, 0.63%, 0.46%

LAB 51.76, -4.19, -39.11

 

CMYK 85 / 35 / 0 / 33

HEX #1A6FAB

RGB 26 111 171

HSL 204.83, 0.74%, 0.39%

LAB 44.98, -2.23, -38.84

 

CMYK 94 / 39 / 0 / 40

HEX #095D98

RGB 9 93 152

HSL 204.76, 0.89%, 0.32%

LAB 38.12, 0.35, -38.49

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 66 / 46 / 0 / 11

HEX #4D7CE4

RGB 77 124 228

HSL 221.32, 0.74%, 0.6%

LAB 53.59, 17.24, -57.64

 

CMYK 66 / 63 / 0 / 11

HEX #4D54E4

RGB 77 84 228

HSL 237.22, 0.74%, 0.6%

LAB 43.54, 41.93, -73.94

 

CMYK 51 / 66 / 0 / 11

HEX #6F4DE4

RGB 111 77 228

HSL 253.51, 0.74%, 0.6%

LAB 44.64, 51.14, -72.02

 

CMYK 33 / 66 / 0 / 11

HEX #984DE4

RGB 152 77 228

HSL 269.8, 0.74%, 0.6%

LAB 48.99, 58.81, -64.76

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 66 / 46 / 0 / 11

HEX #4D7CE4

RGB 77 124 228

HSL 221.32, 0.74%, 0.6%

LAB 53.59, 17.24, -57.64

 

CMYK 66 / 63 / 0 / 11

HEX #4D54E4

RGB 77 84 228

HSL 237.22, 0.74%, 0.6%

LAB 43.54, 41.93, -73.94

 

CMYK 66 / 66 / 0 / 11

HEX #4D4DE4

RGB 77 77 228

HSL 240, 0.74%, 0.6%

LAB 41.98, 46.08, -76.48

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 75 / 31 / 0 / 4

HEX #3DA8F4

RGB 61 168 244

HSL 204.92, 0.89%, 0.6%

LAB 66.16, -5.37, -46.56

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 55 / 23 / 0 / 17

HEX #5EA2D3

RGB 94 162 211

HSL 205.13, 0.57%, 0.6%

LAB 64.1, -7.51, -31.53

 

CMYK 44 / 18 / 0 / 24

HEX #6EA0C3

RGB 110 160 195

HSL 204.71, 0.41%, 0.6%

LAB 63.67, -7.37, -23.22

 

CMYK 29 / 12 / 0 / 30

HEX #7F9DB2

RGB 127 157 178

HSL 204.71, 0.25%, 0.6%

LAB 63.21, -5.42, -14.31

 

CMYK 12 / 5 / 0 / 36

HEX #8F9AA2

RGB 143 154 162

HSL 205.26, 0.09%, 0.6%

LAB 62.98, -2.25, -5.53

 

CMYK 66 / 0 / 8 / 11

HEX #4DE4D2

RGB 77 228 210

HSL 172.85, 0.74%, 0.6%

LAB 82.76, -43.55, -2.86

 

CMYK 66 / 10 / 0 / 11

HEX #4DCDE4

RGB 77 205 228

HSL 189.14, 0.74%, 0.6%

LAB 76.58, -27.85, -21.71

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 66 / 45 / 0 / 11

HEX #4D7DE4

RGB 77 125 228

HSL 220.93, 0.74%, 0.6%

LAB 53.86, 16.63, -57.21

 

CMYK 66 / 63 / 0 / 11

HEX #4D55E4

RGB 77 85 228

HSL 236.82, 0.74%, 0.6%

LAB 43.76, 41.33, -73.56

 

CMYK 85 / 36 / 0 / 24

HEX #1D7DC2

RGB 29 125 194

HSL 205.09, 0.74%, 0.44%

LAB 50.48, -1.68, -43.44

 

CMYK 82 / 34 / 0 / 13

HEX #2993DF

RGB 41 147 223

HSL 205.05, 0.74%, 0.52%

LAB 58.66, -2.9, -46.84

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 52 / 21 / 0 / 9

HEX #71B7E9

RGB 113 183 233

HSL 205, 0.73%, 0.68%

LAB 71.73, -8.36, -31.74

 

CMYK 38 / 16 / 0 / 6

HEX #95C9EF

RGB 149 201 239

HSL 205.33, 0.74%, 0.76%

LAB 78.69, -7.61, -24.15

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 25 / 66 / 0 / 11

HEX #AA4DE4

RGB 170 77 228

HSL 276.95, 0.74%, 0.6%

LAB 51.22, 62.53, -61.06

 

CMYK 1 / 0 / 66 / 11

HEX #E1E44D

RGB 225 228 77

HSL 61.19, 0.74%, 0.6%

LAB 87.98, -18.97, 70.02

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 0 / 66 / 28 / 11

HEX #E44DA5

RGB 228 77 165

HSL 325.03, 0.74%, 0.6%

LAB 56.6, 66.19, -15.81

 

CMYK 28 / 0 / 66 / 11

HEX #A5E44D

RGB 165 228 77

HSL 85.03, 0.74%, 0.6%

LAB 83.98, -42.4, 64.62

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 25 / 66 / 0 / 11

HEX #AA4DE4

RGB 170 77 228

HSL 276.95, 0.74%, 0.6%

LAB 51.22, 62.53, -61.06

 

CMYK 0 / 39 / 66 / 11

HEX #E48C4D

RGB 228 140 77

HSL 25.03, 0.74%, 0.6%

LAB 66.36, 28, 46.97

 

CMYK 41 / 0 / 66 / 11

HEX #87E44D

RGB 135 228 77

HSL 96.95, 0.74%, 0.6%

LAB 82.47, -52.67, 62.57

 

CMYK 66 / 28 / 0 / 11

HEX #4DA5E4

RGB 77 165 228

HSL 205.03, 0.74%, 0.6%

LAB 65.03, -6.9, -39.52

 

CMYK 6 / 66 / 0 / 11

HEX #D74DE4

RGB 215 77 228

HSL 294.83, 0.74%, 0.6%

LAB 57.42, 72.31, -50.78

 

CMYK 0 / 39 / 66 / 11

HEX #E48C4D

RGB 228 140 77

HSL 25.03, 0.74%, 0.6%

LAB 66.36, 28, 46.97

 

CMYK 61 / 0 / 66 / 11

HEX #5AE44D

RGB 90 228 77

HSL 114.83, 0.74%, 0.6%

LAB 80.85, -64.97, 60.35

 

Description

Color code: RGB 77 165 228 | qconv.com Color code: RGB 77 165 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 165 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 165 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 28% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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