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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 16 193 it is the complementary color RGB 178 239 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 16 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 16 193 shade: RGB 82 16 188, RGB 99 34 207, RGB 116 52 226, RGB 133 70 245 and RGB 150 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 16 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 16 193 shade: RGB 77 16 193, RGB 60 0 174, RGB 43 0 155, RGB 26 0 136 and RGB 9 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 16 193 shade: RGB 76 15 193, RGB 124 15 193, RGB 172 15 193, RGB 193 15 166 and RGB 193 15 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 16 193 shade: RGB 76 15 193, RGB 29 15 193 and RGB 15 15 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 16 193 shade matches the following richer shades: RGB 76 15 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 16 193 shade: RGB 76 15 193, RGB 82 32 176, RGB 87 49 159, RGB 92 66 142 and RGB 97 83 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 16 193 shade: RGB 15 51 193, RGB 27 15 193, RGB 74 15 193, RGB 122 15 193 and RGB 169 15 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 16 193 shade: RGB 46 9 117, RGB 61 12 155, RGB 76 15 193, RGB 92 18 231 and RGB 116 52 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 16 193 shade: RGB 77 16 193, RGB 193 15 98 and RGB 27 193 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 16 193 shade: RGB 77 16 193, RGB 193 74 15 and RGB 15 193 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 16 193 shade: RGB 77 16 193, RGB 193 15 98, RGB 134 193 15 and RGB 15 193 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 16 193 shade: RGB 77 16 193, RGB 193 15 45, RGB 134 193 15 and RGB 15 193 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

Complementary color

CMYK 26 / 0 / 74 / 6

HEX #B2EF3E

RGB 178 239 62

HSL 80.68, 0.85%, 0.59%

LAB 87.75, -43.31, 73.94

 

CMYK 56 / 91 / 0 / 26

HEX #5210BC

RGB 82 16 188

HSL 263.02, 0.84%, 0.4%

LAB 28.89, 62.41, -74.84

 

CMYK 52 / 84 / 0 / 19

HEX #6322CF

RGB 99 34 207

HSL 262.54, 0.72%, 0.47%

LAB 34.6, 63.48, -76.48

 

CMYK 49 / 77 / 0 / 11

HEX #7434E2

RGB 116 52 226

HSL 262.07, 0.75%, 0.55%

LAB 40.67, 63.46, -77.37

 

CMYK 46 / 71 / 0 / 4

HEX #8546F5

RGB 133 70 245

HSL 261.6, 0.9%, 0.62%

LAB 46.92, 62.84, -77.79

 

CMYK 41 / 65 / 0 / 0

HEX #9658FF

RGB 150 88 255

HSL 262.28, 1%, 0.67%

LAB 52.6, 59.65, -74.03

 

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

CMYK 66 / 100 / 0 / 32

HEX #3C00AE

RGB 60 0 174

HSL 260.69, 1%, 0.34%

LAB 23.73, 60.83, -75.13

 

CMYK 72 / 100 / 0 / 39

HEX #2B009B

RGB 43 0 155

HSL 256.65, 1%, 0.3%

LAB 19.56, 55.44, -70.55

 

CMYK 81 / 100 / 0 / 47

HEX #1A0088

RGB 26 0 136

HSL 251.47, 1%, 0.27%

LAB 15.47, 50.05, -65.57

 

CMYK 92 / 100 / 0 / 54

HEX #090075

RGB 9 0 117

HSL 244.62, 1%, 0.23%

LAB 11.57, 44.67, -59.98

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC1

RGB 76 15 193

HSL 260.56, 0.86%, 0.41%

LAB 28.72, 63.39, -78.11

 

CMYK 36 / 92 / 0 / 24

HEX #7C0FC1

RGB 124 15 193

HSL 276.74, 0.86%, 0.41%

LAB 34.96, 68.07, -67.6

 

CMYK 11 / 92 / 0 / 24

HEX #AC0FC1

RGB 172 15 193

HSL 292.92, 0.86%, 0.41%

LAB 42.71, 74.86, -54.65

 

CMYK 0 / 92 / 14 / 24

HEX #C10FA6

RGB 193 15 166

HSL 309.1, 0.86%, 0.41%

LAB 44.85, 74.52, -35.07

 

CMYK 0 / 92 / 39 / 24

HEX #C10F76

RGB 193 15 118

HSL 325.28, 0.86%, 0.41%

LAB 42.74, 68.99, -9.1

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC1

RGB 76 15 193

HSL 260.56, 0.86%, 0.41%

LAB 28.72, 63.39, -78.11

 

CMYK 85 / 92 / 0 / 24

HEX #1D0FC1

RGB 29 15 193

HSL 244.72, 0.86%, 0.41%

LAB 25.12, 61.18, -84.2

 

CMYK 92 / 92 / 0 / 24

HEX #0F0FC1

RGB 15 15 193

HSL 240, 0.86%, 0.41%

LAB 24.62, 60.91, -85.04

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC1

RGB 76 15 193

HSL 260.56, 0.86%, 0.41%

LAB 28.72, 63.39, -78.11

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC1

RGB 76 15 193

HSL 260.56, 0.86%, 0.41%

LAB 28.72, 63.39, -78.11

 

CMYK 53 / 82 / 0 / 31

HEX #5220B0

RGB 82 32 176

HSL 260.83, 0.69%, 0.41%

LAB 29.32, 54.34, -67

 

CMYK 45 / 69 / 0 / 38

HEX #57319F

RGB 87 49 159

HSL 260.73, 0.53%, 0.41%

LAB 31.17, 42.42, -53.69

 

CMYK 35 / 54 / 0 / 44

HEX #5C428E

RGB 92 66 142

HSL 260.53, 0.37%, 0.41%

LAB 34.24, 28.9, -38.35

 

CMYK 22 / 34 / 0 / 51

HEX #61537D

RGB 97 83 125

HSL 260, 0.2%, 0.41%

LAB 38.21, 15.22, -21.63

 

CMYK 92 / 74 / 0 / 24

HEX #0F33C1

RGB 15 51 193

HSL 227.87, 0.86%, 0.41%

LAB 30.2, 44.55, -75.75

 

CMYK 86 / 92 / 0 / 24

HEX #1B0FC1

RGB 27 15 193

HSL 244.04, 0.86%, 0.41%

LAB 25.03, 61.13, -84.34

 

CMYK 62 / 92 / 0 / 24

HEX #4A0FC1

RGB 74 15 193

HSL 259.89, 0.86%, 0.41%

LAB 28.51, 63.25, -78.46

 

CMYK 37 / 92 / 0 / 24

HEX #7A0FC1

RGB 122 15 193

HSL 276.07, 0.86%, 0.41%

LAB 34.66, 67.82, -68.1

 

CMYK 12 / 92 / 0 / 24

HEX #A90FC1

RGB 169 15 193

HSL 291.91, 0.86%, 0.41%

LAB 42.2, 74.39, -55.5

 

CMYK 61 / 92 / 0 / 54

HEX #2E0975

RGB 46 9 117

HSL 260.56, 0.86%, 0.25%

LAB 15.8, 42.93, -52.85

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9B

RGB 61 12 155

HSL 260.56, 0.86%, 0.33%

LAB 22.38, 53.44, -65.81

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC1

RGB 76 15 193

HSL 260.56, 0.86%, 0.41%

LAB 28.72, 63.39, -78.11

 

CMYK 60 / 92 / 0 / 9

HEX #5C12E7

RGB 92 18 231

HSL 260.85, 0.86%, 0.49%

LAB 34.96, 72.98, -89.73

 

CMYK 51 / 78 / 0 / 7

HEX #7434EE

RGB 116 52 238

HSL 260.65, 0.85%, 0.57%

LAB 41.75, 66.48, -82.4

 

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

CMYK 0 / 92 / 49 / 24

HEX #C10F62

RGB 193 15 98

HSL 332.02, 0.86%, 0.41%

LAB 42.09, 67.23, 2.46

 

CMYK 86 / 0 / 92 / 24

HEX #1BC10F

RGB 27 193 15

HSL 115.96, 0.86%, 0.41%

LAB 68.32, -68.01, 65.91

 

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

CMYK 0 / 62 / 92 / 24

HEX #C14A0F

RGB 193 74 15

HSL 19.89, 0.86%, 0.41%

LAB 47.33, 45.37, 53.9

 

CMYK 92 / 0 / 62 / 24

HEX #0FC14A

RGB 15 193 74

HSL 139.89, 0.86%, 0.41%

LAB 68.56, -64.61, 47.63

 

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

CMYK 0 / 92 / 49 / 24

HEX #C10F62

RGB 193 15 98

HSL 332.02, 0.86%, 0.41%

LAB 42.09, 67.23, 2.46

 

CMYK 31 / 0 / 92 / 24

HEX #86C10F

RGB 134 193 15

HSL 79.89, 0.86%, 0.41%

LAB 71.72, -41.54, 70.1

 

CMYK 92 / 0 / 43 / 24

HEX #0FC16E

RGB 15 193 110

HSL 152.02, 0.86%, 0.41%

LAB 69.02, -59.08, 30.69

 

CMYK 60 / 92 / 0 / 24

HEX #4D10C1

RGB 77 16 193

HSL 260.68, 0.85%, 0.41%

LAB 28.9, 63.24, -77.8

 

CMYK 0 / 92 / 77 / 24

HEX #C10F2D

RGB 193 15 45

HSL 349.89, 0.86%, 0.41%

LAB 41.01, 64.21, 34.21

 

CMYK 31 / 0 / 92 / 24

HEX #86C10F

RGB 134 193 15

HSL 79.89, 0.86%, 0.41%

LAB 71.72, -41.54, 70.1

 

CMYK 92 / 0 / 16 / 24

HEX #0FC1A3

RGB 15 193 163

HSL 169.89, 0.86%, 0.41%

LAB 70.1, -47.04, 3.81

 

Description

Color code: RGB 77 16 193 | qconv.com Color code: RGB 77 16 193 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 16 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 16 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 92 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 92% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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