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Color name
RGB 77 197 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 197 21 it is the complementary color RGB 178 58 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 197 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 197 21 shade: RGB 82 197 16, RGB 99 215 35, RGB 116 233 54, RGB 133 251 73 and RGB 150 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 197 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 197 21 shade: RGB 77 197 21, RGB 60 179 2, RGB 43 161 0, RGB 26 143 0 and RGB 9 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 197 21 shade: RGB 77 198 20, RGB 125 198 20, RGB 173 198 20, RGB 198 175 20 and RGB 198 127 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 197 21 shade: RGB 77 198 20, RGB 29 198 20, RGB 20 198 60, RGB 20 198 108 and RGB 20 198 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 197 21 shade matches the following richer shades: RGB 77 198 20 and RGB 70 216 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 197 21 shade: RGB 77 198 20, RGB 83 180 38, RGB 90 162 56, RGB 96 145 74 and RGB 103 127 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 197 21 shade: RGB 174 198 20, RGB 127 198 20, RGB 80 198 20, RGB 32 198 20 and RGB 20 198 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 197 21 shade: RGB 48 123 12, RGB 62 161 16, RGB 77 198 20, RGB 93 231 29 and RGB 120 235 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 197 21 shade: RGB 77 197 21, RGB 20 198 174 and RGB 198 20 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 197 21 shade: RGB 77 197 21, RGB 20 80 198 and RGB 198 20 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 197 21 shade: RGB 77 197 21, RGB 20 198 174, RGB 139 20 198 and RGB 198 20 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 197 21 shade: RGB 77 197 21, RGB 20 168 198, RGB 139 20 198 and RGB 198 50 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

Complementary color

CMYK 24 / 75 / 0 / 8

HEX #B23AEA

RGB 178 58 234

HSL 280.91, 0.81%, 0.57%

LAB 50.02, 72.89, -66.33

 

CMYK 58 / 0 / 92 / 23

HEX #52C510

RGB 82 197 16

HSL 98.12, 0.85%, 0.42%

LAB 70.71, -59.75, 68.21

 

CMYK 54 / 0 / 84 / 16

HEX #63D723

RGB 99 215 35

HSL 98.67, 0.72%, 0.49%

LAB 76.91, -60.97, 70.13

 

CMYK 50 / 0 / 77 / 9

HEX #74E936

RGB 116 233 54

HSL 99.22, 0.8%, 0.56%

LAB 83.05, -61.83, 70.91

 

CMYK 47 / 0 / 71 / 2

HEX #85FB49

RGB 133 251 73

HSL 99.78, 0.96%, 0.64%

LAB 89.14, -62.42, 70.94

 

CMYK 41 / 0 / 64 / 0

HEX #96FF5C

RGB 150 255 92

HSL 98.65, 1%, 0.68%

LAB 91.13, -57.43, 66.15

 

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

CMYK 66 / 0 / 99 / 30

HEX #3CB302

RGB 60 179 2

HSL 100.34, 0.98%, 0.35%

LAB 64.33, -59.13, 64.48

 

CMYK 73 / 0 / 100 / 37

HEX #2BA100

RGB 43 161 0

HSL 103.98, 1%, 0.32%

LAB 58.04, -56.72, 59.57

 

CMYK 82 / 0 / 100 / 44

HEX #1A8F00

RGB 26 143 0

HSL 109.09, 1%, 0.28%

LAB 51.68, -53.76, 54.38

 

CMYK 93 / 0 / 100 / 51

HEX #097D00

RGB 9 125 0

HSL 115.68, 1%, 0.25%

LAB 45.26, -50.09, 49.15

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 37 / 0 / 90 / 22

HEX #7DC614

RGB 125 198 20

HSL 84.61, 0.82%, 0.43%

LAB 72.76, -46.84, 70

 

CMYK 13 / 0 / 90 / 22

HEX #ADC614

RGB 173 198 20

HSL 68.43, 0.82%, 0.43%

LAB 75.65, -28.16, 73.55

 

CMYK 0 / 12 / 90 / 22

HEX #C6AF14

RGB 198 175 20

HSL 52.25, 0.82%, 0.43%

LAB 71.36, -5.83, 71.02

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 85 / 0 / 90 / 22

HEX #1DC614

RGB 29 198 20

HSL 116.97, 0.82%, 0.43%

LAB 69.97, -69.1, 66.52

 

CMYK 90 / 0 / 70 / 22

HEX #14C63C

RGB 20 198 60

HSL 133.48, 0.82%, 0.43%

LAB 70.08, -67.34, 55.15

 

CMYK 90 / 0 / 45 / 22

HEX #14C66C

RGB 20 198 108

HSL 149.66, 0.82%, 0.43%

LAB 70.61, -60.88, 33.77

 

CMYK 90 / 0 / 22 / 22

HEX #14C69B

RGB 20 198 155

HSL 165.51, 0.82%, 0.43%

LAB 71.49, -50.88, 10.16

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 68 / 0 / 99 / 15

HEX #46D803

RGB 70 216 3

HSL 101.13, 0.97%, 0.43%

LAB 76.33, -68.88, 74.08

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 54 / 0 / 79 / 29

HEX #53B426

RGB 83 180 38

HSL 100.99, 0.65%, 0.43%

LAB 65.45, -52.52, 58.64

 

CMYK 44 / 0 / 65 / 36

HEX #5AA238

RGB 90 162 56

HSL 100.75, 0.49%, 0.43%

LAB 60.16, -41.93, 46.63

 

CMYK 34 / 0 / 49 / 43

HEX #60914A

RGB 96 145 74

HSL 101.41, 0.32%, 0.43%

LAB 55.31, -30.23, 32.38

 

CMYK 19 / 0 / 28 / 50

HEX #677F5B

RGB 103 127 91

HSL 100, 0.17%, 0.43%

LAB 50.47, -15.89, 16.8

 

CMYK 12 / 0 / 90 / 22

HEX #AEC614

RGB 174 198 20

HSL 68.09, 0.82%, 0.43%

LAB 75.72, -27.74, 73.64

 

CMYK 36 / 0 / 90 / 22

HEX #7FC614

RGB 127 198 20

HSL 83.93, 0.82%, 0.43%

LAB 72.86, -46.13, 70.12

 

CMYK 60 / 0 / 90 / 22

HEX #50C614

RGB 80 198 20

HSL 99.78, 0.82%, 0.43%

LAB 70.97, -60.48, 67.78

 

CMYK 84 / 0 / 90 / 22

HEX #20C614

RGB 32 198 20

HSL 115.96, 0.82%, 0.43%

LAB 70, -68.81, 66.56

 

CMYK 90 / 0 / 72 / 22

HEX #14C638

RGB 20 198 56

HSL 132.13, 0.82%, 0.43%

LAB 70.05, -67.7, 56.64

 

CMYK 61 / 0 / 90 / 52

HEX #307B0C

RGB 48 123 12

HSL 100.54, 0.82%, 0.26%

LAB 45.39, -42.17, 47.04

 

CMYK 61 / 0 / 90 / 37

HEX #3EA110

RGB 62 161 16

HSL 100.97, 0.82%, 0.35%

LAB 58.56, -52.22, 57.73

 

CMYK 61 / 0 / 90 / 22

HEX #4DC614

RGB 77 198 20

HSL 100.79, 0.82%, 0.43%

LAB 70.88, -61.2, 67.67

 

CMYK 60 / 0 / 87 / 9

HEX #5DE71D

RGB 93 231 29

HSL 100.99, 0.81%, 0.51%

LAB 81.6, -68.18, 75.4

 

CMYK 49 / 0 / 72 / 8

HEX #78EB42

RGB 120 235 66

HSL 100.83, 0.81%, 0.59%

LAB 83.86, -60.69, 67.88

 

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 0 / 90 / 24 / 22

HEX #C61497

RGB 198 20 151

HSL 315.84, 0.82%, 0.43%

LAB 45.28, 72.97, -25.34

 

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

CMYK 90 / 60 / 0 / 22

HEX #1450C6

RGB 20 80 198

HSL 219.78, 0.82%, 0.43%

LAB 37.78, 28.11, -66.22

 

CMYK 0 / 90 / 60 / 22

HEX #C61450

RGB 198 20 80

HSL 339.78, 0.82%, 0.43%

LAB 42.89, 66.46, 15.07

 

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 30 / 90 / 0 / 22

HEX #8B14C6

RGB 139 20 198

HSL 280.11, 0.82%, 0.43%

LAB 37.96, 70.11, -65.52

 

CMYK 0 / 90 / 78 / 22

HEX #C6142C

RGB 198 20 44

HSL 351.91, 0.82%, 0.43%

LAB 42.29, 64.75, 36.5

 

CMYK 61 / 0 / 89 / 23

HEX #4DC515

RGB 77 197 21

HSL 100.91, 0.81%, 0.43%

LAB 70.57, -60.84, 67.23

 

CMYK 90 / 15 / 0 / 22

HEX #14A8C6

RGB 20 168 198

HSL 190.11, 0.82%, 0.43%

LAB 63.53, -24.68, -25.33

 

CMYK 30 / 90 / 0 / 22

HEX #8B14C6

RGB 139 20 198

HSL 280.11, 0.82%, 0.43%

LAB 37.96, 70.11, -65.52

 

CMYK 0 / 75 / 90 / 22

HEX #C63214

RGB 198 50 20

HSL 10.11, 0.82%, 0.43%

LAB 44.71, 56.76, 50.75

 

Description

Color code: RGB 77 197 21 | qconv.com Color code: RGB 77 197 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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