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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 248 188 it is the complementary color RGB 178 7 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 248 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 248 188 shade: RGB 82 248 183, RGB 99 255 202, RGB 116 255 221, RGB 133 255 240 and RGB 150 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 248 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 248 188 shade: RGB 77 248 188, RGB 60 230 169, RGB 43 212 150, RGB 26 194 131 and RGB 9 176 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 248 188 shade: RGB 78 247 188, RGB 78 247 142, RGB 78 247 97, RGB 105 247 78 and RGB 151 247 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 248 188 shade: RGB 78 247 188, RGB 78 247 233, RGB 78 215 247, RGB 78 170 247 and RGB 78 124 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 248 188 shade matches the following richer shades: RGB 78 247 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 248 188 shade: RGB 78 247 188, RGB 93 232 183, RGB 108 217 179, RGB 123 203 175 and RGB 138 188 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 248 188 shade: RGB 78 247 95, RGB 78 247 140, RGB 78 247 185, RGB 78 247 230 and RGB 78 219 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 248 188 shade: RGB 9 234 155, RGB 39 246 173, RGB 78 247 188, RGB 118 249 203 and RGB 157 250 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 248 188 shade: RGB 77 248 188, RGB 78 106 247 and RGB 247 118 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 248 188 shade: RGB 77 248 188, RGB 185 78 247 and RGB 247 185 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 248 188 shade: RGB 77 248 188, RGB 78 106 247, RGB 247 78 140 and RGB 247 219 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 248 188 shade: RGB 77 248 188, RGB 101 78 247, RGB 247 78 140 and RGB 225 247 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

Complementary color

CMYK 0 / 96 / 62 / 30

HEX #B20743

RGB 178 7 67

HSL 338.95, 0.92%, 0.36%

LAB 37.88, 62.39, 15.88

 

CMYK 67 / 0 / 26 / 3

HEX #52F8B7

RGB 82 248 183

HSL 156.51, 0.92%, 0.65%

LAB 88.14, -57.45, 18.96

 

CMYK 61 / 0 / 21 / 0

HEX #63FFCA

RGB 99 255 202

HSL 159.62, 1%, 0.69%

LAB 90.98, -53.32, 13.24

 

CMYK 55 / 0 / 13 / 0

HEX #74FFDD

RGB 116 255 221

HSL 165.32, 1%, 0.73%

LAB 91.89, -45.83, 4.81

 

CMYK 48 / 0 / 6 / 0

HEX #85FFF0

RGB 133 255 240

HSL 172.62, 1%, 0.76%

LAB 92.93, -37.84, -3.44

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A9

RGB 60 230 169

HSL 158.47, 0.77%, 0.57%

LAB 82.07, -56.56, 17.68

 

CMYK 80 / 0 / 29 / 17

HEX #2BD496

RGB 43 212 150

HSL 157.99, 0.66%, 0.5%

LAB 75.95, -55.73, 19.11

 

CMYK 87 / 0 / 32 / 24

HEX #1AC283

RGB 26 194 131

HSL 157.5, 0.76%, 0.43%

LAB 69.78, -54.54, 20.68

 

CMYK 95 / 0 / 36 / 31

HEX #09B070

RGB 9 176 112

HSL 157.01, 0.9%, 0.36%

LAB 63.57, -52.89, 22.41

 

CMYK 68 / 0 / 24 / 3

HEX #4EF7BC

RGB 78 247 188

HSL 159.05, 0.91%, 0.64%

LAB 87.86, -56.59, 15.98

 

CMYK 68 / 0 / 43 / 3

HEX #4EF78E

RGB 78 247 142

HSL 142.72, 0.91%, 0.64%

LAB 87.04, -65.49, 38.16

 

CMYK 68 / 0 / 61 / 3

HEX #4EF761

RGB 78 247 97

HSL 126.75, 0.91%, 0.64%

LAB 86.51, -71.69, 58.32

 

CMYK 57 / 0 / 68 / 3

HEX #69F74E

RGB 105 247 78

HSL 110.41, 0.91%, 0.64%

LAB 87.03, -67.98, 66.67

 

CMYK 39 / 0 / 68 / 3

HEX #97F74E

RGB 151 247 78

HSL 94.08, 0.91%, 0.64%

LAB 88.76, -55.04, 69

 

CMYK 68 / 0 / 24 / 3

HEX #4EF7BC

RGB 78 247 188

HSL 159.05, 0.91%, 0.64%

LAB 87.86, -56.59, 15.98

 

CMYK 68 / 0 / 6 / 3

HEX #4EF7E9

RGB 78 247 233

HSL 175.03, 0.91%, 0.64%

LAB 88.93, -45.71, -5.86

 

CMYK 68 / 13 / 0 / 3

HEX #4ED7F7

RGB 78 215 247

HSL 191.36, 0.91%, 0.64%

LAB 80.14, -26.95, -26.45

 

CMYK 68 / 31 / 0 / 3

HEX #4EAAF7

RGB 78 170 247

HSL 207.34, 0.91%, 0.64%

LAB 67.34, -3.23, -46.3

 

CMYK 68 / 50 / 0 / 3

HEX #4E7CF7

RGB 78 124 247

HSL 223.67, 0.91%, 0.64%

LAB 54.81, 24.01, -66.27

 

CMYK 68 / 0 / 24 / 3

HEX #4EF7BC

RGB 78 247 188

HSL 159.05, 0.91%, 0.64%

LAB 87.86, -56.59, 15.98

 

CMYK 68 / 0 / 24 / 3

HEX #4EF7BC

RGB 78 247 188

HSL 159.05, 0.91%, 0.64%

LAB 87.86, -56.59, 15.98

 

CMYK 60 / 0 / 21 / 9

HEX #5DE8B7

RGB 93 232 183

HSL 158.85, 0.75%, 0.64%

LAB 83.68, -49.08, 12.74

 

CMYK 50 / 0 / 18 / 15

HEX #6CD9B3

RGB 108 217 179

HSL 159.08, 0.59%, 0.64%

LAB 79.65, -40.33, 9.18

 

CMYK 39 / 0 / 14 / 20

HEX #7BCBAF

RGB 123 203 175

HSL 159, 0.43%, 0.64%

LAB 76.08, -30.95, 6.28

 

CMYK 27 / 0 / 10 / 26

HEX #8ABCAA

RGB 138 188 170

HSL 158.4, 0.27%, 0.64%

LAB 72.41, -20.25, 3.8

 

CMYK 68 / 0 / 62 / 3

HEX #4EF75F

RGB 78 247 95

HSL 126.04, 0.91%, 0.64%

LAB 86.49, -71.91, 59.15

 

CMYK 68 / 0 / 43 / 3

HEX #4EF78C

RGB 78 247 140

HSL 142.01, 0.91%, 0.64%

LAB 87.01, -65.82, 39.11

 

CMYK 68 / 0 / 25 / 3

HEX #4EF7B9

RGB 78 247 185

HSL 157.99, 0.91%, 0.64%

LAB 87.8, -57.24, 17.44

 

CMYK 68 / 0 / 7 / 3

HEX #4EF7E6

RGB 78 247 230

HSL 173.96, 0.91%, 0.64%

LAB 88.85, -46.49, -4.41

 

CMYK 68 / 11 / 0 / 3

HEX #4EDBF7

RGB 78 219 247

HSL 189.94, 0.91%, 0.64%

LAB 81.29, -28.9, -24.7

 

CMYK 96 / 0 / 34 / 8

HEX #09EA9B

RGB 9 234 155

HSL 158.93, 0.93%, 0.48%

LAB 82.52, -64.75, 25.48

 

CMYK 84 / 0 / 30 / 4

HEX #27F6AD

RGB 39 246 173

HSL 158.84, 0.92%, 0.56%

LAB 86.68, -63.78, 21.98

 

CMYK 68 / 0 / 24 / 3

HEX #4EF7BC

RGB 78 247 188

HSL 159.05, 0.91%, 0.64%

LAB 87.86, -56.59, 15.98

 

CMYK 53 / 0 / 18 / 2

HEX #76F9CB

RGB 118 249 203

HSL 158.93, 0.92%, 0.72%

LAB 89.82, -46.85, 11.15

 

CMYK 37 / 0 / 13 / 2

HEX #9DFADA

RGB 157 250 218

HSL 159.35, 0.9%, 0.8%

LAB 91.95, -34.63, 6.65

 

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

CMYK 68 / 57 / 0 / 3

HEX #4E6AF7

RGB 78 106 247

HSL 230.06, 0.91%, 0.64%

LAB 50.27, 35.09, -73.63

 

CMYK 0 / 52 / 68 / 3

HEX #F7764E

RGB 247 118 78

HSL 14.2, 0.91%, 0.64%

LAB 64.39, 46.66, 44.9

 

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

CMYK 25 / 68 / 0 / 3

HEX #B94EF7

RGB 185 78 247

HSL 277.99, 0.91%, 0.64%

LAB 54.53, 69.18, -66.27

 

CMYK 0 / 25 / 68 / 3

HEX #F7B94E

RGB 247 185 78

HSL 37.99, 0.91%, 0.64%

LAB 79.05, 12.13, 61.01

 

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

CMYK 68 / 57 / 0 / 3

HEX #4E6AF7

RGB 78 106 247

HSL 230.06, 0.91%, 0.64%

LAB 50.27, 35.09, -73.63

 

CMYK 0 / 68 / 43 / 3

HEX #F74E8C

RGB 247 78 140

HSL 337.99, 0.91%, 0.64%

LAB 59.08, 68.41, 2.83

 

CMYK 0 / 11 / 68 / 3

HEX #F7DB4E

RGB 247 219 78

HSL 50.06, 0.91%, 0.64%

LAB 87.48, -5.37, 69.71

 

CMYK 69 / 0 / 24 / 3

HEX #4DF8BC

RGB 77 248 188

HSL 158.95, 0.92%, 0.64%

LAB 88.13, -57.13, 16.37

 

CMYK 59 / 68 / 0 / 3

HEX #654EF7

RGB 101 78 247

HSL 248.17, 0.91%, 0.64%

LAB 45.54, 54.59, -81.29

 

CMYK 0 / 68 / 43 / 3

HEX #F74E8C

RGB 247 78 140

HSL 337.99, 0.91%, 0.64%

LAB 59.08, 68.41, 2.83

 

CMYK 9 / 0 / 68 / 3

HEX #E1F74E

RGB 225 247 78

HSL 67.81, 0.91%, 0.64%

LAB 93.05, -27.98, 74.74

 

Description

Color code: RGB 77 248 188 | qconv.com Color code: RGB 77 248 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 248 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 248 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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