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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 112 100 it is the complementary color RGB 181 143 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 112 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 112 100 shade: RGB 79 112 95, RGB 96 130 114, RGB 113 148 133, RGB 130 166 152 and RGB 147 184 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 112 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 112 100 shade: RGB 74 112 100, RGB 57 94 81, RGB 40 76 62, RGB 23 58 43 and RGB 6 40 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 112 100 shade: RGB 73 110 98, RGB 73 110 88, RGB 73 110 78, RGB 78 110 73 and RGB 87 110 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 112 100 shade: RGB 73 110 98, RGB 73 110 108, RGB 73 101 110, RGB 73 92 110 and RGB 73 82 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 112 100 shade matches the following richer shades: RGB 73 110 98, RGB 58 125 104, RGB 43 139 109, RGB 28 154 114 and RGB 14 169 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 112 100 shade: RGB 73 110 98, RGB 88 95 93, RGB 103 80 87, RGB 117 65 82 and RGB 132 50 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 112 100 shade: RGB 73 110 78, RGB 73 110 88, RGB 73 110 98, RGB 73 110 108 and RGB 73 102 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 112 100 shade: RGB 40 60 54, RGB 56 85 76, RGB 73 110 98, RGB 89 134 120 and RGB 108 157 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 112 100 shade: RGB 74 112 100, RGB 73 77 110 and RGB 110 83 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 112 100 shade: RGB 74 112 100, RGB 98 73 110 and RGB 110 98 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 112 100 shade: RGB 74 112 100, RGB 73 77 110, RGB 110 73 85 and RGB 110 105 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 112 100 shade: RGB 74 112 100, RGB 80 73 110, RGB 110 73 85 and RGB 103 110 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

Complementary color

CMYK 0 / 21 / 14 / 29

HEX #B58F9B

RGB 181 143 155

HSL 341.05, 0.2%, 0.64%

LAB 63.21, 16.27, -0.86

 

CMYK 29 / 0 / 15 / 56

HEX #4F705F

RGB 79 112 95

HSL 149.09, 0.17%, 0.37%

LAB 44.34, -15.82, 5.66

 

CMYK 26 / 0 / 12 / 49

HEX #608272

RGB 96 130 114

HSL 151.76, 0.15%, 0.44%

LAB 51.46, -15.59, 4.78

 

CMYK 24 / 0 / 10 / 42

HEX #719485

RGB 113 148 133

HSL 154.29, 0.14%, 0.51%

LAB 58.4, -15.41, 3.97

 

CMYK 22 / 0 / 8 / 35

HEX #82A698

RGB 130 166 152

HSL 156.67, 0.17%, 0.58%

LAB 65.19, -15.25, 3.21

 

CMYK 20 / 0 / 7 / 28

HEX #93B8AB

RGB 147 184 171

HSL 158.92, 0.21%, 0.65%

LAB 71.84, -15.12, 2.49

 

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

CMYK 39 / 0 / 14 / 63

HEX #395E51

RGB 57 94 81

HSL 158.92, 0.25%, 0.3%

LAB 36.87, -16.58, 3.29

 

CMYK 47 / 0 / 18 / 70

HEX #284C3E

RGB 40 76 62

HSL 156.67, 0.31%, 0.23%

LAB 29.33, -16.83, 4.31

 

CMYK 60 / 0 / 26 / 77

HEX #173A2B

RGB 23 58 43

HSL 154.29, 0.43%, 0.16%

LAB 21.52, -17.03, 5.53

 

CMYK 85 / 0 / 40 / 84

HEX #062818

RGB 6 40 24

HSL 151.76, 0.74%, 0.09%

LAB 13.37, -17.06, 7.07

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 34 / 0 / 20 / 57

HEX #496E58

RGB 73 110 88

HSL 144.32, 0.2%, 0.36%

LAB 43.17, -18.34, 8.14

 

CMYK 34 / 0 / 29 / 57

HEX #496E4E

RGB 73 110 78

HSL 128.11, 0.2%, 0.36%

LAB 42.94, -20.41, 13.77

 

CMYK 29 / 0 / 34 / 57

HEX #4E6E49

RGB 78 110 73

HSL 111.89, 0.2%, 0.36%

LAB 43.14, -19.51, 17.04

 

CMYK 21 / 0 / 34 / 57

HEX #576E49

RGB 87 110 73

HSL 97.3, 0.2%, 0.36%

LAB 43.74, -16.01, 17.94

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 34 / 0 / 2 / 57

HEX #496E6C

RGB 73 110 108

HSL 176.76, 0.2%, 0.36%

LAB 43.73, -13.56, -3.09

 

CMYK 34 / 8 / 0 / 57

HEX #49656E

RGB 73 101 110

HSL 194.59, 0.2%, 0.36%

LAB 40.98, -7.86, -8.39

 

CMYK 34 / 16 / 0 / 57

HEX #495C6E

RGB 73 92 110

HSL 209.19, 0.2%, 0.36%

LAB 38.19, -2.45, -12.6

 

CMYK 34 / 25 / 0 / 57

HEX #49526E

RGB 73 82 110

HSL 225.41, 0.2%, 0.36%

LAB 35.16, 3.79, -17.24

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 54 / 0 / 17 / 51

HEX #3A7D68

RGB 58 125 104

HSL 161.19, 0.37%, 0.36%

LAB 47.71, -26.76, 5

 

CMYK 69 / 0 / 22 / 45

HEX #2B8B6D

RGB 43 139 109

HSL 161.25, 0.53%, 0.36%

LAB 51.93, -35.26, 8.05

 

CMYK 82 / 0 / 26 / 40

HEX #1C9A72

RGB 28 154 114

HSL 160.95, 0.69%, 0.36%

LAB 56.66, -42.55, 11.83

 

CMYK 92 / 0 / 29 / 34

HEX #0EA978

RGB 14 169 120

HSL 161.03, 0.85%, 0.36%

LAB 61.5, -48.22, 15.23

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 7 / 0 / 2 / 63

HEX #585F5D

RGB 88 95 93

HSL 162.86, 0.04%, 0.36%

LAB 39.66, -3.16, 0.2

 

CMYK 0 / 22 / 16 / 60

HEX #675057

RGB 103 80 87

HSL 341.74, 0.13%, 0.36%

LAB 36.57, 10.86, -0.42

 

CMYK 0 / 44 / 30 / 54

HEX #754152

RGB 117 65 82

HSL 340.38, 0.29%, 0.36%

LAB 34.34, 24.82, -0.31

 

CMYK 0 / 62 / 42 / 48

HEX #84324C

RGB 132 50 76

HSL 340.98, 0.45%, 0.36%

LAB 33.37, 37.76, 2.43

 

CMYK 34 / 0 / 29 / 57

HEX #496E4E

RGB 73 110 78

HSL 128.11, 0.2%, 0.36%

LAB 42.94, -20.41, 13.77

 

CMYK 34 / 0 / 20 / 57

HEX #496E58

RGB 73 110 88

HSL 144.32, 0.2%, 0.36%

LAB 43.17, -18.34, 8.14

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 34 / 0 / 2 / 57

HEX #496E6C

RGB 73 110 108

HSL 176.76, 0.2%, 0.36%

LAB 43.73, -13.56, -3.09

 

CMYK 34 / 7 / 0 / 57

HEX #49666E

RGB 73 102 110

HSL 192.97, 0.2%, 0.36%

LAB 41.29, -8.45, -7.93

 

CMYK 33 / 0 / 10 / 76

HEX #283C36

RGB 40 60 54

HSL 162, 0.2%, 0.2%

LAB 23.5, -9.55, 1.15

 

CMYK 34 / 0 / 11 / 67

HEX #38554C

RGB 56 85 76

HSL 161.38, 0.21%, 0.28%

LAB 33.69, -13.08, 1.8

 

CMYK 34 / 0 / 11 / 57

HEX #496E62

RGB 73 110 98

HSL 160.54, 0.2%, 0.36%

LAB 43.43, -16.05, 2.51

 

CMYK 34 / 0 / 10 / 47

HEX #598678

RGB 89 134 120

HSL 161.33, 0.2%, 0.44%

LAB 52.43, -18.68, 2.64

 

CMYK 31 / 0 / 10 / 38

HEX #6C9D8E

RGB 108 157 142

HSL 161.63, 0.2%, 0.52%

LAB 61.01, -19.79, 2.6

 

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

CMYK 34 / 30 / 0 / 57

HEX #494D6E

RGB 73 77 110

HSL 233.51, 0.2%, 0.36%

LAB 33.67, 6.99, -19.54

 

CMYK 0 / 25 / 34 / 57

HEX #6E5349

RGB 110 83 73

HSL 16.22, 0.2%, 0.36%

LAB 37.81, 9.68, 10.2

 

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

CMYK 11 / 34 / 0 / 57

HEX #62496E

RGB 98 73 110

HSL 280.54, 0.2%, 0.36%

LAB 34.98, 18.14, -17.32

 

CMYK 0 / 11 / 34 / 57

HEX #6E6249

RGB 110 98 73

HSL 40.54, 0.2%, 0.36%

LAB 42.05, 0.63, 16

 

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

CMYK 34 / 30 / 0 / 57

HEX #494D6E

RGB 73 77 110

HSL 233.51, 0.2%, 0.36%

LAB 33.67, 6.99, -19.54

 

CMYK 0 / 34 / 23 / 57

HEX #6E4955

RGB 110 73 85

HSL 340.54, 0.2%, 0.36%

LAB 35.47, 17.69, -0.67

 

CMYK 0 / 5 / 34 / 57

HEX #6E6949

RGB 110 105 73

HSL 51.89, 0.2%, 0.36%

LAB 44.09, -3.49, 18.74

 

CMYK 34 / 0 / 11 / 56

HEX #4A7064

RGB 74 112 100

HSL 161.05, 0.2%, 0.36%

LAB 44.18, -16.35, 2.39

 

CMYK 27 / 34 / 0 / 57

HEX #50496E

RGB 80 73 110

HSL 251.35, 0.2%, 0.36%

LAB 33.13, 11.88, -20.33

 

CMYK 0 / 34 / 23 / 57

HEX #6E4955

RGB 110 73 85

HSL 340.54, 0.2%, 0.36%

LAB 35.47, 17.69, -0.67

 

CMYK 6 / 0 / 34 / 57

HEX #676E49

RGB 103 110 73

HSL 71.35, 0.2%, 0.36%

LAB 44.96, -9.38, 19.79

 

Description

Color code: RGB 74 112 100 | qconv.com Color code: RGB 74 112 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 112 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 112 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 11 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 11% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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