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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 190 112 it is the complementary color RGB 181 65 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 190 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 190 112 shade: RGB 79 190 107, RGB 96 208 126, RGB 113 226 145, RGB 130 244 164 and RGB 147 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 190 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 190 112 shade: RGB 74 190 112, RGB 57 172 93, RGB 40 154 74, RGB 23 136 55 and RGB 6 118 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 190 112 shade: RGB 75 190 112, RGB 75 190 81, RGB 99 190 75, RGB 130 190 75 and RGB 161 190 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 190 112 shade: RGB 75 190 112, RGB 75 190 143, RGB 75 190 174, RGB 75 174 190 and RGB 75 143 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 190 112 shade matches the following richer shades: RGB 75 190 112, RGB 55 209 105, RGB 35 229 99 and RGB 15 249 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 190 112 shade: RGB 75 190 112, RGB 94 170 119, RGB 114 150 126, RGB 134 130 133 and RGB 154 110 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 190 112 shade: RGB 100 190 75, RGB 75 190 80, RGB 75 190 111, RGB 75 190 142 and RGB 75 190 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 190 112 shade: RGB 48 134 76, RGB 59 164 93, RGB 75 190 112, RGB 105 201 136 and RGB 135 211 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 190 112 shade: RGB 74 190 112, RGB 75 130 190 and RGB 190 75 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 190 112 shade: RGB 74 190 112, RGB 111 75 190 and RGB 190 111 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 190 112 shade: RGB 74 190 112, RGB 75 130 190, RGB 190 75 153 and RGB 190 134 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 190 112 shade: RGB 74 190 112, RGB 75 96 190, RGB 190 75 153 and RGB 190 169 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

Complementary color

CMYK 0 / 64 / 21 / 29

HEX #B5418F

RGB 181 65 143

HSL 319.66, 0.47%, 0.48%

LAB 46.43, 55.09, -18.98

 

CMYK 58 / 0 / 44 / 25

HEX #4FBE6B

RGB 79 190 107

HSL 135.14, 0.46%, 0.53%

LAB 69.15, -49.71, 32.62

 

CMYK 54 / 0 / 39 / 18

HEX #60D07E

RGB 96 208 126

HSL 136.07, 0.54%, 0.6%

LAB 75.52, -49.76, 31.25

 

CMYK 50 / 0 / 36 / 11

HEX #71E291

RGB 113 226 145

HSL 136.99, 0.66%, 0.66%

LAB 81.81, -49.68, 29.96

 

CMYK 47 / 0 / 33 / 4

HEX #82F4A4

RGB 130 244 164

HSL 137.89, 0.84%, 0.73%

LAB 88.03, -49.52, 28.75

 

CMYK 42 / 0 / 28 / 0

HEX #93FFB7

RGB 147 255 183

HSL 140, 1%, 0.79%

LAB 92.19, -46.34, 24.89

 

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

CMYK 67 / 0 / 46 / 33

HEX #39AC5D

RGB 57 172 93

HSL 138.78, 0.5%, 0.45%

LAB 62.65, -49.67, 31.39

 

CMYK 74 / 0 / 52 / 40

HEX #289A4A

RGB 40 154 74

HSL 137.89, 0.59%, 0.38%

LAB 56.14, -49.02, 32.96

 

CMYK 83 / 0 / 60 / 47

HEX #178837

RGB 23 136 55

HSL 136.99, 0.71%, 0.31%

LAB 49.58, -47.82, 34.57

 

CMYK 95 / 0 / 69 / 54

HEX #067624

RGB 6 118 36

HSL 136.07, 0.9%, 0.24%

LAB 42.95, -45.79, 36.05

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

CMYK 61 / 0 / 57 / 25

HEX #4BBE51

RGB 75 190 81

HSL 123.13, 0.47%, 0.52%

LAB 68.69, -54.37, 44.85

 

CMYK 48 / 0 / 61 / 25

HEX #63BE4B

RGB 99 190 75

HSL 107.48, 0.47%, 0.52%

LAB 69.46, -48.74, 48.7

 

CMYK 32 / 0 / 61 / 25

HEX #82BE4B

RGB 130 190 75

HSL 91.3, 0.47%, 0.52%

LAB 70.93, -38.5, 50.75

 

CMYK 15 / 0 / 61 / 25

HEX #A1BE4B

RGB 161 190 75

HSL 75.13, 0.47%, 0.52%

LAB 72.83, -26.65, 53.4

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

CMYK 61 / 0 / 25 / 25

HEX #4BBE8F

RGB 75 190 143

HSL 155.48, 0.47%, 0.52%

LAB 69.69, -43.63, 14.24

 

CMYK 61 / 0 / 8 / 25

HEX #4BBEAE

RGB 75 190 174

HSL 171.65, 0.47%, 0.52%

LAB 70.44, -36.16, -1.58

 

CMYK 61 / 8 / 0 / 25

HEX #4BAEBE

RGB 75 174 190

HSL 188.35, 0.47%, 0.52%

LAB 66.13, -23.96, -16.84

 

CMYK 61 / 25 / 0 / 25

HEX #4B8FBE

RGB 75 143 190

HSL 204.52, 0.47%, 0.52%

LAB 56.94, -7.3, -30.93

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

CMYK 74 / 0 / 50 / 18

HEX #37D169

RGB 55 209 105

HSL 139.48, 0.63%, 0.52%

LAB 74.47, -61.56, 40.24

 

CMYK 85 / 0 / 57 / 10

HEX #23E563

RGB 35 229 99

HSL 139.79, 0.79%, 0.52%

LAB 80.35, -71.24, 50.14

 

CMYK 94 / 0 / 63 / 2

HEX #0FF95C

RGB 15 249 92

HSL 139.74, 0.95%, 0.52%

LAB 86.32, -79.25, 60

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

CMYK 45 / 0 / 30 / 33

HEX #5EAA77

RGB 94 170 119

HSL 139.74, 0.31%, 0.52%

LAB 63.72, -35.15, 19.14

 

CMYK 24 / 0 / 16 / 41

HEX #72967E

RGB 114 150 126

HSL 140, 0.15%, 0.52%

LAB 58.88, -17.57, 8.64

 

CMYK 0 / 3 / 1 / 47

HEX #868285

RGB 134 130 133

HSL 315, 0.02%, 0.52%

LAB 54.79, 2.09, -1.09

 

CMYK 0 / 29 / 9 / 40

HEX #9A6E8C

RGB 154 110 140

HSL 319.09, 0.18%, 0.52%

LAB 51.74, 22.43, -9.49

 

CMYK 47 / 0 / 61 / 25

HEX #64BE4B

RGB 100 190 75

HSL 106.96, 0.47%, 0.52%

LAB 69.5, -48.44, 48.75

 

CMYK 61 / 0 / 58 / 25

HEX #4BBE50

RGB 75 190 80

HSL 122.61, 0.47%, 0.52%

LAB 68.68, -54.5, 45.3

 

CMYK 61 / 0 / 42 / 25

HEX #4BBE6F

RGB 75 190 111

HSL 138.78, 0.47%, 0.52%

LAB 69.09, -49.93, 30.46

 

CMYK 61 / 0 / 25 / 25

HEX #4BBE8E

RGB 75 190 142

HSL 154.96, 0.47%, 0.52%

LAB 69.67, -43.85, 14.75

 

CMYK 61 / 0 / 9 / 25

HEX #4BBEAC

RGB 75 190 172

HSL 170.61, 0.47%, 0.52%

LAB 70.39, -36.67, -0.57

 

CMYK 64 / 0 / 43 / 47

HEX #30864C

RGB 48 134 76

HSL 139.53, 0.47%, 0.36%

LAB 49.74, -39.33, 23.81

 

CMYK 64 / 0 / 43 / 36

HEX #3BA45D

RGB 59 164 93

HSL 139.43, 0.47%, 0.44%

LAB 60.13, -46.14, 28.17

 

CMYK 61 / 0 / 41 / 25

HEX #4BBE70

RGB 75 190 112

HSL 139.3, 0.47%, 0.52%

LAB 69.11, -49.76, 29.96

 

CMYK 48 / 0 / 32 / 21

HEX #69C988

RGB 105 201 136

HSL 139.38, 0.47%, 0.6%

LAB 73.9, -42.76, 23.95

 

CMYK 36 / 0 / 24 / 17

HEX #87D3A0

RGB 135 211 160

HSL 139.74, 0.46%, 0.68%

LAB 78.62, -34.32, 17.97

 

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

CMYK 61 / 32 / 0 / 25

HEX #4B82BE

RGB 75 130 190

HSL 211.3, 0.47%, 0.52%

LAB 53.14, 0.24, -36.85

 

CMYK 0 / 61 / 56 / 25

HEX #BE4B54

RGB 190 75 84

HSL 355.3, 0.47%, 0.52%

LAB 47.78, 46.95, 18.95

 

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

CMYK 42 / 61 / 0 / 25

HEX #6F4BBE

RGB 111 75 190

HSL 258.78, 0.47%, 0.52%

LAB 41.42, 41.56, -55.39

 

CMYK 0 / 42 / 61 / 25

HEX #BE6F4B

RGB 190 111 75

HSL 18.78, 0.47%, 0.52%

LAB 54.89, 27.88, 33.28

 

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

CMYK 61 / 32 / 0 / 25

HEX #4B82BE

RGB 75 130 190

HSL 211.3, 0.47%, 0.52%

LAB 53.14, 0.24, -36.85

 

CMYK 0 / 61 / 19 / 25

HEX #BE4B99

RGB 190 75 153

HSL 319.3, 0.47%, 0.52%

LAB 49.83, 54.77, -19.62

 

CMYK 0 / 29 / 61 / 25

HEX #BE864B

RGB 190 134 75

HSL 30.78, 0.47%, 0.52%

LAB 60.34, 15.22, 39.84

 

CMYK 61 / 0 / 41 / 25

HEX #4ABE70

RGB 74 190 112

HSL 139.66, 0.47%, 0.52%

LAB 69.08, -49.98, 29.91

 

CMYK 61 / 49 / 0 / 25

HEX #4B60BE

RGB 75 96 190

HSL 229.04, 0.47%, 0.52%

LAB 43.62, 21.24, -51.99

 

CMYK 0 / 61 / 19 / 25

HEX #BE4B99

RGB 190 75 153

HSL 319.3, 0.47%, 0.52%

LAB 49.83, 54.77, -19.62

 

CMYK 0 / 11 / 61 / 25

HEX #BEA94B

RGB 190 169 75

HSL 49.04, 0.47%, 0.52%

LAB 69.35, -3.81, 50.18

 

Description

Color code: RGB 74 190 112 | qconv.com Color code: RGB 74 190 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 190 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 190 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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