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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 196 94 it is the complementary color RGB 181 59 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 196 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 196 94 shade: RGB 79 196 89, RGB 96 214 108, RGB 113 232 127, RGB 130 250 146 and RGB 147 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 196 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 57 178 75, RGB 40 160 56, RGB 23 142 37 and RGB 6 124 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 86 196 74, RGB 119 196 74, RGB 152 196 74 and RGB 185 196 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 74 196 127, RGB 74 196 160, RGB 74 196 192 and RGB 74 166 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 196 94 shade matches the following richer shades: RGB 74 196 94, RGB 54 215 81, RGB 35 235 68 and RGB 15 254 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 93 176 107, RGB 112 157 120, RGB 132 138 133 and RGB 151 118 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 196 94 shade: RGB 120 196 74, RGB 88 196 74, RGB 74 196 92, RGB 74 196 124 and RGB 74 196 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 196 94 shade: RGB 46 141 61, RGB 56 172 75, RGB 74 196 94, RGB 105 206 121 and RGB 136 216 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 74 153 196 and RGB 196 74 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 92 74 196 and RGB 196 92 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 74 153 196, RGB 196 74 177 and RGB 196 116 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 196 94 shade: RGB 74 196 94, RGB 74 116 196, RGB 196 74 177 and RGB 196 153 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

Complementary color

CMYK 0 / 67 / 11 / 29

HEX #B53BA1

RGB 181 59 161

HSL 309.84, 0.51%, 0.47%

LAB 46.34, 60.17, -29.89

 

CMYK 60 / 0 / 55 / 23

HEX #4FC459

RGB 79 196 89

HSL 125.13, 0.5%, 0.54%

LAB 70.78, -54.67, 43.58

 

CMYK 55 / 0 / 50 / 16

HEX #60D66C

RGB 96 214 108

HSL 126.1, 0.59%, 0.61%

LAB 77.08, -54.9, 42.25

 

CMYK 51 / 0 / 45 / 9

HEX #71E87F

RGB 113 232 127

HSL 127.06, 0.72%, 0.68%

LAB 83.31, -54.96, 40.93

 

CMYK 48 / 0 / 42 / 2

HEX #82FA92

RGB 130 250 146

HSL 128, 0.92%, 0.75%

LAB 89.48, -54.9, 39.65

 

CMYK 42 / 0 / 35 / 0

HEX #93FFA5

RGB 147 255 165

HSL 130, 1%, 0.79%

LAB 91.88, -49.4, 33.53

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 68 / 0 / 58 / 30

HEX #39B24B

RGB 57 178 75

HSL 128.93, 0.51%, 0.46%

LAB 64.34, -54.56, 42.43

 

CMYK 75 / 0 / 65 / 37

HEX #28A038

RGB 40 160 56

HSL 128, 0.6%, 0.39%

LAB 57.92, -53.57, 43.72

 

CMYK 84 / 0 / 74 / 44

HEX #178E25

RGB 23 142 37

HSL 127.06, 0.72%, 0.32%

LAB 51.45, -51.9, 44.68

 

CMYK 95 / 0 / 85 / 51

HEX #067C12

RGB 6 124 18

HSL 126.1, 0.91%, 0.25%

LAB 44.94, -49.24, 44.79

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 56 / 0 / 62 / 23

HEX #56C44A

RGB 86 196 74

HSL 114.1, 0.51%, 0.53%

LAB 70.84, -54.74, 50.57

 

CMYK 39 / 0 / 62 / 23

HEX #77C44A

RGB 119 196 74

HSL 97.87, 0.51%, 0.53%

LAB 72.16, -45.01, 52.41

 

CMYK 22 / 0 / 62 / 23

HEX #98C44A

RGB 152 196 74

HSL 81.64, 0.51%, 0.53%

LAB 73.97, -33.11, 54.91

 

CMYK 6 / 0 / 62 / 23

HEX #B9C44A

RGB 185 196 74

HSL 65.41, 0.51%, 0.53%

LAB 76.25, -19.87, 58.04

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 62 / 0 / 35 / 23

HEX #4AC47F

RGB 74 196 127

HSL 146.07, 0.51%, 0.53%

LAB 71.19, -49.62, 24.86

 

CMYK 62 / 0 / 18 / 23

HEX #4AC4A0

RGB 74 196 160

HSL 162.3, 0.51%, 0.53%

LAB 71.88, -42.52, 8.12

 

CMYK 62 / 0 / 2 / 23

HEX #4AC4C0

RGB 74 196 192

HSL 178.03, 0.51%, 0.53%

LAB 72.72, -34.3, -8.05

 

CMYK 62 / 15 / 0 / 23

HEX #4AA6C4

RGB 74 166 196

HSL 194.75, 0.51%, 0.53%

LAB 63.93, -18.19, -23.52

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 75 / 0 / 62 / 16

HEX #36D751

RGB 54 215 81

HSL 130.06, 0.67%, 0.53%

LAB 76.06, -66.87, 53.2

 

CMYK 85 / 0 / 71 / 8

HEX #23EB44

RGB 35 235 68

HSL 129.9, 0.83%, 0.53%

LAB 81.94, -76.35, 64.6

 

CMYK 94 / 0 / 79 / 0

HEX #0FFE36

RGB 15 254 54

HSL 129.79, 0.99%, 0.53%

LAB 87.61, -83.8, 74.59

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 47 / 0 / 39 / 31

HEX #5DB06B

RGB 93 176 107

HSL 130.12, 0.34%, 0.53%

LAB 65.31, -40.29, 27.72

 

CMYK 29 / 0 / 24 / 38

HEX #709D78

RGB 112 157 120

HSL 130.67, 0.19%, 0.53%

LAB 60.71, -23.04, 14.57

 

CMYK 4 / 0 / 4 / 46

HEX #848A85

RGB 132 138 133

HSL 130, 0.02%, 0.53%

LAB 56.86, -3.19, 1.9

 

CMYK 0 / 22 / 3 / 41

HEX #977692

RGB 151 118 146

HSL 309.09, 0.14%, 0.53%

LAB 53.61, 17.85, -10.23

 

CMYK 39 / 0 / 62 / 23

HEX #78C44A

RGB 120 196 74

HSL 97.38, 0.51%, 0.53%

LAB 72.21, -44.67, 52.47

 

CMYK 55 / 0 / 62 / 23

HEX #58C44A

RGB 88 196 74

HSL 113.11, 0.51%, 0.53%

LAB 70.9, -54.23, 50.66

 

CMYK 62 / 0 / 53 / 23

HEX #4AC45C

RGB 74 196 92

HSL 128.85, 0.51%, 0.53%

LAB 70.67, -55.38, 41.98

 

CMYK 62 / 0 / 37 / 23

HEX #4AC47C

RGB 74 196 124

HSL 144.59, 0.51%, 0.53%

LAB 71.14, -50.19, 26.37

 

CMYK 62 / 0 / 20 / 23

HEX #4AC49D

RGB 74 196 157

HSL 160.82, 0.51%, 0.53%

LAB 71.81, -43.23, 9.65

 

CMYK 67 / 0 / 57 / 45

HEX #2E8D3D

RGB 46 141 61

HSL 129.47, 0.51%, 0.37%

LAB 51.8, -44.99, 34.32

 

CMYK 67 / 0 / 56 / 33

HEX #38AC4B

RGB 56 172 75

HSL 129.83, 0.51%, 0.45%

LAB 62.38, -52.59, 40.11

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 49 / 0 / 41 / 19

HEX #69CE79

RGB 105 206 121

HSL 129.5, 0.51%, 0.61%

LAB 75.16, -47.45, 33.4

 

CMYK 37 / 0 / 31 / 15

HEX #88D895

RGB 136 216 149

HSL 129.75, 0.51%, 0.69%

LAB 79.91, -38.28, 25.51

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 62 / 22 / 0 / 23

HEX #4A99C4

RGB 74 153 196

HSL 201.15, 0.51%, 0.53%

LAB 60.09, -11.16, -29.43

 

CMYK 0 / 62 / 47 / 23

HEX #C44A68

RGB 196 74 104

HSL 345.25, 0.51%, 0.53%

LAB 49.05, 51.17, 8.77

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 53 / 62 / 0 / 23

HEX #5C4AC4

RGB 92 74 196

HSL 248.85, 0.51%, 0.53%

LAB 39.85, 40.03, -61.53

 

CMYK 0 / 53 / 62 / 23

HEX #C45C4A

RGB 196 92 74

HSL 8.85, 0.51%, 0.53%

LAB 51.71, 40.17, 30.1

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 62 / 22 / 0 / 23

HEX #4A99C4

RGB 74 153 196

HSL 201.15, 0.51%, 0.53%

LAB 60.09, -11.16, -29.43

 

CMYK 0 / 62 / 10 / 23

HEX #C44AB1

RGB 196 74 177

HSL 309.34, 0.51%, 0.53%

LAB 51.62, 60.49, -30.91

 

CMYK 0 / 41 / 62 / 23

HEX #C4744A

RGB 196 116 74

HSL 20.66, 0.51%, 0.53%

LAB 56.8, 27.56, 36.33

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45E

RGB 74 196 94

HSL 129.84, 0.51%, 0.53%

LAB 70.69, -55.11, 41.04

 

CMYK 62 / 41 / 0 / 23

HEX #4A74C4

RGB 74 116 196

HSL 219.34, 0.51%, 0.53%

LAB 49.41, 10.57, -46.19

 

CMYK 0 / 62 / 10 / 23

HEX #C44AB1

RGB 196 74 177

HSL 309.34, 0.51%, 0.53%

LAB 51.62, 60.49, -30.91

 

CMYK 0 / 22 / 62 / 23

HEX #C4994A

RGB 196 153 74

HSL 38.85, 0.51%, 0.53%

LAB 65.76, 7.31, 46.78

 

Description

Color code: RGB 74 196 94 | qconv.com Color code: RGB 74 196 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 196 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 196 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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