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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 201 186 it is the complementary color RGB 181 54 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 201 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 201 186 shade: RGB 79 201 181, RGB 96 219 200, RGB 113 237 219, RGB 130 255 238 and RGB 147 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 201 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 57 183 167, RGB 40 165 148, RGB 23 147 129 and RGB 6 129 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 74 201 151, RGB 74 201 117, RGB 74 201 83 and RGB 99 201 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 74 181 201, RGB 74 147 201, RGB 74 113 201 and RGB 74 79 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 201 186 shade matches the following richer shades: RGB 74 201 186, RGB 55 220 200 and RGB 36 239 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 93 182 171, RGB 112 163 157, RGB 131 144 142 and RGB 150 125 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 201 186 shade: RGB 74 201 116, RGB 74 201 150, RGB 74 201 184, RGB 74 184 201 and RGB 74 150 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 201 186 shade: RGB 44 148 136, RGB 53 180 165, RGB 74 201 186, RGB 106 210 198 and RGB 137 220 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 82 74 201 and RGB 201 133 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 184 74 201 and RGB 201 184 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 82 74 201, RGB 201 74 91 and RGB 192 201 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 201 186 shade: RGB 74 201 186, RGB 120 74 201, RGB 201 74 91 and RGB 154 201 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

Complementary color

CMYK 0 / 70 / 62 / 29

HEX #B53645

RGB 181 54 69

HSL 352.91, 0.54%, 0.46%

LAB 42.6, 51.83, 20.96

 

CMYK 61 / 0 / 10 / 21

HEX #4FC9B5

RGB 79 201 181

HSL 170.16, 0.53%, 0.55%

LAB 74.04, -38.65, -0.11

 

CMYK 56 / 0 / 9 / 14

HEX #60DBC8

RGB 96 219 200

HSL 170.73, 0.63%, 0.62%

LAB 80.36, -38.84, -1.02

 

CMYK 52 / 0 / 8 / 7

HEX #71EDDB

RGB 113 237 219

HSL 171.29, 0.78%, 0.69%

LAB 86.6, -38.94, -1.86

 

CMYK 49 / 0 / 7 / 0

HEX #82FFEE

RGB 130 255 238

HSL 171.84, 1%, 0.75%

LAB 92.77, -38.96, -2.65

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 69 / 0 / 9 / 28

HEX #39B7A7

RGB 57 183 167

HSL 172.38, 0.53%, 0.47%

LAB 67.67, -37.76, -1.85

 

CMYK 76 / 0 / 10 / 35

HEX #28A594

RGB 40 165 148

HSL 171.84, 0.61%, 0.4%

LAB 61.22, -37.07, -0.76

 

CMYK 84 / 0 / 12 / 42

HEX #179381

RGB 23 147 129

HSL 171.29, 0.73%, 0.33%

LAB 54.69, -36.03, 0.47

 

CMYK 95 / 0 / 15 / 49

HEX #06816E

RGB 6 129 110

HSL 170.73, 0.91%, 0.26%

LAB 48.09, -34.52, 1.88

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 63 / 0 / 25 / 21

HEX #4AC997

RGB 74 201 151

HSL 156.38, 0.54%, 0.54%

LAB 73.2, -46.72, 14.84

 

CMYK 63 / 0 / 42 / 21

HEX #4AC975

RGB 74 201 117

HSL 140.31, 0.54%, 0.54%

LAB 72.57, -53.4, 31.89

 

CMYK 63 / 0 / 59 / 21

HEX #4AC953

RGB 74 201 83

HSL 124.25, 0.54%, 0.54%

LAB 72.13, -58.36, 47.93

 

CMYK 51 / 0 / 63 / 21

HEX #63C94A

RGB 99 201 74

HSL 108.19, 0.54%, 0.54%

LAB 72.84, -53.16, 52.92

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 63 / 10 / 0 / 21

HEX #4AB5C9

RGB 74 181 201

HSL 189.45, 0.54%, 0.54%

LAB 68.55, -24.41, -19.24

 

CMYK 63 / 27 / 0 / 21

HEX #4A93C9

RGB 74 147 201

HSL 205.51, 0.54%, 0.54%

LAB 58.55, -6.17, -34.64

 

CMYK 63 / 44 / 0 / 21

HEX #4A71C9

RGB 74 113 201

HSL 221.57, 0.54%, 0.54%

LAB 48.86, 14.16, -49.94

 

CMYK 63 / 61 / 0 / 21

HEX #4A4FC9

RGB 74 79 201

HSL 237.64, 0.54%, 0.54%

LAB 40.02, 35.53, -64.2

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 75 / 0 / 9 / 14

HEX #37DCC8

RGB 55 220 200

HSL 172.73, 0.7%, 0.54%

LAB 79.71, -45.52, -2.08

 

CMYK 85 / 0 / 10 / 6

HEX #24EFD7

RGB 36 239 215

HSL 172.91, 0.86%, 0.54%

LAB 85.51, -51.17, -1.54

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 49 / 0 / 6 / 29

HEX #5DB6AB

RGB 93 182 171

HSL 172.58, 0.38%, 0.54%

LAB 68.55, -29.42, -2.64

 

CMYK 31 / 0 / 4 / 36

HEX #70A39D

RGB 112 163 157

HSL 172.94, 0.22%, 0.54%

LAB 63.4, -18.24, -2.32

 

CMYK 9 / 0 / 1 / 44

HEX #83908E

RGB 131 144 142

HSL 170.77, 0.06%, 0.54%

LAB 58.72, -5.09, -0.55

 

CMYK 0 / 17 / 15 / 41

HEX #967D80

RGB 150 125 128

HSL 352.8, 0.11%, 0.54%

LAB 54.77, 10.13, 1.97

 

CMYK 63 / 0 / 42 / 21

HEX #4AC974

RGB 74 201 116

HSL 139.84, 0.54%, 0.54%

LAB 72.55, -53.57, 32.38

 

CMYK 63 / 0 / 25 / 21

HEX #4AC996

RGB 74 201 150

HSL 155.91, 0.54%, 0.54%

LAB 73.17, -46.93, 15.35

 

CMYK 63 / 0 / 8 / 21

HEX #4AC9B8

RGB 74 201 184

HSL 171.97, 0.54%, 0.54%

LAB 73.99, -38.75, -1.83

 

CMYK 63 / 8 / 0 / 21

HEX #4AB8C9

RGB 74 184 201

HSL 188.03, 0.54%, 0.54%

LAB 69.44, -25.92, -17.9

 

CMYK 63 / 25 / 0 / 21

HEX #4A96C9

RGB 74 150 201

HSL 204.09, 0.54%, 0.54%

LAB 59.42, -7.87, -33.28

 

CMYK 70 / 0 / 8 / 42

HEX #2C9488

RGB 44 148 136

HSL 173.08, 0.54%, 0.38%

LAB 55.58, -32.03, -2.21

 

CMYK 71 / 0 / 8 / 29

HEX #35B4A5

RGB 53 180 165

HSL 172.91, 0.55%, 0.46%

LAB 66.61, -37.51, -2.31

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 50 / 0 / 6 / 18

HEX #6AD2C6

RGB 106 210 198

HSL 173.08, 0.54%, 0.62%

LAB 78.01, -33.1, -3.35

 

CMYK 38 / 0 / 5 / 14

HEX #89DCD2

RGB 137 220 210

HSL 172.77, 0.54%, 0.7%

LAB 82.46, -27.51, -3.07

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 59 / 63 / 0 / 21

HEX #524AC9

RGB 82 74 201

HSL 243.78, 0.54%, 0.54%

LAB 39.43, 39.86, -65.15

 

CMYK 0 / 34 / 63 / 21

HEX #C9854A

RGB 201 133 74

HSL 27.87, 0.54%, 0.54%

LAB 61.38, 20.38, 41.9

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 8 / 63 / 0 / 21

HEX #B84AC9

RGB 184 74 201

HSL 291.97, 0.54%, 0.54%

LAB 51.04, 61.59, -45.84

 

CMYK 0 / 8 / 63 / 21

HEX #C9B84A

RGB 201 184 74

HSL 51.97, 0.54%, 0.54%

LAB 74.31, -7.05, 56.35

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 59 / 63 / 0 / 21

HEX #524AC9

RGB 82 74 201

HSL 243.78, 0.54%, 0.54%

LAB 39.43, 39.86, -65.15

 

CMYK 0 / 63 / 55 / 21

HEX #C94A5B

RGB 201 74 91

HSL 351.97, 0.54%, 0.54%

LAB 49.58, 51.69, 17.48

 

CMYK 4 / 0 / 63 / 21

HEX #C0C94A

RGB 192 201 74

HSL 64.25, 0.54%, 0.54%

LAB 78.15, -19.46, 60.23

 

CMYK 63 / 0 / 7 / 21

HEX #4AC9BA

RGB 74 201 186

HSL 172.91, 0.54%, 0.54%

LAB 74.05, -38.22, -2.83

 

CMYK 40 / 63 / 0 / 21

HEX #784AC9

RGB 120 74 201

HSL 261.73, 0.54%, 0.54%

LAB 42.93, 47.02, -59.31

 

CMYK 0 / 63 / 55 / 21

HEX #C94A5B

RGB 201 74 91

HSL 351.97, 0.54%, 0.54%

LAB 49.58, 51.69, 17.48

 

CMYK 23 / 0 / 63 / 21

HEX #9AC94A

RGB 154 201 74

HSL 82.2, 0.54%, 0.54%

LAB 75.54, -34.65, 56.65

 

Description

Color code: RGB 74 201 186 | qconv.com Color code: RGB 74 201 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 201 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 201 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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