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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 211 69 it is the complementary color RGB 181 44 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 211 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 211 69 shade: RGB 79 211 64, RGB 96 229 83, RGB 113 247 102, RGB 130 255 121 and RGB 147 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 211 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 57 193 50, RGB 40 175 31, RGB 23 157 12 and RGB 6 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 112 211 69, RGB 150 211 69, RGB 189 211 69 and RGB 211 195 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 69 211 102, RGB 69 211 140, RGB 69 211 179 and RGB 69 205 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 211 69 shade matches the following richer shades: RGB 74 211 69, RGB 56 229 50 and RGB 39 248 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 91 192 87, RGB 108 174 106, RGB 125 155 124 and RGB 143 137 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 211 69 shade: RGB 152 211 69, RGB 114 211 69, RGB 76 211 69, RGB 69 211 99 and RGB 69 211 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 211 69 shade: RGB 41 160 37, RGB 50 193 45, RGB 74 211 69, RGB 106 219 102 and RGB 139 227 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 69 190 211 and RGB 211 69 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 69 76 211 and RGB 211 69 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 69 190 211, RGB 204 69 211 and RGB 211 90 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 211 69 shade: RGB 74 211 69, RGB 69 147 211, RGB 204 69 211 and RGB 211 133 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

Complementary color

CMYK 3 / 76 / 0 / 27

HEX #B52CBA

RGB 181 44 186

HSL 297.89, 0.62%, 0.45%

LAB 45.87, 69.24, -45.4

 

CMYK 63 / 0 / 70 / 17

HEX #4FD340

RGB 79 211 64

HSL 113.88, 0.63%, 0.54%

LAB 75.21, -62.69, 59.32

 

CMYK 58 / 0 / 64 / 10

HEX #60E553

RGB 96 229 83

HSL 114.66, 0.74%, 0.61%

LAB 81.37, -63.38, 58.55

 

CMYK 54 / 0 / 59 / 3

HEX #71F766

RGB 113 247 102

HSL 115.45, 0.9%, 0.68%

LAB 87.48, -63.79, 57.54

 

CMYK 49 / 0 / 53 / 0

HEX #82FF79

RGB 130 255 121

HSL 115.97, 1%, 0.74%

LAB 90.62, -60.24, 52.93

 

CMYK 42 / 0 / 45 / 0

HEX #93FF8C

RGB 147 255 140

HSL 116.35, 1%, 0.77%

LAB 91.51, -53.1, 45.29

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 70 / 0 / 74 / 24

HEX #39C132

RGB 57 193 50

HSL 117.06, 0.59%, 0.48%

LAB 68.92, -62.19, 57.82

 

CMYK 77 / 0 / 82 / 31

HEX #28AF1F

RGB 40 175 31

HSL 116.25, 0.7%, 0.4%

LAB 62.68, -60.5, 57.69

 

CMYK 85 / 0 / 92 / 38

HEX #179D0C

RGB 23 157 12

HSL 115.45, 0.86%, 0.33%

LAB 56.41, -58, 56.29

 

CMYK 96 / 0 / 100 / 45

HEX #068B00

RGB 6 139 0

HSL 117.41, 1%, 0.27%

LAB 50.1, -54.46, 53.02

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 47 / 0 / 67 / 17

HEX #70D345

RGB 112 211 69

HSL 101.83, 0.62%, 0.55%

LAB 76.35, -53.71, 58.93

 

CMYK 29 / 0 / 67 / 17

HEX #96D345

RGB 150 211 69

HSL 85.77, 0.62%, 0.55%

LAB 78.17, -41, 61.39

 

CMYK 10 / 0 / 67 / 17

HEX #BDD345

RGB 189 211 69

HSL 69.3, 0.62%, 0.55%

LAB 80.65, -25.87, 64.73

 

CMYK 0 / 8 / 67 / 17

HEX #D3C345

RGB 211 195 69

HSL 53.24, 0.62%, 0.55%

LAB 78.06, -8.76, 62.64

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 67 / 0 / 52 / 17

HEX #45D366

RGB 69 211 102

HSL 133.94, 0.62%, 0.55%

LAB 75.33, -60.41, 42.83

 

CMYK 67 / 0 / 34 / 17

HEX #45D38C

RGB 69 211 140

HSL 150, 0.62%, 0.55%

LAB 75.91, -53.93, 24.39

 

CMYK 67 / 0 / 15 / 17

HEX #45D3B3

RGB 69 211 179

HSL 166.48, 0.62%, 0.55%

LAB 76.74, -45.23, 4.86

 

CMYK 67 / 3 / 0 / 17

HEX #45CDD3

RGB 69 205 211

HSL 182.54, 0.62%, 0.55%

LAB 75.84, -33.96, -13.69

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 76 / 0 / 78 / 10

HEX #38E532

RGB 56 229 50

HSL 117.99, 0.77%, 0.55%

LAB 80.24, -73.55, 68.87

 

CMYK 84 / 0 / 88 / 3

HEX #27F81F

RGB 39 248 31

HSL 117.79, 0.94%, 0.55%

LAB 85.84, -81.77, 78.3

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 53 / 0 / 55 / 25

HEX #5BC057

RGB 91 192 87

HSL 117.71, 0.45%, 0.55%

LAB 69.9, -50.41, 43.58

 

CMYK 38 / 0 / 39 / 32

HEX #6CAE6A

RGB 108 174 106

HSL 118.24, 0.3%, 0.55%

LAB 65.36, -35, 28.44

 

CMYK 19 / 0 / 20 / 39

HEX #7D9B7C

RGB 125 155 124

HSL 118.06, 0.13%, 0.55%

LAB 61.01, -16.71, 12.87

 

CMYK 0 / 4 / 0 / 44

HEX #8F898F

RGB 143 137 143

HSL 300, 0.03%, 0.55%

LAB 57.76, 3.39, -2.41

 

CMYK 28 / 0 / 67 / 17

HEX #98D345

RGB 152 211 69

HSL 84.93, 0.62%, 0.55%

LAB 78.28, -40.27, 61.55

 

CMYK 46 / 0 / 67 / 17

HEX #72D345

RGB 114 211 69

HSL 100.99, 0.62%, 0.55%

LAB 76.43, -53.11, 59.04

 

CMYK 64 / 0 / 67 / 17

HEX #4CD345

RGB 76 211 69

HSL 117.04, 0.62%, 0.55%

LAB 75.17, -62.9, 57.32

 

CMYK 67 / 0 / 53 / 17

HEX #45D363

RGB 69 211 99

HSL 132.68, 0.62%, 0.55%

LAB 75.3, -60.83, 44.22

 

CMYK 67 / 0 / 35 / 17

HEX #45D389

RGB 69 211 137

HSL 148.73, 0.62%, 0.55%

LAB 75.86, -54.52, 25.88

 

CMYK 74 / 0 / 77 / 37

HEX #29A025

RGB 41 160 37

HSL 118.05, 0.62%, 0.39%

LAB 57.8, -55.17, 51.16

 

CMYK 74 / 0 / 77 / 24

HEX #32C12D

RGB 50 193 45

HSL 117.97, 0.62%, 0.47%

LAB 68.76, -63.74, 59.29

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 52 / 0 / 53 / 14

HEX #6ADB66

RGB 106 219 102

HSL 117.95, 0.62%, 0.63%

LAB 78.86, -55.08, 47.36

 

CMYK 39 / 0 / 41 / 11

HEX #8BE387

RGB 139 227 135

HSL 117.39, 0.62%, 0.71%

LAB 83.01, -44.44, 36.79

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 67 / 10 / 0 / 17

HEX #45BED3

RGB 69 190 211

HSL 188.87, 0.62%, 0.55%

LAB 71.42, -26.7, -20.38

 

CMYK 0 / 67 / 37 / 17

HEX #D34585

RGB 211 69 133

HSL 332.96, 0.62%, 0.55%

LAB 51.61, 60.8, -4.68

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 67 / 64 / 0 / 17

HEX #454CD3

RGB 69 76 211

HSL 237.04, 0.62%, 0.55%

LAB 39.81, 40.02, -70.34

 

CMYK 0 / 67 / 64 / 17

HEX #D3454C

RGB 211 69 76

HSL 357.04, 0.62%, 0.55%

LAB 50.25, 56, 27.63

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 67 / 10 / 0 / 17

HEX #45BED3

RGB 69 190 211

HSL 188.87, 0.62%, 0.55%

LAB 71.42, -26.7, -20.38

 

CMYK 3 / 67 / 0 / 17

HEX #CC45D3

RGB 204 69 211

HSL 297.04, 0.62%, 0.55%

LAB 53.81, 69.96, -46.99

 

CMYK 0 / 57 / 67 / 17

HEX #D35A45

RGB 211 90 69

HSL 8.87, 0.62%, 0.55%

LAB 53.59, 46.4, 35.76

 

CMYK 65 / 0 / 67 / 17

HEX #4AD345

RGB 74 211 69

HSL 117.89, 0.62%, 0.55%

LAB 75.12, -63.31, 57.25

 

CMYK 67 / 30 / 0 / 17

HEX #4593D3

RGB 69 147 211

HSL 207.04, 0.62%, 0.55%

LAB 58.82, -3.67, -39.84

 

CMYK 3 / 67 / 0 / 17

HEX #CC45D3

RGB 204 69 211

HSL 297.04, 0.62%, 0.55%

LAB 53.81, 69.96, -46.99

 

CMYK 0 / 37 / 67 / 17

HEX #D38545

RGB 211 133 69

HSL 27.04, 0.62%, 0.55%

LAB 62.55, 24.26, 46.08

 

Description

Color code: RGB 74 211 69 | qconv.com Color code: RGB 74 211 69 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 211 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 211 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 67 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 67% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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