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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 255 190 it is the complementary color RGB 181 0 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 255 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 255 190 shade: RGB 79 255 185, RGB 96 255 204, RGB 113 255 223, RGB 130 255 242 and RGB 147 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 255 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 255 190 shade: RGB 74 255 190, RGB 57 237 171, RGB 40 219 152, RGB 23 201 133 and RGB 6 183 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 255 190 shade: RGB 76 255 190, RGB 76 255 142, RGB 76 255 94, RGB 106 255 76 and RGB 154 255 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 255 190 shade: RGB 76 255 190, RGB 76 255 239, RGB 76 222 255, RGB 76 174 255 and RGB 76 126 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 255 190 shade matches the following richer shades: RGB 76 255 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 255 190 shade: RGB 76 255 190, RGB 90 240 186, RGB 105 226 182, RGB 119 211 178 and RGB 134 197 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 255 190 shade: RGB 76 255 94, RGB 76 255 141, RGB 76 255 189, RGB 76 255 237 and RGB 76 225 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 255 190 shade: RGB 0 248 159, RGB 35 255 176, RGB 76 255 190, RGB 117 255 205 and RGB 159 255 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 255 190 shade: RGB 74 255 190, RGB 76 106 255 and RGB 255 118 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 255 190 shade: RGB 74 255 190, RGB 189 76 255 and RGB 255 189 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 255 190 shade: RGB 74 255 190, RGB 76 106 255, RGB 255 76 141 and RGB 255 225 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 255 190 shade: RGB 74 255 190, RGB 100 76 255, RGB 255 76 141 and RGB 231 255 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

Complementary color

CMYK 0 / 100 / 64 / 29

HEX #B50041

RGB 181 0 65

HSL 338.45, 1%, 0.35%

LAB 38.21, 63.79, 17.71

 

CMYK 69 / 0 / 27 / 0

HEX #4FFFB9

RGB 79 255 185

HSL 156.14, 1%, 0.65%

LAB 90.18, -60.2, 20.77

 

CMYK 62 / 0 / 20 / 0

HEX #60FFCC

RGB 96 255 204

HSL 160.75, 1%, 0.69%

LAB 90.95, -53.4, 12.16

 

CMYK 56 / 0 / 13 / 0

HEX #71FFDF

RGB 113 255 223

HSL 166.48, 1%, 0.72%

LAB 91.85, -45.96, 3.7

 

CMYK 49 / 0 / 5 / 0

HEX #82FFF2

RGB 130 255 242

HSL 173.76, 1%, 0.75%

LAB 92.87, -38.01, -4.56

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 76 / 0 / 28 / 7

HEX #39EDAB

RGB 57 237 171

HSL 158, 0.83%, 0.58%

LAB 84.16, -59.17, 19.55

 

CMYK 82 / 0 / 31 / 14

HEX #28DB98

RGB 40 219 152

HSL 157.54, 0.71%, 0.51%

LAB 78.1, -58.22, 21.02

 

CMYK 89 / 0 / 34 / 21

HEX #17C985

RGB 23 201 133

HSL 157.08, 0.79%, 0.44%

LAB 71.99, -56.91, 22.63

 

CMYK 97 / 0 / 38 / 28

HEX #06B772

RGB 6 183 114

HSL 156.61, 0.94%, 0.37%

LAB 65.84, -55.15, 24.39

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBE

RGB 76 255 190

HSL 158.21, 1%, 0.65%

LAB 90.22, -59.57, 18.26

 

CMYK 70 / 0 / 44 / 0

HEX #4CFF8E

RGB 76 255 142

HSL 142.12, 1%, 0.65%

LAB 89.4, -68.62, 41.19

 

CMYK 70 / 0 / 63 / 0

HEX #4CFF5E

RGB 76 255 94

HSL 126.03, 1%, 0.65%

LAB 88.86, -74.92, 62.2

 

CMYK 58 / 0 / 70 / 0

HEX #6AFF4C

RGB 106 255 76

HSL 109.94, 1%, 0.65%

LAB 89.44, -70.63, 69.9

 

CMYK 40 / 0 / 70 / 0

HEX #9AFF4C

RGB 154 255 76

HSL 93.85, 1%, 0.65%

LAB 91.19, -57.37, 72.25

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBE

RGB 76 255 190

HSL 158.21, 1%, 0.65%

LAB 90.22, -59.57, 18.26

 

CMYK 70 / 0 / 6 / 0

HEX #4CFFEF

RGB 76 255 239

HSL 174.64, 1%, 0.65%

LAB 91.36, -47.85, -5.4

 

CMYK 70 / 13 / 0 / 0

HEX #4CDEFF

RGB 76 222 255

HSL 191.06, 1%, 0.65%

LAB 82.38, -28.23, -27.28

 

CMYK 70 / 32 / 0 / 0

HEX #4CAEFF

RGB 76 174 255

HSL 207.15, 1%, 0.65%

LAB 68.77, -3.08, -48.4

 

CMYK 70 / 51 / 0 / 0

HEX #4C7EFF

RGB 76 126 255

HSL 223.24, 1%, 0.65%

LAB 55.76, 25.3, -69.16

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBE

RGB 76 255 190

HSL 158.21, 1%, 0.65%

LAB 90.22, -59.57, 18.26

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBE

RGB 76 255 190

HSL 158.21, 1%, 0.65%

LAB 90.22, -59.57, 18.26

 

CMYK 63 / 0 / 23 / 6

HEX #5AF0BA

RGB 90 240 186

HSL 158.4, 0.83%, 0.65%

LAB 86.03, -52.28, 14.48

 

CMYK 54 / 0 / 19 / 11

HEX #69E2B6

RGB 105 226 182

HSL 158.18, 0.68%, 0.65%

LAB 82.26, -44.3, 11.29

 

CMYK 44 / 0 / 16 / 17

HEX #77D3B2

RGB 119 211 178

HSL 158.48, 0.51%, 0.65%

LAB 78.3, -35.12, 7.84

 

CMYK 32 / 0 / 12 / 23

HEX #86C5AE

RGB 134 197 174

HSL 158.1, 0.35%, 0.65%

LAB 74.86, -25.12, 5.13

 

CMYK 70 / 0 / 63 / 0

HEX #4CFF5E

RGB 76 255 94

HSL 126.03, 1%, 0.65%

LAB 88.86, -74.92, 62.2

 

CMYK 70 / 0 / 45 / 0

HEX #4CFF8D

RGB 76 255 141

HSL 141.79, 1%, 0.65%

LAB 89.38, -68.78, 41.66

 

CMYK 70 / 0 / 26 / 0

HEX #4CFFBD

RGB 76 255 189

HSL 157.88, 1%, 0.65%

LAB 90.2, -59.78, 18.74

 

CMYK 70 / 0 / 7 / 0

HEX #4CFFED

RGB 76 255 237

HSL 173.97, 1%, 0.65%

LAB 91.31, -48.37, -4.44

 

CMYK 70 / 12 / 0 / 0

HEX #4CE1FF

RGB 76 225 255

HSL 190.06, 1%, 0.65%

LAB 83.24, -29.69, -25.97

 

CMYK 100 / 0 / 36 / 3

HEX #00F89F

RGB 0 248 159

HSL 158.47, 1%, 0.49%

LAB 86.82, -69.04, 29.25

 

CMYK 86 / 0 / 31 / 0

HEX #23FFB0

RGB 35 255 176

HSL 158.45, 1%, 0.57%

LAB 89.4, -66.67, 24.18

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBE

RGB 76 255 190

HSL 158.21, 1%, 0.65%

LAB 90.22, -59.57, 18.26

 

CMYK 54 / 0 / 20 / 0

HEX #75FFCD

RGB 117 255 205

HSL 158.26, 1%, 0.73%

LAB 91.55, -49.19, 12.59

 

CMYK 38 / 0 / 14 / 0

HEX #9FFFDC

RGB 159 255 220

HSL 158.13, 1%, 0.81%

LAB 93.48, -35.98, 7.82

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 70 / 58 / 0 / 0

HEX #4C6AFF

RGB 76 106 255

HSL 229.94, 1%, 0.65%

LAB 50.76, 37.57, -77.27

 

CMYK 0 / 54 / 70 / 0

HEX #FF764C

RGB 255 118 76

HSL 14.08, 1%, 0.65%

LAB 65.54, 49.5, 47.56

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 26 / 70 / 0 / 0

HEX #BD4CFF

RGB 189 76 255

HSL 277.88, 1%, 0.65%

LAB 55.29, 72.42, -69.47

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 70 / 58 / 0 / 0

HEX #4C6AFF

RGB 76 106 255

HSL 229.94, 1%, 0.65%

LAB 50.76, 37.57, -77.27

 

CMYK 0 / 70 / 45 / 0

HEX #FF4C8D

RGB 255 76 141

HSL 338.21, 1%, 0.65%

LAB 60.21, 71.44, 4.04

 

CMYK 0 / 12 / 70 / 0

HEX #FFE14C

RGB 255 225 76

HSL 49.94, 1%, 0.65%

LAB 89.69, -5.16, 72.92

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBE

RGB 74 255 190

HSL 158.45, 1%, 0.65%

LAB 90.18, -59.84, 18.2

 

CMYK 61 / 70 / 0 / 0

HEX #644CFF

RGB 100 76 255

HSL 248.04, 1%, 0.65%

LAB 45.77, 57.87, -85.39

 

CMYK 0 / 70 / 45 / 0

HEX #FF4C8D

RGB 255 76 141

HSL 338.21, 1%, 0.65%

LAB 60.21, 71.44, 4.04

 

CMYK 9 / 0 / 70 / 0

HEX #E7FF4C

RGB 231 255 76

HSL 68.04, 1%, 0.65%

LAB 95.59, -29.43, 78.09

 

Description

Color code: RGB 74 255 190 | qconv.com Color code: RGB 74 255 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 255 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 255 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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