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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 86 20 it is the complementary color RGB 180 169 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 86 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 86 20 shade: RGB 80 86 15, RGB 97 104 34, RGB 114 122 53, RGB 131 140 72 and RGB 148 158 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 86 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 58 68 1, RGB 41 50 0, RGB 24 32 0 and RGB 7 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 86 79 20, RGB 86 62 20, RGB 86 44 20 and RGB 86 26 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 57 86 20, RGB 39 86 20, RGB 21 86 20 and RGB 20 86 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 86 20 shade matches the following richer shades: RGB 75 86 20, RGB 81 95 11 and RGB 87 104 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 69 78 29, RGB 64 69 37, RGB 58 60 46 and RGB 52 52 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 86 20 shade: RGB 86 62 20, RGB 86 80 20, RGB 75 86 20, RGB 57 86 20 and RGB 40 86 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 86 20 shade: RGB 17 19 4, RGB 46 53 12, RGB 75 86 20, RGB 104 120 28 and RGB 133 153 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 20 86 44 and RGB 71 20 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 20 75 86 and RGB 86 20 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 20 86 44, RGB 31 20 86 and RGB 86 20 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 86 20 shade: RGB 75 86 20, RGB 20 86 64, RGB 31 20 86 and RGB 86 20 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

Complementary color

CMYK 23 / 28 / 0 / 8

HEX #B4A9EB

RGB 180 169 235

HSL 250, 0.62%, 0.79%

LAB 72.28, 17.67, -31.64

 

CMYK 7 / 0 / 83 / 66

HEX #50560F

RGB 80 86 15

HSL 65.07, 0.7%, 0.2%

LAB 34.79, -12.16, 37.41

 

CMYK 7 / 0 / 67 / 59

HEX #616822

RGB 97 104 34

HSL 66, 0.51%, 0.27%

LAB 42.09, -13.02, 37.17

 

CMYK 7 / 0 / 57 / 52

HEX #727A35

RGB 114 122 53

HSL 66.96, 0.39%, 0.34%

LAB 49.2, -13.6, 36.18

 

CMYK 6 / 0 / 49 / 45

HEX #838C48

RGB 131 140 72

HSL 67.94, 0.32%, 0.42%

LAB 56.14, -14, 34.98

 

CMYK 6 / 0 / 42 / 38

HEX #949E5B

RGB 148 158 91

HSL 68.96, 0.27%, 0.49%

LAB 62.93, -14.29, 33.74

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 15 / 0 / 99 / 73

HEX #3A4401

RGB 58 68 1

HSL 68.96, 0.97%, 0.14%

LAB 26.84, -13.41, 34.83

 

CMYK 18 / 0 / 100 / 80

HEX #293200

RGB 41 50 0

HSL 70.8, 1%, 0.1%

LAB 19.02, -11.67, 26.75

 

CMYK 25 / 0 / 100 / 87

HEX #182000

RGB 24 32 0

HSL 75, 1%, 0.06%

LAB 10.76, -9.82, 15.83

 

CMYK 50 / 0 / 100 / 95

HEX #070E00

RGB 7 14 0

HSL 90, 1%, 0.03%

LAB 3.25, -3.97, 4.79

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 0 / 8 / 77 / 66

HEX #564F14

RGB 86 79 20

HSL 53.64, 0.62%, 0.21%

LAB 33.18, -4.83, 34.07

 

CMYK 0 / 28 / 77 / 66

HEX #563E14

RGB 86 62 20

HSL 38.18, 0.62%, 0.21%

LAB 28.05, 5.71, 28.88

 

CMYK 0 / 49 / 77 / 66

HEX #562C14

RGB 86 44 20

HSL 21.82, 0.62%, 0.21%

LAB 23.1, 17.1, 23.6

 

CMYK 0 / 70 / 77 / 66

HEX #561A14

RGB 86 26 20

HSL 5.45, 0.62%, 0.21%

LAB 19.09, 27.38, 19.07

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 34 / 0 / 77 / 66

HEX #395614

RGB 57 86 20

HSL 86.36, 0.62%, 0.21%

LAB 33.08, -22.47, 33.18

 

CMYK 55 / 0 / 77 / 66

HEX #275614

RGB 39 86 20

HSL 102.73, 0.62%, 0.21%

LAB 32.12, -29.37, 31.89

 

CMYK 76 / 0 / 77 / 66

HEX #155614

RGB 21 86 20

HSL 119.09, 0.62%, 0.21%

LAB 31.5, -34.32, 31.05

 

CMYK 77 / 0 / 58 / 66

HEX #145624

RGB 20 86 36

HSL 134.55, 0.62%, 0.21%

LAB 31.65, -32.43, 23.13

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 15 / 0 / 88 / 63

HEX #515F0B

RGB 81 95 11

HSL 70, 0.79%, 0.21%

LAB 37.77, -16.86, 41.37

 

CMYK 16 / 0 / 97 / 59

HEX #576803

RGB 87 104 3

HSL 70.1, 0.94%, 0.21%

LAB 41.11, -19.14, 46.4

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 12 / 0 / 63 / 69

HEX #454E1D

RGB 69 78 29

HSL 71.02, 0.46%, 0.21%

LAB 31.35, -11.89, 27.25

 

CMYK 7 / 0 / 46 / 73

HEX #404525

RGB 64 69 37

HSL 69.38, 0.3%, 0.21%

LAB 28.06, -8.01, 18.62

 

CMYK 3 / 0 / 23 / 76

HEX #3A3C2E

RGB 58 60 46

HSL 68.57, 0.13%, 0.21%

LAB 24.73, -3.78, 8.39

 

CMYK 5 / 5 / 0 / 78

HEX #343437

RGB 52 52 55

HSL 240, 0.03%, 0.21%

LAB 21.81, 0.71, -1.89

 

CMYK 0 / 28 / 77 / 66

HEX #563E14

RGB 86 62 20

HSL 38.18, 0.62%, 0.21%

LAB 28.05, 5.71, 28.88

 

CMYK 0 / 7 / 77 / 66

HEX #565014

RGB 86 80 20

HSL 54.55, 0.62%, 0.21%

LAB 33.49, -5.42, 34.37

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 34 / 0 / 77 / 66

HEX #395614

RGB 57 86 20

HSL 86.36, 0.62%, 0.21%

LAB 33.08, -22.47, 33.18

 

CMYK 53 / 0 / 77 / 66

HEX #285614

RGB 40 86 20

HSL 101.82, 0.62%, 0.21%

LAB 32.16, -29.03, 31.95

 

CMYK 11 / 0 / 79 / 93

HEX #111304

RGB 17 19 4

HSL 68, 0.65%, 0.05%

LAB 5.36, -3.21, 6.33

 

CMYK 13 / 0 / 77 / 79

HEX #2E350C

RGB 46 53 12

HSL 70.24, 0.63%, 0.13%

LAB 20.65, -9.95, 23.78

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 13 / 0 / 77 / 53

HEX #68781C

RGB 104 120 28

HSL 70.43, 0.62%, 0.29%

LAB 47.57, -18.84, 45.36

 

CMYK 13 / 0 / 76 / 40

HEX #859924

RGB 133 153 36

HSL 70.26, 0.62%, 0.37%

LAB 59.8, -22.61, 54.89

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 77 / 0 / 49 / 66

HEX #14562C

RGB 20 86 44

HSL 141.82, 0.62%, 0.21%

LAB 31.78, -30.99, 18.68

 

CMYK 17 / 77 / 0 / 66

HEX #471456

RGB 71 20 86

HSL 286.36, 0.62%, 0.21%

LAB 17.97, 34.83, -28.71

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 77 / 13 / 0 / 66

HEX #144B56

RGB 20 75 86

HSL 190, 0.62%, 0.21%

LAB 29.04, -13.46, -11.66

 

CMYK 0 / 77 / 13 / 66

HEX #56144B

RGB 86 20 75

HSL 310, 0.62%, 0.21%

LAB 19.99, 36.58, -17.88

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 77 / 0 / 49 / 66

HEX #14562C

RGB 20 86 44

HSL 141.82, 0.62%, 0.21%

LAB 31.78, -30.99, 18.68

 

CMYK 64 / 77 / 0 / 66

HEX #1F1456

RGB 31 20 86

HSL 250, 0.62%, 0.21%

LAB 12.37, 26.29, -38.06

 

CMYK 0 / 77 / 28 / 66

HEX #56143E

RGB 86 20 62

HSL 321.82, 0.62%, 0.21%

LAB 19.34, 34.51, -9.93

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 77 / 0 / 26 / 66

HEX #145640

RGB 20 86 64

HSL 160, 0.62%, 0.21%

LAB 32.2, -26.32, 7.01

 

CMYK 64 / 77 / 0 / 66

HEX #1F1456

RGB 31 20 86

HSL 250, 0.62%, 0.21%

LAB 12.37, 26.29, -38.06

 

CMYK 0 / 77 / 51 / 66

HEX #56142A

RGB 86 20 42

HSL 340, 0.62%, 0.21%

LAB 18.57, 31.97, 3.03

 

Description

Color code: RGB 75 86 20 | qconv.com Color code: RGB 75 86 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 86 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 86 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 77 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 77% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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