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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 95 22 it is the complementary color RGB 180 160 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 95 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 95 22 shade: RGB 80 95 17, RGB 97 113 36, RGB 114 131 55, RGB 131 149 74 and RGB 148 167 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 95 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 58 77 3, RGB 41 59 0, RGB 24 41 0 and RGB 7 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 94 95 22, RGB 95 75 22, RGB 95 56 22 and RGB 95 36 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 55 95 22, RGB 35 95 22, RGB 22 95 28 and RGB 22 95 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 95 22 shade matches the following richer shades: RGB 75 95 22, RGB 79 104 12 and RGB 83 113 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 70 85 31, RGB 66 76 41, RGB 62 66 50 and RGB 57 57 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 95 22 shade: RGB 95 75 22, RGB 95 95 22, RGB 75 95 22, RGB 56 95 22 and RGB 36 95 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 95 22 shade: RGB 22 28 6, RGB 48 61 14, RGB 75 95 22, RGB 101 128 30 and RGB 127 161 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 22 95 56 and RGB 85 22 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 22 75 95 and RGB 95 22 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 22 95 56, RGB 41 22 95 and RGB 95 22 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 95 22 shade: RGB 75 95 22, RGB 22 95 78, RGB 41 22 95 and RGB 95 22 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

Complementary color

CMYK 23 / 31 / 0 / 9

HEX #B4A0E9

RGB 180 160 233

HSL 256.44, 0.62%, 0.77%

LAB 69.99, 22.23, -34.1

 

CMYK 16 / 0 / 82 / 63

HEX #505F11

RGB 80 95 17

HSL 71.54, 0.7%, 0.22%

LAB 37.72, -17.06, 39.4

 

CMYK 14 / 0 / 68 / 56

HEX #617124

RGB 97 113 36

HSL 72.47, 0.52%, 0.29%

LAB 44.91, -17.76, 39.23

 

CMYK 13 / 0 / 58 / 49

HEX #728337

RGB 114 131 55

HSL 73.42, 0.41%, 0.36%

LAB 51.93, -18.21, 38.32

 

CMYK 12 / 0 / 50 / 42

HEX #83954A

RGB 131 149 74

HSL 74.4, 0.34%, 0.44%

LAB 58.8, -18.51, 37.17

 

CMYK 11 / 0 / 44 / 35

HEX #94A75D

RGB 148 167 93

HSL 75.41, 0.3%, 0.51%

LAB 65.53, -18.71, 35.96

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 25 / 0 / 96 / 70

HEX #3A4D03

RGB 58 77 3

HSL 75.41, 0.93%, 0.16%

LAB 29.95, -18.3, 36.61

 

CMYK 31 / 0 / 100 / 77

HEX #293B00

RGB 41 59 0

HSL 78.31, 1%, 0.12%

LAB 22.3, -16.82, 30.38

 

CMYK 41 / 0 / 100 / 84

HEX #182900

RGB 24 41 0

HSL 84.88, 1%, 0.08%

LAB 14.29, -15.12, 20.6

 

CMYK 70 / 0 / 100 / 91

HEX #071700

RGB 7 23 0

HSL 101.74, 1%, 0.05%

LAB 5.94, -9.48, 8.73

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 1 / 0 / 77 / 63

HEX #5E5F16

RGB 94 95 22

HSL 60.82, 0.62%, 0.23%

LAB 38.94, -10.14, 39.09

 

CMYK 0 / 21 / 77 / 63

HEX #5F4B16

RGB 95 75 22

HSL 43.56, 0.62%, 0.23%

LAB 32.97, 2.24, 33.27

 

CMYK 0 / 41 / 77 / 63

HEX #5F3816

RGB 95 56 22

HSL 27.95, 0.62%, 0.23%

LAB 27.63, 14.08, 27.76

 

CMYK 0 / 62 / 77 / 63

HEX #5F2416

RGB 95 36 22

HSL 11.51, 0.62%, 0.23%

LAB 22.84, 25.94, 22.53

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 42 / 0 / 77 / 63

HEX #375F16

RGB 55 95 22

HSL 92.88, 0.62%, 0.23%

LAB 36.09, -27.53, 35.33

 

CMYK 63 / 0 / 77 / 63

HEX #235F16

RGB 35 95 22

HSL 109.32, 0.62%, 0.23%

LAB 35.2, -34.23, 34.15

 

CMYK 77 / 0 / 71 / 63

HEX #165F1C

RGB 22 95 28

HSL 124.93, 0.62%, 0.23%

LAB 34.88, -36.67, 31.01

 

CMYK 77 / 0 / 51 / 63

HEX #165F2F

RGB 22 95 47

HSL 140.55, 0.62%, 0.23%

LAB 35.12, -33.81, 21.21

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 24 / 0 / 88 / 59

HEX #4F680C

RGB 79 104 12

HSL 76.3, 0.79%, 0.23%

LAB 40.56, -22.47, 43.45

 

CMYK 27 / 0 / 97 / 56

HEX #537103

RGB 83 113 3

HSL 76.36, 0.95%, 0.23%

LAB 43.74, -25.53, 48.34

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 18 / 0 / 64 / 67

HEX #46551F

RGB 70 85 31

HSL 76.67, 0.47%, 0.23%

LAB 33.77, -15.2, 28.94

 

CMYK 13 / 0 / 46 / 70

HEX #424C29

RGB 66 76 41

HSL 77.14, 0.3%, 0.23%

LAB 30.61, -10.71, 19.46

 

CMYK 6 / 0 / 24 / 74

HEX #3E4232

RGB 62 66 50

HSL 75, 0.14%, 0.23%

LAB 27.16, -5.01, 9.2

 

CMYK 5 / 5 / 0 / 76

HEX #39393C

RGB 57 57 60

HSL 240, 0.03%, 0.23%

LAB 24.07, 0.7, -1.86

 

CMYK 0 / 21 / 77 / 63

HEX #5F4B16

RGB 95 75 22

HSL 43.56, 0.62%, 0.23%

LAB 32.97, 2.24, 33.27

 

CMYK 0 / 0 / 77 / 63

HEX #5F5F16

RGB 95 95 22

HSL 60, 0.62%, 0.23%

LAB 39.03, -9.66, 39.21

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 41 / 0 / 77 / 63

HEX #385F16

RGB 56 95 22

HSL 92.05, 0.62%, 0.23%

LAB 36.14, -27.14, 35.41

 

CMYK 62 / 0 / 77 / 63

HEX #245F16

RGB 36 95 22

HSL 108.49, 0.62%, 0.23%

LAB 35.24, -33.95, 34.19

 

CMYK 21 / 0 / 79 / 89

HEX #161C06

RGB 22 28 6

HSL 76.36, 0.65%, 0.07%

LAB 9.11, -7.35, 11.03

 

CMYK 21 / 0 / 77 / 76

HEX #303D0E

RGB 48 61 14

HSL 76.6, 0.63%, 0.15%

LAB 23.66, -13.53, 26.08

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 21 / 0 / 77 / 50

HEX #65801E

RGB 101 128 30

HSL 76.53, 0.62%, 0.31%

LAB 49.86, -24.15, 46.74

 

CMYK 21 / 0 / 77 / 37

HEX #7FA125

RGB 127 161 37

HSL 76.45, 0.63%, 0.39%

LAB 61.77, -29.01, 56.26

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 77 / 0 / 41 / 63

HEX #165F38

RGB 22 95 56

HSL 147.95, 0.62%, 0.23%

LAB 35.28, -32, 16.14

 

CMYK 11 / 77 / 0 / 63

HEX #55165F

RGB 85 22 95

HSL 291.78, 0.62%, 0.23%

LAB 21.32, 39.29, -29.21

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 77 / 21 / 0 / 63

HEX #164B5F

RGB 22 75 95

HSL 196.44, 0.62%, 0.23%

LAB 29.49, -9.81, -16.75

 

CMYK 0 / 77 / 21 / 63

HEX #5F164B

RGB 95 22 75

HSL 316.44, 0.62%, 0.23%

LAB 22, 38.31, -14.62

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 77 / 0 / 41 / 63

HEX #165F38

RGB 22 95 56

HSL 147.95, 0.62%, 0.23%

LAB 35.28, -32, 16.14

 

CMYK 57 / 77 / 0 / 63

HEX #29165F

RGB 41 22 95

HSL 255.62, 0.62%, 0.23%

LAB 14.8, 29.82, -40.09

 

CMYK 0 / 77 / 36 / 63

HEX #5F163D

RGB 95 22 61

HSL 327.95, 0.62%, 0.23%

LAB 21.37, 36.32, -5.98

 

CMYK 21 / 0 / 77 / 63

HEX #4B5F16

RGB 75 95 22

HSL 76.44, 0.62%, 0.23%

LAB 37.37, -19.08, 37.03

 

CMYK 77 / 0 / 18 / 63

HEX #165F4E

RGB 22 95 78

HSL 166.03, 0.62%, 0.23%

LAB 35.8, -26.45, 3.43

 

CMYK 57 / 77 / 0 / 63

HEX #29165F

RGB 41 22 95

HSL 255.62, 0.62%, 0.23%

LAB 14.8, 29.82, -40.09

 

CMYK 0 / 77 / 59 / 63

HEX #5F1627

RGB 95 22 39

HSL 346.03, 0.62%, 0.23%

LAB 20.65, 33.93, 8.34

 

Description

Color code: RGB 75 95 22 | qconv.com Color code: RGB 75 95 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 95 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 95 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 77 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 77% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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