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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 197 181 it is the complementary color RGB 180 58 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 197 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 197 181 shade: RGB 80 197 176, RGB 97 215 195, RGB 114 233 214, RGB 131 251 233 and RGB 148 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 197 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 197 181 shade: RGB 75 197 181, RGB 58 179 162, RGB 41 161 143, RGB 24 143 124 and RGB 7 125 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 197 181 shade: RGB 74 196 180, RGB 74 196 147, RGB 74 196 114, RGB 74 196 81 and RGB 99 196 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 197 181 shade: RGB 74 196 180, RGB 74 179 196, RGB 74 146 196, RGB 74 113 196 and RGB 74 80 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 197 181 shade matches the following richer shades: RGB 74 196 180, RGB 54 215 194, RGB 35 235 208 and RGB 15 254 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 197 181 shade: RGB 74 196 180, RGB 93 176 165, RGB 112 157 151, RGB 132 138 137 and RGB 151 118 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 197 181 shade: RGB 74 196 114, RGB 74 196 147, RGB 74 196 179, RGB 74 179 196 and RGB 74 147 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 197 181 shade: RGB 46 141 129, RGB 56 172 157, RGB 74 196 180, RGB 105 206 193 and RGB 136 216 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 197 181 shade: RGB 75 197 181, RGB 82 74 196 and RGB 196 131 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 197 181 shade: RGB 75 197 181, RGB 179 74 196 and RGB 196 179 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 197 181 shade: RGB 75 197 181, RGB 82 74 196, RGB 196 74 90 and RGB 188 196 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 197 181 shade: RGB 75 197 181, RGB 118 74 196, RGB 196 74 90 and RGB 151 196 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

Complementary color

CMYK 0 / 68 / 59 / 29

HEX #B43A4A

RGB 180 58 74

HSL 352.13, 0.51%, 0.47%

LAB 43.1, 50.25, 18.5

 

CMYK 59 / 0 / 11 / 23

HEX #50C5B0

RGB 80 197 176

HSL 169.23, 0.5%, 0.54%

LAB 72.74, -37.92, 0.71

 

CMYK 55 / 0 / 9 / 16

HEX #61D7C3

RGB 97 215 195

HSL 169.83, 0.6%, 0.61%

LAB 79.09, -38.06, -0.21

 

CMYK 51 / 0 / 8 / 9

HEX #72E9D6

RGB 114 233 214

HSL 170.42, 0.73%, 0.68%

LAB 85.36, -38.12, -1.05

 

CMYK 48 / 0 / 7 / 2

HEX #83FBE9

RGB 131 251 233

HSL 171, 0.94%, 0.75%

LAB 91.55, -38.11, -1.84

 

CMYK 42 / 0 / 1 / 0

HEX #94FFFC

RGB 148 255 252

HSL 178.32, 1%, 0.79%

LAB 93.82, -31.6, -8.27

 

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

CMYK 68 / 0 / 9 / 30

HEX #3AB3A2

RGB 58 179 162

HSL 171.57, 0.51%, 0.46%

LAB 66.33, -37.14, -1.05

 

CMYK 75 / 0 / 11 / 37

HEX #29A18F

RGB 41 161 143

HSL 171, 0.59%, 0.4%

LAB 59.84, -36.51, 0.04

 

CMYK 83 / 0 / 13 / 44

HEX #188F7C

RGB 24 143 124

HSL 170.42, 0.71%, 0.33%

LAB 53.27, -35.55, 1.28

 

CMYK 94 / 0 / 16 / 51

HEX #077D69

RGB 7 125 105

HSL 169.83, 0.89%, 0.26%

LAB 46.62, -34.1, 2.7

 

CMYK 62 / 0 / 8 / 23

HEX #4AC4B4

RGB 74 196 180

HSL 172.13, 0.51%, 0.53%

LAB 72.38, -37.52, -2.01

 

CMYK 62 / 0 / 25 / 23

HEX #4AC493

RGB 74 196 147

HSL 155.9, 0.51%, 0.53%

LAB 71.58, -45.5, 14.73

 

CMYK 62 / 0 / 42 / 23

HEX #4AC472

RGB 74 196 114

HSL 139.67, 0.51%, 0.53%

LAB 70.97, -51.98, 31.35

 

CMYK 62 / 0 / 59 / 23

HEX #4AC451

RGB 74 196 81

HSL 123.44, 0.51%, 0.53%

LAB 70.55, -56.8, 47.01

 

CMYK 49 / 0 / 62 / 23

HEX #63C44A

RGB 99 196 74

HSL 107.7, 0.51%, 0.53%

LAB 71.3, -51.22, 51.21

 

CMYK 62 / 0 / 8 / 23

HEX #4AC4B4

RGB 74 196 180

HSL 172.13, 0.51%, 0.53%

LAB 72.38, -37.52, -2.01

 

CMYK 62 / 9 / 0 / 23

HEX #4AB3C4

RGB 74 179 196

HSL 188.36, 0.51%, 0.53%

LAB 67.79, -24.89, -17.64

 

CMYK 62 / 26 / 0 / 23

HEX #4A92C4

RGB 74 146 196

HSL 204.59, 0.51%, 0.53%

LAB 58.04, -7.24, -32.62

 

CMYK 62 / 42 / 0 / 23

HEX #4A71C4

RGB 74 113 196

HSL 220.82, 0.51%, 0.53%

LAB 48.58, 12.43, -47.53

 

CMYK 62 / 59 / 0 / 23

HEX #4A50C4

RGB 74 80 196

HSL 237.05, 0.51%, 0.53%

LAB 39.88, 33.23, -61.53

 

CMYK 62 / 0 / 8 / 23

HEX #4AC4B4

RGB 74 196 180

HSL 172.13, 0.51%, 0.53%

LAB 72.38, -37.52, -2.01

 

CMYK 75 / 0 / 10 / 16

HEX #36D7C2

RGB 54 215 194

HSL 172.17, 0.67%, 0.53%

LAB 78.04, -45.06, -1.33

 

CMYK 85 / 0 / 11 / 8

HEX #23EBD0

RGB 35 235 208

HSL 171.9, 0.83%, 0.53%

LAB 84.14, -51.43, 0.13

 

CMYK 94 / 0 / 12 / 0

HEX #0FFEDF

RGB 15 254 223

HSL 172.22, 0.99%, 0.53%

LAB 90, -56.11, 0.83

 

CMYK 62 / 0 / 8 / 23

HEX #4AC4B4

RGB 74 196 180

HSL 172.13, 0.51%, 0.53%

LAB 72.38, -37.52, -2.01

 

CMYK 47 / 0 / 6 / 31

HEX #5DB0A5

RGB 93 176 165

HSL 172.05, 0.34%, 0.53%

LAB 66.59, -28, -2.2

 

CMYK 29 / 0 / 4 / 38

HEX #709D97

RGB 112 157 151

HSL 172, 0.19%, 0.53%

LAB 61.48, -16.5, -1.77

 

CMYK 4 / 0 / 1 / 46

HEX #848A89

RGB 132 138 137

HSL 170, 0.02%, 0.53%

LAB 56.97, -2.4, -0.24

 

CMYK 0 / 22 / 19 / 41

HEX #97767B

RGB 151 118 123

HSL 350.91, 0.14%, 0.53%

LAB 52.91, 13.71, 2.2

 

CMYK 62 / 0 / 42 / 23

HEX #4AC472

RGB 74 196 114

HSL 139.67, 0.51%, 0.53%

LAB 70.97, -51.98, 31.35

 

CMYK 62 / 0 / 25 / 23

HEX #4AC493

RGB 74 196 147

HSL 155.9, 0.51%, 0.53%

LAB 71.58, -45.5, 14.73

 

CMYK 62 / 0 / 9 / 23

HEX #4AC4B3

RGB 74 196 179

HSL 171.64, 0.51%, 0.53%

LAB 72.36, -37.78, -1.51

 

CMYK 62 / 9 / 0 / 23

HEX #4AB3C4

RGB 74 179 196

HSL 188.36, 0.51%, 0.53%

LAB 67.79, -24.89, -17.64

 

CMYK 62 / 25 / 0 / 23

HEX #4A93C4

RGB 74 147 196

HSL 204.1, 0.51%, 0.53%

LAB 58.33, -7.81, -32.16

 

CMYK 67 / 0 / 9 / 45

HEX #2E8D81

RGB 46 141 129

HSL 172.42, 0.51%, 0.37%

LAB 53.18, -30.35, -1.69

 

CMYK 67 / 0 / 9 / 33

HEX #38AC9D

RGB 56 172 157

HSL 172.24, 0.51%, 0.45%

LAB 63.98, -35.59, -1.72

 

CMYK 62 / 0 / 8 / 23

HEX #4AC4B4

RGB 74 196 180

HSL 172.13, 0.51%, 0.53%

LAB 72.38, -37.52, -2.01

 

CMYK 49 / 0 / 6 / 19

HEX #69CEC1

RGB 105 206 193

HSL 172.28, 0.51%, 0.61%

LAB 76.68, -32.67, -2.63

 

CMYK 37 / 0 / 5 / 15

HEX #88D8CD

RGB 136 216 205

HSL 171.75, 0.51%, 0.69%

LAB 81.16, -26.99, -2.34

 

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

CMYK 58 / 62 / 0 / 23

HEX #524AC4

RGB 82 74 196

HSL 243.93, 0.51%, 0.53%

LAB 39.03, 38.25, -62.89

 

CMYK 0 / 33 / 62 / 23

HEX #C4834A

RGB 196 131 74

HSL 28.03, 0.51%, 0.53%

LAB 60.3, 19.36, 40.49

 

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

CMYK 9 / 62 / 0 / 23

HEX #B34AC4

RGB 179 74 196

HSL 291.64, 0.51%, 0.53%

LAB 50.06, 59.45, -44.57

 

CMYK 0 / 9 / 62 / 23

HEX #C4B34A

RGB 196 179 74

HSL 51.64, 0.51%, 0.53%

LAB 72.54, -6.57, 54.31

 

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

CMYK 58 / 62 / 0 / 23

HEX #524AC4

RGB 82 74 196

HSL 243.93, 0.51%, 0.53%

LAB 39.03, 38.25, -62.89

 

CMYK 0 / 62 / 54 / 23

HEX #C44A5A

RGB 196 74 90

HSL 352.13, 0.51%, 0.53%

LAB 48.72, 49.94, 16.78

 

CMYK 4 / 0 / 62 / 23

HEX #BCC44A

RGB 188 196 74

HSL 63.93, 0.51%, 0.53%

LAB 76.48, -18.63, 58.35

 

CMYK 62 / 0 / 8 / 23

HEX #4BC5B5

RGB 75 197 181

HSL 172.13, 0.51%, 0.53%

LAB 72.74, -37.54, -2.03

 

CMYK 40 / 62 / 0 / 23

HEX #764AC4

RGB 118 74 196

HSL 261.64, 0.51%, 0.53%

LAB 42.36, 45.26, -57.33

 

CMYK 0 / 62 / 54 / 23

HEX #C44A5A

RGB 196 74 90

HSL 352.13, 0.51%, 0.53%

LAB 48.72, 49.94, 16.78

 

CMYK 23 / 0 / 62 / 23

HEX #97C44A

RGB 151 196 74

HSL 82.13, 0.51%, 0.53%

LAB 73.9, -33.49, 54.82

 

Description

Color code: RGB 75 197 181 | qconv.com Color code: RGB 75 197 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 197 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 197 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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