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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 219 189 it is the complementary color RGB 180 36 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 219 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 75 219 189 shade: RGB 80 219 184, RGB 97 237 203, RGB 114 255 222, RGB 131 255 241 and RGB 148 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 219 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 75 219 189 shade: RGB 75 219 189, RGB 58 201 170, RGB 41 183 151, RGB 24 165 132 and RGB 7 147 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 75 219 189 shade: RGB 76 219 189, RGB 76 219 151, RGB 76 219 112, RGB 78 219 76 and RGB 117 219 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 75 219 189 shade: RGB 76 219 189, RGB 76 210 219, RGB 76 172 219, RGB 76 133 219 and RGB 76 94 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 75 219 189 shade matches the following richer shades: RGB 76 219 189, RGB 58 236 199 and RGB 41 254 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 75 219 189 shade: RGB 76 219 189, RGB 93 202 179, RGB 110 184 169, RGB 128 167 159 and RGB 145 150 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 75 219 189 shade: RGB 76 219 112, RGB 76 219 150, RGB 76 219 188, RGB 76 212 219 and RGB 76 174 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 75 219 189 shade: RGB 35 178 148, RGB 41 212 177, RGB 76 219 189, RGB 110 226 202 and RGB 145 233 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 75 219 189 shade: RGB 75 219 189, RGB 76 78 219 and RGB 219 131 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 75 219 189 shade: RGB 75 219 189, RGB 188 76 219 and RGB 219 188 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 75 219 189 shade: RGB 75 219 189, RGB 76 78 219, RGB 219 76 107 and RGB 219 217 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 75 219 189 shade: RGB 75 219 189, RGB 116 76 219, RGB 219 76 107 and RGB 178 219 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

Complementary color

CMYK 0 / 80 / 63 / 29

HEX #B42442

RGB 180 36 66

HSL 347.5, 0.67%, 0.42%

LAB 40.18, 57.4, 19.63

 

CMYK 63 / 0 / 16 / 14

HEX #50DBB8

RGB 80 219 184

HSL 164.89, 0.66%, 0.59%

LAB 79.52, -45.67, 6.22

 

CMYK 59 / 0 / 14 / 7

HEX #61EDCB

RGB 97 237 203

HSL 165.43, 0.8%, 0.65%

LAB 85.72, -45.89, 5.19

 

CMYK 55 / 0 / 13 / 0

HEX #72FFDE

RGB 114 255 222

HSL 165.96, 1%, 0.72%

LAB 91.85, -46, 4.23

 

CMYK 49 / 0 / 5 / 0

HEX #83FFF1

RGB 131 255 241

HSL 173.23, 1%, 0.76%

LAB 92.88, -38.03, -4.03

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 71 / 0 / 15 / 21

HEX #3AC9AA

RGB 58 201 170

HSL 166.99, 0.57%, 0.51%

LAB 73.27, -44.77, 4.66

 

CMYK 78 / 0 / 17 / 28

HEX #29B797

RGB 41 183 151

HSL 166.48, 0.63%, 0.44%

LAB 66.96, -44.04, 5.89

 

CMYK 85 / 0 / 20 / 35

HEX #18A584

RGB 24 165 132

HSL 165.96, 0.75%, 0.37%

LAB 60.58, -42.97, 7.26

 

CMYK 95 / 0 / 23 / 42

HEX #079371

RGB 7 147 113

HSL 165.43, 0.91%, 0.3%

LAB 54.14, -41.43, 8.82

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBD

RGB 76 219 189

HSL 167.41, 0.67%, 0.58%

LAB 79.54, -45.11, 3.58

 

CMYK 65 / 0 / 31 / 14

HEX #4CDB97

RGB 76 219 151

HSL 151.47, 0.67%, 0.58%

LAB 78.71, -53.67, 22.49

 

CMYK 65 / 0 / 49 / 14

HEX #4CDB70

RGB 76 219 112

HSL 135.1, 0.67%, 0.58%

LAB 78.09, -60.52, 41.44

 

CMYK 64 / 0 / 65 / 14

HEX #4EDB4C

RGB 78 219 76

HSL 119.16, 0.67%, 0.58%

LAB 77.76, -64.55, 57.31

 

CMYK 47 / 0 / 65 / 14

HEX #75DB4C

RGB 117 219 76

HSL 102.8, 0.67%, 0.58%

LAB 79.02, -54.74, 59.05

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBD

RGB 76 219 189

HSL 167.41, 0.67%, 0.58%

LAB 79.54, -45.11, 3.58

 

CMYK 65 / 4 / 0 / 14

HEX #4CD2DB

RGB 76 210 219

HSL 183.78, 0.67%, 0.58%

LAB 77.72, -33.03, -15.16

 

CMYK 65 / 21 / 0 / 14

HEX #4CACDB

RGB 76 172 219

HSL 199.72, 0.67%, 0.58%

LAB 66.64, -13.82, -32.07

 

CMYK 65 / 39 / 0 / 14

HEX #4C85DB

RGB 76 133 219

HSL 216.08, 0.67%, 0.58%

LAB 55.51, 8.48, -49.54

 

CMYK 65 / 57 / 0 / 14

HEX #4C5EDB

RGB 76 94 219

HSL 232.45, 0.67%, 0.58%

LAB 45.16, 32.63, -66.18

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBD

RGB 76 219 189

HSL 167.41, 0.67%, 0.58%

LAB 79.54, -45.11, 3.58

 

CMYK 75 / 0 / 16 / 7

HEX #3AECC7

RGB 58 236 199

HSL 167.53, 0.82%, 0.58%

LAB 84.49, -52.16, 5.41

 

CMYK 84 / 0 / 18 / 0

HEX #29FED1

RGB 41 254 209

HSL 167.32, 0.99%, 0.58%

LAB 89.84, -58.41, 7.87

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBD

RGB 76 219 189

HSL 167.41, 0.67%, 0.58%

LAB 79.54, -45.11, 3.58

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 40 / 0 / 8 / 28

HEX #6EB8A9

RGB 110 184 169

HSL 167.84, 0.34%, 0.58%

LAB 69.8, -26.63, 0.37

 

CMYK 23 / 0 / 5 / 35

HEX #80A79F

RGB 128 167 159

HSL 167.69, 0.18%, 0.58%

LAB 65.54, -14.93, -0.2

 

CMYK 3 / 0 / 1 / 41

HEX #919695

RGB 145 150 149

HSL 168, 0.02%, 0.58%

LAB 61.66, -2, -0.11

 

CMYK 65 / 0 / 49 / 14

HEX #4CDB70

RGB 76 219 112

HSL 135.1, 0.67%, 0.58%

LAB 78.09, -60.52, 41.44

 

CMYK 65 / 0 / 32 / 14

HEX #4CDB96

RGB 76 219 150

HSL 151.05, 0.67%, 0.58%

LAB 78.7, -53.87, 22.99

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBC

RGB 76 219 188

HSL 166.99, 0.67%, 0.58%

LAB 79.52, -45.35, 4.08

 

CMYK 65 / 3 / 0 / 14

HEX #4CD4DB

RGB 76 212 219

HSL 182.94, 0.67%, 0.58%

LAB 78.31, -33.98, -14.28

 

CMYK 65 / 21 / 0 / 14

HEX #4CAEDB

RGB 76 174 219

HSL 198.88, 0.67%, 0.58%

LAB 67.22, -14.89, -31.18

 

CMYK 80 / 0 / 17 / 30

HEX #23B294

RGB 35 178 148

HSL 167.41, 0.67%, 0.42%

LAB 65.23, -43.32, 5.05

 

CMYK 81 / 0 / 17 / 17

HEX #29D4B1

RGB 41 212 177

HSL 167.72, 0.68%, 0.5%

LAB 76.52, -49.52, 5.54

 

CMYK 65 / 0 / 14 / 14

HEX #4CDBBD

RGB 76 219 189

HSL 167.41, 0.67%, 0.58%

LAB 79.54, -45.11, 3.58

 

CMYK 51 / 0 / 11 / 11

HEX #6EE2CA

RGB 110 226 202

HSL 167.59, 0.67%, 0.66%

LAB 82.9, -38.66, 1.68

 

CMYK 38 / 0 / 8 / 9

HEX #91E9D6

RGB 145 233 214

HSL 167.05, 0.67%, 0.74%

LAB 86.58, -30.73, 0.88

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 65 / 64 / 0 / 14

HEX #4C4EDB

RGB 76 78 219

HSL 239.16, 0.67%, 0.58%

LAB 41.37, 42.42, -72.35

 

CMYK 0 / 40 / 65 / 14

HEX #DB834C

RGB 219 131 76

HSL 23.08, 0.67%, 0.58%

LAB 63.19, 29.05, 43.55

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 14 / 65 / 0 / 14

HEX #BC4CDB

RGB 188 76 219

HSL 286.99, 0.67%, 0.58%

LAB 52.92, 65.05, -53.09

 

CMYK 0 / 14 / 65 / 14

HEX #DBBC4C

RGB 219 188 76

HSL 46.99, 0.67%, 0.58%

LAB 77.01, -1.35, 58.86

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 65 / 64 / 0 / 14

HEX #4C4EDB

RGB 76 78 219

HSL 239.16, 0.67%, 0.58%

LAB 41.37, 42.42, -72.35

 

CMYK 0 / 65 / 51 / 14

HEX #DB4C6B

RGB 219 76 107

HSL 346.99, 0.67%, 0.58%

LAB 53.27, 57.94, 13.44

 

CMYK 0 / 1 / 65 / 14

HEX #DBD94C

RGB 219 217 76

HSL 59.16, 0.67%, 0.58%

LAB 84.59, -16.09, 66.79

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 47 / 65 / 0 / 14

HEX #744CDB

RGB 116 76 219

HSL 256.78, 0.67%, 0.58%

LAB 44.23, 50.04, -67.56

 

CMYK 0 / 65 / 51 / 14

HEX #DB4C6B

RGB 219 76 107

HSL 346.99, 0.67%, 0.58%

LAB 53.27, 57.94, 13.44

 

CMYK 19 / 0 / 65 / 14

HEX #B2DB4C

RGB 178 219 76

HSL 77.2, 0.67%, 0.58%

LAB 82.19, -33.55, 63.38

 

Description

Color code: RGB 75 219 189 | qconv.com Color code: RGB 75 219 189 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 219 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 219 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 14 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 14% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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