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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 41 193 it is the complementary color RGB 179 214 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 41 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 41 193 shade: RGB 81 41 188, RGB 98 59 207, RGB 115 77 226, RGB 132 95 245 and RGB 149 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 41 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 59 23 174, RGB 42 5 155, RGB 25 0 136 and RGB 8 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 117 41 193, RGB 158 41 193, RGB 193 41 187 and RGB 193 41 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 41 193 shade: RGB 76 41 193 and RGB 41 41 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 41 193 shade matches the following richer shades: RGB 76 41 193, RGB 65 22 212 and RGB 55 3 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 86 60 174, RGB 96 79 155, RGB 106 97 136 and RGB 117 116 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 41 193 shade: RGB 41 89 193, RGB 41 48 193, RGB 74 41 193, RGB 114 41 193 and RGB 155 41 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 41 193 shade: RGB 49 26 125, RGB 62 33 159, RGB 76 41 193, RGB 96 61 214 and RGB 124 95 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 193 41 130 and RGB 69 193 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 193 74 41 and RGB 41 193 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 193 41 130, RGB 160 193 41 and RGB 41 193 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 41 193 shade: RGB 76 41 193, RGB 193 41 84, RGB 160 193 41 and RGB 41 193 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

Complementary color

CMYK 16 / 0 / 71 / 16

HEX #B3D63E

RGB 179 214 62

HSL 73.82, 0.65%, 0.54%

LAB 80.75, -31.7, 67.17

 

CMYK 57 / 78 / 0 / 26

HEX #5129BC

RGB 81 41 188

HSL 256.33, 0.64%, 0.45%

LAB 31.73, 53.61, -70.16

 

CMYK 53 / 71 / 0 / 19

HEX #623BCF

RGB 98 59 207

HSL 255.81, 0.61%, 0.52%

LAB 38.25, 52.56, -70.49

 

CMYK 49 / 66 / 0 / 11

HEX #734DE2

RGB 115 77 226

HSL 255.3, 0.72%, 0.59%

LAB 44.86, 51.27, -70.51

 

CMYK 46 / 61 / 0 / 4

HEX #845FF5

RGB 132 95 245

HSL 254.8, 0.88%, 0.67%

LAB 51.48, 49.92, -70.38

 

CMYK 42 / 56 / 0 / 0

HEX #9571FF

RGB 149 113 255

HSL 255.21, 1%, 0.72%

LAB 57.48, 46.2, -66.14

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 66 / 87 / 0 / 32

HEX #3B17AE

RGB 59 23 174

HSL 254.3, 0.77%, 0.39%

LAB 25.56, 54.93, -72.08

 

CMYK 73 / 97 / 0 / 39

HEX #2A059B

RGB 42 5 155

HSL 254.8, 0.94%, 0.31%

LAB 19.91, 54.04, -69.96

 

CMYK 82 / 100 / 0 / 47

HEX #190088

RGB 25 0 136

HSL 251.03, 1%, 0.27%

LAB 15.4, 50.03, -65.69

 

CMYK 93 / 100 / 0 / 54

HEX #080075

RGB 8 0 117

HSL 244.1, 1%, 0.23%

LAB 11.52, 44.66, -60.05

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 39 / 79 / 0 / 24

HEX #7529C1

RGB 117 41 193

HSL 270, 0.65%, 0.46%

LAB 36.4, 59.96, -65.28

 

CMYK 18 / 79 / 0 / 24

HEX #9E29C1

RGB 158 41 193

HSL 286.18, 0.65%, 0.46%

LAB 42.32, 66.93, -55.4

 

CMYK 0 / 79 / 3 / 24

HEX #C129BB

RGB 193 41 187

HSL 302.37, 0.65%, 0.46%

LAB 47.64, 72.64, -43.05

 

CMYK 0 / 79 / 24 / 24

HEX #C12992

RGB 193 41 146

HSL 318.55, 0.65%, 0.46%

LAB 45.63, 66.93, -21.84

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 79 / 79 / 0 / 24

HEX #2929C1

RGB 41 41 193

HSL 240, 0.65%, 0.46%

LAB 29.18, 51.36, -77.42

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 69 / 90 / 0 / 17

HEX #4116D4

RGB 65 22 212

HSL 253.58, 0.81%, 0.46%

LAB 30.52, 65.71, -86.25

 

CMYK 76 / 99 / 0 / 9

HEX #3703E7

RGB 55 3 231

HSL 253.68, 0.97%, 0.46%

LAB 30.99, 73.72, -96.43

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 51 / 66 / 0 / 32

HEX #563CAE

RGB 86 60 174

HSL 253.68, 0.49%, 0.46%

LAB 34.53, 40.43, -57.24

 

CMYK 38 / 49 / 0 / 39

HEX #604F9B

RGB 96 79 155

HSL 253.42, 0.32%, 0.46%

LAB 38.63, 25.64, -39.21

 

CMYK 22 / 29 / 0 / 47

HEX #6A6188

RGB 106 97 136

HSL 253.85, 0.17%, 0.46%

LAB 43.35, 12.35, -20.32

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 79 / 54 / 0 / 24

HEX #2959C1

RGB 41 89 193

HSL 221.05, 0.65%, 0.46%

LAB 40.36, 21.85, -59.09

 

CMYK 79 / 75 / 0 / 24

HEX #2930C1

RGB 41 48 193

HSL 237.24, 0.65%, 0.46%

LAB 30.49, 47.62, -75.26

 

CMYK 62 / 79 / 0 / 24

HEX #4A29C1

RGB 74 41 193

HSL 253.03, 0.65%, 0.46%

LAB 31.56, 54.21, -73.41

 

CMYK 41 / 79 / 0 / 24

HEX #7229C1

RGB 114 41 193

HSL 268.82, 0.65%, 0.46%

LAB 36.01, 59.49, -65.93

 

CMYK 20 / 79 / 0 / 24

HEX #9B29C1

RGB 155 41 193

HSL 285, 0.65%, 0.46%

LAB 41.85, 66.39, -56.17

 

CMYK 61 / 79 / 0 / 51

HEX #311A7D

RGB 49 26 125

HSL 253.94, 0.66%, 0.3%

LAB 19.53, 38.35, -51.82

 

CMYK 61 / 79 / 0 / 38

HEX #3E219F

RGB 62 33 159

HSL 253.81, 0.66%, 0.38%

LAB 25.61, 46.75, -62.91

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 55 / 71 / 0 / 16

HEX #603DD6

RGB 96 61 214

HSL 253.73, 0.65%, 0.54%

LAB 39.04, 53.22, -73.25

 

CMYK 44 / 57 / 0 / 13

HEX #7C5FDD

RGB 124 95 221

HSL 253.81, 0.65%, 0.62%

LAB 49.12, 41.61, -60.73

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 0 / 79 / 33 / 24

HEX #C12982

RGB 193 41 130

HSL 324.87, 0.65%, 0.46%

LAB 44.99, 65.04, -13.11

 

CMYK 64 / 0 / 79 / 24

HEX #45C129

RGB 69 193 41

HSL 108.95, 0.65%, 0.46%

LAB 69.16, -60.42, 61.08

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 0 / 62 / 79 / 24

HEX #C14A29

RGB 193 74 41

HSL 13.03, 0.65%, 0.46%

LAB 47.49, 46.02, 43.24

 

CMYK 79 / 0 / 62 / 24

HEX #29C14A

RGB 41 193 74

HSL 133.03, 0.65%, 0.46%

LAB 68.83, -62.31, 48

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 0 / 79 / 33 / 24

HEX #C12982

RGB 193 41 130

HSL 324.87, 0.65%, 0.46%

LAB 44.99, 65.04, -13.11

 

CMYK 17 / 0 / 79 / 24

HEX #A0C129

RGB 160 193 41

HSL 73.03, 0.65%, 0.46%

LAB 73.4, -30.52, 66.56

 

CMYK 79 / 0 / 46 / 24

HEX #29C168

RGB 41 193 104

HSL 144.87, 0.65%, 0.46%

LAB 69.19, -57.98, 34.04

 

CMYK 61 / 79 / 0 / 24

HEX #4C29C1

RGB 76 41 193

HSL 253.82, 0.65%, 0.46%

LAB 31.74, 54.43, -73.1

 

CMYK 0 / 79 / 56 / 24

HEX #C12954

RGB 193 41 84

HSL 343.03, 0.65%, 0.46%

LAB 43.6, 60.82, 13.37

 

CMYK 17 / 0 / 79 / 24

HEX #A0C129

RGB 160 193 41

HSL 73.03, 0.65%, 0.46%

LAB 73.4, -30.52, 66.56

 

CMYK 79 / 0 / 22 / 24

HEX #29C196

RGB 41 193 150

HSL 163.03, 0.65%, 0.46%

LAB 70.04, -48.45, 10.84

 

Description

Color code: RGB 76 41 193 | qconv.com Color code: RGB 76 41 193 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 41 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 41 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 79 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 79% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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