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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 52 192 it is the complementary color RGB 179 203 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 52 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 52 192 shade: RGB 81 52 187, RGB 98 70 206, RGB 115 88 225, RGB 132 106 244 and RGB 149 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 52 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 59 34 173, RGB 42 16 154, RGB 25 0 135 and RGB 8 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 114 52 192, RGB 151 52 192, RGB 189 52 192 and RGB 192 52 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 52 192 shade: RGB 76 52 192 and RGB 52 52 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 52 192 shade matches the following richer shades: RGB 76 52 192, RGB 63 32 211 and RGB 50 13 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 89 72 172, RGB 102 92 152, RGB 115 112 132 and RGB 128 131 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 52 192 shade: RGB 52 103 192, RGB 52 66 192, RGB 75 52 192, RGB 113 52 192 and RGB 150 52 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 52 192 shade: RGB 50 34 127, RGB 63 43 159, RGB 76 52 192, RGB 101 79 206 and RGB 129 111 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 192 52 141 and RGB 85 192 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 192 75 52 and RGB 52 192 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 192 52 141, RGB 168 192 52 and RGB 52 192 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 52 192 shade: RGB 76 52 192, RGB 192 52 99, RGB 168 192 52 and RGB 52 192 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

Complementary color

CMYK 12 / 0 / 69 / 20

HEX #B3CB3F

RGB 179 203 63

HSL 70.29, 0.57%, 0.52%

LAB 77.67, -26.44, 63.75

 

CMYK 57 / 72 / 0 / 27

HEX #5134BB

RGB 81 52 187

HSL 252.89, 0.56%, 0.47%

LAB 33.55, 47.89, -66.58

 

CMYK 52 / 66 / 0 / 19

HEX #6246CE

RGB 98 70 206

HSL 252.35, 0.58%, 0.54%

LAB 40.3, 46.4, -66.56

 

CMYK 49 / 61 / 0 / 12

HEX #7358E1

RGB 115 88 225

HSL 251.82, 0.7%, 0.61%

LAB 47.05, 44.91, -66.38

 

CMYK 46 / 57 / 0 / 4

HEX #846AF4

RGB 132 106 244

HSL 251.3, 0.86%, 0.69%

LAB 53.76, 43.5, -66.13

 

CMYK 42 / 51 / 0 / 0

HEX #957CFF

RGB 149 124 255

HSL 251.45, 1%, 0.74%

LAB 59.91, 40.01, -62.24

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 66 / 80 / 0 / 32

HEX #3B22AD

RGB 59 34 173

HSL 250.79, 0.67%, 0.41%

LAB 26.99, 50.09, -69.11

 

CMYK 73 / 90 / 0 / 40

HEX #2A109A

RGB 42 16 154

HSL 251.3, 0.81%, 0.33%

LAB 20.81, 50.64, -67.85

 

CMYK 81 / 100 / 0 / 47

HEX #190087

RGB 25 0 135

HSL 251.11, 1%, 0.26%

LAB 15.25, 49.76, -65.31

 

CMYK 93 / 100 / 0 / 55

HEX #080074

RGB 8 0 116

HSL 244.14, 1%, 0.23%

LAB 11.36, 44.38, -59.68

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 41 / 73 / 0 / 25

HEX #7234C0

RGB 114 52 192

HSL 266.57, 0.57%, 0.48%

LAB 37.55, 54.6, -62.82

 

CMYK 21 / 73 / 0 / 25

HEX #9734C0

RGB 151 52 192

HSL 282.43, 0.57%, 0.48%

LAB 42.52, 61.59, -54.53

 

CMYK 2 / 73 / 0 / 25

HEX #BD34C0

RGB 189 52 192

HSL 298.71, 0.57%, 0.48%

LAB 48.36, 69.43, -44.85

 

CMYK 0 / 73 / 18 / 25

HEX #C0349D

RGB 192 52 157

HSL 315, 0.57%, 0.48%

LAB 47.1, 64.82, -26.19

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 73 / 73 / 0 / 25

HEX #3434C0

RGB 52 52 192

HSL 240, 0.57%, 0.48%

LAB 31.79, 45.95, -72.5

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 70 / 85 / 0 / 17

HEX #3F20D3

RGB 63 32 211

HSL 250.39, 0.74%, 0.48%

LAB 31.33, 62.07, -84.33

 

CMYK 78 / 94 / 0 / 9

HEX #320DE7

RGB 50 13 231

HSL 250.18, 0.89%, 0.48%

LAB 31.2, 71.97, -96.09

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 48 / 58 / 0 / 33

HEX #5948AC

RGB 89 72 172

HSL 250.2, 0.41%, 0.48%

LAB 37.37, 33.3, -51.44

 

CMYK 33 / 39 / 0 / 40

HEX #665C98

RGB 102 92 152

HSL 250, 0.25%, 0.48%

LAB 42.38, 18.42, -31.45

 

CMYK 13 / 15 / 0 / 48

HEX #737084

RGB 115 112 132

HSL 249, 0.08%, 0.48%

LAB 48.13, 5.44, -10.56

 

CMYK 2 / 0 / 15 / 49

HEX #808370

RGB 128 131 112

HSL 69.47, 0.08%, 0.48%

LAB 54.02, -4.69, 9.9

 

CMYK 73 / 46 / 0 / 25

HEX #3467C0

RGB 52 103 192

HSL 218.14, 0.57%, 0.48%

LAB 44.57, 13.73, -51.68

 

CMYK 73 / 66 / 0 / 25

HEX #3442C0

RGB 52 66 192

HSL 234, 0.57%, 0.48%

LAB 34.87, 37.56, -67.43

 

CMYK 61 / 73 / 0 / 25

HEX #4B34C0

RGB 75 52 192

HSL 249.86, 0.57%, 0.48%

LAB 33.47, 48.56, -69.67

 

CMYK 41 / 73 / 0 / 25

HEX #7134C0

RGB 113 52 192

HSL 266.14, 0.57%, 0.48%

LAB 37.43, 54.43, -63.03

 

CMYK 22 / 73 / 0 / 25

HEX #9634C0

RGB 150 52 192

HSL 282, 0.57%, 0.48%

LAB 42.38, 61.39, -54.77

 

CMYK 61 / 73 / 0 / 50

HEX #32227F

RGB 50 34 127

HSL 250.32, 0.58%, 0.32%

LAB 21.41, 34.66, -49.99

 

CMYK 60 / 73 / 0 / 38

HEX #3F2B9F

RGB 63 43 159

HSL 250.34, 0.57%, 0.4%

LAB 27.54, 41.67, -59.73

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 51 / 62 / 0 / 19

HEX #654FCE

RGB 101 79 206

HSL 250.39, 0.56%, 0.56%

LAB 42.48, 41.82, -63

 

CMYK 40 / 48 / 0 / 16

HEX #816FD7

RGB 129 111 215

HSL 250.38, 0.57%, 0.64%

LAB 52.89, 31.77, -51.27

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 0 / 73 / 27 / 25

HEX #C0348D

RGB 192 52 141

HSL 321.86, 0.57%, 0.48%

LAB 46.43, 62.72, -17.62

 

CMYK 56 / 0 / 73 / 25

HEX #55C034

RGB 85 192 52

HSL 105.86, 0.57%, 0.48%

LAB 69.38, -55.48, 57.82

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 0 / 61 / 73 / 25

HEX #C04B34

RGB 192 75 52

HSL 9.86, 0.57%, 0.48%

LAB 47.61, 45.65, 37.48

 

CMYK 73 / 0 / 61 / 25

HEX #34C04B

RGB 52 192 75

HSL 129.86, 0.57%, 0.48%

LAB 68.71, -60.29, 47.47

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 0 / 73 / 27 / 25

HEX #C0348D

RGB 192 52 141

HSL 321.86, 0.57%, 0.48%

LAB 46.43, 62.72, -17.62

 

CMYK 13 / 0 / 73 / 25

HEX #A8C034

RGB 168 192 52

HSL 70.29, 0.57%, 0.48%

LAB 73.72, -26.25, 63.56

 

CMYK 73 / 0 / 46 / 25

HEX #34C067

RGB 52 192 103

HSL 141.86, 0.57%, 0.48%

LAB 69.05, -56.3, 34.4

 

CMYK 60 / 73 / 0 / 25

HEX #4C34C0

RGB 76 52 192

HSL 250.29, 0.57%, 0.48%

LAB 33.56, 48.69, -69.52

 

CMYK 0 / 73 / 48 / 25

HEX #C03463

RGB 192 52 99

HSL 339.86, 0.57%, 0.48%

LAB 45.03, 58.23, 6.02

 

CMYK 13 / 0 / 73 / 25

HEX #A8C034

RGB 168 192 52

HSL 70.29, 0.57%, 0.48%

LAB 73.72, -26.25, 63.56

 

CMYK 73 / 0 / 24 / 25

HEX #34C091

RGB 52 192 145

HSL 159.86, 0.57%, 0.48%

LAB 69.81, -47.89, 13.24

 

Description

Color code: RGB 76 52 192 | qconv.com Color code: RGB 76 52 192 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 52 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 52 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 73 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 73% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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