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Color name
RGB 76 167 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 167 72 it is the complementary color RGB 179 88 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 167 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 167 72 shade: RGB 81 167 67, RGB 98 185 86, RGB 115 203 105, RGB 132 221 124 and RGB 149 239 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 167 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 167 72 shade: RGB 76 167 72, RGB 59 149 53, RGB 42 131 34, RGB 25 113 15 and RGB 8 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 167 72 shade: RGB 75 167 71, RGB 101 167 71, RGB 127 167 71, RGB 153 167 71 and RGB 167 156 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 167 72 shade: RGB 75 167 71, RGB 71 167 93, RGB 71 167 119, RGB 71 167 145 and RGB 71 164 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 167 72 shade matches the following richer shades: RGB 75 167 71, RGB 58 187 52, RGB 40 206 33 and RGB 22 225 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 167 72 shade: RGB 75 167 71, RGB 93 148 91, RGB 111 129 110, RGB 129 109 130 and RGB 146 90 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 167 72 shade: RGB 127 167 71, RGB 102 167 71, RGB 76 167 71, RGB 71 167 92 and RGB 71 167 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 167 72 shade: RGB 49 110 47, RGB 62 138 59, RGB 75 167 71, RGB 98 186 94 and RGB 126 198 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 167 72 shade: RGB 76 167 72, RGB 71 153 167 and RGB 167 71 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 167 72 shade: RGB 76 167 72, RGB 71 76 167 and RGB 167 71 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 167 72 shade: RGB 76 167 72, RGB 71 153 167, RGB 162 71 167 and RGB 167 86 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 167 72 shade: RGB 76 167 72, RGB 71 124 167, RGB 162 71 167 and RGB 167 115 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

Complementary color

CMYK 2 / 52 / 0 / 28

HEX #B358B7

RGB 179 88 183

HSL 297.47, 0.4%, 0.53%

LAB 51.82, 50.47, -34.27

 

CMYK 51 / 0 / 60 / 35

HEX #51A743

RGB 81 167 67

HSL 111.6, 0.43%, 0.46%

LAB 61.47, -45.62, 43.04

 

CMYK 47 / 0 / 54 / 27

HEX #62B956

RGB 98 185 86

HSL 112.73, 0.41%, 0.53%

LAB 68, -45.73, 41.84

 

CMYK 43 / 0 / 48 / 20

HEX #73CB69

RGB 115 203 105

HSL 113.88, 0.49%, 0.6%

LAB 74.43, -45.7, 40.59

 

CMYK 40 / 0 / 44 / 13

HEX #84DD7C

RGB 132 221 124

HSL 115.05, 0.59%, 0.68%

LAB 80.78, -45.58, 39.34

 

CMYK 38 / 0 / 40 / 6

HEX #95EF8F

RGB 149 239 143

HSL 116.25, 0.75%, 0.75%

LAB 87.05, -45.4, 38.13

 

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

CMYK 60 / 0 / 64 / 42

HEX #3B9535

RGB 59 149 53

HSL 116.25, 0.48%, 0.4%

LAB 54.74, -46.04, 41.66

 

CMYK 68 / 0 / 74 / 49

HEX #2A8322

RGB 42 131 34

HSL 115.05, 0.59%, 0.32%

LAB 48.06, -45.22, 42.49

 

CMYK 78 / 0 / 87 / 56

HEX #19710F

RGB 25 113 15

HSL 113.88, 0.77%, 0.25%

LAB 41.3, -43.64, 42.39

 

CMYK 92 / 0 / 100 / 63

HEX #085F00

RGB 8 95 0

HSL 114.95, 1%, 0.19%

LAB 34.47, -40.88, 40.51

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 40 / 0 / 57 / 35

HEX #65A747

RGB 101 167 71

HSL 101.25, 0.4%, 0.47%

LAB 62.39, -38.89, 42.44

 

CMYK 24 / 0 / 57 / 35

HEX #7FA747

RGB 127 167 71

HSL 85, 0.4%, 0.47%

LAB 63.84, -29.39, 44.49

 

CMYK 8 / 0 / 57 / 35

HEX #99A747

RGB 153 167 71

HSL 68.75, 0.4%, 0.47%

LAB 65.64, -18.85, 47.03

 

CMYK 0 / 7 / 57 / 35

HEX #A79C47

RGB 167 156 71

HSL 53.13, 0.4%, 0.47%

LAB 63.71, -7.12, 45.15

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 57 / 0 / 44 / 35

HEX #47A75D

RGB 71 167 93

HSL 133.75, 0.4%, 0.47%

LAB 61.45, -44.64, 29.94

 

CMYK 57 / 0 / 29 / 35

HEX #47A777

RGB 71 167 119

HSL 150, 0.4%, 0.47%

LAB 61.92, -39.73, 16.52

 

CMYK 57 / 0 / 13 / 35

HEX #47A791

RGB 71 167 145

HSL 166.25, 0.4%, 0.47%

LAB 62.53, -33.69, 2.92

 

CMYK 57 / 2 / 0 / 35

HEX #47A4A7

RGB 71 164 167

HSL 181.88, 0.4%, 0.47%

LAB 62.24, -26.33, -9.86

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 69 / 0 / 72 / 27

HEX #3ABB34

RGB 58 187 52

HSL 117.33, 0.56%, 0.47%

LAB 67.04, -59.88, 55.2

 

CMYK 81 / 0 / 84 / 19

HEX #28CE21

RGB 40 206 33

HSL 117.57, 0.72%, 0.47%

LAB 72.7, -69.74, 66.31

 

CMYK 90 / 0 / 94 / 12

HEX #16E10D

RGB 22 225 13

HSL 117.45, 0.89%, 0.47%

LAB 78.49, -77.28, 74.61

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 37 / 0 / 39 / 42

HEX #5D945B

RGB 93 148 91

HSL 117.89, 0.24%, 0.47%

LAB 56.35, -30.18, 24.56

 

CMYK 14 / 0 / 15 / 49

HEX #6F816E

RGB 111 129 110

HSL 116.84, 0.08%, 0.47%

LAB 52.07, -10.48, 8.12

 

CMYK 1 / 16 / 0 / 49

HEX #816D82

RGB 129 109 130

HSL 297.14, 0.09%, 0.47%

LAB 48.53, 11.88, -8.65

 

CMYK 2 / 40 / 0 / 42

HEX #925A95

RGB 146 90 149

HSL 296.95, 0.25%, 0.47%

LAB 46.44, 32.84, -22.98

 

CMYK 24 / 0 / 57 / 35

HEX #7FA747

RGB 127 167 71

HSL 85, 0.4%, 0.47%

LAB 63.84, -29.39, 44.49

 

CMYK 39 / 0 / 57 / 35

HEX #66A747

RGB 102 167 71

HSL 100.63, 0.4%, 0.47%

LAB 62.44, -38.55, 42.51

 

CMYK 54 / 0 / 57 / 35

HEX #4CA747

RGB 76 167 71

HSL 116.88, 0.4%, 0.47%

LAB 61.33, -46.54, 40.94

 

CMYK 57 / 0 / 45 / 35

HEX #47A75C

RGB 71 167 92

HSL 133.13, 0.4%, 0.47%

LAB 61.44, -44.81, 30.45

 

CMYK 57 / 0 / 29 / 35

HEX #47A776

RGB 71 167 118

HSL 149.38, 0.4%, 0.47%

LAB 61.9, -39.94, 17.04

 

CMYK 55 / 0 / 57 / 57

HEX #316E2F

RGB 49 110 47

HSL 118.1, 0.4%, 0.31%

LAB 41.23, -33.62, 28.92

 

CMYK 55 / 0 / 57 / 46

HEX #3E8A3B

RGB 62 138 59

HSL 117.72, 0.4%, 0.39%

LAB 51.29, -40.14, 34.84

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 47 / 0 / 49 / 27

HEX #62BA5E

RGB 98 186 94

HSL 117.39, 0.4%, 0.55%

LAB 68.4, -45.1, 38.41

 

CMYK 36 / 0 / 38 / 22

HEX #7EC67B

RGB 126 198 123

HSL 117.6, 0.4%, 0.63%

LAB 73.71, -37.5, 30.66

 

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

CMYK 57 / 8 / 0 / 35

HEX #4799A7

RGB 71 153 167

HSL 188.75, 0.4%, 0.47%

LAB 58.89, -20.71, -14.88

 

CMYK 0 / 57 / 31 / 35

HEX #A74773

RGB 167 71 115

HSL 332.5, 0.4%, 0.47%

LAB 44.18, 44.25, -5.59

 

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

CMYK 57 / 54 / 0 / 35

HEX #474CA7

RGB 71 76 167

HSL 236.88, 0.4%, 0.47%

LAB 36.55, 25.41, -49.85

 

CMYK 0 / 57 / 54 / 35

HEX #A7474C

RGB 167 71 76

HSL 356.88, 0.4%, 0.47%

LAB 43.13, 40, 16.92

 

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

CMYK 57 / 8 / 0 / 35

HEX #4799A7

RGB 71 153 167

HSL 188.75, 0.4%, 0.47%

LAB 58.89, -20.71, -14.88

 

CMYK 3 / 57 / 0 / 35

HEX #A247A7

RGB 162 71 167

HSL 296.88, 0.4%, 0.47%

LAB 45.6, 51.06, -34.82

 

CMYK 0 / 49 / 57 / 35

HEX #A75647

RGB 167 86 71

HSL 9.38, 0.4%, 0.47%

LAB 46.08, 31.8, 23.81

 

CMYK 54 / 0 / 57 / 35

HEX #4CA748

RGB 76 167 72

HSL 117.47, 0.4%, 0.47%

LAB 61.34, -46.41, 40.47

 

CMYK 57 / 26 / 0 / 35

HEX #477CA7

RGB 71 124 167

HSL 206.88, 0.4%, 0.47%

LAB 50.15, -4.63, -28.29

 

CMYK 3 / 57 / 0 / 35

HEX #A247A7

RGB 162 71 167

HSL 296.88, 0.4%, 0.47%

LAB 45.6, 51.06, -34.82

 

CMYK 0 / 31 / 57 / 35

HEX #A77347

RGB 167 115 71

HSL 27.5, 0.4%, 0.47%

LAB 52.87, 15.62, 32.35

 

Description

Color code: RGB 76 167 72 | qconv.com Color code: RGB 76 167 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 167 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 167 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 57% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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