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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 202 62 it is the complementary color RGB 179 53 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 202 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 202 62 shade: RGB 81 202 57, RGB 98 220 76, RGB 115 238 95, RGB 132 255 114 and RGB 149 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 202 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 59 184 43, RGB 42 166 24, RGB 25 148 5 and RGB 8 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 114 202 62, RGB 152 202 62, RGB 189 202 62 and RGB 202 177 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 62 202 86, RGB 62 202 124, RGB 62 202 161 and RGB 62 202 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 202 62 shade matches the following richer shades: RGB 76 202 62, RGB 60 222 43 and RGB 45 241 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 92 182 82, RGB 108 162 102, RGB 124 142 122 and RGB 140 123 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 202 62 shade: RGB 151 202 62, RGB 113 202 62, RGB 76 202 62, RGB 62 202 86 and RGB 62 202 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 202 62 shade: RGB 49 143 39, RGB 60 175 48, RGB 76 202 62, RGB 106 211 95 and RGB 136 220 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 62 188 202 and RGB 202 62 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 62 76 202 and RGB 202 62 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 62 188 202, RGB 188 62 202 and RGB 202 76 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 202 62 shade: RGB 76 202 62, RGB 62 146 202, RGB 188 62 202 and RGB 202 118 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

Complementary color

CMYK 7 / 73 / 0 / 24

HEX #B335C1

RGB 179 53 193

HSL 294, 0.57%, 0.48%

LAB 46.95, 67.16, -47.78

 

CMYK 60 / 0 / 72 / 21

HEX #51CA39

RGB 81 202 57

HSL 110.07, 0.58%, 0.51%

LAB 72.42, -59.68, 59.05

 

CMYK 55 / 0 / 65 / 14

HEX #62DC4C

RGB 98 220 76

HSL 110.83, 0.67%, 0.58%

LAB 78.64, -60.33, 58.44

 

CMYK 52 / 0 / 60 / 7

HEX #73EE5F

RGB 115 238 95

HSL 111.61, 0.81%, 0.65%

LAB 84.8, -60.7, 57.52

 

CMYK 48 / 0 / 55 / 0

HEX #84FF72

RGB 132 255 114

HSL 112.34, 1%, 0.72%

LAB 90.62, -60.51, 56.1

 

CMYK 42 / 0 / 48 / 0

HEX #95FF85

RGB 149 255 133

HSL 112.13, 1%, 0.76%

LAB 91.51, -53.44, 48.62

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 68 / 0 / 77 / 28

HEX #3BB82B

RGB 59 184 43

HSL 113.19, 0.62%, 0.45%

LAB 66.05, -59.36, 57.37

 

CMYK 75 / 0 / 86 / 35

HEX #2AA618

RGB 42 166 24

HSL 112.39, 0.75%, 0.37%

LAB 59.74, -57.72, 56.83

 

CMYK 83 / 0 / 97 / 42

HEX #199405

RGB 25 148 5

HSL 111.61, 0.93%, 0.3%

LAB 53.38, -55.26, 54.88

 

CMYK 94 / 0 / 100 / 49

HEX #088200

RGB 8 130 0

HSL 116.31, 1%, 0.25%

LAB 47, -51.66, 50.54

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 44 / 0 / 69 / 21

HEX #72CA3E

RGB 114 202 62

HSL 97.71, 0.57%, 0.52%

LAB 73.65, -50.1, 58.84

 

CMYK 25 / 0 / 69 / 21

HEX #98CA3E

RGB 152 202 62

HSL 81.43, 0.57%, 0.52%

LAB 75.62, -36.72, 61.47

 

CMYK 6 / 0 / 69 / 21

HEX #BDCA3E

RGB 189 202 62

HSL 65.57, 0.57%, 0.52%

LAB 78.12, -21.9, 64.8

 

CMYK 0 / 12 / 69 / 21

HEX #CAB13E

RGB 202 177 62

HSL 49.29, 0.57%, 0.52%

LAB 72.46, -3.66, 59.49

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 0 / 57 / 21

HEX #3ECA56

RGB 62 202 86

HSL 130.29, 0.57%, 0.52%

LAB 72.19, -60.67, 46.55

 

CMYK 69 / 0 / 39 / 21

HEX #3ECA7C

RGB 62 202 124

HSL 146.57, 0.57%, 0.52%

LAB 72.71, -54.71, 28.4

 

CMYK 69 / 0 / 20 / 21

HEX #3ECAA1

RGB 62 202 161

HSL 162.43, 0.57%, 0.52%

LAB 73.44, -46.84, 9.77

 

CMYK 69 / 0 / 1 / 21

HEX #3ECAC7

RGB 62 202 199

HSL 178.71, 0.57%, 0.52%

LAB 74.44, -36.93, -9.32

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 73 / 0 / 81 / 13

HEX #3CDE2B

RGB 60 222 43

HSL 114.3, 0.73%, 0.52%

LAB 78.1, -71.24, 68.83

 

CMYK 81 / 0 / 90 / 5

HEX #2DF117

RGB 45 241 23

HSL 113.94, 0.89%, 0.52%

LAB 83.72, -79.5, 77.81

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 49 / 0 / 55 / 29

HEX #5CB652

RGB 92 182 82

HSL 114, 0.41%, 0.52%

LAB 66.78, -46.75, 42.25

 

CMYK 33 / 0 / 37 / 36

HEX #6CA266

RGB 108 162 102

HSL 114, 0.24%, 0.52%

LAB 61.64, -30.01, 25.7

 

CMYK 13 / 0 / 14 / 44

HEX #7C8E7A

RGB 124 142 122

HSL 114, 0.08%, 0.52%

LAB 57.11, -10.49, 8.5

 

CMYK 1 / 13 / 0 / 44

HEX #8C7B8E

RGB 140 123 142

HSL 293.68, 0.08%, 0.52%

LAB 53.7, 10.15, -7.88

 

CMYK 25 / 0 / 69 / 21

HEX #97CA3E

RGB 151 202 62

HSL 81.86, 0.57%, 0.52%

LAB 75.56, -37.1, 61.39

 

CMYK 44 / 0 / 69 / 21

HEX #71CA3E

RGB 113 202 62

HSL 98.14, 0.57%, 0.52%

LAB 73.61, -50.42, 58.78

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 0 / 57 / 21

HEX #3ECA56

RGB 62 202 86

HSL 130.29, 0.57%, 0.52%

LAB 72.19, -60.67, 46.55

 

CMYK 69 / 0 / 39 / 21

HEX #3ECA7B

RGB 62 202 123

HSL 146.14, 0.57%, 0.52%

LAB 72.69, -54.9, 28.9

 

CMYK 66 / 0 / 73 / 44

HEX #318F27

RGB 49 143 39

HSL 114.23, 0.57%, 0.36%

LAB 52.34, -47.57, 44.97

 

CMYK 66 / 0 / 73 / 31

HEX #3CAF30

RGB 60 175 48

HSL 114.33, 0.57%, 0.44%

LAB 63.21, -55.73, 52.77

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 50 / 0 / 55 / 17

HEX #6AD35F

RGB 106 211 95

HSL 114.31, 0.57%, 0.6%

LAB 76.36, -52.82, 47.64

 

CMYK 38 / 0 / 42 / 14

HEX #88DC7F

RGB 136 220 127

HSL 114.19, 0.57%, 0.68%

LAB 80.71, -43.49, 37.8

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 7 / 0 / 21

HEX #3EBCCA

RGB 62 188 202

HSL 186, 0.57%, 0.52%

LAB 70.35, -29.42, -17.09

 

CMYK 0 / 69 / 35 / 21

HEX #CA3E84

RGB 202 62 132

HSL 330, 0.57%, 0.52%

LAB 49.09, 60.79, -7.99

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 62 / 0 / 21

HEX #3E4CCA

RGB 62 76 202

HSL 234, 0.57%, 0.52%

LAB 38.65, 36.02, -67.05

 

CMYK 0 / 69 / 62 / 21

HEX #CA3E4C

RGB 202 62 76

HSL 354, 0.57%, 0.52%

LAB 47.65, 55.86, 23.99

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 7 / 0 / 21

HEX #3EBCCA

RGB 62 188 202

HSL 186, 0.57%, 0.52%

LAB 70.35, -29.42, -17.09

 

CMYK 7 / 69 / 0 / 21

HEX #BC3ECA

RGB 188 62 202

HSL 294, 0.57%, 0.52%

LAB 49.98, 67.46, -48.07

 

CMYK 0 / 62 / 69 / 21

HEX #CA4C3E

RGB 202 76 62

HSL 6, 0.57%, 0.52%

LAB 49.58, 49.25, 34.59

 

CMYK 62 / 0 / 69 / 21

HEX #4CCA3E

RGB 76 202 62

HSL 114, 0.57%, 0.52%

LAB 72.31, -60.42, 57.02

 

CMYK 69 / 28 / 0 / 21

HEX #3E92CA

RGB 62 146 202

HSL 204, 0.57%, 0.52%

LAB 57.89, -7.25, -36.26

 

CMYK 7 / 69 / 0 / 21

HEX #BC3ECA

RGB 188 62 202

HSL 294, 0.57%, 0.52%

LAB 49.98, 67.46, -48.07

 

CMYK 0 / 42 / 69 / 21

HEX #CA763E

RGB 202 118 62

HSL 24, 0.57%, 0.52%

LAB 57.91, 28.21, 44.08

 

Description

Color code: RGB 76 202 62 | qconv.com Color code: RGB 76 202 62 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 202 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 202 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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