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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 212 32 it is the complementary color RGB 179 43 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 212 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 212 32 shade: RGB 81 212 27, RGB 98 230 46, RGB 115 248 65, RGB 132 255 84 and RGB 149 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 212 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 212 32 shade: RGB 76 212 32, RGB 59 194 13, RGB 42 176 0, RGB 25 158 0 and RGB 8 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 212 32 shade: RGB 76 212 31, RGB 124 212 31, RGB 173 212 31, RGB 212 203 31 and RGB 212 154 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 212 32 shade: RGB 76 212 31, RGB 31 212 36, RGB 31 212 85, RGB 31 212 134 and RGB 31 212 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 212 32 shade matches the following richer shades: RGB 76 212 31 and RGB 65 232 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 212 32 shade: RGB 76 212 31, RGB 86 193 51, RGB 96 173 71, RGB 106 153 91 and RGB 116 133 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 212 32 shade: RGB 173 212 31, RGB 125 212 31, RGB 77 212 31, RGB 31 212 34 and RGB 31 212 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 212 32 shade: RGB 50 141 21, RGB 63 177 26, RGB 76 212 31, RGB 100 225 60 and RGB 129 231 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 212 32 shade: RGB 76 212 32, RGB 31 212 203 and RGB 212 31 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 212 32 shade: RGB 76 212 32, RGB 31 77 212 and RGB 212 31 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 212 32 shade: RGB 76 212 32, RGB 31 212 203, RGB 167 31 212 and RGB 212 31 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 212 32 shade: RGB 76 212 32, RGB 31 167 212, RGB 167 31 212 and RGB 212 77 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

Complementary color

CMYK 20 / 81 / 0 / 13

HEX #B32BDF

RGB 179 43 223

HSL 285.33, 0.74%, 0.52%

LAB 47.8, 75.61, -63.67

 

CMYK 62 / 0 / 87 / 17

HEX #51D41B

RGB 81 212 27

HSL 102.49, 0.77%, 0.47%

LAB 75.4, -64.73, 70.31

 

CMYK 57 / 0 / 80 / 10

HEX #62E62E

RGB 98 230 46

HSL 103.04, 0.79%, 0.54%

LAB 81.5, -65.94, 71.52

 

CMYK 54 / 0 / 74 / 3

HEX #73F841

RGB 115 248 65

HSL 103.61, 0.93%, 0.61%

LAB 87.56, -66.79, 71.83

 

CMYK 48 / 0 / 67 / 0

HEX #84FF54

RGB 132 255 84

HSL 103.16, 1%, 0.66%

LAB 90.35, -63.37, 68.19

 

CMYK 42 / 0 / 60 / 0

HEX #95FF67

RGB 149 255 103

HSL 101.84, 1%, 0.7%

LAB 91.18, -56.76, 61.69

 

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

CMYK 70 / 0 / 93 / 24

HEX #3BC20D

RGB 59 194 13

HSL 104.75, 0.87%, 0.41%

LAB 69.14, -63.92, 67.07

 

CMYK 76 / 0 / 100 / 31

HEX #2AB000

RGB 42 176 0

HSL 105.68, 1%, 0.35%

LAB 62.96, -61.55, 63.49

 

CMYK 84 / 0 / 100 / 38

HEX #199E00

RGB 25 158 0

HSL 110.51, 1%, 0.31%

LAB 56.74, -58.41, 58.41

 

CMYK 94 / 0 / 100 / 45

HEX #088C00

RGB 8 140 0

HSL 116.57, 1%, 0.27%

LAB 50.46, -54.61, 53.32

 

CMYK 64 / 0 / 85 / 17

HEX #4CD41F

RGB 76 212 31

HSL 105.08, 0.74%, 0.48%

LAB 75.28, -65.69, 69.33

 

CMYK 42 / 0 / 85 / 17

HEX #7CD41F

RGB 124 212 31

HSL 89.17, 0.74%, 0.48%

LAB 76.96, -52.5, 71.45

 

CMYK 18 / 0 / 85 / 17

HEX #ADD41F

RGB 173 212 31

HSL 72.93, 0.74%, 0.48%

LAB 79.65, -34.43, 74.82

 

CMYK 0 / 4 / 85 / 17

HEX #D4CB1F

RGB 212 203 31

HSL 57.02, 0.74%, 0.48%

LAB 80.07, -13.85, 76.34

 

CMYK 0 / 27 / 85 / 17

HEX #D49A1F

RGB 212 154 31

HSL 40.77, 0.74%, 0.48%

LAB 67.43, 11.78, 65.99

 

CMYK 64 / 0 / 85 / 17

HEX #4CD41F

RGB 76 212 31

HSL 105.08, 0.74%, 0.48%

LAB 75.28, -65.69, 69.33

 

CMYK 85 / 0 / 83 / 17

HEX #1FD424

RGB 31 212 36

HSL 121.66, 0.74%, 0.48%

LAB 74.51, -72.25, 67.19

 

CMYK 85 / 0 / 60 / 17

HEX #1FD455

RGB 31 212 85

HSL 137.9, 0.74%, 0.48%

LAB 74.85, -68.06, 49.98

 

CMYK 85 / 0 / 37 / 17

HEX #1FD486

RGB 31 212 134

HSL 154.14, 0.74%, 0.48%

LAB 75.51, -60.14, 26.87

 

CMYK 85 / 0 / 14 / 17

HEX #1FD4B6

RGB 31 212 182

HSL 170.06, 0.74%, 0.48%

LAB 76.53, -49.02, 2.87

 

CMYK 64 / 0 / 85 / 17

HEX #4CD41F

RGB 76 212 31

HSL 105.08, 0.74%, 0.48%

LAB 75.28, -65.69, 69.33

 

CMYK 72 / 0 / 95 / 9

HEX #41E80C

RGB 65 232 12

HSL 105.55, 0.9%, 0.48%

LAB 81.22, -74.48, 77.17

 

CMYK 64 / 0 / 85 / 17

HEX #4CD41F

RGB 76 212 31

HSL 105.08, 0.74%, 0.48%

LAB 75.28, -65.69, 69.33

 

CMYK 55 / 0 / 74 / 24

HEX #56C133

RGB 86 193 51

HSL 105.21, 0.58%, 0.48%

LAB 69.72, -55.65, 58.53

 

CMYK 45 / 0 / 59 / 32

HEX #60AD47

RGB 96 173 71

HSL 105.29, 0.42%, 0.48%

LAB 64.02, -43.11, 44.27

 

CMYK 31 / 0 / 41 / 40

HEX #6A995B

RGB 106 153 91

HSL 105.48, 0.25%, 0.48%

LAB 58.6, -28.07, 27.64

 

CMYK 13 / 0 / 17 / 48

HEX #74856F

RGB 116 133 111

HSL 106.36, 0.09%, 0.48%

LAB 53.64, -10.61, 9.81

 

CMYK 18 / 0 / 85 / 17

HEX #ADD41F

RGB 173 212 31

HSL 72.93, 0.74%, 0.48%

LAB 79.65, -34.43, 74.82

 

CMYK 41 / 0 / 85 / 17

HEX #7DD41F

RGB 125 212 31

HSL 88.84, 0.74%, 0.48%

LAB 77.01, -52.17, 71.51

 

CMYK 64 / 0 / 85 / 17

HEX #4DD41F

RGB 77 212 31

HSL 104.75, 0.74%, 0.48%

LAB 75.3, -65.47, 69.36

 

CMYK 85 / 0 / 84 / 17

HEX #1FD422

RGB 31 212 34

HSL 120.99, 0.74%, 0.48%

LAB 74.5, -72.34, 67.67

 

CMYK 85 / 0 / 61 / 17

HEX #1FD453

RGB 31 212 83

HSL 137.24, 0.74%, 0.48%

LAB 74.83, -68.3, 50.85

 

CMYK 65 / 0 / 85 / 45

HEX #328D15

RGB 50 141 21

HSL 105.5, 0.74%, 0.32%

LAB 51.59, -47.85, 50.33

 

CMYK 64 / 0 / 85 / 31

HEX #3FB11A

RGB 63 177 26

HSL 105.3, 0.74%, 0.4%

LAB 63.82, -57.12, 60.18

 

CMYK 64 / 0 / 85 / 17

HEX #4CD41F

RGB 76 212 31

HSL 105.08, 0.74%, 0.48%

LAB 75.28, -65.69, 69.33

 

CMYK 56 / 0 / 73 / 12

HEX #64E13C

RGB 100 225 60

HSL 105.45, 0.73%, 0.56%

LAB 80.12, -62.88, 65.95

 

CMYK 44 / 0 / 58 / 9

HEX #81E760

RGB 129 231 96

HSL 105.33, 0.74%, 0.64%

LAB 83.27, -53.98, 55.47

 

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

CMYK 85 / 0 / 4 / 17

HEX #1FD4CB

RGB 31 212 203

HSL 177.02, 0.74%, 0.48%

LAB 77.1, -43.27, -7.58

 

CMYK 0 / 85 / 30 / 17

HEX #D41F95

RGB 212 31 149

HSL 320.88, 0.74%, 0.48%

LAB 48.44, 73.88, -19.03

 

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

CMYK 85 / 64 / 0 / 17

HEX #1F4DD4

RGB 31 77 212

HSL 224.75, 0.74%, 0.48%

LAB 38.47, 36.04, -73.18

 

CMYK 0 / 85 / 64 / 17

HEX #D41F4D

RGB 212 31 77

HSL 344.75, 0.74%, 0.48%

LAB 46.33, 67.87, 22.03

 

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

CMYK 85 / 0 / 4 / 17

HEX #1FD4CB

RGB 31 212 203

HSL 177.02, 0.74%, 0.48%

LAB 77.1, -43.27, -7.58

 

CMYK 21 / 85 / 0 / 17

HEX #A71FD4

RGB 167 31 212

HSL 285.08, 0.74%, 0.48%

LAB 44.16, 74.61, -63.36

 

CMYK 0 / 85 / 81 / 17

HEX #D41F28

RGB 212 31 40

HSL 357.02, 0.74%, 0.48%

LAB 45.81, 66.36, 43.28

 

CMYK 64 / 0 / 85 / 17

HEX #4CD420

RGB 76 212 32

HSL 105.33, 0.74%, 0.48%

LAB 75.28, -65.65, 69.11

 

CMYK 85 / 21 / 0 / 17

HEX #1FA7D4

RGB 31 167 212

HSL 194.92, 0.74%, 0.48%

LAB 63.9, -18.72, -32.53

 

CMYK 21 / 85 / 0 / 17

HEX #A71FD4

RGB 167 31 212

HSL 285.08, 0.74%, 0.48%

LAB 44.16, 74.61, -63.36

 

CMYK 0 / 64 / 85 / 17

HEX #D44D1F

RGB 212 77 31

HSL 15.25, 0.74%, 0.48%

LAB 51.16, 51.16, 52.45

 

Description

Color code: RGB 76 212 32 | qconv.com Color code: RGB 76 212 32 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 212 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 212 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 85 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 85% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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