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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 216 198 it is the complementary color RGB 179 39 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 216 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 216 198 shade: RGB 81 216 193, RGB 98 234 212, RGB 115 252 231, RGB 132 255 250 and RGB 149 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 216 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 216 198 shade: RGB 76 216 198, RGB 59 198 179, RGB 42 180 160, RGB 25 162 141 and RGB 8 144 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 216 198 shade: RGB 75 215 197, RGB 75 215 159, RGB 75 215 121, RGB 75 215 83 and RGB 104 215 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 216 198 shade: RGB 75 215 197, RGB 75 195 215, RGB 75 157 215, RGB 75 120 215 and RGB 75 82 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 216 198 shade matches the following richer shades: RGB 75 215 197, RGB 57 233 210 and RGB 39 251 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 216 198 shade: RGB 75 215 197, RGB 92 197 184, RGB 110 180 171, RGB 128 162 157 and RGB 146 144 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 216 198 shade: RGB 75 215 121, RGB 75 215 159, RGB 75 215 196, RGB 75 196 215 and RGB 75 159 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 216 198 shade: RGB 37 170 153, RGB 44 204 184, RGB 75 215 197, RGB 109 222 208 and RGB 142 230 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 216 198 shade: RGB 76 216 198, RGB 84 75 215 and RGB 215 140 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 216 198 shade: RGB 76 216 198, RGB 196 75 215 and RGB 215 196 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 216 198 shade: RGB 76 216 198, RGB 84 75 215, RGB 215 75 93 and RGB 206 215 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 216 198 shade: RGB 76 216 198, RGB 126 75 215, RGB 215 75 93 and RGB 164 215 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

Complementary color

CMYK 0 / 78 / 68 / 30

HEX #B32739

RGB 179 39 57

HSL 352.29, 0.64%, 0.43%

LAB 40.13, 55.72, 25.15

 

CMYK 63 / 0 / 11 / 15

HEX #51D8C1

RGB 81 216 193

HSL 169.78, 0.63%, 0.58%

LAB 78.87, -41.98, 0.5

 

CMYK 58 / 0 / 9 / 8

HEX #62EAD4

RGB 98 234 212

HSL 170.29, 0.76%, 0.65%

LAB 85.1, -42.22, -0.44

 

CMYK 54 / 0 / 8 / 1

HEX #73FCE7

RGB 115 252 231

HSL 170.8, 0.96%, 0.72%

LAB 91.25, -42.36, -1.3

 

CMYK 48 / 0 / 2 / 0

HEX #84FFFA

RGB 132 255 250

HSL 177.56, 1%, 0.76%

LAB 93.16, -35.64, -8.27

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

CMYK 70 / 0 / 10 / 22

HEX #3BC6B3

RGB 59 198 179

HSL 171.8, 0.55%, 0.5%

LAB 72.61, -41, -1.18

 

CMYK 77 / 0 / 11 / 29

HEX #2AB4A0

RGB 42 180 160

HSL 171.3, 0.62%, 0.44%

LAB 66.27, -40.25, -0.07

 

CMYK 85 / 0 / 13 / 36

HEX #19A28D

RGB 25 162 141

HSL 170.8, 0.73%, 0.37%

LAB 59.86, -39.18, 1.17

 

CMYK 94 / 0 / 15 / 44

HEX #08907A

RGB 8 144 122

HSL 170.29, 0.89%, 0.3%

LAB 53.39, -37.66, 2.58

 

CMYK 65 / 0 / 8 / 16

HEX #4BD7C5

RGB 75 215 197

HSL 172.29, 0.64%, 0.57%

LAB 78.54, -41.48, -2.16

 

CMYK 65 / 0 / 26 / 16

HEX #4BD79F

RGB 75 215 159

HSL 156, 0.64%, 0.57%

LAB 77.64, -50.57, 16.8

 

CMYK 65 / 0 / 44 / 16

HEX #4BD779

RGB 75 215 121

HSL 139.71, 0.64%, 0.57%

LAB 76.97, -57.83, 35.56

 

CMYK 65 / 0 / 61 / 16

HEX #4BD753

RGB 75 215 83

HSL 123.43, 0.64%, 0.57%

LAB 76.51, -63.06, 52.96

 

CMYK 52 / 0 / 65 / 16

HEX #68D74B

RGB 104 215 75

HSL 107.57, 0.64%, 0.57%

LAB 77.31, -57, 57.46

 

CMYK 65 / 0 / 8 / 16

HEX #4BD7C5

RGB 75 215 197

HSL 172.29, 0.64%, 0.57%

LAB 78.54, -41.48, -2.16

 

CMYK 65 / 9 / 0 / 16

HEX #4BC3D7

RGB 75 195 215

HSL 188.57, 0.64%, 0.57%

LAB 73.18, -27.08, -19.87

 

CMYK 65 / 27 / 0 / 16

HEX #4B9DD7

RGB 75 157 215

HSL 204.86, 0.64%, 0.57%

LAB 62.1, -7.03, -36.93

 

CMYK 65 / 44 / 0 / 16

HEX #4B78D7

RGB 75 120 215

HSL 220.71, 0.64%, 0.57%

LAB 51.65, 14.86, -53.44

 

CMYK 65 / 62 / 0 / 16

HEX #4B52D7

RGB 75 82 215

HSL 237, 0.64%, 0.57%

LAB 41.9, 38.53, -69.2

 

CMYK 65 / 0 / 8 / 16

HEX #4BD7C5

RGB 75 215 197

HSL 172.29, 0.64%, 0.57%

LAB 78.54, -41.48, -2.16

 

CMYK 76 / 0 / 10 / 9

HEX #39E9D2

RGB 57 233 210

HSL 172.16, 0.8%, 0.57%

LAB 83.86, -48.22, -1.3

 

CMYK 84 / 0 / 11 / 2

HEX #27FBDF

RGB 39 251 223

HSL 172.08, 0.96%, 0.57%

LAB 89.28, -53.81, -0.21

 

CMYK 65 / 0 / 8 / 16

HEX #4BD7C5

RGB 75 215 197

HSL 172.29, 0.64%, 0.57%

LAB 78.54, -41.48, -2.16

 

CMYK 53 / 0 / 7 / 23

HEX #5CC5B8

RGB 92 197 184

HSL 172.57, 0.48%, 0.57%

LAB 73.33, -33.51, -2.73

 

CMYK 39 / 0 / 5 / 29

HEX #6EB4AB

RGB 110 180 171

HSL 172.29, 0.32%, 0.57%

LAB 68.68, -24.17, -2.37

 

CMYK 21 / 0 / 3 / 36

HEX #80A29D

RGB 128 162 157

HSL 171.18, 0.15%, 0.57%

LAB 64.05, -12.72, -1.26

 

CMYK 0 / 1 / 1 / 43

HEX #929090

RGB 146 144 144

HSL 0, 0.01%, 0.57%

LAB 59.95, 0.74, 0.25

 

CMYK 65 / 0 / 44 / 16

HEX #4BD779

RGB 75 215 121

HSL 139.71, 0.64%, 0.57%

LAB 76.97, -57.83, 35.56

 

CMYK 65 / 0 / 26 / 16

HEX #4BD79F

RGB 75 215 159

HSL 156, 0.64%, 0.57%

LAB 77.64, -50.57, 16.8

 

CMYK 65 / 0 / 9 / 16

HEX #4BD7C4

RGB 75 215 196

HSL 171.86, 0.64%, 0.57%

LAB 78.51, -41.74, -1.66

 

CMYK 65 / 9 / 0 / 16

HEX #4BC4D7

RGB 75 196 215

HSL 188.14, 0.64%, 0.57%

LAB 73.47, -27.58, -19.42

 

CMYK 65 / 26 / 0 / 16

HEX #4B9FD7

RGB 75 159 215

HSL 204, 0.64%, 0.57%

LAB 62.67, -8.15, -36.02

 

CMYK 78 / 0 / 10 / 33

HEX #25AA99

RGB 37 170 153

HSL 172.33, 0.64%, 0.41%

LAB 62.88, -38.27, -1.14

 

CMYK 78 / 0 / 10 / 20

HEX #2CCCB8

RGB 44 204 184

HSL 172.5, 0.65%, 0.49%

LAB 74.31, -44.03, -1.43

 

CMYK 65 / 0 / 8 / 16

HEX #4BD7C5

RGB 75 215 197

HSL 172.29, 0.64%, 0.57%

LAB 78.54, -41.48, -2.16

 

CMYK 51 / 0 / 6 / 13

HEX #6DDED0

RGB 109 222 208

HSL 172.57, 0.63%, 0.65%

LAB 81.86, -35.59, -3.02

 

CMYK 38 / 0 / 5 / 10

HEX #8EE6DB

RGB 142 230 219

HSL 172.5, 0.64%, 0.73%

LAB 85.74, -28.95, -3

 

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

CMYK 61 / 65 / 0 / 16

HEX #544BD7

RGB 84 75 215

HSL 243.86, 0.64%, 0.57%

LAB 40.93, 44.04, -70.76

 

CMYK 0 / 35 / 65 / 16

HEX #D78C4B

RGB 215 140 75

HSL 27.86, 0.64%, 0.57%

LAB 64.73, 22.52, 45.69

 

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

CMYK 9 / 65 / 0 / 16

HEX #C44BD7

RGB 196 75 215

HSL 291.86, 0.64%, 0.57%

LAB 53.68, 66.53, -49.55

 

CMYK 0 / 9 / 65 / 16

HEX #D7C44B

RGB 215 196 75

HSL 51.86, 0.64%, 0.57%

LAB 78.71, -7.24, 60.98

 

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

CMYK 61 / 65 / 0 / 16

HEX #544BD7

RGB 84 75 215

HSL 243.86, 0.64%, 0.57%

LAB 40.93, 44.04, -70.76

 

CMYK 0 / 65 / 57 / 16

HEX #D74B5D

RGB 215 75 93

HSL 352.29, 0.64%, 0.57%

LAB 52.14, 55.99, 20.14

 

CMYK 4 / 0 / 65 / 16

HEX #CED74B

RGB 206 215 75

HSL 63.86, 0.64%, 0.57%

LAB 83.04, -20.51, 65.26

 

CMYK 65 / 0 / 8 / 15

HEX #4CD8C6

RGB 76 216 198

HSL 172.29, 0.64%, 0.57%

LAB 78.88, -41.51, -2.18

 

CMYK 41 / 65 / 0 / 16

HEX #7E4BD7

RGB 126 75 215

HSL 261.86, 0.64%, 0.57%

LAB 44.76, 51.39, -64.35

 

CMYK 0 / 65 / 57 / 16

HEX #D74B5D

RGB 215 75 93

HSL 352.29, 0.64%, 0.57%

LAB 52.14, 55.99, 20.14

 

CMYK 24 / 0 / 65 / 16

HEX #A4D74B

RGB 164 215 75

HSL 81.86, 0.64%, 0.57%

LAB 80.18, -37.15, 61.39

 

Description

Color code: RGB 76 216 198 | qconv.com Color code: RGB 76 216 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 216 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 216 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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