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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 246 54 it is the complementary color RGB 179 9 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 246 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 246 54 shade: RGB 81 246 49, RGB 98 255 68, RGB 115 255 87, RGB 132 255 106 and RGB 149 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 246 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 246 54 shade: RGB 76 246 54, RGB 59 228 35, RGB 42 210 16, RGB 25 192 0 and RGB 8 174 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 246 54 shade: RGB 77 245 55, RGB 128 245 55, RGB 179 245 55, RGB 231 245 55 and RGB 245 208 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 246 54 shade: RGB 77 245 55, RGB 55 245 84, RGB 55 245 136, RGB 55 245 187 and RGB 55 245 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 246 54 shade matches the following richer shades: RGB 77 245 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 246 54 shade: RGB 77 245 55, RGB 90 228 72, RGB 103 211 89, RGB 116 194 106 and RGB 129 177 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 246 54 shade: RGB 178 245 55, RGB 128 245 55, RGB 77 245 55, RGB 55 245 83 and RGB 55 245 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 246 54 shade: RGB 32 208 9, RGB 41 243 15, RGB 77 245 55, RGB 112 247 94 and RGB 147 249 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 246 54 shade: RGB 76 246 54, RGB 55 229 245 and RGB 245 55 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 246 54 shade: RGB 76 246 54, RGB 55 77 245 and RGB 245 55 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 246 54 shade: RGB 76 246 54, RGB 55 229 245, RGB 223 55 245 and RGB 245 71 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 246 54 shade: RGB 76 246 54, RGB 55 172 245, RGB 223 55 245 and RGB 245 128 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

Complementary color

CMYK 11 / 96 / 0 / 21

HEX #B309C9

RGB 179 9 201

HSL 293.13, 0.91%, 0.41%

LAB 44.23, 77.9, -56.8

 

CMYK 67 / 0 / 80 / 4

HEX #51F631

RGB 81 246 49

HSL 110.25, 0.92%, 0.58%

LAB 85.95, -74.66, 74.67

 

CMYK 62 / 0 / 73 / 0

HEX #62FF44

RGB 98 255 68

HSL 110.37, 1%, 0.63%

LAB 89.17, -72.98, 72.28

 

CMYK 55 / 0 / 66 / 0

HEX #73FF57

RGB 115 255 87

HSL 110, 1%, 0.67%

LAB 89.79, -67.6, 66.28

 

CMYK 48 / 0 / 58 / 0

HEX #84FF6A

RGB 132 255 106

HSL 109.53, 1%, 0.71%

LAB 90.54, -61.37, 59.5

 

CMYK 42 / 0 / 51 / 0

HEX #95FF7D

RGB 149 255 125

HSL 108.92, 1%, 0.75%

LAB 91.41, -54.42, 52.23

 

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

CMYK 74 / 0 / 85 / 11

HEX #3BE423

RGB 59 228 35

HSL 112.54, 0.78%, 0.52%

LAB 79.92, -73.58, 72.43

 

CMYK 80 / 0 / 92 / 18

HEX #2AD210

RGB 42 210 16

HSL 111.96, 0.86%, 0.44%

LAB 73.95, -71.26, 70.56

 

CMYK 87 / 0 / 100 / 25

HEX #19C000

RGB 25 192 0

HSL 112.19, 1%, 0.38%

LAB 67.95, -68.23, 67.38

 

CMYK 95 / 0 / 100 / 32

HEX #08AE00

RGB 8 174 0

HSL 117.24, 1%, 0.34%

LAB 61.93, -64.3, 62.51

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 48 / 0 / 78 / 4

HEX #80F537

RGB 128 245 55

HSL 96.95, 0.9%, 0.59%

LAB 87.08, -62.74, 74.59

 

CMYK 27 / 0 / 78 / 4

HEX #B3F537

RGB 179 245 55

HSL 80.84, 0.9%, 0.59%

LAB 89.47, -45.85, 77.67

 

CMYK 6 / 0 / 78 / 4

HEX #E7F537

RGB 231 245 55

HSL 64.42, 0.9%, 0.59%

LAB 92.83, -25.65, 81.96

 

CMYK 0 / 15 / 78 / 4

HEX #F5D037

RGB 245 208 55

HSL 48.32, 0.9%, 0.59%

LAB 84.38, -1.62, 74.81

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 78 / 0 / 66 / 4

HEX #37F554

RGB 55 245 84

HSL 129.16, 0.9%, 0.59%

LAB 85.38, -75.8, 62.28

 

CMYK 78 / 0 / 44 / 4

HEX #37F588

RGB 55 245 136

HSL 145.58, 0.9%, 0.59%

LAB 85.95, -68.96, 39.62

 

CMYK 78 / 0 / 24 / 4

HEX #37F5BB

RGB 55 245 187

HSL 161.68, 0.9%, 0.59%

LAB 86.85, -58.9, 15.03

 

CMYK 78 / 0 / 3 / 4

HEX #37F5EE

RGB 55 245 238

HSL 177.79, 0.9%, 0.59%

LAB 88.11, -46.03, -9.73

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 61 / 0 / 68 / 11

HEX #5AE448

RGB 90 228 72

HSL 113.08, 0.74%, 0.59%

LAB 80.81, -65.4, 62.25

 

CMYK 51 / 0 / 58 / 17

HEX #67D359

RGB 103 211 89

HSL 113.11, 0.58%, 0.59%

LAB 76.19, -54.33, 50.16

 

CMYK 40 / 0 / 45 / 24

HEX #74C26A

RGB 116 194 106

HSL 113.18, 0.42%, 0.59%

LAB 71.78, -41.4, 36.78

 

CMYK 27 / 0 / 31 / 31

HEX #81B17A

RGB 129 177 122

HSL 112.36, 0.26%, 0.59%

LAB 67.66, -26.79, 23.16

 

CMYK 27 / 0 / 78 / 4

HEX #B2F537

RGB 178 245 55

HSL 81.16, 0.9%, 0.59%

LAB 89.41, -46.22, 77.6

 

CMYK 48 / 0 / 78 / 4

HEX #80F537

RGB 128 245 55

HSL 96.95, 0.9%, 0.59%

LAB 87.08, -62.74, 74.59

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 78 / 0 / 66 / 4

HEX #37F553

RGB 55 245 83

HSL 128.84, 0.9%, 0.59%

LAB 85.37, -75.9, 62.67

 

CMYK 78 / 0 / 45 / 4

HEX #37F586

RGB 55 245 134

HSL 144.95, 0.9%, 0.59%

LAB 85.93, -69.28, 40.56

 

CMYK 85 / 0 / 96 / 18

HEX #20D009

RGB 32 208 9

HSL 113.07, 0.92%, 0.43%

LAB 73.18, -71.91, 70.67

 

CMYK 83 / 0 / 94 / 5

HEX #29F30F

RGB 41 243 15

HSL 113.16, 0.9%, 0.51%

LAB 84.28, -80.64, 79.24

 

CMYK 69 / 0 / 78 / 4

HEX #4DF537

RGB 77 245 55

HSL 113.05, 0.9%, 0.59%

LAB 85.58, -74.75, 72.64

 

CMYK 55 / 0 / 62 / 3

HEX #70F75E

RGB 112 247 94

HSL 112.94, 0.91%, 0.67%

LAB 87.38, -64.86, 60.8

 

CMYK 41 / 0 / 46 / 2

HEX #93F986

RGB 147 249 134

HSL 113.22, 0.91%, 0.75%

LAB 89.71, -51.44, 45.89

 

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

CMYK 78 / 7 / 0 / 4

HEX #37E5F5

RGB 55 229 245

HSL 185.05, 0.9%, 0.59%

LAB 83.68, -36.85, -20.06

 

CMYK 0 / 78 / 38 / 4

HEX #F53799

RGB 245 55 153

HSL 329.05, 0.9%, 0.59%

LAB 56.53, 76.41, -8.6

 

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

CMYK 78 / 69 / 0 / 4

HEX #374DF5

RGB 55 77 245

HSL 233.05, 0.9%, 0.59%

LAB 42.33, 49.47, -85.55

 

CMYK 0 / 78 / 69 / 4

HEX #F5374D

RGB 245 55 77

HSL 353.05, 0.9%, 0.59%

LAB 54.74, 70.9, 33.98

 

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

CMYK 78 / 7 / 0 / 4

HEX #37E5F5

RGB 55 229 245

HSL 185.05, 0.9%, 0.59%

LAB 83.68, -36.85, -20.06

 

CMYK 9 / 78 / 0 / 4

HEX #DF37F5

RGB 223 55 245

HSL 293.05, 0.9%, 0.59%

LAB 57.09, 83.91, -60.75

 

CMYK 0 / 71 / 78 / 4

HEX #F54737

RGB 245 71 55

HSL 5.05, 0.9%, 0.59%

LAB 56.28, 64.99, 47.91

 

CMYK 69 / 0 / 78 / 4

HEX #4CF636

RGB 76 246 54

HSL 113.13, 0.91%, 0.59%

LAB 85.86, -75.3, 73.19

 

CMYK 78 / 30 / 0 / 4

HEX #37ACF5

RGB 55 172 245

HSL 203.05, 0.9%, 0.59%

LAB 67.21, -7.92, -45.46

 

CMYK 9 / 78 / 0 / 4

HEX #DF37F5

RGB 223 55 245

HSL 293.05, 0.9%, 0.59%

LAB 57.09, 83.91, -60.75

 

CMYK 0 / 48 / 78 / 4

HEX #F58037

RGB 245 128 55

HSL 23.05, 0.9%, 0.59%

LAB 65.85, 39.96, 57.47

 

Description

Color code: RGB 76 246 54 | qconv.com Color code: RGB 76 246 54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 246 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 246 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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