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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 75 128 it is the complementary color RGB 177 180 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 75 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 75 128 shade: RGB 83 75 123, RGB 100 93 142, RGB 117 111 161, RGB 134 129 180 and RGB 151 147 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 75 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 61 57 109, RGB 44 39 90, RGB 27 21 71 and RGB 10 3 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 92 75 128, RGB 107 75 128, RGB 121 75 128 and RGB 128 75 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 75 128 shade: RGB 78 75 128 and RGB 75 75 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 75 128 shade matches the following richer shades: RGB 78 75 128, RGB 63 58 145, RGB 49 42 161, RGB 34 25 178 and RGB 19 9 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 93 91 112, RGB 107 108 95, RGB 122 124 79 and RGB 137 141 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 75 128 shade: RGB 75 101 128, RGB 75 86 128, RGB 78 75 128, RGB 92 75 128 and RGB 106 75 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 75 128 shade: RGB 46 44 76, RGB 62 60 102, RGB 78 75 128, RGB 94 90 154 and RGB 117 114 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 128 75 115 and RGB 94 128 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 128 78 75 and RGB 75 128 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 128 75 115, RGB 125 128 75 and RGB 75 128 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 75 128 shade: RGB 78 75 128, RGB 128 75 99, RGB 125 128 75 and RGB 75 128 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

Complementary color

CMYK 2 / 0 / 29 / 29

HEX #B1B47F

RGB 177 180 127

HSL 63.4, 0.26%, 0.6%

LAB 71.91, -9.66, 26.76

 

CMYK 33 / 39 / 0 / 52

HEX #534B7B

RGB 83 75 123

HSL 250, 0.24%, 0.39%

LAB 34.6, 15.21, -26.12

 

CMYK 30 / 35 / 0 / 44

HEX #645D8E

RGB 100 93 142

HSL 248.57, 0.21%, 0.46%

LAB 41.99, 14.45, -26.08

 

CMYK 27 / 31 / 0 / 37

HEX #756FA1

RGB 117 111 161

HSL 247.2, 0.21%, 0.53%

LAB 49.16, 13.8, -26.1

 

CMYK 26 / 28 / 0 / 29

HEX #8681B4

RGB 134 129 180

HSL 245.88, 0.25%, 0.61%

LAB 56.15, 13.24, -26.17

 

CMYK 24 / 26 / 0 / 22

HEX #9793C7

RGB 151 147 199

HSL 244.62, 0.32%, 0.68%

LAB 62.99, 12.75, -26.28

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 44 / 48 / 0 / 57

HEX #3D396D

RGB 61 57 109

HSL 244.62, 0.31%, 0.33%

LAB 26.8, 16.23, -29.76

 

CMYK 51 / 57 / 0 / 65

HEX #2C275A

RGB 44 39 90

HSL 245.88, 0.4%, 0.25%

LAB 18.91, 17.61, -30.08

 

CMYK 62 / 70 / 0 / 72

HEX #1B1547

RGB 27 21 71

HSL 247.2, 0.54%, 0.18%

LAB 10.74, 19.44, -30.43

 

CMYK 81 / 94 / 0 / 80

HEX #0A0334

RGB 10 3 52

HSL 248.57, 0.89%, 0.11%

LAB 3.41, 17.15, -28.77

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 28 / 41 / 0 / 50

HEX #5C4B80

RGB 92 75 128

HSL 259.25, 0.26%, 0.4%

LAB 35.72, 19.42, -27.4

 

CMYK 16 / 41 / 0 / 50

HEX #6B4B80

RGB 107 75 128

HSL 276.23, 0.26%, 0.4%

LAB 37.33, 24.24, -24.77

 

CMYK 5 / 41 / 0 / 50

HEX #794B80

RGB 121 75 128

HSL 292.08, 0.26%, 0.4%

LAB 38.99, 28.87, -22.05

 

CMYK 0 / 41 / 5 / 50

HEX #804B79

RGB 128 75 121

HSL 307.92, 0.26%, 0.4%

LAB 39.58, 29.83, -16.76

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 41 / 41 / 0 / 50

HEX #4B4B80

RGB 75 75 128

HSL 240, 0.26%, 0.4%

LAB 34.16, 14.3, -29.96

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 57 / 60 / 0 / 43

HEX #3F3A91

RGB 63 58 145

HSL 243.45, 0.43%, 0.4%

LAB 29.73, 27.99, -47.6

 

CMYK 70 / 74 / 0 / 37

HEX #312AA1

RGB 49 42 161

HSL 243.53, 0.59%, 0.4%

LAB 26.4, 41.1, -62.87

 

CMYK 81 / 86 / 0 / 30

HEX #2219B2

RGB 34 25 178

HSL 243.53, 0.75%, 0.4%

LAB 24.48, 53.78, -76.33

 

CMYK 90 / 95 / 0 / 24

HEX #1309C2

RGB 19 9 194

HSL 243.24, 0.91%, 0.4%

LAB 24.41, 62.66, -85.97

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 17 / 19 / 0 / 56

HEX #5D5B70

RGB 93 91 112

HSL 245.71, 0.1%, 0.4%

LAB 39.55, 5.56, -11.63

 

CMYK 1 / 0 / 12 / 58

HEX #6B6C5F

RGB 107 108 95

HSL 64.62, 0.06%, 0.4%

LAB 45.19, -2.92, 7.15

 

CMYK 2 / 0 / 36 / 51

HEX #7A7C4F

RGB 122 124 79

HSL 62.67, 0.22%, 0.4%

LAB 50.82, -8.3, 24.35

 

CMYK 3 / 0 / 56 / 45

HEX #898D3E

RGB 137 141 62

HSL 63.04, 0.39%, 0.4%

LAB 56.8, -12.9, 40.93

 

CMYK 41 / 21 / 0 / 50

HEX #4B6580

RGB 75 101 128

HSL 210.57, 0.26%, 0.4%

LAB 41.79, -2.12, -18.09

 

CMYK 41 / 33 / 0 / 50

HEX #4B5680

RGB 75 86 128

HSL 227.55, 0.26%, 0.4%

LAB 37.32, 7.21, -25.01

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 28 / 41 / 0 / 50

HEX #5C4B80

RGB 92 75 128

HSL 259.25, 0.26%, 0.4%

LAB 35.72, 19.42, -27.4

 

CMYK 17 / 41 / 0 / 50

HEX #6A4B80

RGB 106 75 128

HSL 275.09, 0.26%, 0.4%

LAB 37.22, 23.91, -24.95

 

CMYK 39 / 42 / 0 / 70

HEX #2E2C4C

RGB 46 44 76

HSL 243.75, 0.27%, 0.24%

LAB 19.66, 9.95, -19.49

 

CMYK 39 / 41 / 0 / 60

HEX #3E3C66

RGB 62 60 102

HSL 242.86, 0.26%, 0.32%

LAB 27.34, 12.29, -24.41

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 39 / 42 / 0 / 40

HEX #5E5A9A

RGB 94 90 154

HSL 243.75, 0.26%, 0.48%

LAB 41.26, 17.92, -34.46

 

CMYK 32 / 34 / 0 / 33

HEX #7572AC

RGB 117 114 172

HSL 243.1, 0.26%, 0.56%

LAB 50.45, 14.9, -30.52

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 0 / 41 / 10 / 50

HEX #804B73

RGB 128 75 115

HSL 314.72, 0.26%, 0.4%

LAB 39.34, 28.7, -13.43

 

CMYK 27 / 0 / 41 / 50

HEX #5E804B

RGB 94 128 75

HSL 98.49, 0.26%, 0.4%

LAB 49.89, -22.45, 24.97

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 0 / 39 / 41 / 50

HEX #804E4B

RGB 128 78 75

HSL 3.4, 0.26%, 0.4%

LAB 38.81, 20.7, 10.68

 

CMYK 41 / 0 / 39 / 50

HEX #4B804E

RGB 75 128 78

HSL 123.4, 0.26%, 0.4%

LAB 48.86, -28.78, 21.75

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 0 / 41 / 10 / 50

HEX #804B73

RGB 128 75 115

HSL 314.72, 0.26%, 0.4%

LAB 39.34, 28.7, -13.43

 

CMYK 2 / 0 / 41 / 50

HEX #7D804B

RGB 125 128 75

HSL 63.4, 0.26%, 0.4%

LAB 52.18, -9.73, 28.36

 

CMYK 41 / 0 / 31 / 50

HEX #4B8058

RGB 75 128 88

HSL 134.72, 0.26%, 0.4%

LAB 49.06, -26.94, 16.32

 

CMYK 39 / 41 / 0 / 50

HEX #4E4B80

RGB 78 75 128

HSL 243.4, 0.26%, 0.4%

LAB 34.42, 15.17, -29.54

 

CMYK 0 / 41 / 23 / 50

HEX #804B63

RGB 128 75 99

HSL 332.83, 0.26%, 0.4%

LAB 38.76, 25.92, -4.35

 

CMYK 2 / 0 / 41 / 50

HEX #7D804B

RGB 125 128 75

HSL 63.4, 0.26%, 0.4%

LAB 52.18, -9.73, 28.36

 

CMYK 41 / 0 / 19 / 50

HEX #4B8068

RGB 75 128 104

HSL 152.83, 0.26%, 0.4%

LAB 49.42, -23.56, 7.54

 

Description

Color code: RGB 78 75 128 | qconv.com Color code: RGB 78 75 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 75 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 75 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 41 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 41% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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