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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 118 97 it is the complementary color RGB 177 137 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 118 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 118 97 shade: RGB 83 118 92, RGB 100 136 111, RGB 117 154 130, RGB 134 172 149 and RGB 151 190 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 118 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 118 97 shade: RGB 78 118 97, RGB 61 100 78, RGB 44 82 59, RGB 27 64 40 and RGB 10 46 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 118 97 shade: RGB 77 116 95, RGB 77 116 85, RGB 80 116 77, RGB 90 116 77 and RGB 100 116 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 118 97 shade: RGB 77 116 95, RGB 77 116 106, RGB 77 115 116, RGB 77 105 116 and RGB 77 94 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 118 97 shade matches the following richer shades: RGB 77 116 95, RGB 61 131 95, RGB 46 147 94, RGB 30 163 93 and RGB 14 178 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 118 97 shade: RGB 77 116 95, RGB 93 100 96, RGB 108 84 97, RGB 124 69 98 and RGB 140 53 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 118 97 shade: RGB 80 116 77, RGB 77 116 85, RGB 77 116 95, RGB 77 116 105 and RGB 77 116 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 118 97 shade: RGB 44 66 55, RGB 61 91 75, RGB 77 116 95, RGB 94 141 116 and RGB 114 161 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 118 97 shade: RGB 78 118 97, RGB 77 90 116 and RGB 116 80 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 118 97 shade: RGB 78 118 97, RGB 95 77 116 and RGB 116 95 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 118 97 shade: RGB 78 118 97, RGB 77 90 116, RGB 116 77 98 and RGB 116 103 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 118 97 shade: RGB 78 118 97, RGB 77 78 116, RGB 116 77 98 and RGB 116 114 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

Complementary color

CMYK 0 / 23 / 11 / 31

HEX #B1899E

RGB 177 137 158

HSL 328.5, 0.2%, 0.62%

LAB 61.4, 18.68, -5.27

 

CMYK 30 / 0 / 22 / 54

HEX #53765C

RGB 83 118 92

HSL 135.43, 0.17%, 0.39%

LAB 46.4, -18.3, 10.39

 

CMYK 26 / 0 / 18 / 47

HEX #64886F

RGB 100 136 111

HSL 138.33, 0.15%, 0.46%

LAB 53.46, -18.06, 9.4

 

CMYK 24 / 0 / 16 / 40

HEX #759A82

RGB 117 154 130

HSL 141.08, 0.15%, 0.53%

LAB 60.34, -17.84, 8.49

 

CMYK 22 / 0 / 13 / 33

HEX #86AC95

RGB 134 172 149

HSL 143.68, 0.19%, 0.6%

LAB 67.08, -17.65, 7.64

 

CMYK 21 / 0 / 12 / 25

HEX #97BEA8

RGB 151 190 168

HSL 146.15, 0.23%, 0.67%

LAB 73.7, -17.5, 6.84

 

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

CMYK 39 / 0 / 22 / 61

HEX #3D644E

RGB 61 100 78

HSL 146.15, 0.24%, 0.32%

LAB 39, -19.24, 8.18

 

CMYK 46 / 0 / 28 / 68

HEX #2C523B

RGB 44 82 59

HSL 143.68, 0.3%, 0.25%

LAB 31.55, -19.54, 9.36

 

CMYK 58 / 0 / 38 / 75

HEX #1B4028

RGB 27 64 40

HSL 141.08, 0.41%, 0.18%

LAB 23.85, -19.79, 10.75

 

CMYK 78 / 0 / 54 / 82

HEX #0A2E15

RGB 10 46 21

HSL 138.33, 0.64%, 0.11%

LAB 15.86, -19.72, 12.44

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 34 / 0 / 27 / 55

HEX #4D7455

RGB 77 116 85

HSL 132.31, 0.2%, 0.38%

LAB 45.25, -20.77, 12.86

 

CMYK 31 / 0 / 34 / 55

HEX #50744D

RGB 80 116 77

HSL 115.38, 0.2%, 0.38%

LAB 45.27, -21.2, 17.58

 

CMYK 22 / 0 / 34 / 55

HEX #5A744D

RGB 90 116 77

HSL 100, 0.2%, 0.38%

LAB 45.91, -17.4, 18.55

 

CMYK 14 / 0 / 34 / 55

HEX #64744D

RGB 100 116 77

HSL 84.62, 0.2%, 0.38%

LAB 46.63, -13.38, 19.64

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 34 / 0 / 9 / 55

HEX #4D746A

RGB 77 116 106

HSL 164.62, 0.2%, 0.38%

LAB 45.78, -16.12, 1.15

 

CMYK 34 / 1 / 0 / 55

HEX #4D7374

RGB 77 115 116

HSL 181.54, 0.2%, 0.38%

LAB 45.77, -13.05, -4.84

 

CMYK 34 / 9 / 0 / 55

HEX #4D6974

RGB 77 105 116

HSL 196.92, 0.2%, 0.38%

LAB 42.68, -7.31, -9.46

 

CMYK 34 / 19 / 0 / 55

HEX #4D5E74

RGB 77 94 116

HSL 213.85, 0.2%, 0.38%

LAB 39.32, -0.71, -14.55

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 53 / 0 / 27 / 49

HEX #3D835F

RGB 61 131 95

HSL 149.14, 0.36%, 0.38%

LAB 49.56, -31.01, 12.88

 

CMYK 69 / 0 / 36 / 42

HEX #2E935E

RGB 46 147 94

HSL 148.51, 0.52%, 0.38%

LAB 54.3, -41.61, 19.85

 

CMYK 82 / 0 / 43 / 36

HEX #1EA35D

RGB 30 163 93

HSL 148.42, 0.69%, 0.38%

LAB 59.21, -50.4, 26.86

 

CMYK 92 / 0 / 48 / 30

HEX #0EB25C

RGB 14 178 92

HSL 148.54, 0.85%, 0.38%

LAB 63.92, -57.19, 33.4

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 7 / 0 / 4 / 61

HEX #5D6460

RGB 93 100 96

HSL 145.71, 0.04%, 0.38%

LAB 41.67, -3.56, 1.33

 

CMYK 0 / 22 / 10 / 58

HEX #6C5461

RGB 108 84 97

HSL 327.5, 0.13%, 0.38%

LAB 38.54, 12.32, -3.71

 

CMYK 0 / 44 / 21 / 51

HEX #7C4562

RGB 124 69 98

HSL 328.36, 0.28%, 0.38%

LAB 36.79, 27.72, -6.73

 

CMYK 0 / 62 / 29 / 45

HEX #8C3563

RGB 140 53 99

HSL 328.28, 0.45%, 0.38%

LAB 36.03, 41.92, -8.25

 

CMYK 31 / 0 / 34 / 55

HEX #50744D

RGB 80 116 77

HSL 115.38, 0.2%, 0.38%

LAB 45.27, -21.2, 17.58

 

CMYK 34 / 0 / 27 / 55

HEX #4D7455

RGB 77 116 85

HSL 132.31, 0.2%, 0.38%

LAB 45.25, -20.77, 12.86

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 34 / 0 / 9 / 55

HEX #4D7469

RGB 77 116 105

HSL 163.08, 0.2%, 0.38%

LAB 45.76, -16.36, 1.71

 

CMYK 34 / 0 / 0 / 55

HEX #4D7474

RGB 77 116 116

HSL 180, 0.2%, 0.38%

LAB 46.08, -13.61, -4.38

 

CMYK 33 / 0 / 17 / 74

HEX #2C4237

RGB 44 66 55

HSL 150, 0.2%, 0.22%

LAB 25.89, -11.44, 3.95

 

CMYK 33 / 0 / 18 / 64

HEX #3D5B4B

RGB 61 91 75

HSL 148, 0.2%, 0.3%

LAB 35.95, -14.98, 5.72

 

CMYK 34 / 0 / 18 / 55

HEX #4D745F

RGB 77 116 95

HSL 147.69, 0.2%, 0.38%

LAB 45.49, -18.67, 7.28

 

CMYK 33 / 0 / 18 / 45

HEX #5E8D74

RGB 94 141 116

HSL 148.09, 0.2%, 0.46%

LAB 54.75, -21.64, 8.31

 

CMYK 29 / 0 / 16 / 37

HEX #72A188

RGB 114 161 136

HSL 148.09, 0.2%, 0.54%

LAB 62.38, -21.24, 7.99

 

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

CMYK 34 / 22 / 0 / 55

HEX #4D5A74

RGB 77 90 116

HSL 220, 0.2%, 0.38%

LAB 38.11, 1.77, -16.39

 

CMYK 0 / 31 / 34 / 55

HEX #74504D

RGB 116 80 77

HSL 4.62, 0.2%, 0.38%

LAB 37.82, 14.69, 7.83

 

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

CMYK 18 / 34 / 0 / 55

HEX #5F4D74

RGB 95 77 116

HSL 267.69, 0.2%, 0.38%

LAB 35.99, 16.02, -19.53

 

CMYK 0 / 18 / 34 / 55

HEX #745F4D

RGB 116 95 77

HSL 27.69, 0.2%, 0.38%

LAB 41.9, 5.62, 13.5

 

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

CMYK 34 / 22 / 0 / 55

HEX #4D5A74

RGB 77 90 116

HSL 220, 0.2%, 0.38%

LAB 38.11, 1.77, -16.39

 

CMYK 0 / 34 / 16 / 55

HEX #744D62

RGB 116 77 98

HSL 327.69, 0.2%, 0.38%

LAB 37.67, 19.93, -5.52

 

CMYK 0 / 11 / 34 / 55

HEX #74674D

RGB 116 103 77

HSL 40, 0.2%, 0.38%

LAB 44.16, 0.87, 16.58

 

CMYK 34 / 0 / 18 / 54

HEX #4E7661

RGB 78 118 97

HSL 148.5, 0.2%, 0.38%

LAB 46.23, -18.96, 7.15

 

CMYK 34 / 33 / 0 / 55

HEX #4D4E74

RGB 77 78 116

HSL 238.46, 0.2%, 0.38%

LAB 34.57, 9.37, -21.86

 

CMYK 0 / 34 / 16 / 55

HEX #744D62

RGB 116 77 98

HSL 327.69, 0.2%, 0.38%

LAB 37.67, 19.93, -5.52

 

CMYK 0 / 2 / 34 / 55

HEX #74724D

RGB 116 114 77

HSL 56.92, 0.2%, 0.38%

LAB 47.34, -5.51, 20.83

 

Description

Color code: RGB 78 118 97 | qconv.com Color code: RGB 78 118 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 118 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 118 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 18 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 18% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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