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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 122 45 it is the complementary color RGB 177 133 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 122 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 122 45 shade: RGB 83 122 40, RGB 100 140 59, RGB 117 158 78, RGB 134 176 97 and RGB 151 194 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 122 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 61 104 26, RGB 44 86 7, RGB 27 68 0 and RGB 10 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 99 122 45, RGB 120 122 45, RGB 122 104 45 and RGB 122 83 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 57 122 45, RGB 45 122 54, RGB 45 122 74 and RGB 45 122 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 122 45 shade matches the following richer shades: RGB 78 122 45, RGB 76 136 31, RGB 74 150 18 and RGB 72 163 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 80 109 59, RGB 82 95 72, RGB 84 82 86 and RGB 86 68 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 122 45 shade: RGB 120 122 45, RGB 99 122 45, RGB 78 122 45, RGB 58 122 45 and RGB 45 122 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 122 45 shade: RGB 40 62 23, RGB 59 92 34, RGB 78 122 45, RGB 97 152 56 and RGB 117 183 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 45 122 104 and RGB 122 45 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 45 78 122 and RGB 122 45 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 45 122 104, RGB 89 45 122 and RGB 122 45 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 122 45 shade: RGB 78 122 45, RGB 45 117 122, RGB 89 45 122 and RGB 122 50 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

Complementary color

CMYK 16 / 37 / 0 / 18

HEX #B185D2

RGB 177 133 210

HSL 274.29, 0.46%, 0.67%

LAB 62.32, 31.26, -33.29

 

CMYK 32 / 0 / 67 / 52

HEX #537A28

RGB 83 122 40

HSL 88.54, 0.51%, 0.32%

LAB 46.86, -27.94, 39.21

 

CMYK 29 / 0 / 58 / 45

HEX #648C3B

RGB 100 140 59

HSL 89.63, 0.41%, 0.39%

LAB 53.79, -28.12, 38.24

 

CMYK 26 / 0 / 51 / 38

HEX #759E4E

RGB 117 158 78

HSL 90.75, 0.34%, 0.46%

LAB 60.59, -28.16, 37.08

 

CMYK 24 / 0 / 45 / 31

HEX #86B061

RGB 134 176 97

HSL 91.9, 0.33%, 0.54%

LAB 67.26, -28.14, 35.87

 

CMYK 22 / 0 / 40 / 24

HEX #97C274

RGB 151 194 116

HSL 93.08, 0.39%, 0.61%

LAB 73.82, -28.07, 34.68

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 41 / 0 / 75 / 59

HEX #3D681A

RGB 61 104 26

HSL 93.08, 0.6%, 0.25%

LAB 39.53, -29.14, 37.25

 

CMYK 49 / 0 / 92 / 66

HEX #2C5607

RGB 44 86 7

HSL 91.9, 0.85%, 0.18%

LAB 32.27, -28.47, 36.83

 

CMYK 60 / 0 / 100 / 73

HEX #1B4400

RGB 27 68 0

HSL 96.18, 1%, 0.13%

LAB 24.85, -27, 32.69

 

CMYK 80 / 0 / 100 / 80

HEX #0A3200

RGB 10 50 0

HSL 108, 1%, 0.1%

LAB 17.21, -24.61, 24.14

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 19 / 0 / 63 / 52

HEX #637A2D

RGB 99 122 45

HSL 77.92, 0.46%, 0.33%

LAB 47.96, -20.88, 38.39

 

CMYK 2 / 0 / 63 / 52

HEX #787A2D

RGB 120 122 45

HSL 61.56, 0.46%, 0.33%

LAB 49.62, -11.57, 40.68

 

CMYK 0 / 15 / 63 / 52

HEX #7A682D

RGB 122 104 45

HSL 45.97, 0.46%, 0.33%

LAB 44.56, -0.47, 35.16

 

CMYK 0 / 32 / 63 / 52

HEX #7A532D

RGB 122 83 45

HSL 29.61, 0.46%, 0.33%

LAB 38.75, 11.98, 28.46

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 53 / 0 / 63 / 52

HEX #397A2D

RGB 57 122 45

HSL 110.65, 0.46%, 0.33%

LAB 45.6, -36.63, 35.11

 

CMYK 63 / 0 / 56 / 52

HEX #2D7A36

RGB 45 122 54

HSL 127.01, 0.46%, 0.33%

LAB 45.28, -38.74, 30.07

 

CMYK 63 / 0 / 39 / 52

HEX #2D7A4A

RGB 45 122 74

HSL 142.6, 0.46%, 0.33%

LAB 45.59, -35.28, 19.47

 

CMYK 63 / 0 / 22 / 52

HEX #2D7A5F

RGB 45 122 95

HSL 158.96, 0.46%, 0.33%

LAB 46.05, -30.56, 7.87

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 44 / 0 / 77 / 47

HEX #4C881F

RGB 76 136 31

HSL 94.29, 0.63%, 0.33%

LAB 50.97, -37.61, 46.96

 

CMYK 51 / 0 / 88 / 41

HEX #4A9612

RGB 74 150 18

HSL 94.55, 0.79%, 0.33%

LAB 55.39, -44.68, 54.76

 

CMYK 56 / 0 / 98 / 36

HEX #48A304

RGB 72 163 4

HSL 94.34, 0.95%, 0.33%

LAB 59.51, -50.59, 60.5

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 27 / 0 / 46 / 57

HEX #506D3B

RGB 80 109 59

HSL 94.8, 0.3%, 0.33%

LAB 42.7, -20.44, 24.54

 

CMYK 14 / 0 / 24 / 63

HEX #525F48

RGB 82 95 72

HSL 93.91, 0.14%, 0.33%

LAB 38.63, -9.79, 11.53

 

CMYK 2 / 5 / 0 / 66

HEX #545256

RGB 84 82 86

HSL 270, 0.02%, 0.33%

LAB 35.19, 1.68, -2.05

 

CMYK 13 / 31 / 0 / 61

HEX #564463

RGB 86 68 99

HSL 274.84, 0.19%, 0.33%

LAB 31.84, 14.35, -15.31

 

CMYK 2 / 0 / 63 / 52

HEX #787A2D

RGB 120 122 45

HSL 61.56, 0.46%, 0.33%

LAB 49.62, -11.57, 40.68

 

CMYK 19 / 0 / 63 / 52

HEX #637A2D

RGB 99 122 45

HSL 77.92, 0.46%, 0.33%

LAB 47.96, -20.88, 38.39

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 52 / 0 / 63 / 52

HEX #3A7A2D

RGB 58 122 45

HSL 109.87, 0.46%, 0.33%

LAB 45.65, -36.32, 35.17

 

CMYK 63 / 0 / 57 / 52

HEX #2D7A35

RGB 45 122 53

HSL 126.23, 0.46%, 0.33%

LAB 45.27, -38.88, 30.58

 

CMYK 35 / 0 / 63 / 76

HEX #283E17

RGB 40 62 23

HSL 93.85, 0.46%, 0.17%

LAB 23.53, -16.86, 20.98

 

CMYK 36 / 0 / 63 / 64

HEX #3B5C22

RGB 59 92 34

HSL 94.14, 0.46%, 0.25%

LAB 35.4, -23.36, 29.03

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 36 / 0 / 63 / 40

HEX #619838

RGB 97 152 56

HSL 94.38, 0.46%, 0.41%

LAB 57.35, -35.16, 43.64

 

CMYK 36 / 0 / 63 / 28

HEX #75B743

RGB 117 183 67

HSL 94.14, 0.46%, 0.49%

LAB 68.06, -40.77, 50.88

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 63 / 0 / 15 / 52

HEX #2D7A68

RGB 45 122 104

HSL 165.97, 0.46%, 0.33%

LAB 46.28, -28.23, 2.89

 

CMYK 0 / 63 / 11 / 52

HEX #7A2D6D

RGB 122 45 109

HSL 310.13, 0.46%, 0.33%

LAB 32.08, 41.68, -20.92

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 63 / 36 / 0 / 52

HEX #2D4E7A

RGB 45 78 122

HSL 214.29, 0.46%, 0.33%

LAB 32.73, 2.7, -28.64

 

CMYK 0 / 63 / 36 / 52

HEX #7A2D4E

RGB 122 45 78

HSL 334.29, 0.46%, 0.33%

LAB 30.79, 36.99, -2.84

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 63 / 0 / 15 / 52

HEX #2D7A68

RGB 45 122 104

HSL 165.97, 0.46%, 0.33%

LAB 46.28, -28.23, 2.89

 

CMYK 27 / 63 / 0 / 52

HEX #592D7A

RGB 89 45 122

HSL 274.29, 0.46%, 0.33%

LAB 27.86, 35.16, -36.15

 

CMYK 0 / 63 / 48 / 52

HEX #7A2D3F

RGB 122 45 63

HSL 345.97, 0.46%, 0.33%

LAB 30.34, 35.23, 6.35

 

CMYK 36 / 0 / 63 / 52

HEX #4E7A2D

RGB 78 122 45

HSL 94.29, 0.46%, 0.33%

LAB 46.62, -29.41, 36.52

 

CMYK 63 / 4 / 0 / 52

HEX #2D757A

RGB 45 117 122

HSL 183.9, 0.46%, 0.33%

LAB 45.2, -20.46, -9.43

 

CMYK 27 / 63 / 0 / 52

HEX #592D7A

RGB 89 45 122

HSL 274.29, 0.46%, 0.33%

LAB 27.86, 35.16, -36.15

 

CMYK 0 / 59 / 63 / 52

HEX #7A322D

RGB 122 50 45

HSL 3.9, 0.46%, 0.33%

LAB 30.9, 31.03, 18.82

 

Description

Color code: RGB 78 122 45 | qconv.com Color code: RGB 78 122 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 122 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 122 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 63 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 63% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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