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Color name
RGB 78 146 49

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 146 49 it is the complementary color RGB 177 109 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 146 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 146 49 shade: RGB 83 146 44, RGB 100 164 63, RGB 117 182 82, RGB 134 200 101 and RGB 151 218 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 146 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 146 49 shade: RGB 78 146 49, RGB 61 128 30, RGB 44 110 11, RGB 27 92 0 and RGB 10 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 146 49 shade: RGB 77 145 48, RGB 103 145 48, RGB 129 145 48, RGB 145 134 48 and RGB 145 108 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 146 49 shade: RGB 77 145 48, RGB 51 145 48, RGB 48 145 71, RGB 48 145 97 and RGB 48 145 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 146 49 shade matches the following richer shades: RGB 77 145 48, RGB 71 161 32, RGB 64 176 17 and RGB 58 192 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 146 49 shade: RGB 77 145 48, RGB 83 129 64, RGB 90 113 79, RGB 96 98 95 and RGB 102 82 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 146 49 shade: RGB 129 145 48, RGB 103 145 48, RGB 77 145 48, RGB 51 145 48 and RGB 48 145 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 146 49 shade: RGB 44 83 27, RGB 60 114 38, RGB 77 145 48, RGB 93 176 58 and RGB 114 196 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 146 49 shade: RGB 78 146 49, RGB 48 145 135 and RGB 145 48 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 146 49 shade: RGB 78 146 49, RGB 48 77 145 and RGB 145 48 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 146 49 shade: RGB 78 146 49, RGB 48 145 135, RGB 116 48 145 and RGB 145 48 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 146 49 shade: RGB 78 146 49, RGB 48 125 145, RGB 116 48 145 and RGB 145 67 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

Complementary color

CMYK 14 / 47 / 0 / 19

HEX #B16DCE

RGB 177 109 206

HSL 282.06, 0.5%, 0.62%

LAB 56.82, 43.61, -39.62

 

CMYK 43 / 0 / 70 / 43

HEX #53922C

RGB 83 146 44

HSL 97.06, 0.54%, 0.37%

LAB 54.64, -38.53, 45.73

 

CMYK 39 / 0 / 62 / 36

HEX #64A43F

RGB 100 164 63

HSL 98.02, 0.44%, 0.45%

LAB 61.32, -38.76, 44.94

 

CMYK 36 / 0 / 55 / 29

HEX #75B652

RGB 117 182 82

HSL 99, 0.41%, 0.52%

LAB 67.91, -38.82, 43.87

 

CMYK 33 / 0 / 50 / 22

HEX #86C865

RGB 134 200 101

HSL 100, 0.47%, 0.59%

LAB 74.39, -38.79, 42.7

 

CMYK 31 / 0 / 45 / 15

HEX #97DA78

RGB 151 218 120

HSL 101.02, 0.57%, 0.66%

LAB 80.78, -38.69, 41.52

 

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

CMYK 52 / 0 / 77 / 50

HEX #3D801E

RGB 61 128 30

HSL 101.02, 0.62%, 0.31%

LAB 47.65, -39.3, 43.84

 

CMYK 60 / 0 / 90 / 57

HEX #2C6E0B

RGB 44 110 11

HSL 100, 0.82%, 0.24%

LAB 40.75, -38.34, 43.17

 

CMYK 71 / 0 / 100 / 64

HEX #1B5C00

RGB 27 92 0

HSL 102.39, 1%, 0.18%

LAB 33.75, -36.55, 40.1

 

CMYK 86 / 0 / 100 / 71

HEX #0A4A00

RGB 10 74 0

HSL 111.89, 1%, 0.15%

LAB 26.63, -33.59, 34.15

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 29 / 0 / 67 / 43

HEX #679130

RGB 103 145 48

HSL 85.98, 0.5%, 0.38%

LAB 55.43, -30.36, 45.2

 

CMYK 11 / 0 / 67 / 43

HEX #819130

RGB 129 145 48

HSL 69.9, 0.5%, 0.38%

LAB 57.2, -19.57, 47.62

 

CMYK 0 / 8 / 67 / 43

HEX #918630

RGB 145 134 48

HSL 53.2, 0.5%, 0.38%

LAB 55.36, -6.6, 46.11

 

CMYK 0 / 26 / 67 / 43

HEX #916C30

RGB 145 108 48

HSL 37.11, 0.5%, 0.38%

LAB 48.21, 8.09, 38.4

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 65 / 0 / 67 / 43

HEX #339130

RGB 51 145 48

HSL 118.14, 0.5%, 0.38%

LAB 53.13, -46.99, 42.05

 

CMYK 67 / 0 / 51 / 43

HEX #309147

RGB 48 145 71

HSL 134.23, 0.5%, 0.38%

LAB 53.31, -44.62, 31.05

 

CMYK 67 / 0 / 33 / 43

HEX #309161

RGB 48 145 97

HSL 150.31, 0.5%, 0.38%

LAB 53.75, -39.77, 17.44

 

CMYK 67 / 0 / 15 / 43

HEX #30917B

RGB 48 145 123

HSL 166.39, 0.5%, 0.38%

LAB 54.35, -33.53, 3.48

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 56 / 0 / 80 / 37

HEX #47A120

RGB 71 161 32

HSL 101.86, 0.67%, 0.38%

LAB 58.91, -49.12, 54.16

 

CMYK 64 / 0 / 90 / 31

HEX #40B011

RGB 64 176 17

HSL 102.26, 0.82%, 0.38%

LAB 63.49, -56.89, 61.77

 

CMYK 70 / 0 / 99 / 25

HEX #3AC001

RGB 58 192 1

HSL 102.09, 0.99%, 0.38%

LAB 68.46, -63.72, 67.89

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 36 / 0 / 50 / 49

HEX #538140

RGB 83 129 64

HSL 102.46, 0.34%, 0.38%

LAB 49.39, -28.64, 30.18

 

CMYK 20 / 0 / 30 / 56

HEX #5A714F

RGB 90 113 79

HSL 100.59, 0.18%, 0.38%

LAB 45.01, -15.44, 16.18

 

CMYK 2 / 0 / 3 / 62

HEX #60625F

RGB 96 98 95

HSL 100, 0.02%, 0.38%

LAB 41.29, -1.41, 1.43

 

CMYK 8 / 26 / 0 / 56

HEX #66526F

RGB 102 82 111

HSL 281.38, 0.15%, 0.38%

LAB 37.86, 14.2, -13.5

 

CMYK 11 / 0 / 67 / 43

HEX #819130

RGB 129 145 48

HSL 69.9, 0.5%, 0.38%

LAB 57.2, -19.57, 47.62

 

CMYK 29 / 0 / 67 / 43

HEX #679130

RGB 103 145 48

HSL 85.98, 0.5%, 0.38%

LAB 55.43, -30.36, 45.2

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 65 / 0 / 67 / 43

HEX #339130

RGB 51 145 48

HSL 118.14, 0.5%, 0.38%

LAB 53.13, -46.99, 42.05

 

CMYK 67 / 0 / 51 / 43

HEX #309147

RGB 48 145 71

HSL 134.23, 0.5%, 0.38%

LAB 53.31, -44.62, 31.05

 

CMYK 47 / 0 / 67 / 67

HEX #2C531B

RGB 44 83 27

HSL 101.79, 0.51%, 0.22%

LAB 31.35, -25.52, 27.82

 

CMYK 47 / 0 / 67 / 55

HEX #3C7226

RGB 60 114 38

HSL 102.63, 0.5%, 0.3%

LAB 42.97, -32.96, 35.54

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 47 / 0 / 67 / 31

HEX #5DB03A

RGB 93 176 58

HSL 102.2, 0.5%, 0.46%

LAB 64.71, -46.57, 50.74

 

CMYK 42 / 0 / 60 / 23

HEX #72C44F

RGB 114 196 79

HSL 102.05, 0.5%, 0.54%

LAB 71.97, -46.15, 49.93

 

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

CMYK 67 / 0 / 7 / 43

HEX #309187

RGB 48 145 135

HSL 173.81, 0.5%, 0.38%

LAB 54.69, -30.25, -2.93

 

CMYK 0 / 67 / 20 / 43

HEX #913074

RGB 145 48 116

HSL 317.94, 0.5%, 0.38%

LAB 36.73, 48.12, -17.82

 

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

CMYK 67 / 47 / 0 / 43

HEX #304D91

RGB 48 77 145

HSL 222.06, 0.5%, 0.38%

LAB 33.94, 12.49, -40.86

 

CMYK 0 / 67 / 47 / 43

HEX #91304D

RGB 145 48 77

HSL 342.06, 0.5%, 0.38%

LAB 35.34, 43.23, 4.92

 

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

CMYK 67 / 0 / 7 / 43

HEX #309187

RGB 48 145 135

HSL 173.81, 0.5%, 0.38%

LAB 54.69, -30.25, -2.93

 

CMYK 20 / 67 / 0 / 43

HEX #743091

RGB 116 48 145

HSL 282.06, 0.5%, 0.38%

LAB 33.71, 45.76, -40.87

 

CMYK 0 / 67 / 60 / 43

HEX #91303A

RGB 145 48 58

HSL 353.81, 0.5%, 0.38%

LAB 34.88, 41.55, 16.49

 

CMYK 47 / 0 / 66 / 43

HEX #4E9231

RGB 78 146 49

HSL 102.06, 0.5%, 0.38%

LAB 54.45, -39.75, 43.33

 

CMYK 67 / 14 / 0 / 43

HEX #307D91

RGB 48 125 145

HSL 192.37, 0.5%, 0.38%

LAB 48.69, -16.89, -17.76

 

CMYK 20 / 67 / 0 / 43

HEX #743091

RGB 116 48 145

HSL 282.06, 0.5%, 0.38%

LAB 33.71, 45.76, -40.87

 

CMYK 0 / 54 / 67 / 43

HEX #914330

RGB 145 67 48

HSL 11.75, 0.5%, 0.38%

LAB 38.28, 31.44, 26.97

 

Description

Color code: RGB 78 146 49 | qconv.com Color code: RGB 78 146 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 146 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 146 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 66 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 66% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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