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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 160 85 it is the complementary color RGB 177 95 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 160 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 160 85 shade: RGB 83 160 80, RGB 100 178 99, RGB 117 196 118, RGB 134 214 137 and RGB 151 232 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 160 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 160 85 shade: RGB 78 160 85, RGB 61 142 66, RGB 44 124 47, RGB 27 106 28 and RGB 10 88 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 160 85 shade: RGB 79 160 86, RGB 94 160 79, RGB 116 160 79, RGB 138 160 79 and RGB 160 160 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 160 85 shade: RGB 79 160 86, RGB 79 160 108, RGB 79 160 130, RGB 79 160 151 and RGB 79 147 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 160 85 shade matches the following richer shades: RGB 79 160 86, RGB 59 179 69, RGB 40 199 53, RGB 20 218 37 and RGB 1 238 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 160 85 shade: RGB 79 160 86, RGB 98 141 102, RGB 117 121 118, RGB 137 102 134 and RGB 156 83 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 160 85 shade: RGB 115 160 79, RGB 94 160 79, RGB 79 160 85, RGB 79 160 107 and RGB 79 160 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 160 85 shade: RGB 51 105 56, RGB 65 132 71, RGB 79 160 86, RGB 101 179 108 and RGB 129 193 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 160 85 shade: RGB 78 160 85, RGB 79 137 160 and RGB 160 79 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 160 85 shade: RGB 78 160 85, RGB 85 79 160 and RGB 160 85 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 160 85 shade: RGB 78 160 85, RGB 79 137 160, RGB 160 79 153 and RGB 160 102 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 160 85 shade: RGB 78 160 85, RGB 79 113 160, RGB 160 79 153 and RGB 160 126 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

Complementary color

CMYK 0 / 46 / 4 / 31

HEX #B15FAA

RGB 177 95 170

HSL 305.12, 0.34%, 0.53%

LAB 52.32, 43.95, -25.94

 

CMYK 48 / 0 / 50 / 37

HEX #53A050

RGB 83 160 80

HSL 117.75, 0.33%, 0.47%

LAB 59.49, -40.47, 34.31

 

CMYK 44 / 0 / 44 / 30

HEX #64B263

RGB 100 178 99

HSL 119.24, 0.34%, 0.54%

LAB 66.1, -40.37, 32.99

 

CMYK 40 / 0 / 40 / 23

HEX #75C476

RGB 117 196 118

HSL 120.76, 0.4%, 0.61%

LAB 72.61, -40.19, 31.72

 

CMYK 37 / 0 / 36 / 16

HEX #86D689

RGB 134 214 137

HSL 122.25, 0.49%, 0.68%

LAB 79.02, -39.97, 30.51

 

CMYK 35 / 0 / 33 / 9

HEX #97E89C

RGB 151 232 156

HSL 123.7, 0.64%, 0.75%

LAB 85.35, -39.73, 29.36

 

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

CMYK 57 / 0 / 54 / 44

HEX #3D8E42

RGB 61 142 66

HSL 123.7, 0.4%, 0.4%

LAB 52.65, -41.11, 32.92

 

CMYK 65 / 0 / 62 / 51

HEX #2C7C2F

RGB 44 124 47

HSL 122.25, 0.48%, 0.33%

LAB 45.85, -40.73, 34.29

 

CMYK 75 / 0 / 74 / 58

HEX #1B6A1C

RGB 27 106 28

HSL 120.76, 0.59%, 0.26%

LAB 38.94, -39.79, 35.39

 

CMYK 89 / 0 / 90 / 65

HEX #0A5809

RGB 10 88 9

HSL 119.24, 0.81%, 0.19%

LAB 31.95, -37.78, 35.5

 

CMYK 51 / 0 / 46 / 37

HEX #4FA056

RGB 79 160 86

HSL 125.19, 0.34%, 0.47%

LAB 59.41, -40.74, 31.07

 

CMYK 41 / 0 / 51 / 37

HEX #5EA04F

RGB 94 160 79

HSL 108.89, 0.34%, 0.47%

LAB 59.97, -37.16, 35.52

 

CMYK 28 / 0 / 51 / 37

HEX #74A04F

RGB 116 160 79

HSL 92.59, 0.34%, 0.47%

LAB 61.15, -29.39, 37.24

 

CMYK 14 / 0 / 51 / 37

HEX #8AA04F

RGB 138 160 79

HSL 76.3, 0.34%, 0.47%

LAB 62.6, -20.74, 39.33

 

CMYK 0 / 0 / 51 / 37

HEX #A0A04F

RGB 160 160 79

HSL 60, 0.34%, 0.47%

LAB 64.31, -11.57, 41.78

 

CMYK 51 / 0 / 46 / 37

HEX #4FA056

RGB 79 160 86

HSL 125.19, 0.34%, 0.47%

LAB 59.41, -40.74, 31.07

 

CMYK 51 / 0 / 33 / 37

HEX #4FA06C

RGB 79 160 108

HSL 141.48, 0.34%, 0.47%

LAB 59.79, -36.89, 19.7

 

CMYK 51 / 0 / 19 / 37

HEX #4FA082

RGB 79 160 130

HSL 157.78, 0.34%, 0.47%

LAB 60.26, -32.19, 8.11

 

CMYK 51 / 0 / 6 / 37

HEX #4FA097

RGB 79 160 151

HSL 173.33, 0.34%, 0.47%

LAB 60.82, -27.01, -2.92

 

CMYK 51 / 8 / 0 / 37

HEX #4F93A0

RGB 79 147 160

HSL 189.63, 0.34%, 0.47%

LAB 57.14, -17.85, -13.51

 

CMYK 51 / 0 / 46 / 37

HEX #4FA056

RGB 79 160 86

HSL 125.19, 0.34%, 0.47%

LAB 59.41, -40.74, 31.07

 

CMYK 67 / 0 / 61 / 30

HEX #3BB345

RGB 59 179 69

HSL 125, 0.5%, 0.47%

LAB 64.64, -55.26, 45.57

 

CMYK 80 / 0 / 73 / 22

HEX #28C735

RGB 40 199 53

HSL 124.91, 0.67%, 0.47%

LAB 70.56, -66.4, 58.32

 

CMYK 91 / 0 / 83 / 15

HEX #14DA25

RGB 20 218 37

HSL 125.15, 0.83%, 0.47%

LAB 76.33, -74.68, 68.57

 

CMYK 100 / 0 / 91 / 7

HEX #01EE15

RGB 1 238 21

HSL 125.06, 0.99%, 0.47%

LAB 82.49, -81.39, 76.93

 

CMYK 51 / 0 / 46 / 37

HEX #4FA056

RGB 79 160 86

HSL 125.19, 0.34%, 0.47%

LAB 59.41, -40.74, 31.07

 

CMYK 30 / 0 / 28 / 45

HEX #628D66

RGB 98 141 102

HSL 125.58, 0.18%, 0.47%

LAB 54.66, -23.09, 16.21

 

CMYK 3 / 0 / 2 / 53

HEX #757976

RGB 117 121 118

HSL 135, 0.02%, 0.47%

LAB 50.41, -2.11, 1.11

 

CMYK 0 / 26 / 2 / 46

HEX #896686

RGB 137 102 134

HSL 305.14, 0.15%, 0.47%

LAB 47.68, 19.77, -12.23

 

CMYK 0 / 47 / 4 / 39

HEX #9C5396

RGB 156 83 150

HSL 304.93, 0.31%, 0.47%

LAB 46.25, 40.09, -23.76

 

CMYK 28 / 0 / 51 / 37

HEX #73A04F

RGB 115 160 79

HSL 93.33, 0.34%, 0.47%

LAB 61.09, -29.76, 37.15

 

CMYK 41 / 0 / 51 / 37

HEX #5EA04F

RGB 94 160 79

HSL 108.89, 0.34%, 0.47%

LAB 59.97, -37.16, 35.52

 

CMYK 51 / 0 / 47 / 37

HEX #4FA055

RGB 79 160 85

HSL 124.44, 0.34%, 0.47%

LAB 59.4, -40.89, 31.57

 

CMYK 51 / 0 / 33 / 37

HEX #4FA06B

RGB 79 160 107

HSL 140.74, 0.34%, 0.47%

LAB 59.77, -37.08, 20.23

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 51 / 0 / 47 / 59

HEX #336938

RGB 51 105 56

HSL 125.56, 0.35%, 0.31%

LAB 39.74, -29.36, 22.13

 

CMYK 51 / 0 / 46 / 48

HEX #418447

RGB 65 132 71

HSL 125.37, 0.34%, 0.39%

LAB 49.59, -34.95, 26.49

 

CMYK 51 / 0 / 46 / 37

HEX #4FA056

RGB 79 160 86

HSL 125.19, 0.34%, 0.47%

LAB 59.41, -40.74, 31.07

 

CMYK 44 / 0 / 40 / 30

HEX #65B36C

RGB 101 179 108

HSL 125.38, 0.34%, 0.55%

LAB 66.59, -39.11, 28.94

 

CMYK 33 / 0 / 31 / 24

HEX #81C186

RGB 129 193 134

HSL 124.69, 0.34%, 0.63%

LAB 72.58, -32.44, 23.4

 

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

CMYK 51 / 14 / 0 / 37

HEX #4F89A0

RGB 79 137 160

HSL 197.04, 0.34%, 0.47%

LAB 54.12, -12.41, -18.09

 

CMYK 0 / 51 / 35 / 37

HEX #A04F68

RGB 160 79 104

HSL 341.48, 0.34%, 0.47%

LAB 44.33, 36.33, 1.25

 

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

CMYK 47 / 51 / 0 / 37

HEX #554FA0

RGB 85 79 160

HSL 244.44, 0.34%, 0.47%

LAB 37.95, 24.32, -43.35

 

CMYK 0 / 47 / 51 / 37

HEX #A0554F

RGB 160 85 79

HSL 4.44, 0.34%, 0.47%

LAB 44.99, 30.27, 17.42

 

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

CMYK 51 / 14 / 0 / 37

HEX #4F89A0

RGB 79 137 160

HSL 197.04, 0.34%, 0.47%

LAB 54.12, -12.41, -18.09

 

CMYK 0 / 51 / 4 / 37

HEX #A04F99

RGB 160 79 153

HSL 305.19, 0.34%, 0.47%

LAB 46.13, 43.97, -25.7

 

CMYK 0 / 36 / 51 / 37

HEX #A0664F

RGB 160 102 79

HSL 17.04, 0.34%, 0.47%

LAB 48.93, 20.74, 22.65

 

CMYK 51 / 0 / 47 / 37

HEX #4EA055

RGB 78 160 85

HSL 125.12, 0.34%, 0.47%

LAB 59.36, -41.17, 31.52

 

CMYK 51 / 29 / 0 / 37

HEX #4F71A0

RGB 79 113 160

HSL 214.81, 0.34%, 0.47%

LAB 46.99, 1.52, -29.09

 

CMYK 0 / 51 / 4 / 37

HEX #A04F99

RGB 160 79 153

HSL 305.19, 0.34%, 0.47%

LAB 46.13, 43.97, -25.7

 

CMYK 0 / 21 / 51 / 37

HEX #A07E4F

RGB 160 126 79

HSL 34.81, 0.34%, 0.47%

LAB 55.03, 7.07, 30.47

 

Description

Color code: RGB 78 160 85 | qconv.com Color code: RGB 78 160 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 160 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 160 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 47 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 47% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - 双樹社
Link: http://www.sohjusha.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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