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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 172 248 it is the complementary color RGB 177 83 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 172 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 172 248 shade: RGB 83 172 243, RGB 100 190 255, RGB 117 208 255, RGB 134 226 255 and RGB 151 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 172 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 172 248 shade: RGB 78 172 248, RGB 61 154 229, RGB 44 136 210, RGB 27 118 191 and RGB 10 100 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 172 248 shade: RGB 78 172 247, RGB 78 126 247, RGB 78 81 247, RGB 121 78 247 and RGB 167 78 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 172 248 shade: RGB 78 172 247, RGB 78 126 247, RGB 78 81 247 and RGB 78 78 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 172 248 shade matches the following richer shades: RGB 78 172 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 172 248 shade: RGB 78 172 247, RGB 93 170 232, RGB 108 169 217, RGB 123 167 203 and RGB 138 165 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 172 248 shade: RGB 78 247 230, RGB 78 219 247, RGB 78 174 247, RGB 78 129 247 and RGB 78 84 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 172 248 shade: RGB 9 133 234, RGB 39 153 246, RGB 78 172 247, RGB 118 190 249 and RGB 157 209 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 172 248 shade: RGB 78 172 248, RGB 185 78 247 and RGB 242 247 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 172 248 shade: RGB 78 172 248, RGB 247 78 174 and RGB 174 247 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 172 248 shade: RGB 78 172 248, RGB 185 78 247, RGB 247 151 78 and RGB 140 247 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 172 248 shade: RGB 78 172 248, RGB 236 78 247, RGB 247 151 78 and RGB 90 247 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

Complementary color

CMYK 0 / 53 / 96 / 31

HEX #B15307

RGB 177 83 7

HSL 26.82, 0.92%, 0.36%

LAB 46.38, 34.66, 54.07

 

CMYK 66 / 29 / 0 / 5

HEX #53ACF3

RGB 83 172 243

HSL 206.63, 0.87%, 0.64%

LAB 67.88, -4.91, -43.26

 

CMYK 61 / 25 / 0 / 0

HEX #64BEFF

RGB 100 190 255

HSL 205.16, 1%, 0.7%

LAB 74.03, -8.09, -40.1

 

CMYK 54 / 18 / 0 / 0

HEX #75D0FF

RGB 117 208 255

HSL 200.43, 1%, 0.73%

LAB 79.68, -14.4, -31.31

 

CMYK 47 / 11 / 0 / 0

HEX #86E2FF

RGB 134 226 255

HSL 194.38, 1%, 0.76%

LAB 85.34, -19.97, -22.6

 

CMYK 41 / 4 / 0 / 0

HEX #97F4FF

RGB 151 244 255

HSL 186.35, 1%, 0.8%

LAB 91.01, -24.91, -13.99

 

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

CMYK 73 / 33 / 0 / 10

HEX #3D9AE5

RGB 61 154 229

HSL 206.79, 0.76%, 0.57%

LAB 61.45, -2.63, -45.74

 

CMYK 79 / 35 / 0 / 18

HEX #2C88D2

RGB 44 136 210

HSL 206.75, 0.65%, 0.5%

LAB 54.86, -0.91, -45.57

 

CMYK 86 / 38 / 0 / 25

HEX #1B76BF

RGB 27 118 191

HSL 206.71, 0.75%, 0.43%

LAB 48.2, 1.27, -45.34

 

CMYK 94 / 42 / 0 / 33

HEX #0A64AC

RGB 10 100 172

HSL 206.67, 0.89%, 0.36%

LAB 41.47, 4.03, -45.04

 

CMYK 68 / 30 / 0 / 3

HEX #4EACF7

RGB 78 172 247

HSL 206.63, 0.91%, 0.64%

LAB 67.9, -4.35, -45.42

 

CMYK 68 / 49 / 0 / 3

HEX #4E7EF7

RGB 78 126 247

HSL 222.96, 0.91%, 0.64%

LAB 55.34, 22.78, -65.43

 

CMYK 68 / 67 / 0 / 3

HEX #4E51F7

RGB 78 81 247

HSL 238.93, 0.91%, 0.64%

LAB 44.55, 50.03, -82.98

 

CMYK 51 / 68 / 0 / 3

HEX #794EF7

RGB 121 78 247

HSL 255.27, 0.91%, 0.64%

LAB 47.27, 57.56, -78.38

 

CMYK 32 / 68 / 0 / 3

HEX #A74EF7

RGB 167 78 247

HSL 271.6, 0.91%, 0.64%

LAB 52.26, 65.67, -70.04

 

CMYK 68 / 30 / 0 / 3

HEX #4EACF7

RGB 78 172 247

HSL 206.63, 0.91%, 0.64%

LAB 67.9, -4.35, -45.42

 

CMYK 68 / 49 / 0 / 3

HEX #4E7EF7

RGB 78 126 247

HSL 222.96, 0.91%, 0.64%

LAB 55.34, 22.78, -65.43

 

CMYK 68 / 67 / 0 / 3

HEX #4E51F7

RGB 78 81 247

HSL 238.93, 0.91%, 0.64%

LAB 44.55, 50.03, -82.98

 

CMYK 68 / 68 / 0 / 3

HEX #4E4EF7

RGB 78 78 247

HSL 240, 0.91%, 0.64%

LAB 43.92, 51.73, -84.01

 

CMYK 68 / 30 / 0 / 3

HEX #4EACF7

RGB 78 172 247

HSL 206.63, 0.91%, 0.64%

LAB 67.9, -4.35, -45.42

 

CMYK 68 / 30 / 0 / 3

HEX #4EACF7

RGB 78 172 247

HSL 206.63, 0.91%, 0.64%

LAB 67.9, -4.35, -45.42

 

CMYK 60 / 27 / 0 / 9

HEX #5DAAE8

RGB 93 170 232

HSL 206.76, 0.75%, 0.64%

LAB 67.2, -5.61, -38.29

 

CMYK 50 / 22 / 0 / 15

HEX #6CA9D9

RGB 108 169 217

HSL 206.42, 0.59%, 0.64%

LAB 66.96, -6.51, -30.38

 

CMYK 39 / 18 / 0 / 20

HEX #7BA7CB

RGB 123 167 203

HSL 207, 0.43%, 0.64%

LAB 66.64, -5.62, -23.06

 

CMYK 27 / 12 / 0 / 26

HEX #8AA5BC

RGB 138 165 188

HSL 207.6, 0.27%, 0.64%

LAB 66.48, -4.04, -14.9

 

CMYK 68 / 0 / 7 / 3

HEX #4EF7E6

RGB 78 247 230

HSL 173.96, 0.91%, 0.64%

LAB 88.85, -46.49, -4.41

 

CMYK 68 / 11 / 0 / 3

HEX #4EDBF7

RGB 78 219 247

HSL 189.94, 0.91%, 0.64%

LAB 81.29, -28.9, -24.7

 

CMYK 68 / 30 / 0 / 3

HEX #4EAEF7

RGB 78 174 247

HSL 205.92, 0.91%, 0.64%

LAB 68.47, -5.47, -44.54

 

CMYK 68 / 48 / 0 / 3

HEX #4E81F7

RGB 78 129 247

HSL 221.89, 0.91%, 0.64%

LAB 56.12, 20.94, -64.16

 

CMYK 68 / 66 / 0 / 3

HEX #4E54F7

RGB 78 84 247

HSL 237.87, 0.91%, 0.64%

LAB 45.19, 48.3, -81.93

 

CMYK 96 / 43 / 0 / 8

HEX #0985EA

RGB 9 133 234

HSL 206.93, 0.93%, 0.48%

LAB 54.84, 7.82, -59.09

 

CMYK 84 / 38 / 0 / 4

HEX #2799F6

RGB 39 153 246

HSL 206.96, 0.92%, 0.56%

LAB 61.54, 1.85, -55

 

CMYK 68 / 30 / 0 / 3

HEX #4EACF7

RGB 78 172 247

HSL 206.63, 0.91%, 0.64%

LAB 67.9, -4.35, -45.42

 

CMYK 53 / 24 / 0 / 2

HEX #76BEF9

RGB 118 190 249

HSL 207.02, 0.92%, 0.72%

LAB 74.52, -6.38, -36.06

 

CMYK 37 / 16 / 0 / 2

HEX #9DD1FA

RGB 157 209 250

HSL 206.45, 0.9%, 0.8%

LAB 81.66, -6.93, -25.45

 

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

CMYK 25 / 68 / 0 / 3

HEX #B94EF7

RGB 185 78 247

HSL 277.99, 0.91%, 0.64%

LAB 54.53, 69.18, -66.27

 

CMYK 2 / 0 / 68 / 3

HEX #F2F74E

RGB 242 247 78

HSL 61.78, 0.91%, 0.64%

LAB 94.29, -21.18, 76.39

 

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

CMYK 0 / 68 / 30 / 3

HEX #F74EAE

RGB 247 78 174

HSL 325.92, 0.91%, 0.64%

LAB 60.14, 71.97, -15.38

 

CMYK 30 / 0 / 68 / 3

HEX #AEF74E

RGB 174 247 78

HSL 85.92, 0.91%, 0.64%

LAB 89.89, -47.25, 70.53

 

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

CMYK 25 / 68 / 0 / 3

HEX #B94EF7

RGB 185 78 247

HSL 277.99, 0.91%, 0.64%

LAB 54.53, 69.18, -66.27

 

CMYK 0 / 39 / 68 / 3

HEX #F7974E

RGB 247 151 78

HSL 25.92, 0.91%, 0.64%

LAB 71.19, 29.97, 52.54

 

CMYK 43 / 0 / 68 / 3

HEX #8CF74E

RGB 140 247 78

HSL 97.99, 0.91%, 0.64%

LAB 88.28, -58.48, 68.35

 

CMYK 69 / 31 / 0 / 3

HEX #4EACF8

RGB 78 172 248

HSL 206.82, 0.92%, 0.64%

LAB 67.95, -4.02, -45.89

 

CMYK 4 / 68 / 0 / 3

HEX #EC4EF7

RGB 236 78 247

HSL 296.09, 0.91%, 0.64%

LAB 61.65, 79.68, -54.46

 

CMYK 0 / 39 / 68 / 3

HEX #F7974E

RGB 247 151 78

HSL 25.92, 0.91%, 0.64%

LAB 71.19, 29.97, 52.54

 

CMYK 64 / 0 / 68 / 3

HEX #5AF74E

RGB 90 247 78

HSL 115.74, 0.91%, 0.64%

LAB 86.63, -71.27, 66.12

 

Description

Color code: RGB 78 172 248 | qconv.com Color code: RGB 78 172 248 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 172 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 172 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 31 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 31% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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