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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 196 90 it is the complementary color RGB 177 59 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 196 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 196 90 shade: RGB 83 196 85, RGB 100 214 104, RGB 117 232 123, RGB 134 250 142 and RGB 151 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 196 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 196 90 shade: RGB 78 196 90, RGB 61 178 71, RGB 44 160 52, RGB 27 142 33 and RGB 10 124 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 196 90 shade: RGB 79 196 90, RGB 98 196 79, RGB 130 196 79, RGB 162 196 79 and RGB 193 196 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 196 90 shade: RGB 79 196 90, RGB 79 196 122, RGB 79 196 154, RGB 79 196 185 and RGB 79 175 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 196 90 shade matches the following richer shades: RGB 79 196 90, RGB 60 215 75, RGB 41 234 60 and RGB 22 253 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 196 90 shade: RGB 79 196 90, RGB 98 177 106, RGB 117 158 121, RGB 135 139 136 and RGB 154 120 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 196 90 shade: RGB 129 196 79, RGB 98 196 79, RGB 79 196 90, RGB 79 196 122 and RGB 79 196 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 196 90 shade: RGB 48 144 58, RGB 58 175 70, RGB 79 196 90, RGB 109 206 119 and RGB 140 216 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 196 90 shade: RGB 78 196 90, RGB 79 161 196 and RGB 196 79 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 196 90 shade: RGB 78 196 90, RGB 90 79 196 and RGB 196 90 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 196 90 shade: RGB 78 196 90, RGB 79 161 196, RGB 196 79 184 and RGB 196 114 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 196 90 shade: RGB 78 196 90, RGB 79 125 196, RGB 196 79 184 and RGB 196 149 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

Complementary color

CMYK 0 / 67 / 7 / 31

HEX #B13BA5

RGB 177 59 165

HSL 306.1, 0.5%, 0.46%

LAB 45.9, 59.8, -33.02

 

CMYK 58 / 0 / 57 / 23

HEX #53C455

RGB 83 196 85

HSL 121.06, 0.49%, 0.55%

LAB 70.85, -54.24, 45.59

 

CMYK 53 / 0 / 51 / 16

HEX #64D668

RGB 100 214 104

HSL 122.11, 0.58%, 0.62%

LAB 77.16, -54.45, 44.31

 

CMYK 50 / 0 / 47 / 9

HEX #75E87B

RGB 117 232 123

HSL 123.13, 0.71%, 0.68%

LAB 83.4, -54.49, 43.02

 

CMYK 46 / 0 / 43 / 2

HEX #86FA8E

RGB 134 250 142

HSL 124.14, 0.92%, 0.75%

LAB 89.58, -54.43, 41.76

 

CMYK 41 / 0 / 37 / 0

HEX #97FFA1

RGB 151 255 161

HSL 125.77, 1%, 0.8%

LAB 91.99, -48.91, 35.69

 

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

CMYK 66 / 0 / 60 / 30

HEX #3DB247

RGB 61 178 71

HSL 125.13, 0.49%, 0.47%

LAB 64.39, -54.26, 44.38

 

CMYK 73 / 0 / 68 / 37

HEX #2CA034

RGB 44 160 52

HSL 124.14, 0.57%, 0.4%

LAB 57.97, -53.33, 45.53

 

CMYK 81 / 0 / 77 / 44

HEX #1B8E21

RGB 27 142 33

HSL 123.13, 0.68%, 0.33%

LAB 51.48, -51.73, 46.24

 

CMYK 92 / 0 / 89 / 51

HEX #0A7C0E

RGB 10 124 14

HSL 122.11, 0.85%, 0.26%

LAB 44.96, -49.13, 45.89

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 50 / 0 / 60 / 23

HEX #62C44F

RGB 98 196 79

HSL 110.26, 0.5%, 0.54%

LAB 71.31, -50.98, 49

 

CMYK 34 / 0 / 60 / 23

HEX #82C44F

RGB 130 196 79

HSL 93.85, 0.5%, 0.54%

LAB 72.75, -40.78, 51.03

 

CMYK 17 / 0 / 60 / 23

HEX #A2C44F

RGB 162 196 79

HSL 77.44, 0.5%, 0.54%

LAB 74.65, -28.8, 53.67

 

CMYK 2 / 0 / 60 / 23

HEX #C1C44F

RGB 193 196 79

HSL 61.54, 0.5%, 0.54%

LAB 76.91, -16.21, 56.8

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 60 / 0 / 38 / 23

HEX #4FC47A

RGB 79 196 122

HSL 142.05, 0.5%, 0.54%

LAB 71.25, -49.51, 27.58

 

CMYK 60 / 0 / 21 / 23

HEX #4FC49A

RGB 79 196 154

HSL 158.46, 0.5%, 0.54%

LAB 71.88, -42.96, 11.39

 

CMYK 60 / 0 / 6 / 23

HEX #4FC4B9

RGB 79 196 185

HSL 174.36, 0.5%, 0.54%

LAB 72.66, -35.32, -4.31

 

CMYK 60 / 11 / 0 / 23

HEX #4FAFC4

RGB 79 175 196

HSL 190.77, 0.5%, 0.54%

LAB 66.75, -21.97, -19.19

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 72 / 0 / 65 / 16

HEX #3CD74B

RGB 60 215 75

HSL 125.81, 0.66%, 0.54%

LAB 76.11, -66.6, 55.81

 

CMYK 82 / 0 / 74 / 8

HEX #29EA3C

RGB 41 234 60

HSL 125.91, 0.82%, 0.54%

LAB 81.64, -76.14, 67.06

 

CMYK 91 / 0 / 82 / 1

HEX #16FD2D

RGB 22 253 45

HSL 125.97, 0.98%, 0.54%

LAB 87.3, -83.71, 76.63

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 45 / 0 / 40 / 31

HEX #62B16A

RGB 98 177 106

HSL 126.08, 0.34%, 0.54%

LAB 65.81, -39.44, 28.95

 

CMYK 26 / 0 / 23 / 38

HEX #759E79

RGB 117 158 121

HSL 125.85, 0.17%, 0.54%

LAB 61.32, -21.64, 14.91

 

CMYK 3 / 0 / 2 / 45

HEX #878B88

RGB 135 139 136

HSL 135, 0.02%, 0.54%

LAB 57.46, -2.06, 1.08

 

CMYK 0 / 22 / 2 / 40

HEX #9A7897

RGB 154 120 151

HSL 305.29, 0.14%, 0.54%

LAB 54.59, 18.74, -11.64

 

CMYK 34 / 0 / 60 / 23

HEX #81C44F

RGB 129 196 79

HSL 94.36, 0.5%, 0.54%

LAB 72.7, -41.13, 50.95

 

CMYK 50 / 0 / 60 / 23

HEX #62C44F

RGB 98 196 79

HSL 110.26, 0.5%, 0.54%

LAB 71.31, -50.98, 49

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 60 / 0 / 38 / 23

HEX #4FC47A

RGB 79 196 122

HSL 142.05, 0.5%, 0.54%

LAB 71.25, -49.51, 27.58

 

CMYK 60 / 0 / 22 / 23

HEX #4FC499

RGB 79 196 153

HSL 157.95, 0.5%, 0.54%

LAB 71.85, -43.18, 11.9

 

CMYK 67 / 0 / 60 / 44

HEX #30903A

RGB 48 144 58

HSL 126.25, 0.5%, 0.38%

LAB 52.82, -46.11, 37.02

 

CMYK 67 / 0 / 60 / 31

HEX #3AAF46

RGB 58 175 70

HSL 126.15, 0.5%, 0.46%

LAB 63.34, -53.91, 43.62

 

CMYK 60 / 0 / 54 / 23

HEX #4FC45A

RGB 79 196 90

HSL 125.64, 0.5%, 0.54%

LAB 70.79, -54.54, 43.12

 

CMYK 47 / 0 / 42 / 19

HEX #6DCE77

RGB 109 206 119

HSL 126.19, 0.5%, 0.62%

LAB 75.28, -46.68, 34.61

 

CMYK 35 / 0 / 31 / 15

HEX #8CD894

RGB 140 216 148

HSL 126.32, 0.49%, 0.7%

LAB 80.08, -37.23, 26.29

 

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

CMYK 60 / 18 / 0 / 23

HEX #4FA1C4

RGB 79 161 196

HSL 197.95, 0.5%, 0.54%

LAB 62.62, -14.6, -25.51

 

CMYK 0 / 60 / 42 / 23

HEX #C44F72

RGB 196 79 114

HSL 342.05, 0.5%, 0.54%

LAB 50.15, 49.93, 4.3

 

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

CMYK 54 / 60 / 0 / 23

HEX #5A4FC4

RGB 90 79 196

HSL 245.64, 0.5%, 0.54%

LAB 40.82, 36.68, -59.95

 

CMYK 0 / 54 / 60 / 23

HEX #C45A4F

RGB 196 90 79

HSL 5.64, 0.5%, 0.54%

LAB 51.4, 41.53, 26.83

 

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

CMYK 60 / 18 / 0 / 23

HEX #4FA1C4

RGB 79 161 196

HSL 197.95, 0.5%, 0.54%

LAB 62.62, -14.6, -25.51

 

CMYK 0 / 60 / 6 / 23

HEX #C44FB8

RGB 196 79 184

HSL 306.15, 0.5%, 0.54%

LAB 52.72, 59.48, -33.27

 

CMYK 0 / 42 / 60 / 23

HEX #C4724F

RGB 196 114 79

HSL 17.95, 0.5%, 0.54%

LAB 56.42, 29, 33.14

 

CMYK 60 / 0 / 54 / 23

HEX #4EC45A

RGB 78 196 90

HSL 126.1, 0.5%, 0.54%

LAB 70.76, -54.77, 43.07

 

CMYK 60 / 36 / 0 / 23

HEX #4F7DC4

RGB 79 125 196

HSL 216.41, 0.5%, 0.54%

LAB 52.19, 6.03, -41.77

 

CMYK 0 / 60 / 6 / 23

HEX #C44FB8

RGB 196 79 184

HSL 306.15, 0.5%, 0.54%

LAB 52.72, 59.48, -33.27

 

CMYK 0 / 24 / 60 / 23

HEX #C4954F

RGB 196 149 79

HSL 35.9, 0.5%, 0.54%

LAB 64.8, 9.85, 43.21

 

Description

Color code: RGB 78 196 90 | qconv.com Color code: RGB 78 196 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 196 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 196 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 54% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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