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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 199 239 it is the complementary color RGB 177 56 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 199 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 199 239 shade: RGB 83 199 234, RGB 100 217 253, RGB 117 235 255, RGB 134 253 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 199 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 199 239 shade: RGB 78 199 239, RGB 61 181 220, RGB 44 163 201, RGB 27 145 182 and RGB 10 127 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 199 239 shade: RGB 77 198 238, RGB 77 155 238, RGB 77 111 238, RGB 86 77 238 and RGB 130 77 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 199 239 shade: RGB 77 198 238, RGB 77 155 238, RGB 77 111 238 and RGB 77 77 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 199 239 shade matches the following richer shades: RGB 77 198 238 and RGB 61 206 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 199 239 shade: RGB 77 198 238, RGB 93 190 222, RGB 109 182 207, RGB 124 174 191 and RGB 140 167 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 199 239 shade: RGB 77 238 190, RGB 77 238 233, RGB 77 200 238, RGB 77 158 238 and RGB 77 115 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 199 239 shade: RGB 19 165 213, RGB 39 186 235, RGB 77 198 238, RGB 115 210 242 and RGB 153 222 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 199 239 shade: RGB 78 199 239, RGB 147 77 238 and RGB 238 211 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 199 239 shade: RGB 78 199 239, RGB 238 77 200 and RGB 200 238 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 199 239 shade: RGB 78 199 239, RGB 147 77 238, RGB 238 115 77 and RGB 168 238 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 199 239 shade: RGB 78 199 239, RGB 195 77 238, RGB 238 115 77 and RGB 120 238 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

Complementary color

CMYK 0 / 68 / 91 / 31

HEX #B13810

RGB 177 56 16

HSL 14.91, 0.83%, 0.38%

LAB 41.55, 47.52, 48.16

 

CMYK 65 / 15 / 0 / 8

HEX #53C7EA

RGB 83 199 234

HSL 193.91, 0.78%, 0.62%

LAB 75.22, -22.14, -27.01

 

CMYK 60 / 14 / 0 / 1

HEX #64D9FD

RGB 100 217 253

HSL 194.12, 0.97%, 0.69%

LAB 81.53, -22.76, -27.47

 

CMYK 54 / 8 / 0 / 0

HEX #75EBFF

RGB 117 235 255

HSL 188.7, 1%, 0.73%

LAB 87.2, -27.94, -19.85

 

CMYK 47 / 1 / 0 / 0

HEX #86FDFF

RGB 134 253 255

HSL 180.99, 1%, 0.76%

LAB 92.81, -33.05, -11.37

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

CMYK 72 / 18 / 0 / 14

HEX #3DB5DC

RGB 61 181 220

HSL 194.72, 0.69%, 0.55%

LAB 68.9, -20.43, -29.16

 

CMYK 78 / 19 / 0 / 21

HEX #2CA3C9

RGB 44 163 201

HSL 194.52, 0.64%, 0.48%

LAB 62.46, -19.22, -28.62

 

CMYK 85 / 20 / 0 / 29

HEX #1B91B6

RGB 27 145 182

HSL 194.32, 0.74%, 0.41%

LAB 55.95, -17.66, -28.02

 

CMYK 94 / 22 / 0 / 36

HEX #0A7FA3

RGB 10 127 163

HSL 194.12, 0.88%, 0.34%

LAB 49.36, -15.63, -27.31

 

CMYK 68 / 17 / 0 / 7

HEX #4DC6EE

RGB 77 198 238

HSL 194.91, 0.83%, 0.62%

LAB 74.91, -21.31, -29.65

 

CMYK 68 / 35 / 0 / 7

HEX #4D9BEE

RGB 77 155 238

HSL 210.93, 0.83%, 0.62%

LAB 62.67, 2.14, -48.74

 

CMYK 68 / 53 / 0 / 7

HEX #4D6FEE

RGB 77 111 238

HSL 227.33, 0.83%, 0.62%

LAB 50.83, 28.76, -67.7

 

CMYK 64 / 68 / 0 / 7

HEX #564DEE

RGB 86 77 238

HSL 243.35, 0.83%, 0.62%

LAB 43.45, 50.4, -79.71

 

CMYK 45 / 68 / 0 / 7

HEX #824DEE

RGB 130 77 238

HSL 259.75, 0.83%, 0.62%

LAB 47.27, 57.15, -73.31

 

CMYK 68 / 17 / 0 / 7

HEX #4DC6EE

RGB 77 198 238

HSL 194.91, 0.83%, 0.62%

LAB 74.91, -21.31, -29.65

 

CMYK 68 / 35 / 0 / 7

HEX #4D9BEE

RGB 77 155 238

HSL 210.93, 0.83%, 0.62%

LAB 62.67, 2.14, -48.74

 

CMYK 68 / 53 / 0 / 7

HEX #4D6FEE

RGB 77 111 238

HSL 227.33, 0.83%, 0.62%

LAB 50.83, 28.76, -67.7

 

CMYK 68 / 68 / 0 / 7

HEX #4D4DEE

RGB 77 77 238

HSL 240, 0.83%, 0.62%

LAB 42.85, 49.31, -80.71

 

CMYK 68 / 17 / 0 / 7

HEX #4DC6EE

RGB 77 198 238

HSL 194.91, 0.83%, 0.62%

LAB 74.91, -21.31, -29.65

 

CMYK 76 / 19 / 0 / 0

HEX #3DCEFE

RGB 61 206 254

HSL 194.92, 0.99%, 0.62%

LAB 77.45, -22.33, -34.34

 

CMYK 68 / 17 / 0 / 7

HEX #4DC6EE

RGB 77 198 238

HSL 194.91, 0.83%, 0.62%

LAB 74.91, -21.31, -29.65

 

CMYK 58 / 14 / 0 / 13

HEX #5DBEDE

RGB 93 190 222

HSL 194.88, 0.66%, 0.62%

LAB 72.51, -19.38, -24.63

 

CMYK 47 / 12 / 0 / 19

HEX #6DB6CF

RGB 109 182 207

HSL 195.31, 0.51%, 0.62%

LAB 70.32, -16.12, -19.72

 

CMYK 35 / 9 / 0 / 25

HEX #7CAEBF

RGB 124 174 191

HSL 195.22, 0.34%, 0.62%

LAB 68.25, -12.27, -13.97

 

CMYK 20 / 5 / 0 / 31

HEX #8CA7AF

RGB 140 167 175

HSL 193.71, 0.18%, 0.62%

LAB 66.75, -7.52, -7.24

 

CMYK 68 / 0 / 20 / 7

HEX #4DEEBE

RGB 77 238 190

HSL 162.11, 0.83%, 0.62%

LAB 85.22, -52.68, 11.21

 

CMYK 68 / 0 / 2 / 7

HEX #4DEEE9

RGB 77 238 233

HSL 178.14, 0.83%, 0.62%

LAB 86.31, -41.88, -9.75

 

CMYK 68 / 16 / 0 / 7

HEX #4DC8EE

RGB 77 200 238

HSL 194.16, 0.83%, 0.62%

LAB 75.49, -22.33, -28.77

 

CMYK 68 / 34 / 0 / 7

HEX #4D9EEE

RGB 77 158 238

HSL 209.81, 0.83%, 0.62%

LAB 63.51, 0.41, -47.42

 

CMYK 68 / 52 / 0 / 7

HEX #4D73EE

RGB 77 115 238

HSL 225.84, 0.83%, 0.62%

LAB 51.85, 26.28, -66.05

 

CMYK 91 / 23 / 0 / 16

HEX #13A5D5

RGB 19 165 213

HSL 194.85, 0.84%, 0.45%

LAB 63.22, -18.01, -34.15

 

CMYK 83 / 21 / 0 / 8

HEX #27BAEB

RGB 39 186 235

HSL 195, 0.83%, 0.54%

LAB 70.56, -20.29, -34.81

 

CMYK 68 / 17 / 0 / 7

HEX #4DC6EE

RGB 77 198 238

HSL 194.91, 0.83%, 0.62%

LAB 74.91, -21.31, -29.65

 

CMYK 52 / 13 / 0 / 5

HEX #73D2F2

RGB 115 210 242

HSL 195.12, 0.83%, 0.7%

LAB 79.7, -19.52, -24.36

 

CMYK 38 / 9 / 0 / 4

HEX #99DEF5

RGB 153 222 245

HSL 195, 0.82%, 0.78%

LAB 84.8, -15.95, -18.07

 

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

CMYK 38 / 68 / 0 / 7

HEX #934DEE

RGB 147 77 238

HSL 266.09, 0.83%, 0.62%

LAB 49.11, 60.23, -70.23

 

CMYK 0 / 11 / 68 / 7

HEX #EED34D

RGB 238 211 77

HSL 49.94, 0.83%, 0.62%

LAB 84.64, -5.12, 66.95

 

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

CMYK 0 / 68 / 16 / 7

HEX #EE4DC8

RGB 238 77 200

HSL 314.16, 0.83%, 0.62%

LAB 59.58, 73.35, -31.29

 

CMYK 16 / 0 / 68 / 7

HEX #C8EE4D

RGB 200 238 77

HSL 74.16, 0.83%, 0.62%

LAB 88.91, -33.68, 70.38

 

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

CMYK 38 / 68 / 0 / 7

HEX #934DEE

RGB 147 77 238

HSL 266.09, 0.83%, 0.62%

LAB 49.11, 60.23, -70.23

 

CMYK 0 / 52 / 68 / 7

HEX #EE734D

RGB 238 115 77

HSL 14.16, 0.83%, 0.62%

LAB 62.49, 44.73, 42.89

 

CMYK 29 / 0 / 68 / 7

HEX #A8EE4D

RGB 168 238 77

HSL 86.09, 0.83%, 0.62%

LAB 87, -45.63, 67.82

 

CMYK 67 / 17 / 0 / 6

HEX #4EC7EF

RGB 78 199 239

HSL 194.91, 0.83%, 0.62%

LAB 75.26, -21.37, -29.65

 

CMYK 18 / 68 / 0 / 7

HEX #C34DEE

RGB 195 77 238

HSL 283.98, 0.83%, 0.62%

LAB 55.16, 69.82, -60.16

 

CMYK 0 / 52 / 68 / 7

HEX #EE734D

RGB 238 115 77

HSL 14.16, 0.83%, 0.62%

LAB 62.49, 44.73, 42.89

 

CMYK 50 / 0 / 68 / 7

HEX #78EE4D

RGB 120 238 77

HSL 103.98, 0.83%, 0.62%

LAB 84.83, -60.99, 64.88

 

Description

Color code: RGB 78 199 239 | qconv.com Color code: RGB 78 199 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 199 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 199 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 17 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 17% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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