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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 206 179 it is the complementary color RGB 177 49 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 206 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 206 179 shade: RGB 83 206 174, RGB 100 224 193, RGB 117 242 212, RGB 134 255 231 and RGB 151 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 206 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 61 188 160, RGB 44 170 141, RGB 27 152 122 and RGB 10 134 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 78 206 145, RGB 78 206 110, RGB 81 206 78 and RGB 115 206 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 78 199 206, RGB 78 164 206, RGB 78 130 206 and RGB 78 95 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 206 179 shade matches the following richer shades: RGB 78 206 179, RGB 60 224 190 and RGB 42 243 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 96 188 169, RGB 115 170 158, RGB 133 152 148 and RGB 151 134 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 206 179 shade: RGB 78 206 110, RGB 78 206 144, RGB 78 206 179, RGB 78 200 206 and RGB 78 166 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 206 179 shade: RGB 43 159 134, RGB 52 191 162, RGB 78 206 179, RGB 111 215 193 and RGB 143 224 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 78 80 206 and RGB 206 127 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 179 78 206 and RGB 206 179 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 78 80 206, RGB 206 78 106 and RGB 206 204 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 206 179 shade: RGB 78 206 179, RGB 115 78 206, RGB 206 78 106 and RGB 170 206 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

Complementary color

CMYK 0 / 72 / 57 / 31

HEX #B1314C

RGB 177 49 76

HSL 347.34, 0.57%, 0.44%

LAB 41.32, 52.95, 14.77

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 55 / 0 / 14 / 12

HEX #64E0C1

RGB 100 224 193

HSL 165, 0.67%, 0.64%

LAB 81.77, -41.98, 4.76

 

CMYK 52 / 0 / 12 / 5

HEX #75F2D4

RGB 117 242 212

HSL 165.6, 0.83%, 0.7%

LAB 87.99, -42, 3.84

 

CMYK 47 / 0 / 9 / 0

HEX #86FFE7

RGB 134 255 231

HSL 168.1, 1%, 0.76%

LAB 92.73, -39.72, 0.94

 

CMYK 41 / 0 / 2 / 0

HEX #97FFFA

RGB 151 255 250

HSL 177.12, 1%, 0.8%

LAB 93.88, -31.37, -7.12

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 68 / 0 / 15 / 26

HEX #3DBCA0

RGB 61 188 160

HSL 166.77, 0.51%, 0.49%

LAB 69.11, -41.23, 4.1

 

CMYK 74 / 0 / 17 / 33

HEX #2CAA8D

RGB 44 170 141

HSL 166.19, 0.59%, 0.42%

LAB 62.68, -40.66, 5.29

 

CMYK 82 / 0 / 20 / 40

HEX #1B987A

RGB 27 152 122

HSL 165.6, 0.7%, 0.35%

LAB 56.18, -39.78, 6.63

 

CMYK 93 / 0 / 23 / 47

HEX #0A8667

RGB 10 134 103

HSL 165, 0.86%, 0.28%

LAB 49.61, -38.41, 8.16

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 62 / 0 / 30 / 19

HEX #4ECE91

RGB 78 206 145

HSL 151.41, 0.57%, 0.56%

LAB 74.7, -49.31, 20.14

 

CMYK 62 / 0 / 47 / 19

HEX #4ECE6E

RGB 78 206 110

HSL 135, 0.57%, 0.56%

LAB 74.12, -55.64, 37.44

 

CMYK 61 / 0 / 62 / 19

HEX #51CE4E

RGB 81 206 78

HSL 118.59, 0.57%, 0.56%

LAB 73.83, -59.17, 52.15

 

CMYK 44 / 0 / 62 / 19

HEX #73CE4E

RGB 115 206 78

HSL 102.66, 0.57%, 0.56%

LAB 75.04, -50.03, 53.83

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 62 / 3 / 0 / 19

HEX #4EC7CE

RGB 78 199 206

HSL 183.28, 0.57%, 0.56%

LAB 74.14, -31.16, -13.52

 

CMYK 62 / 20 / 0 / 19

HEX #4EA4CE

RGB 78 164 206

HSL 199.69, 0.57%, 0.56%

LAB 63.86, -13.28, -29.18

 

CMYK 62 / 37 / 0 / 19

HEX #4E82CE

RGB 78 130 206

HSL 215.63, 0.57%, 0.56%

LAB 54.07, 6.19, -44.49

 

CMYK 62 / 54 / 0 / 19

HEX #4E5FCE

RGB 78 95 206

HSL 232.03, 0.57%, 0.56%

LAB 44.6, 27.89, -59.64

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 73 / 0 / 15 / 12

HEX #3CE0BE

RGB 60 224 190

HSL 167.56, 0.73%, 0.56%

LAB 80.73, -49.21, 4.73

 

CMYK 83 / 0 / 18 / 5

HEX #2AF3C8

RGB 42 243 200

HSL 167.16, 0.89%, 0.56%

LAB 86.39, -56.21, 7.59

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 49 / 0 / 10 / 26

HEX #60BCA9

RGB 96 188 169

HSL 167.61, 0.41%, 0.56%

LAB 70.4, -32.09, 1.18

 

CMYK 32 / 0 / 7 / 33

HEX #73AA9E

RGB 115 170 158

HSL 166.91, 0.24%, 0.56%

LAB 65.64, -20.74, 0.42

 

CMYK 13 / 0 / 3 / 40

HEX #859894

RGB 133 152 148

HSL 167.37, 0.08%, 0.56%

LAB 61.29, -7.55, -0.19

 

CMYK 0 / 11 / 9 / 41

HEX #978689

RGB 151 134 137

HSL 349.41, 0.08%, 0.56%

LAB 57.5, 6.95, 0.73

 

CMYK 62 / 0 / 47 / 19

HEX #4ECE6E

RGB 78 206 110

HSL 135, 0.57%, 0.56%

LAB 74.12, -55.64, 37.44

 

CMYK 62 / 0 / 30 / 19

HEX #4ECE90

RGB 78 206 144

HSL 150.94, 0.57%, 0.56%

LAB 74.68, -49.51, 20.65

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 62 / 3 / 0 / 19

HEX #4EC8CE

RGB 78 200 206

HSL 182.81, 0.57%, 0.56%

LAB 74.44, -31.64, -13.08

 

CMYK 62 / 19 / 0 / 19

HEX #4EA6CE

RGB 78 166 206

HSL 198.75, 0.57%, 0.56%

LAB 64.44, -14.36, -28.28

 

CMYK 73 / 0 / 16 / 38

HEX #2B9F86

RGB 43 159 134

HSL 167.07, 0.57%, 0.4%

LAB 59, -37.78, 3.92

 

CMYK 73 / 0 / 15 / 25

HEX #34BFA2

RGB 52 191 162

HSL 167.48, 0.57%, 0.48%

LAB 69.89, -43.31, 4.12

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 48 / 0 / 10 / 16

HEX #6FD7C1

RGB 111 215 193

HSL 167.31, 0.57%, 0.64%

LAB 79.52, -35.52, 1.55

 

CMYK 36 / 0 / 8 / 12

HEX #8FE0CF

RGB 143 224 207

HSL 167.41, 0.57%, 0.72%

LAB 83.79, -28.53, 0.49

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 62 / 61 / 0 / 19

HEX #4E50CE

RGB 78 80 206

HSL 239.06, 0.57%, 0.56%

LAB 40.92, 37.21, -65.62

 

CMYK 0 / 38 / 62 / 19

HEX #CE7F4E

RGB 206 127 78

HSL 22.97, 0.57%, 0.56%

LAB 60.65, 26, 39.11

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 13 / 62 / 0 / 19

HEX #B34ECE

RGB 179 78 206

HSL 287.34, 0.57%, 0.56%

LAB 51.25, 59.59, -48.42

 

CMYK 0 / 13 / 62 / 19

HEX #CEB34E

RGB 206 179 78

HSL 47.34, 0.57%, 0.56%

LAB 73.49, -2.04, 53.81

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 62 / 61 / 0 / 19

HEX #4E50CE

RGB 78 80 206

HSL 239.06, 0.57%, 0.56%

LAB 40.92, 37.21, -65.62

 

CMYK 0 / 62 / 49 / 19

HEX #CE4E6A

RGB 206 78 106

HSL 346.88, 0.57%, 0.56%

LAB 51.39, 52.86, 11.1

 

CMYK 0 / 1 / 62 / 19

HEX #CECC4E

RGB 206 204 78

HSL 59.06, 0.57%, 0.56%

LAB 80.1, -14.89, 60.97

 

CMYK 62 / 0 / 13 / 19

HEX #4ECEB3

RGB 78 206 179

HSL 167.34, 0.57%, 0.56%

LAB 75.46, -41.57, 3.03

 

CMYK 44 / 62 / 0 / 19

HEX #734ECE

RGB 115 78 206

HSL 257.34, 0.57%, 0.56%

LAB 43.58, 45.15, -61.16

 

CMYK 0 / 62 / 49 / 19

HEX #CE4E6A

RGB 206 78 106

HSL 346.88, 0.57%, 0.56%

LAB 51.39, 52.86, 11.1

 

CMYK 17 / 0 / 62 / 19

HEX #AACE4E

RGB 170 206 78

HSL 76.88, 0.57%, 0.56%

LAB 78.02, -30.47, 57.95

 

Description

Color code: RGB 78 206 179 | qconv.com Color code: RGB 78 206 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 206 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 206 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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